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COLOR

COLOR. COLOR. Picasso, Guernica , 1937. Paul Cézanne, Still Life with Green Melon , 1902-06 BW. Paul Cézanne, Still Life with Green Melon , 1902-06 CO. Monochromatic. - using only one color. Mark Tansey, The Bricoleur’s Daughter, 1987. Gunther Gerzso Southern.

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COLOR

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  1. COLOR COLOR

  2. Picasso, Guernica, 1937

  3. Paul Cézanne, Still Life with Green Melon, 1902-06 BW

  4. Paul Cézanne, Still Life with Green Melon, 1902-06 CO

  5. Monochromatic - using only one color

  6. Mark Tansey, The Bricoleur’s Daughter, 1987

  7. Gunther GerzsoSouthern

  8. MichaelangeloSistene Chapeldetail (medallion)

  9. Monochromatic medallion

  10. Barnett Newman, Yellow Painting, 1949

  11. Gunther GerzsoOpposite

  12. Mark Rothko, untitled, 1968

  13. Church, Frederic EdwinRainy Season in the Tropics1866, Oil on canvas, 56 1/4 x 84 3/16 in. The Fine Arts Museums of San Francisco

  14. COLOR WHEEL HUE

  15. informal definitions HUE – a particular gradation of color; a spectral color (a color from the spectrum) Color – many definitions! A broader term, including all hues, non-spectral colors and maybe even white & black

  16. PRIMARY & secondary RED PURPLE BLUE GREEN YELLOW ORANGE

  17. Robert Delaunay, Circular Forms, c. 1912

  18. Gunther GerzsoPersonaje

  19. Complementary Colors • opposites on the color wheel • unsettling, hard to look at - note: NOT COMPLIMENTARY

  20. Barnett Newman, Dionysius, 1944, 67x49in. Complementary colors Analagous colors

  21. Analagous colors Matisse,Seated Riffian,1912-13 Complementary colors

  22. Monet, Impression: Sunrise, 1872

  23. Analogous Colors • neighbors on the color wheel

  24. Van Gogh, Sunflowers, 1888

  25. TINT – adding white to a hue, or a hue to white VALUE SHADE – adding black to a hue or vice versa

  26. a very aware use of contrasts of complementary & analogous colors AND shades and tints Robert Delaunay, Circular Forms, c. 1912

  27. Franz Marc, Fighting Forms SATURATION – brilliance or depth of color

  28. LUMINENCE LUMINENCE LUMINENCE LUMINENCE

  29. Monet, Impression: Sunrise, 1872

  30. Monet, Impression: Sunrise, 1872

  31. Ellsworth KellyRed, Yellow, Blue I, 1963a/c, 3 joined panels, 90" x 90" overall

  32. Ellsworth KellyRed, Yellow, Blue I, 1963a/c, 3 joined panels, 90" x 90" overall

  33. Raphael, Madonna dell Granduca, c.1505 33x22in

  34. Raphael, Madonna dell Granduca, c.1505 33x22in

  35. Triadic Color Schemes NOT JUST ANY 3 COLORS

  36. Raphael, School of Athens, 1511

  37. Ellsworth KellyRed, Yellow, Blue I, 1963a/c, 3 joined panels, 90" x 90" overall

  38. Raphael, Madonna dell Granduca, c.1505 33x22in

  39. PRIMARY & secondary RED PURPLE BLUE GREEN YELLOW ORANGE

  40. Also note countershading

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