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music: an appreciation 8 th edition by roger kamien

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music: an appreciation 8 th edition by roger kamien

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    1. Music: An Appreciation8th Editionby Roger Kamien Unit IV The Baroque Period 1600-1750

    3. The Baroque Style Time of flamboyant lifestyle

    4. Chpt. 1: Baroque Music Period begins with rise of Opera

    5. Unity of Mood

    6. Texture

    7. Based on violin family of instruments

    8. Instrumental music frequently made up of movements

    9. Chpt. 2: Music in Baroque Society Music written to order

    10. Chpt. 2: Music in Baroque Society Some aristocrats were musicians

    11. Chpt. 3: The Concerto Grosso and Ritornello Form Concerto Grosso

    12. Chpt. 3: The Concerto Grosso and Ritornello Form Ritornello

    13. Listening Brandenberg Concerto No. 5 in D major by Johann Sebastian Bach

    14. Chpt. 4: The Fugue Polyphonic composition

    15. Listening Organ Fugue in G minor by J. S. Bach

    16. Chpt. 5: The Elements of Opera Drama sung to orchestra accompaniment

    17. Chpt. 5: The Elements of Opera Chorus: groups of actors playing crowd parts

    18. Chpt. 6: Opera in the Baroque Era Result of musical discussions of the Camerata in Florence

    19. Chpt. 7: Claudio Monteverdi Italian, early Baroque composer

    20. Listening Tu Se Morta from Orfeo by Monteverdi

    21. Chpt. 8: Henry Purcell English composer (1659-1695)

    22. Listening Didos Lament from Dido and Aeneas by Purcell

    23. Chpt. 9: The Baroque Sonata Instrumental work

    24. Chpt 10: Arcangelo Corelli Trio Sonata in A Minor, Op.3 No. 10 by Arcangelo Corelli For 2 violins and basso continuo Listening Guide: p. 154 Supplementary Set, CD 1:2 Note: Polyphonic texture Multi movement work Contrast between movements

    25. Chpt. 11: Antonio Vivaldi Late Baroque Italian composer

    26. Listening La Primavera (Spring), Op. 8, No. 1, from The Four Seasons (1725) by Vivaldi Listening Guide: p. 158 Brief Set, CD 2:1 Concerto for violin and string orchestra Note: Polyphonic texture & ritornello form Baroque program music Descriptive effects (e.g., bird songs)

    27. Chpt. 12: Johann Sebastian Bach German, late Baroque composer

    28. Chpt. 13: The Baroque Suite Instrumental, Multi-movement work

    29. Listening Suite No. 3 in D Major (~1730) by J. S. Bach, 2nd, 4th, & 5th mvts. Listening Guide: p. 171 Basic Set, CD 2:33, 35, 37 Note: Extensive polyphony Contrast of dance forms and tempo in various movements

    30. Chpt. 14: The Chorale and Church Cantata Lutheran church service was social event of the week

    31. Listening Cantata No. 140: Wachet Auf, Ruft Uns Die Stimme (Awake, A Voice Is Calling Us) by J. S. Bach (1731), Movements 1, 4, & 7 Listening Guides: p. 177 Basic Set, CD 2:39, 42, 45 Note: Vernacular (German) text Chorale tune basis Polyphonic until chorale in movement 7 Movement 7provides for congregation to join in

    32. Chpt. 15: The Oratorio Like opera: Large-scale work for chorus, soloists, and orchestra Contains arias, recitatives, ensembles

    33. Chpt. 16: George Frederic Handel Born in Germanysame year as Bach Not from musical family Father wanted him to be a lawyer

    34. Listening From The Messiah by G. F. Handel (1741) Every Valley Shall Be Exalted Listening Guide: p. 187 Basic Set, CD 2:50

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