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Chapter 27

Chapter 27. Color. Color depends mostly on light’s. frequency. speed. transmission. amplitude. Color depends mostly on light’s. frequency. speed. transmission. amplitude. To say that rose petals are red is to say that they. absorb red. reflect red. emit red. transmit red.

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Chapter 27

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  1. Chapter 27 Color

  2. Color depends mostly on light’s • frequency. • speed. • transmission. • amplitude.

  3. Color depends mostly on light’s • frequency. • speed. • transmission. • amplitude.

  4. To say that rose petals are red is to say that they • absorb red. • reflect red. • emit red. • transmit red.

  5. To say that rose petals are red is to say that they • absorb red. • reflect red. • emit red. • transmit red.

  6. The colored light that passes through a piece of transparent blue glass is • blue. • yellow, the opposite color of blue. • actually green. • red minus magenta.

  7. The colored light that passes through a piece of transparent blue glass is • blue. • yellow, the opposite color of blue. • actually green. • red minus magenta. Comment: Why do children correctly answer this while some overly cautious adults don’t?

  8. The solar radiation curve is • the path the Sun takes at nighttime. • the path the Sun takes at all times of day. • a plot of brightness versus frequency of sunlight. • a plot of wavelength versus frequency of sunlight.

  9. The solar radiation curve is • the path the Sun takes at nighttime. • the path the Sun takes at all times of day. • a plot of brightness versus frequency of sunlight. • a plot of wavelength versus frequency of sunlight. Comment: Such a curve is shown in Figure 27.7.

  10. The color of newer fire engines and tennis balls • is consistent with the solar radiation curve. • is not consistent with the solar radiation curve. • has nothing to do with the solar radiation curve. • led to the formulation of the solar radiation curve.

  11. The color of newer fire engines and tennis balls • is consistent with the solar radiation curve. • is not consistent with the solar radiation curve. • has nothing to do with the solar radiation curve. • led to the formulation of the solar radiation curve.

  12. The color to which our eyes are most sensitive is • red. • yellow. • yellowish green. • blue.

  13. The color to which our eyes are most sensitive is • red. • yellow. • yellowish green. • blue.

  14. When red and blue light are overlapped, the color produced is • magenta. • yellow. • cyan. • white.

  15. When red and blue light are overlapped, the color produced is • magenta. • yellow. • cyan. • white.

  16. A mixture of tiny magenta and yellow dots on a printed page appears • red. • yellow. • blue. • green.

  17. A mixture of tiny magenta and yellow dots on a printed page appears • red. • yellow. • blue. • green.

  18. The colors on the cover of your physics book are due to • color addition. • color subtraction. • color interference. • scattering.

  19. The colors on the cover of your physics book are due to • color addition. • color subtraction. • color interference. • scattering.

  20. When transparent yellow, magenta, and cyan filters are overlapped, the result is • white. • red. • infrared. • black.

  21. When transparent yellow, magenta, and cyan filters are overlapped, the result is • white. • red. • infrared. • black. Comment: See Figure 27.12.

  22. The complementary color of blue is • magenta. • yellow. • cyan. • white.

  23. The complementary color of blue is • magenta. • yellow. • cyan. • white.

  24. How many colors of ink were used to print the colored photos in your textbook? • One plus black • Two plus black • Three plus black • Four plus black

  25. How many colors of ink were used to print the colored photos in your textbook? • One plus black • Two plus black • Three plus black • Four plus black

  26. For mixing pigments or dyes, the primary colors are magenta, cyan, and • red. • green. • yellow. • blue.

  27. For mixing pigments or dyes, the primary colors are magenta, cyan, and • red. • green. • yellow. • blue.

  28. The redness of a sunup or sunset is due mostly to light that hasn’t been • absorbed. • transmitted. • scattered. • polarized.

  29. The redness of a sunup or sunset is due mostly to light that hasn’t been • absorbed. • transmitted. • scattered. • polarized.

  30. The blueness of the daytime sky is due mostly to light • scattering. • absorption. • transmission. • reflection.

  31. The blueness of the daytime sky is due mostly to light • scattering. • absorption. • transmission. • reflection.

  32. The color of light that passes most readily through a thick atmosphere is • red. • white. • blue. • violet.

  33. The color of light that passes most readily through a thick atmosphere is • red. • white. • blue. • violet.

  34. When relatively large particles contribute to the mix of particles in the atmosphere, the sky is • bluish. • reddish. • whitish. • greenish.

  35. When relatively large particles contribute to the mix of particles in the atmosphere, the sky is • bluish. • reddish. • whitish. • greenish.

  36. If molecules in the sky scattered low-frequency light more than high-frequency light, the color of the sky at noon would be • red. • green. • blue. • white.

  37. If molecules in the sky scattered low-frequency light more than high-frequency light, the color of the sky at noon would be • red. • green. • blue. • white.

  38. The greenish blue of ocean water is due mostly to the absorption of • scattered light. • infrared light. • ultraviolet light. • reflected light.

  39. The greenish blue of ocean water is due mostly to the absorption of • scattered light. • infrared light. • ultraviolet light. • reflected light.

  40. Clouds are white because of scattering from • a large variety of particle sizes. • tiny particles. • medium-size particles • large particles.

  41. Clouds are white because of scattering from • a large variety of particle sizes. • tiny particles. • medium-size particles • large particles.

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