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The European Avant Garde a new language of form

The European Avant Garde a new language of form. Surrealism Dali, de Chiricho, Magritte, Arp Psychology Dreams.

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The European Avant Garde a new language of form

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  1. The European Avant Gardea new language of form • Surrealism • Dali, de Chiricho, Magritte, Arp • Psychology • Dreams

  2. Dada(/ˈdɑːdɑː/) or Dadaism was an art movement of the European avant-garde in the early 20th century. Dada in Zürich, Switzerland, began in 1916 at Cabaret Voltaire, spreading to Berlin shortly thereafter, but the height of New York Dada was the year before, in 1915. 13-22

  3. 13-22

  4. Hugo Ball, Dada poem, 1917. Sound and sight poems such as this expressed the Dadaist desire to replace man’s logical nonsense with an illogical nonsense.

  5. Hugo Ball and Dada

  6. 13-22 Hugo Ball, Dada poem, 1917. Sound and sight poems such as this expressed the Dadaist desire to replace man’s logical nonsense with an illogical nonsense.

  7. 13-40 • Ilya Zdanevitch, poster for the play Party of the Bearded Heart, 1923. Vitality and legibility are achieved using typographic material from over forty fonts.

  8. 13-22 Portraet_Sophie-Taueber-Arp

  9. 13-22 [Jean (Hans) Arp —Non Loin au Soleil de la Lune et des Etoiles (translates to Not far from the Sun, Moon and Stars)

  10. 13-22 [Jean (Hans) Arp. Mountain, Navel, Anchors, Table. 1925]

  11. 13-26 • Hannah Höch, Da--dandy, collage and photomontage, 1919. Images and materials are recycled, with both chance juxtapositions and planned decisions contributing to the creative process.

  12. 13-26 • Hannah Höch

  13. 13-37 • John Heartfield, cover for AIZ, 1934. Shells form a cathedral to symbolize the mentality of military expansion and the arms race. A swastika, dollar mark, and pound sign top the towers.

  14. 13-37 • Adolf Hitler addresses the German people on radio on 31st January, 1933 John Heartfield

  15. 13-41 • Giorgio de Chirico, The Departure of the Poet, 1914. De Chirico’s timeless poetry stops short of the bizarre or supernatural.

  16. 13-42 Max Ernst, collage from Une Semaine de Bonté (A Week of Kindness), 1934. Photomechanical printing techniques obliterate cut edges, unifying the image.

  17. Salvadore Dali Persistance of Memory 1931

  18. René Magritte Le Château des Pyrénées (The Castle of the Pyrenees) 1959

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