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Digitale medier: formidling og design. 22. marts Filmanalyse. Program. Motivation Lidt filmhistorie Filmanalyse. Hvorfor levende billeder?. For at beskæftige os med andet end tekst

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Presentation Transcript
program
Program
  • Motivation
  • Lidt filmhistorie
  • Filmanalyse
hvorfor levende billeder
Hvorfor levende billeder?
  • For at beskæftige os med andet end tekst
  • Fordi filmens virkemidler ligner tv, animation, computerspil i kraft af, at de er audiovisuelle forløb – filmen var der bare først
  • Fordi film er en dyr og kollektiv kunstart
levende billeder
Levende billeder
  • 22 March 1895: First demonstration to industry by Lumière brothers in Paris
  • 28 December 1895: First public showing at the Grand Café, Boulevard des Capucines
  • Kort efter i resten af Europa, USA, Indien
den klassiske opdeling i supergenrer metz
Den klassiske opdeling i ’supergenrer’ (Metz)
  • Lumière brødrene: Dokumentarfilmens fædrehttp://www.institut-lumiere.org/francais/patrimoinelumiere/premiereseance.html
  • Georges Méliès: Fiktionsfilmens farhttp://www.mshepley.btinternet.co.uk/melies3.htm
fort lleformer
Fortælleformer
  • Lineær fortælling (Hollywoodmodellen)
    • Russisk formalisme (Todorov)
      • fabula (story)
      • suzhyet (plot)
  • Cirkulær/lyrisk fortælling
    • Musikvideo
filmbegreber
Filmbegreber
  • Beskæring: Supertotal, total, halvtotal, halvnær, nær, supernær
  • Perspektiv: Vidvinkel, normal, tele, frø, fugl
  • Bevægelse: Panorering, tilt, kran/dolly
  • Lyd
    • Reallyd/diegetisk lyd (replikker + incidentallyd)
    • ikke-diegetisk lyd (f.eks. musik)
    • on-screen/off-screen
klip montage
Klip (montage)
  • Continuity (usynlige overgange, eks. match cut)
  • Krydsklipning (f.eks. mellem flygtende og forfølgere)
  • Shot-reverse-shot (bruges typisk ved samtale)
  • 180-graders reglen
mise en sc ne
Mise-en-scène
  • Setting
  • Kostumer og makeup
  • Lyssætning
ekstern analyse
Ekstern analyse
  • Genre
  • Biografisk analyse
  • Psykoanalyse
  • Auteur
  • Filmhistorie
  • Kulturhistorie
  • Tvær-medialitet
  • Socialhistorie
fiktionsgenrer
Fiktionsgenrer
  • Western
  • Road movie
  • Gyser
  • Dansk lystspil
  • Ny dansk film?
manovich digital cinema
Manovich: Digital cinema
  • ”Cinema emerged out of the same impulse which engendered naturalism, court stenography and wax museums. Cinema is the art of the index; it is an attempt to make art out of a footprint”
manovich digital cinema16
Manovich: Digital cinema
  • digital film = live action material + painting + image processing + compositing + 2-D computer animation + 3-D computer animation
  • Digital cinema is a particular case of animation which uses live action footage as one of its many elements
konklusion
Konklusion?
  • Vi er altså på 100 år gået fra animation (Méliès) over live action tilbage til animation (Computer Generated Images)