Popular culture and crime portrayal of hollywood gangsters and asian stereotypes
1 / 40

Popular Culture and Crime: Portrayal of Hollywood Gangsters and Asian Stereotypes - PowerPoint PPT Presentation

  • Updated On :

DEPARTMENT OF SOCIOLOGY. Popular Culture and Crime: Portrayal of Hollywood Gangsters and Asian Stereotypes. SOCI8011: Crime and the Media Lecture 10 Dr. L. Cho, PhD E-mail: [email protected] What is Popular Culture. Amusement that occupies a society’s leisure time

Related searches for Popular Culture and Crime: Portrayal of Hollywood Gangsters and Asian Stereotypes

I am the owner, or an agent authorized to act on behalf of the owner, of the copyrighted work described.
Download Presentation

PowerPoint Slideshow about 'Popular Culture and Crime: Portrayal of Hollywood Gangsters and Asian Stereotypes' - Leo

An Image/Link below is provided (as is) to download presentation

Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.

- - - - - - - - - - - - - - - - - - - - - - - - - - E N D - - - - - - - - - - - - - - - - - - - - - - - - - -
Presentation Transcript
Popular culture and crime portrayal of hollywood gangsters and asian stereotypes l.jpg


Popular Culture and Crime:Portrayal of Hollywood Gangsters and Asian Stereotypes

SOCI8011: Crime and the Media

Lecture 10

Dr. L. Cho, PhD

E-mail: [email protected]

What is popular culture l.jpg
What is Popular Culture

  • Amusement that occupies a society’s leisure time

  • Reflects interests, manners and tastes of mainstream society

  • Fads, fashions in dress and speech, styles of interaction

  • Culture for mass consumption

Created and maintained through mass media l.jpg
Created and Maintained through Mass Media

  • Popular culture and mass media have a symbiotic relationship

  • Tight collaboration

  • In movies, TV, radio, fiction, poetry, new media, advertising, comic books

Popular culture as entertainment l.jpg
Popular Culture as Entertainment

  • Pleasurable escape

  • Transport us from everyday situation

  • See something we otherwise would not see

  • Experience something we normally would not experience

  • Not necessarily for knowledge or enlightenment

Popular culture as voyeurism l.jpg
Popular Culture as Voyeurism

  • Infotainment - news as entertainment

  • A kind of voyeurism

  • Voyeurism: Spying on people’s lives in their most intimate situations

  • For example: “To Catch a Predator”

Popular culture and crime l.jpg
Popular Culture and Crime

  • Recently been of interest since 1990s

  • Two main areas of research:

  • Entertainment – detective novels, movies, video games,

  • News – popular journalism produced as entertainment

  • “Info-tainment” (celebrity gossip, lifestyle, human interest, “sex- money-power” trinity)

  • TV cop shows (“Cops”, “America’s Most Wanted”, “Unsolved Mysteries, “American Detective”, “Top Cops”)

  • As opposed to serious journalism: research, fact checking, serving the “public interest”

Popular cops shows l.jpg
Popular “COPS” Shows

  • Distant rare events

  • Lives of people caught in extreme circumstances

  • Bizarre crimes

  • Spectacular events

  • Extraordinary events

  • Interesting and fascinating but seldom realistic or relevant

  • Often is different from our reality

  • Works to gain and keep our interest

Cops bad boys bad boys what you gonna do when they come for you l.jpg
“COPS”: “Bad Boys, Bad Boys, What You Gonna Do When They Come for You…”

  • US documentary TV series

  • One of longest running TV programme

  • Premiered 1989

  • Began season 22 in September 2009

  • Followed officers in 140 different cities in US, HK, London, Soviet Union

  • Episodes 22 minutes

  • Follows police officers during patrols and police activities

Study on cops l.jpg
Study on “Cops” They Come for You…”

  • 42 episodes

  • Units of analysis: 135 criminal short scene/incident

  • 3-4 per show

Source: Mahoney and Westervelt (1998)

Crimes on cops vs official crime stats l.jpg
Crimes on “Cops” vs Official Crime Stats They Come for You…”

Uniform Crime Reports (US Dept of Justic 1995)

Racial characteristics l.jpg
Racial Characteristics They Come for You…”

  • Nonwhites rarely portrayed as criminals in fictional TV shows

  • In “Cops”, nonwhites are criminal suspects nearly 50% of the time

  • Not so different from real crime stats

  • Dominant Portrayal: White cops do battle against non-white criminals

Previous studies and cops study l.jpg
Previous Studies and “Cops” Study They Come for You…”

Previous Studies

Cops Study

“Cops” presented as “factual”

Broadcasted frequently (7 episodes aired weekly in some community)

Depicts crime in distant places

Show travels around, make it seem like crime could happen anywhere

  • Non-fictional (news) images have greater impact than fictional ones (TV drama)

  • More a message/theme is repeated, the more influential it becomes

  • Closer the crime is to home, more it may generate fear among viewers

Findings l.jpg
Findings They Come for You…”

  • “Cops” show violent crime is more common than property crime

  • Crimes by business and affluent not shown

  • Battle between white officers and non-white offenders

  • Ends in arrest 75% of the time

  • Format sets limitations

  • Crimes in the streets

  • NOT crimes in the suites (white collar)

  • Footages edited together (50-60 hours edited down to 22 minutes)

  • Facts are selected and shaped to fit TV entertainment

Implications l.jpg
Implications They Come for You…”

  • Non-whites heavily portrayed as law breakers

  • Negative racial stereotypes

  • Oversimplification and uncritical image of black males as criminals

  • Greater influence on audience perception and fear

  • Whites disproportionately shown as victims of serious crime

  • Making whites more concern about crime as social problem

  • Not significant factor in producing personal fear of crime

  • May be significant in shaping general view of crime and increasing social concern over crime as a serious social problem

Construction of the unusual l.jpg

Popular entertainment They Come for You…”

Allows escapes from reality

Popular news

Provides filter and snippets of abnormal events of the world

Construction of the Unusual

Critique of popular culture l.jpg
Critique of Popular Culture They Come for You…”

  • Entertaining and pleasurable

  • However, people forget or don’t realize it is an extract of reality

  • Recast and marketed for mass consumption

Popular culture a constructed image of reality l.jpg
Popular Culture: a Constructed Image of Reality They Come for You…”

  • A specific, narrow slice of reality is reshaped for mass consumption

  • Though recognized as unrealistic, continued exposure over long term could influence our view of reality

Social construction of reality l.jpg
Social Construction of Reality They Come for You…”

  • Direct personal experience – direct world knowledge, powerful influence

  • Symbolic Reality – acquired socially and collectively. Events you didn’t witness but believe occurred. Facts you didn’t personally connect but believe to be true.

Social construction of reality19 l.jpg
Social Construction of Reality They Come for You…”

  • Experienced reality and symbolic reality mixed together

  • Constructed reality perceived as real world

  • Reality is subjective, differs from person to person

  • People with similar backgrounds often see the world similarly due to sharing same symbolic reality and experienced reality

Media is main distributor of knowledge l.jpg
Media is Main Distributor of Knowledge They Come for You…”

  • Media information not blindly accepted

  • Part of social construction of reality competition

Social construction of reality competition l.jpg
Social Construction of They Come for You…”Reality Competition

  • Competition involves claims and claimsmakers (promoters, activists, professional experts, spokespersons)

  • Claims: descriptions or explanations regarding the extent and nature of a phenomenon

  • Competition to have their particular construction of reality accepted

Claimsmakers shape of view of the problem l.jpg
Claimsmakers Shape of View of the Problem They Come for You…”

  • Statements and claims are promoted as facts about the world

  • Claimsmakers not just draw attention to particular social condition

  • They shape our sense of what the problem is

Competing constructions of crime and justice frames l.jpg
Competing Constructions of They Come for You…”Crime and Justice “Frames”



Swift and increase severity of punishment “get tough!”

Address “root cause” create jobs, reduce poverty

Recreate traditional communities

  • Faulty Criminal Justice: Lack of “law and order”

  • Blocked Opportunities (economics): inequality, unemployment, poverty, lack of education

  • Social breakdown: family community breakdown

Source: Surette 2007

Media as the playing field l.jpg
Media as the Playing Field They Come for You…”

  • Each construction demands different policy course

  • Winning dominant construction directs public policy

  • Claimsmakers compete for media attention

  • Media tends to favor the dramatic, those sponsored by powerful groups, established cultural themes

  • Media as claims filter

  • Difficult for those outside popular cultural mainstream to access media

Three dominant social construction of reality engines l.jpg
Three Dominant Social Construction of Reality Engines They Come for You…”

  • Info engine #1: Personal experience and significant others

  • Info engine #2: Popular culture: distributed through mass media, including popular news and entertainment

  • Info engine #3: Other social institutions. A symbiotic relationship with media – rely on each other for info and to make their info credible and heard

Myth creation of gangsters l.jpg
Myth Creation of Gangsters They Come for You…”

  • What role does popular culture/entertainment industry/Hollywood play?

  • Myths associated with particular types of criminals like the gangster?

Classic criminal types in hollywood film gangster l.jpg
Classic Criminal Types in Hollywood Film: Gangster They Come for You…”

  • Viewers often end up siding with them

  • Hoping they will not get caught

  • Yet we know they will mostly likely pay for their sins at the end

  • Why is this?

Classic criminal types in hollywood film gangster28 l.jpg
Classic Criminal Types in Hollywood Film: Gangster They Come for You…”

  • Where does the gangster image come from?

  • Why are we attracted and repulsed by the gangster image?

  • Why do film stereotypes persist even when they are debunked?

History of hollywood gangster films l.jpg
History of Hollywood They Come for You…”Gangster Films

  • Dark side of American Dream

  • Illegal quest for wealth, fame, happiness

  • Prohibition (1920-1933) – the banning of Alcohol

  • Great Depression (1929 – 1945)

  • Crime and bootlegging out of poverty

History of hollywood gangster films30 l.jpg
History of Hollywood Gangster Films They Come for You…”

  • Film audiences have an ongoing fascination with evil

  • Simultaneously repellant and irresistibly attractive

  • Gangsters became romantic heroes in popular imagination

Backstage behaviour surette 1998 l.jpg
Backstage Behaviour They Come for You…”(Surette 1998)

  • Most crimes are secretive, private, hidden

  • More serious the crime, more backstage, more novel the portrayal

  • New places, activities, perspectives

  • Glimpse of rare and bizarre acts

  • Coupled with discussions of justice, morality, society

  • Provides escapism and expose – rich sources for entertainment media

Media s construction of reality l.jpg
Media’s Construction of Reality They Come for You…”

  • Things few of us experience directly

  • Being arrested, going to jail, being a criminal defendant, sentenced to prison

  • Media images plays important role

  • Mass media provide the majority of information public receivesabout crime (Graber)

Media construction of reality l.jpg
Media Construction of Reality They Come for You…”

Media is not value neutral

Media rooted in ideological beliefs

Media also must be understood in its social, political and organizational context

Film Industry: entertainment and making a profit

Gangsters in american mythology l.jpg
Gangsters in American Mythology: They Come for You…”

  • From rural bandits to urban gangsters

  • Process of myth construction and acceptance

  • Process of stereotyping

The other l.jpg
The “Other” They Come for You…”

  • Depicted as ethnic in order that the audience will want to despise

  • Jet Li in Mel Gibson’s Lethal Weapon

Ethnicity and gangster l.jpg
Ethnicity and Gangster They Come for You…”

  • Black mafia (Black Caesar 1973) black urban youth in gangs (Boyz N the Hood 1991)

  • Cuban and South American Mobster (Scarface 1983)

  • Jewish gangster (Once Upon a Time in America 1984)(Lansky 1999)

  • Italian organized crime (Goodfellas 1990)(Donnie Brasco 1997)

  • Chinese mafia (Year of the Dragon 1985)(Shanghai Triad 1995)

  • Little Odessa (1994) Ukrainian enclave in Brooklyn NY, ethnicity and problem of adjusting to life in American covered

  • Russian and Eastern Europeans the new mafia of choice

Asian stereotypes in american film history l.jpg
Asian Stereotypes in American Film History They Come for You…”

  • Early films: majority cast in small, non-speaking roles as servants, laundry man, shopkeeper

  • Movies centered on Asian person were played by Caucasians

  • The practice of making white actors look Asian was called “yellowface.”

Source: http://www.associatedcontent.com/article/43815/asian_stereotypes_in_film_history_pg2.html?cat=40

Stereotypes of asians l.jpg
Stereotypes of Asians They Come for You…”

Asian Female

Asian Males

“Charlie Chan” (nerdy, unattractive, emasculate, mysterious man, possessing awesome powers of deduction. At the same time, deferential to white, non-threatening, Asian domestic servants were commonly called Charlie- as in “Good boy, Charlie”)

Yellow Peril (menacing, predatory, lusting after white women >>> kungfu kicking, ruthless type)

  • Dragon Lady (Dominatrix, conniving, tricky)

  • Lotus Blossom/China Girl (Exotic, submissive, meek and ready to serve a man’s every need)

In sum l.jpg
In Sum They Come for You…”

  • Films present a world of crime and justice not found in reality

  • Fragmented images provides distorted reflection of crime and crime control

  • Over emphasize individualism and personal justice as appropriate solution to crime

  • Rehabilitation and social reform are belittled (Surette 1998)

In sum40 l.jpg
In Sum They Come for You…”

  • Stereotyping of Asians in Hollywood films crowds out competing constructions that may more accurate portray Asians