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How to Have a Great Quartet Rehearsal

How to Have a Great Quartet Rehearsal

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How to Have a Great Quartet Rehearsal

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  1. How To Have A GREAT Quartet Rehearsal! or…Getting ahead by working hard (and more importantly) working smart! By Michael I. Borts – QCA President Based upon the teachings of Tom Pearson, Innsiders, 1976 International Champs

  2. So…you did pretty good at your last contest…

  3. But you want to do better! RIGHT?

  4. THE BIG QUESTION:How do you do this? Tom Pearson

  5. TWO METHODS! • Work Hard! • Work Smart!

  6. GET ORGANIZED!Schedule Rehearsals in Advance! • Schedule four to six weeks in advance. Do not go from rehearsal to rehearsal deciding each time when to get together next. • One rehearsal per week will maintain the status quo. Two or more per week will allow improvement and time for learning new songs. • Rehearse regularly and sacrifice occasionally to get together. • It is the responsibility of the person who cannot make a rehearsal to reschedule. • If someone can’t make it, trio anyway!

  7. Appoint a Rehearsal Leader • Who? Most organized person in quartet. • Must be able to evaluate which songs need most attention. • Schedules all activities at rehearsals including warm ups and breaks. • Tracks which songs have been worked on and when. • Keeps schedule on track and doesn’t let activities get bogged down.

  8. Rehearsal Etiquette • Show up on time! Don’t cut out early! • Don't waste the other guys' precious time. • Don't drink, smoke or eat until after rehearsal. • Don't goof off during rehearsals. Sing your best each time, with moves. • Bring music and pencil to every rehearsal. Mark down all note changes, word changes, and interpretation on all your music. You won't remember it at the next rehearsal if you don't write it down.

  9. The Rehearsal Schedule • Rehearsals need to have clearly defined start and end times. • Arrange your schedule in time blocks of 5 to 30 mins. • General categories of work for schedule: Warm up; Familiar songs; Contest songs; New songs; Show songs. • Prioritize all rehearsals according to what songs need rehearsing most. • Allot songs that need more work more time; up to 30 minutes per song depending how much work time is necessary. • If there is a problem with a song, schedule time for it at the next rehearsal rather than ruining the schedule for this one.

  10. 7:30 Warm up 7:45 Sing through 4 familiar songs – No stopping 8:00 Work contest song #1 8:10 Work contest song #2 8:30 Work contest song #3 8:45 Break 8:55 Work contest song #4 9:10 Learn new song (Make learning tape) 9:30 Work show song #1 9:45 Work show song #2 Sample Rehearsal Schedule

  11. Warm Up #1 – Unison 5-Note Scales • Increases breath control and stamina. • Trains quartet to hold pitch! • Covers all 16 vowels – Match them all! • Unison singing focuses you to zero in on what everyone else is singing. • See music on next page • Don’t get FREAKED OUT by 16th notes. This is meant to be sung slowly.

  12. Warm Up #2 – Four Step Chord Build • Sets your resonators in forward mask – Feel the buzz! • Matches all 16 vowels • Unison singing gets you focused • Start ringing those chords right off the bat • See music on next page

  13. Use the following vowels sounds in progression: mean, minn, main, men, man, mine, marn, mun, murn, moon, mewn, moon (as in "book"), moan, moyne, mawn, moun (as in "now"). 1. mean 9. murn 2. minn 10. moon 3. main 11. mewn 4. men 12. moon (as in "book") 5. man 13. moan 6. mine 14. moin 7. marn 15. mawn 8. mun 16. moun (as in "now")

  14. Sing Through Familiar Songs • Some repertoire songs only need to be touched upon. • Put 3-4 of these right after warm up to get things rolling. • This will help you keep your entire repertoire fresh. • Sing these through without stopping. • If you find areas that need more extensive work, schedule time for this at another rehearsal.

  15. Work Those Songs! Pull them apart then reassemble them! • Sing song through first. • Lead/Bass Duet - Others provide feedback • Lead/Tenor Duet • Lead/Bari Duet • Sing song on unison note or single chord • Sing melody in unison • Everyone record performance of song. Listen on your own between rehearsals for specific areas to improve for next rehearsal. • Write these areas down so you don’t forget them.

  16. Critical Self Analysis orWhat you need to observe • Have pen and paper handy to jot down opportunities for improvement you observe • Correct notes and lyrics • Tuning • Vowel matching • Word inflection • Dynamics • Overtones • How well is the Lead telling the story?

  17. Chart Your SongsTrack Your Progress Make sure all songs are at least touched upon every other rehearsal.

  18. Working Visuals - orDo we really look like THAT? • Work in front of a full length mirror. If this is not available, bring in a hand held mirrors. • Video your performances. Critique yourselves. • Work in square looking INTENTLY at one another’s faces. • Silently perform song in square looking INTENTLY at one another’s faces • Guys not duetting can critique visuals as well as music when they are sitting out.

  19. Learning New Music! • Learn new music on your own using learning tapes. • Learning tapes do not have to be fancy nor studio produced. You can do this yourselves! • Strive not to be the slowest man in the quartet to learn new music.

  20. Make Your Own Learning Tapes! • All four singers bring in audio recorders. • Rehearse song 8 bars at a time. • When you’re comfortable that you have all the right notes, record the 8 bars you just worked on; then hit pause. • Repeat this process until you have recorded the entire song.

  21. Adding Interpretation Plan • Lead is responsible for teaching the interpretation plan to others in quartet. • Start by singing the song as a Lead solo. • Transcribe interp plan onto lyric sheet. • Record song with interp plan. Use this as a learning reference tool. • Lead, use your hands to “direct” as necessary to get your musical points across for recording and teaching.

  22. Use Lyric Sheets to Help YouImplement Interp & Coaching • Type song lyrics into document for all songs. Double space all lines. • Write coaching suggestions or interpretation such as dynamic plan, breaths, visuals, accelerando, ritardando, rhythmic variation directly above lyrics where these events occur in RED. • Distribute to all members of quartet so everyone has the plan for reference. • Sing the song reading directly from the lyric sheet until interp/coaching plan is cemented.

  23. Sample Lyric Sheet 5 (SMILE BIG!) 7 SweetSweetRoses of Morn ‘ (Move phrase) 3 (Make it dreamy!) You’re the ideal of my dreams ‘ 5 6 7 (Cover Lead on pickup) Myheart’sall in a whirl ‘ 8 (Show love in face) (Match “er” vowel) (Carry phrase to end) I could love forever it seems ‘

  24. Identify Your Strengths and Weaknesses! • What are you particularly good at? • More importantly, what do you need help with most? • Find vehicles that feature your strengths and downplay your weaknesses. • Work those weaknesses until they are at least comfortable and less apparent.

  25. DON’T LIVE IN DENIAL!(It’s not just a river in Egypt!) • If you can’t get something to work in rehearsal, it’s more than likely it won’t work on the contest stage either. • If something doesn’t work, CHANGE IT! • Chords, rhythms, key changes, voicings, tags, notes too high, notes too low… • There are NO PLUS POINTS for difficulty of music! • Don’t keep hitting your head on a brick wall when you can easily go around it!

  26. Get Coaching! • Either video or audio record all coaching sessions! • SOMEONE MUST transcribe coaching suggestions onto lyric sheets as soon after session as possible or all ideas will be lost and all your valuable time will be WASTED! (Including your coach’s time!) • You’ll NEVER remember it all without recording and transcribing! Guaranteed! • A dull pencil beats a sharp memory! • Rehearse with the lyric sheets as reference until coaching changes become permanent.

  27. Contest Preparation:The Dress Rehearsal! • Work with a local school to “borrow” their stage for an evening. • Invite family and friends to be your audience. • Simulate the contest conditions as closely as you can including MC introduction, stage entrances, bows and exits. • Sing your contest sets just as you plan to. • Gather audience feedback. Use the little ideas you think make sense that you can easily implement without totally messing up the set.

  28. Other Helpful Tips! • Strive to have common goals. Discuss goals often. • Spend a few minutes each day thinking about the quartet: New song ideas, new stage presence, new comedy routines, new outfits, ways to get sing outs, ways to interpret a present song better, coaching. • Practice deference wherever possible. If a member is interested in pursuing one aspect of the quartet experience, don’t fight him; let him go for it! • Examples: accounting, marketing, new music, choreography, clothing, image, arranging, etc.

  29. More Helpful Tips! • All four men agree on every song in the repertoire. Anyone can veto a song he doesn't like. • Decide that you are in for the long haul. Don't break up just because you lose a contest. • Work hard to get better. The fun comes when you're doing a good job and people are enjoying your singing. • "NO FUN," you say? Ask anyone who has won the District trophy or a gold medal if that was fun.


  31. Parting wisdom:“Smart and hard work will beat raw talent every time!”-Tom Pearson, Innsiders, 1976 International Champs NOW GO WORK HARD, WORK SMART AND IMPROVE!!! Thank you for your time!