extreme macro photography l.
Skip this Video
Loading SlideShow in 5 Seconds..
Extreme Macro Photography PowerPoint Presentation
Download Presentation
Extreme Macro Photography

Loading in 2 Seconds...

play fullscreen
1 / 19

Extreme Macro Photography - PowerPoint PPT Presentation

  • Uploaded on

Extreme Macro Photography Greater than 1:1 by Meyer Franklin Extreme Macro Photography What is 1:1? Macro image magnification is often defined in terms of a ratio (a.k.a. fraction).  

I am the owner, or an agent authorized to act on behalf of the owner, of the copyrighted work described.
Download Presentation

Extreme Macro Photography

An Image/Link below is provided (as is) to download presentation

Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.

- - - - - - - - - - - - - - - - - - - - - - - - - - E N D - - - - - - - - - - - - - - - - - - - - - - - - - -
Presentation Transcript
extreme macro photography

Extreme Macro Photography

Greater than 1:1

by Meyer Franklin

extreme macro photography2

Extreme Macro Photography

What is 1:1?

Macro image magnification is often defined in terms of a ratio (a.k.a. fraction).  

A ratio of 1:1 is considered the standard minimum magnification for true macro images.  These images are also called "life size", where the size of the image of a subject on the sensor (numerator) is the same as the actual size of the subject (denominator).

extreme macro photography4

Extreme Macro Photography

How are images of 1:1 or greater achieved?

Reverse mount 

A reversing adapter can mount to your camera body, then a lens can attach to the adapter via the filter thread.  A wide angle lens is designed to capture a huge landscape that is at infinity focus onto the camera image sensor.  When reversed, a tiny subject at about 1 - 2 inches away is projected out to that huge landscape sized image... but it is cropped by the image sensor.

Example: A reversed 28mm f2.8 lens can get better than 2:1.

extreme macro photography6

Extreme Macro Photography

Increasing "extension"

The Tamron 90mm, Sigma 105mm, Nikon 105mm, Pentax 100mm, etc. are examples of macro lenses that are capable of 1:1 macro images.  The design of a macro lens builds in sufficient extension to attain the capture of 1:1 images without any additional components.

There are other ways to increase extension of any lens.

Extension Tubes and Bellows are common components for increasing extension of a lens.

extreme macro photography7

Extreme Macro Photography

Extension Tubes

Extension tubes are simply fixed length spacers that fit between your camera and lens; they contain no optics. They may be stacked together to provide more extension for longer focal length lenses and can also be used in conjunction with teleconverters to provide closer focusing than possible with a lens/teleconverter combination.

Reproduction ratio = focal length of lens/amount of extension

Example : 100mm lens/50mm extension = 1:2 (or half life size) - the same extension for a 200mm lens would yield 1:4.

extreme macro photography8

Extreme Macro Photography


Extension tubes generally come in fixed lengths.  Bellows by there very nature provide variable amounts of additional extension. Due to their construction, most do not mate electronically with the attached lens, limiting functionality on many camera bodies.

courtesy www.earthboundlight.com

extreme macro photography9

Extreme Macro Photography

Diopters (Closeup lenses)

A diopter is a magnifying lens element that mounts by screwing it into the filter ring of your existing lens.  They are inexpensive and easy to use.  Diopters may be stacked on top of each other for added magnification. When stacking diopters, always place the strongest diopter closest to the lens.  Diopters involve the addition of extra layers of glass so they may marginally affect image quality, but on the bright side they do not cost you any light loss.

extreme macro photography10

Extreme Macro Photography

Stacking Lenses (Macro couplers)

Lens stacking has the same effect as using diopter or closeup lenses.  A longer focal length lens is mounted on the camera and a shorter focal length lens is reverse mounted to it's filter ring using a lens stacking ring (macro coupler).

Magnification factor = Focal length of main lens / Focal length of reversed lens


200mm / 50mm = approx. 4X magnification (4:1)

extreme macro photography11

Extreme Macro Photography

Depth of Field

The greater the magnification used, the shallower your depth of field becomes. The old rule of choosing the smallest aperture possible stands true, but only to an extent. At apertures of f/22 or f/16, a loss of general image sharpness can occur through diffraction.

DOF = (2cf (M+l)) M2


c = circle of confusion (0.026mm for 35mm format * )

f = aperture and;

M = magnification

extreme macro photography12

Extreme Macro Photography

Working distance

The distance from the end of the lens to the subject is known as the working distance.  The working distance can be increased by using higher focal length lenses.  It is decreased by adding extension (tubes or bellows).  A reversed lens will set the working distance to a fixed (very short) working distance.

extreme macro photography13

Extreme Macro Photography


Most techniques for increased magnification will also result in a huge loss of available light.  In addition, to improve depth of field, you will need to set a higher f-stop, which further reduces the available light reaching the sensor or film.  

For proper exposure, you will need to reduce the shutter speed or increase the light on the subject.  When your subject is moving, adding light is your only choice.  The quality of the light will make a difference on the quality of the images.

extreme macro photography14

Extreme Macro Photography

Putting it all together

Teleconverter + extension tube + lens +stacked lens

Bellows + reversed lens

Try different combinations to see what works best for each image opportunity.

extreme macro photography15

Extreme Macro Photography





butterfly is 50mm reverse stacked on top of 18-55mm (at 55mm) andcropped slightly; probably around 2:1


black butterfly is 135mm on bellows; probably around 1:1; note thedual flash reflections in the eye - needed better diffuse light.