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More perspective

More perspective. Using Linear and atmospheric perspective. Perspective – the illusion that an image has depth and 3-dimensional space (volume). VERTICAL PLACEMENT & OVERLAPPING. INTERPRETED AS 3 RECTANGLES. RELATIVE SIZE. SASSETTA The Meeting of St. Anthony and St. Paul about 1440 Wood.

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More perspective

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  1. More perspective Using Linear and atmospheric perspective

  2. Perspective – the illusion that an image has depth and 3-dimensional space (volume)

  3. VERTICAL PLACEMENT & OVERLAPPING INTERPRETED AS 3 RECTANGLES

  4. RELATIVE SIZE

  5. SASSETTAThe Meeting of St. Anthony and St. Paulabout 1440Wood

  6. Perspective was a concept that had to be developed. NO PERSPECTIVE Cimabue, Madonna Enthroned, 1280-90

  7. Now we see perspective, and it looks real… with the exception of the “adult/baby” There were suggestions of perspective in a Gothic era work. However, perspective is a major development of the Renaissance. GIOTTOMadonna in Gloryc. 1311Tempera on panel128 x 90 1/2 in.

  8. Judging by the Eye Giotto introduced a new kind of realism by creating convincing spatial arrangements. He angled the building, removing side walls to reveal the cubic interior. Giotto. Birth of the Virgin Mary (1320s). Fresco.

  9. Atmospheric Perspective, rewind! • When using atmospheric perspective… • hues more bluish & more pale • outlines less precise • small details lost • color contrasts muted • gradual transition

  10. Objects CLOSER Appear lower on the page Overlap- In front of Are larger Brighter colors Darker value More contrasts More Details Objects FARTHER Appear higher on the page Overlap-behind Are smaller Duller colors Lighter value Faint/fuzzy lines Very few or not details

  11. LINEAR PERSPECTIVE Vanishing point One point; central

  12. What is Linear Perspective? A system for representing three-dimensional space on a two-dimensional flat surface. • It was developed in Florence in the early 15th century by Filippo Brunelleschi and Leon Batista Alberti

  13. Application of Linear Perspective Brunelleschi's proposal drawing of the  interior of Santo Spirito (1543) Interior of Brunelleschi's Santo Spirito

  14. Normal Viewpoint

  15. High Viewpoint

  16. Low Viewpoint

  17. Use lines to show the illusion of depth. Receding lines (going back into space) meet at the vanishing point The vertical and horizontal lines are parallel to the edge of the paper

  18. The Vanishing Point does not have to be right in the Center of the Paper

  19. 1-point Linear Perspective: parallel lines appearing to converge in distance

  20. 1-point Linear Perspective: parallel lines appearing to converge in distance

  21. Click here to activate orthogonals:

  22. Review orthogonals:

  23. Leonardo da Vinci’s Explorations The Last Supper (1497). Fresco.

  24. Leonardo da Vinci, Last Supper, c.1495-98 Milan, Sta. Maria della Grazie

  25. Raphael, The School of Athens, 1510-11 Vatican Palace, Stanza della Segnatura

  26. Raphael, The School of Athens, 1510-11 Vatican Palace, Stanza della Segnatura

  27. Atmospheric Perspective (in addition to 1 - pt. Perspective) Perugino, Christ Delivering the Keys to St. Peter, c.1481 Sistine Chapel, Vatican

  28. Atmospheric Perspective (in addition to 1 - pt. Perspective) Perugino, Christ Delivering the Keys to St. Peter, c.1481 Sistine Chapel, Vatican

  29. Canaletto (Giovanni Antonio Canal), The Campo di Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in

  30. Canaletto (Giovanni Antonio Canal), The Campo di Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2 in

  31. The vanishing point comes from below? The vanishing point and perspective is constructed according to the upward gaze of an observer standing directly below. Andrea Mantegna. From The Painted Room (1465-74). Fresco.

  32. With practice you can create any of the things you have just seen. We will start out easy…

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