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Digital Family Portraits: Supporting Peace of Mind for Extended Family Members

Digital Family Portraits: Supporting Peace of Mind for Extended Family Members. Elizabeth et. al Ubicomp class reading 2005.5.24 Presented by BURT. The Problem. growing social problem in the U.S., and elsewhere, is supporting older adults who want to continue living independently

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Digital Family Portraits: Supporting Peace of Mind for Extended Family Members

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  1. Digital Family Portraits:Supporting Peace of Mind for Extended Family Members Elizabeth et. al Ubicomp class reading 2005.5.24 Presented by BURT

  2. The Problem • growing social problem in the U.S., and elsewhere, is supporting older adults who want to continue living independently • Providing awareness of senior adults’ day-to-day activities, promoting peace of mind for extended family members. • a digital family portrait that provides qualitative visualizations of a family member’s daily life

  3. Introduction • The world’s population is aging, and this aging will have far ranging social, emotional and financial effects. • For economic reasons alone, increasing the length of time that individuals can avoid institutional care is valuable. • a primary goal of many older individuals is to maintain an independent lifestyle

  4. Goal System • To support awareness of the long-term health,activity, and social well-being of senior adults living bythemselves Portrait • To provide surrogate socialsupport while respecting the privacy of the senior adult.

  5. DIGITAL FAMILY PORTRAIT • Surrogate Social Support -- provide a history that supports human introspection • Privacy • NEEDS ANALYSIS (life conveyed in the display) • “A Profound Sense of Loss” • Aging, social support and geographic distance

  6. Aging In Place • focused on understanding why people left their homes for an institutional care setting. • Crisis recognition (broken heater in Winter) • Everyday cognitive support (Changes in memory capabilities of senior adults lead to difficulties in remembering tasks (e.g. taking medication) • Awareness of daily life and long-term trends (Difficulties in the home (e.g. decreasingmobility, isolation) may not be an immediate crisis or a forgotten task, but may still be a significant hurdle for the longterm health and happiness of the resident.)

  7. First field study • daily digital portraits for a grandmother and her two grandchildren • using phone interviews to simulate sensing infrastructure in their homes. • summarize the results from that study, including their ability to accurately “read” the changing information, and their qualitative response to the design and its potential use in their family.

  8. Broadband Institute Residential Laboratory

  9. THE DIGITAL FAMILY PORTRAIT Sensing and Displaying Daily Life

  10. What needs to be sensed? • Health: how they are feeling that day. Did they sleep well? Eat regularly? Get enough exercise? • Environment: The “health” of the environment. Has the weather been pleasant? Is something in the house broken? • Relationships: Interaction with other people is important to one's emotional well-being. • Activity: A low level of activity may indicate declining health, while a high level of activity may indicate the onset of incessant wandering behavior. • Events: This category includes activities both planned and unplanned, as well as special outings.

  11. DESIGNING A SINGULAR PORTRAIT • The design should convey relevant information about a person’s daily life to support low-level awareness of that person’s well-being. • The design should depict trends over time for the different categories of information represented. • The visualization should provide a qualitative view respecting privacy concerns. • The visualization should be aesthetically pleasing, a typical home decoration. • The visualizations should be emotionally appropriate, conveying “negative” information (e.g. a bad day) in an appropriate manner.

  12. Representation • How to represent time -- 1/3/7 days from inner to outer band • How to represent the levels -- density • Representation style reflects the represented person -- akin to how people use picture frames

  13. DFP Examples Digital Family Portrait Examples

  14. FIELD TRIAL • GRANDMOTHER & GRANDCHILDREN -- no sensor infrastructure available -- phone interview

  15. Field trial results • too complex. • Overly optimistic that we could convey ten levels of information. • grandkids were not judging activity by the density of icons displayed in the frame, but rather were simply counting the number of icons • Categorization

  16. DESIGNING A SET OF PORTRAITS • goals for our next round of design in addition to our original goals: -- Reduce the display’s complexity. -- Create a stratified design allowing a typical day’s display to be as simple as possible -- Develop designs that are appropriate for male and female senior adults. (Many of our icons seemed particularly feminine). -- Focus on elderly parent to adult child communication.

  17. Next design • More is Better Than One -- distribute different information across multiple frames • The 80% design -- Icons for Activity, Health and Relationships -- Level of Measurement -- Histories • Marking Trends and Alarms -- dot

  18. 80% Design An “80% Design” for Activity

  19. Portrait of Health A Trend and an Unusual Day are Highlighted in a Portrait for Health

  20. RELATED RESEARCH • Awareness • -- Tangible Medias …etc.. • Emotional Connections, Families and Seniors -- feather -- Familyware

  21. CONTRIBUTIONS AND FUTURE WORK • to create a surrogate support system that resurrects this informal daily communication. • present the concept of the digital family portrait, by augmenting a common household object that is typically associated with close family members and friends

  22. CONTRIBUTIONS AND FUTURE WORK • a longer term field study with families that are beginning to consider assistive care for a senior adult. • investigating providing detailed information stemming from active interaction via voice or touch.

  23. Discussion • How to decide QUALITATIVE?

  24. The End

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