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The Great Mother in Grapes of Wrath

The Great Mother in Grapes of Wrath. Henderson.

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The Great Mother in Grapes of Wrath

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  1. The Great Mother in Grapes of Wrath Henderson

  2. “For minute Rose of Sharon sat still in the whispering barn. Then she hoisted her tired body up and drew the comfort around her…Her hand moved behind his head and supported it. Her fingers moved gently in his hair. She looked up and across the barn, and her lips came together and smiled mysteriously.” • Evocative of both The Pieta and Madonna and Child imagery • Goes way deeper – and way older – than, as C.S. Lewis might say, “mere Christianity” The final scene

  3. Michelangelo’s Pieta

  4. Duccio’s Madonna and Child

  5. “The incident of the Earth Mother feeding by the breast is older than literature.” ~ John Steinbeck

  6. Pagan cultures identify with the earth • “Feminine principle focuses on seasonal cycles of birth, growth, death, and renewal • The fecundity and compassion of the earth goddess manifest her as a maternal figure • Physical & spiritual sustenance Earth Goddess/ Great Mother

  7. WOMAN = BODY = VESSEL = WORLD The archetypal feminine

  8. Found in the ruins of ancient Minoan civilization on Crete, ca. 1600 B.C.E. • Domestic goddess • Snake associated with renewal (sheds its skin) • Possible progenitor of Astarte, Ariadne, Aphrodite Minoan Snake Goddess

  9. Virgin/nubile daughter • Mother/matriarch • Hag/crone Three ages of the Great Mother

  10. Feminine/divine triads can be found in nearly every culture and mythology • Hinduism: the Triumurti is comprised of Brahma (creator); Vishnu (preserver); Shiva (destroyer) Echoes elsewhere

  11. In The Grapes of Wrath, the Great Mother manifests herself both in the positive and negative aspects of nature: • Soft sunlight/scourging drought • Gentle rain/destructive flood • Food and shelter/famine and deprivation Application to Angry Grapes

  12. “In her transformative character, the Great Mother is a force for change in the individual and society; this change may involve growth or destruction, rebirth or death, for both are within her domain.” WOMB to TOMB

  13. The nourishing breast is the most elementary symbol of the Great Mother’s life-giving quality. • “On the most basic level, the Great Mother as the giver of life or death appears as the personification of the Earth itself.” • The giving of the breast as act of communion “I am the Resurrection and the Life.”

  14. Cyclical = primitive, matriarchal life • Linear = modern, patriarchal life • Religious ecstasy is akin to sexuality • The stick – masculinity, utility, aggression • The river = femininity, flowing, sustaining, continuity, perpetuity • The FINAL SCENE embodies the Bible’s 3 main symbols of PURIFIED ORDER: • Old Testament deluge • New Testament stable • Continuing ritual of communion More motifs to consider

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