The “Isms”

1. The “Isms” 1870 - 1930

2. Haussmann is asked to reconstruction Paris. • Rejection from the official Salon. • Impressionists become known for their lack of finish and subject matter. Impressionism1860 - 1880

3. Pierre-Auguste Renoir, The Grands Boulevards, 1875, oil on canvas Edgar Degas, Foyer de la danse, 1872, oil on canvas Impressionism1860 - 1880

4. By the last Impressionist exhibition in 1886, younger artists and critics demanded a shift in the focus of the representational arts. • Symbolic and highly personnel meanings become more important. Post ImpressionismEarly 1880’s – mid 1910’s

5. Paul Cezanne, Mont Sainte-Victoire, c.1905,Oil on canvas Henri de Toulouse-Lautrec, At the Moulin Rouge, 1893-95, oil on canvas Post Impressionism Early 1880’s – mid 1910’s

6. Two main influences: Arts and Crafts movement and Japanese woodblock prints. • Reaction against the Academic System. Art Nouveau1890 - 1905

7. Aubrey Beardsley, The Peacock Skirt, 1894, ink illustration Gustav Klimt, Hope II, 1907-8, oil and gold leaf on canvas Art Nouveau1890 - 1905

8. Fauvism was the first twentieth-century movement in modern art. • It grew out of a loosely allied group of French painters, Henri Matisse being the leader of Les Fauves, or "The Wild Beasts.” • Emphasis on the use of intense color as a vehicle for describing light and space, as well as for communicating the artist's emotional state. Fauvism1899 - 1908

9. Henri Matisse, Woman with a Hat, 1905, oil on canvas Maurice de Vlaminck,The River Seine atChatou,1906, oil on canvas Fauvism 1899 - 1908

10. Began with the founding of the Die Bruck group. • A focus on the self and expressing spirituality and feeling. Expressionism1905 - 1933

11. EgonSchiele,Self-Portrait, 1910, Black chalk, watercolor and gouache on paper Erich Heckel,Portrait of a Man, 1919, woodcut Expressionism1905 - 1933

12. Italian avant-garde movement of the 20thCentury. • Tommaso Marinetti’s Futurist Manifesto published in 1909. • Futurists celebrate the advancing of technology and urban modernity. Futurism1909 – late 1920’s

13. Umberto Boccioni ,The City Rises, 1910, oil on canvas GiacomoBalla,Dynamism of a Dog on a Leash, 1912, oil on canvas Futurism1909 – late 1920’s

14. Developed by Picasso and Braque around 1907. • Ways to describe space, volume, and mass. Cubism1907 - 1922

15. Pablo Picasso ,Still Life with Chair Caning, 1912 Georges Braque, “Bottle and Fish”, 1910 – 12, oil on canvas Cubism 1907 - 1922

16. Suprematism, the invention of Russian artist Kazimir Malevich, was one of the earliest and most radical developments in abstract art. • Name comes from belief that Suprematistart would be superior to all the art of the past, and that it would lead to the "supremacy of pure feeling or perception in the pictorial arts." • Search for art's barest essentials. It was a radical and experimental project that at times came close to a strange mysticism. Suprematism1913 – late 1920s

17. “White on White”, Kazimir (Severinovich) Malevich, 1918,  Oil on canvas  El Lissitzky, “Proun 99”, 1925,Watercolor and metallic paint on wood Suprematism1913 – late 1920’s

18. Reaction against World War II • No coherent style Dadaism1916 - 1924

19. Marcel duchamp ,Étant donnés, 1946–1966,mixed media Man Ray,LeCadeau (The Gift), 1921, iron and tacks Dadaism1916 - 1924

20. Developed after the collapse of the Parisian Dada. • Changing reality by expressing unconscious in art. Surrealism1924 - 1966

21. Max Ernst, “Europe After the Rain”, 1940 - 1942 Joan Miro, Maternity, 1924, oil on canvas Surrealism1924 – late 1966