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Camera Composition

Camera Composition. Screen Resolution. NTSC Standard: 480i HDTV Standard: 720p,1080i,p. i: interlaced p: progressive scan. Aspect Ratio. HDTV Standard. NTSC Standard. Movies. Television. Headroom. Space between the top of a person’s head to the upper screen edge. Noseroom.

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Camera Composition

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  1. Camera Composition

  2. Screen Resolution NTSC Standard: 480i HDTV Standard: 720p,1080i,p i: interlaced p: progressive scan

  3. Aspect Ratio HDTV Standard NTSC Standard Movies Television

  4. Headroom Space between the top of a person’s head to the upper screen edge.

  5. Noseroom Space between the front of a person’s face the edge of the screen.

  6. Leadroom Space in front of a moving object and the side of the screen.

  7. 5 Basic Shots Extreme Long Shot Long Shot Medium Shot Close Up 5. Extreme Close Up

  8. Extreme Long Shot (ELS) Object seen from great distance. Often used as an Establishing Shot

  9. Long Shot (LS) Subject framed from head to toe.

  10. Medium Shot (MS) Subject framed from just above or below the waist up.

  11. Close Up (CU) Object or any part of it seen at close range. Usually includes the head and shoulders.

  12. Extreme Close Up (ECU) Object framed very tightly. Often a portion of a face.

  13. Medium Close-Up (MCU)Framed from just below the chest up.

  14. Over the Shoulder Shot (OTS) Camera looks over the shoulder of one subject to see the other subject.

  15. 2-Shot 2 subjects in frame

  16. 3-Shot 3 subjects in frame

  17. Identify the Following Shots

  18. Camera Angles

  19. Low AngleCamera is below the subject. • Power • Strength

  20. High Angle Camera is above the subject. • Weakness • Submissiveness

  21. Dutch (Canted) AngleCamera is slanted. • Unstructured • Unnatural

  22. RULE OF THIRDS If the screen is divided into thirds horizontally and vertically, place the subject along the lines or where they intersect.

  23. RULE OF THIRDSHORIZON LINES

  24. DEPTH OF FIELDDistance between the minimum object distance and the farthest point from the camera a subject can be positioned while remaining in focus. Great Depth of Field Shallow Depth of Field

  25. SELECTIVE FOCUS RACK FOCUS Shifting focusfrom foreground to background or background to foreground in the same shot.

  26. USE FOREGROND OBJECTS TO CREATE DEPTH

  27. USING FRAMES WITHIN FRAMES

  28. PERSPECTIVECan be used to create depth

  29. PERSPECTIVE POINT OF VIEW (POV) The camera shows the view of the character.

  30. PAY ATTENTION TO THE BACKGROUND AND FORGROUND! KEEP IT SIMPLE!

  31. Avoid Natural Breaks!Don’t cut people off at the: • Neck • Waist • Knees

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