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ROBERT BURNS (25 January 1759 – 21 July 1796)

ROBERT BURNS (25 January 1759 – 21 July 1796). HIS LIFE.

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ROBERT BURNS (25 January 1759 – 21 July 1796)

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  1. ROBERT BURNS (25 January 1759 – 21 July 1796)

  2. HIS LIFE • Robert Burns (25 January 1759 – 21 July 1796) (also known as Rabbie Burns, Scotland's favourite son, the Ploughman Poet, the Bard of Ayrshire and in Scotland as simply The Bard) was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a "light" Scots dialect, accessible to an audience beyond Scotland.

  3. Burns was born in Alloway, South Ayrshire, the eldest of the seven children of William Burness

  4. He was born in a house built by his father (now the Burns Cottage Museum), where he lived until Easter 1766, when he was seven years old. Burns grew up in poverty and hardship, however, his casual love affairs did not endear him to the elders of the local kirk and created for him a reputation for dissoluteness amongst his neighbours.

  5. HIS WORKS As well as making original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them. His poem (and song) Auld Lang Syne is often sung at Hogmanay (the last day of the year), and Scots Wha Hae served for a long time as an unofficial national anthem of the country. Other poems and songs of Burns that remain well-known across the world today, include A Red, Red Rose, A Man's A Man for A' That, Ae Fond Kiss and Tam o' Shanter.

  6. Only ten years after his first success, Burns died of heart disease – a combination of poor diet and the hardships of farming An extraordinary poet because Scottish culture, both popular and refined, seems to have spoken through him.

  7. Burns played the part of the simple farmer well • He had the benefit of some excellent education • Was well read in English authors. • The apparent artlessness of what he wrote and the simple prose he adopted as a “humble plowman” mask a mastery of literary forms.

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