html5-img
1 / 21

Music: An Appreciation 8 th Edition by Roger Kamien

Music: An Appreciation 8 th Edition by Roger Kamien . Unit IV 巴洛克時期 1600-1750. Presentation Development: Robert Elliott University of Arkansas at Pine Bluff. Chpt. 3: 大協奏曲與 Ritornello 形式. Concerto Grosso. For small group of soloists and orchestra. Multi-movement work.

tacey
Download Presentation

Music: An Appreciation 8 th Edition by Roger Kamien

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Music: An Appreciation8th Editionby Roger Kamien Unit IV 巴洛克時期 1600-1750 Presentation Development: Robert Elliott University of Arkansas at Pine Bluff

  2. Chpt. 3:大協奏曲與Ritornello形式 • Concerto Grosso • For small group of soloists and orchestra • Multi-movement work • Usually 3 movements • Fast • Slow (usually quieter) • Fast (sometimes dance-like)

  3. Chpt. 3: 大協奏曲與Ritornello形式 • Ritornello • Frequently used in 1st & last movements of concerto grosso • Theme repeatedly presented in fragments • Contrast between solo sections and tutti

  4. Listening Brandenberg Concerto No. 5 in D major by Johann Sebastian Bach • For string orchestra and group of soloists • Soloists: flute, violin, and harpsichord • First movement • Ritornello form • Listening Guide p. 167 • Brief Set, CD 1:60

  5. Chpt. 9: 巴洛克奏鳴曲 • 多樂章之器樂曲 • 器樂 • 三重奏鳴曲 (trio sonatas) • 三重樂譜線:兩重高及一個數字低音 • 三重奏鳴曲往往有四位樂器演奏家 • 教堂奏鳴曲 (da chiesa，即 church sonata)高貴 • 室奏鳴曲 (da camera，即chamber sonata) 更富舞蹈意味

  6. Arcangelo Corelli (柯賴里 ) Trio Sonata in A Minor, Op.3 No. 10 by Arcangelo Corelli For 2 violins and basso continuo Listening Guide: p. 154 Supplementary Set, CD 1:2 Note: Polyphonic texture Multi movement work Contrast between movements

  7. Chpt. 11: Antonio Vivaldi (威瓦第) • 巴洛克時期義大利大師 • 人稱為「紅神父」(il prete rosso) • 擔任Pieta威尼斯一所孤兒院或私生女收容所教授音樂 • 女士出席教堂管絃樂和聲樂的音樂會，他們置身於一處頂層迴廊，以一道格子式的鐵製品區隔。 • Wrote sacred and secular vocal and instrumental music • Famous as a virtuoso violinist & composer

  8. Francesco Guardi: Ladies Concert at the Phiharmonic Hall, 1782

  9. Chpt. 11-Antonio Vivaldi Listening Vivaldi，<春> (Spring), 取自《四季》(Four Seasons) (1725) Listening Guide: p. 158 Concerto for violin and string orchestra Note: Polyphonic texture & ritornello form Baroque program music Descriptive effects (e.g., bird songs)

  10. Chpt. 12: Johann Sebastian Bach (巴哈) • Organist and violinist • 日耳曼，巴洛克音樂的高峰 • Deeply religious (Lutheran) • Worked in sacred and secular positions • Weimar/Cothen/Leipzig • Large family • 巴哈被公認為是最出色的風琴演奏家、大鍵琴演奏家 • 以歌劇除外之巴洛克形式創作 • Recognized for technical mastery • 展現一種令人驚奇的和諧加對位法的嫻雅 • All music majors study Bach’s compositions • He is the model for learning to write music

  11. Chpt. 4: Fugue 賦格曲 • 多聲部織體作曲形式 • 主要是器樂、聲樂、獨奏或合奏 • Subject • 主要的主題 • 模仿主題的方式出現 • 每聲部在前一聲部演唱主題後進入

  12. Chpt. 4-The Fugue Listening C小調賦格 by J. S. Bach • Note individual voice entry on same melody (subject) • Listening Guide p. 109 • Brief Set, CD 1:65

  13. Chpt. 13: 巴洛克組曲 • 係由一系列舞蹈引發的樂章 • 多樂章樂曲 • 組曲的樂章通常是二段體自行反複—AABB • 組曲通常以「非」舞蹈之序曲開始 • 「法國序曲」(French overture)通常是二間體 • 首先以充滿莊嚴與壯麗的附點節奏呈現一個緩慢的部分 • 第二個部分是快速而較輕巧氣氛，以類似賦格的形式起頭。 • Forerunner of forms used in the next period

  14. Chpt. 13-The Baroque Suite Listening Suite No. 3 in D Major (~1730) by J. S. Bach, 2nd, 4th, & 5th mvts. Listening Guide: p. 171 Basic Set, CD 2:33, 35, 37 Note: Extensive polyphony Contrast of dance forms and tempo in various movements

  15. Chpt. 14: Chorale 聖詠與Church Cantata教會清唱套曲 • 路德教會星期日的禮拜是該週的社交大事 • 持續約四小時，講道一小時。 • 音樂是路德教會禮拜的重頭戲 • 唱聖詠是讓會眾直接參與禮拜 • 聖詠(chorale): 或者聖詩調，是以地方語唱出 • 教會清唱套曲(cantata) • 通常是為合唱團、聲部獨唱、風琴及一個小型管絃樂團 • 地方語宗教文句 • 使用詠嘆調、二重唱與朗誦調，和當時的歌劇非常相似

  16. Chpt. 14-The Chorale and Church Cantata Listening Cantata No. 140:《醒來吧，有一聲音在呼喚我們》(Wachet Auf, Ruft Uns Die Stimme) by J. S. Bach (1731), Movements 1, 4, & 7 Listening Guides: p. 177 Basic Set, CD 2:39, 42, 45 Note: Vernacular (German) text Chorale tune basis Polyphonic until chorale in movement 7 Movement 7—provides for congregation to join in

  17. Chpt. 16-George Frederic Handel Listening Handel，Messiah, Sinfonia 序曲

  18. Chpt. 15: 神劇(Oratorio) • 與歌劇一般: • 融合了合唱團、聲樂獨唱，以及管絃樂團的大規模創作 • 一系列的合唱、詠嘆調、二重唱、朗誦調，以及管絃樂團演奏之間奏曲所組成。 • 異於歌劇之處: • 他沒有表演、佈景或戲服 • 依據聖經故事創作 • 不是為了禮拜而作 • 現今，他們在音樂廳或教會演出

  19. Chpt. 16: George Frederic Handel (韓德爾) • 出生於德國Halle，只比Bach早一個月 • 並非出身音樂世家 • 父親希望兒子學習法律 • Studied music in Germany, then to Italy to study opera, finally England to work • Became England’s most important composer • 創作了不少具相當水準的歌劇 in London • 經營了一所歌劇院韓德爾為其音樂總監 • Worked as composer, performer, & impresario • Buried in Westminster Abbey

  20. Chpt. 16-George Frederic Handel Listening Handel，Sinfonia Recitative: Comfort ye <每座山谷都是要被提高>(Every Valley Shall Be Exalted)，凡自高的， 必降為卑； 自卑的， 必升為高。 取自《彌賽亞》 Listening Guide: p. 187 Basic Set, CD 2:50 For Unto Us A Child Is Born Listening Guide: p. 189 Basic Set CD 2:52 Hallelujah Chorus Listening Guide: p. 190 Basic Set CD 2:54

More Related