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Antigone by Sophocles

Antigone by Sophocles. Mrs. Gonzalez English 2. Origin of tragedy. Religious Festivals Honoring Dionysus, the god of wine and fertility. Died each winter but was reborn each spring Dionysia : a festival in March or April lasting five days

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Antigone by Sophocles

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  1. Antigone by Sophocles Mrs. Gonzalez English 2

  2. Origin of tragedy • Religious Festivals • Honoring Dionysus, the god of wine and fertility. • Died each winter but was reborn each spring • Dionysia: a festival in March or April lasting five days • Dithyrambs, choral lyrics in honor of Dionysus, = 50 men who sang around an alter • A goat was sacrificed to the god; thus tragedy (goat-song) was born • Thespis • Introduced an answerer (or actor) who dialoged with the leader of the Chorus. • Invented Drama. • Aeschylus • Introduced second actor (dialogue between characters). Dialogue became more important. • Wrote in trilogies (three plays based on a single story or theme.

  3. Sophocles • Wrote more than 120 plays, but only 7 have survived. • Introduced the 3rd actor and lowered the Chorus to 15. • His trilogies ran out of order. Antigone was presented first, then Oedipus Rex and Oedipus at Colonus • Euripides • Most tragic of the three great playwrights. • Sought to humanize his characters and make his conflicts more real • Chorus was not important, detached from the main action • Opened his plays with a speech • “the god from the machine”: an ending of his plays with intervention from heaven.

  4. Structure of Theater • 1st plays: audience stood to watch or sat on a hillside. • Wooden seats and stone benches came later • Theatron(watching-place): horseshoe-shaped viewing area allowed for 15,000-16,000 citizens (male, free Greeks) • Orchestra (dancing place): in front and surrounded on three sides by the viewing area • Thymele: alter to Dionysus, stood in the center. (Actors and Chorus performed here) • Skene: behind orchestra, changing hut/dressing room • Proskenion: back drop for the plays • Parados: the entrance to the orchestra used by the Chorus.

  5. Actors and Acting • Hypocrite (actor): actor played a role or deceived an audience. • Actor and Playwright were one. • Protagonist (first contestant): played star role, messenger • Deuteragonist: second actor • Tritagonist: third actor • A play could have as many characters as was written, but only 3 actors played the roles. • Unlimited number of extras or mutes • All roles by men • Costumes and Masks allowed for the role differences • Robes with long flowing sleeves; boots with raised soles, and larger than life masks combined with sweeping gestures • Masks identified gender, age, and emotions. • Open mouth was said to have increased the resonance of the actor’s voice.

  6. Chorus • Greek Tragedy: lyrical (to be sung). • Musicians were an important part of celebrations • Each instrument (flute, lyre, trumpet) had an emotional effect on the listener • Dance: any expressive rhythmical movement • Chorus moved in unison • Helped set the modd, added beauty to the production, provided background information, divided action into episodes, and reflected on events and themes. • Background characters (town elders, young maidens, or captives) • Asked questions, commented on actions, offered approval or criticism and gave advice

  7. Conventions • Unity of action • Single action with no subplots • Unity of time • Limited to a period of 24 hours • Unity of place • Unchanging scene

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