1 / 4

01 culture theory view

PERFORMANCE ART CONTEXT Performative Approaches in Art and Science Using the Example of "Performance Art". Literature : E. Jappe / Performance Ritual Prozeß On Ritual (Performance Research) Richard Schechner / Future of Ritual Kunstforum Bd. 34 / Plastik als Handlungsform

seldridge
Download Presentation

01 culture theory view

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. PERFORMANCE ART CONTEXT Performative Approaches in Art and Science Using the Example of "Performance Art" Literature: E. Jappe / Performance Ritual Prozeß On Ritual (Performance Research) Richard Schechner / Future of Ritual Kunstforum Bd. 34 / Plastik als Handlungsform Victor Turner / The ritual process (book) Victor Turner / The Anthropology of Performance (book) Richard Schechner / Between Theatre and Anthropology (book) Marvin Carlson / Performance – a critical introduction (book) !! chap. Performance and the social sciences Conquergood Dwight / Poetics Play, Process and Power – The performative turn in anthropology Janelle G. Reinelt, et al. / Critical Theory and Performance (book) A.David Napier / Foreign Bodies – Performance Art and Symbolic Anthropology A. Artaud (ethnological studies) W. Pfaff u.a. / Der sprechende Körper Sylvia Sasse / Zur Anatomie kollektiver Körper in der russischen Performance Theatre for Social Change (PSi7) Literature: (... continued) Walking through society (yearbook) ! Eugenio Barber (anthropological view) Camille Camillieri (athropolog. view; important for Patrice Pavis) James Clifford (ethno-historian) Roger Caillois (athropological theorist) Erving Goffman P. Bourdieu (Hexis- u. Habitus-Konzept) Victoria Best & Peter Collier (Ed.) / Powerful Bodies – Performance in French Cultural Studies Milton Singer (ethnologist) / cultural performance (developed as concept) A. Nebelung / Zwischenräume (Methode u. Ästhetik einer ökologischen Soziologie Herbert Mead => J. Butler Prof. Christoph Wulf <= P. Bourdieu C. Wulf (article) / Die Familie als performative Gemeinschaft C. Wulf (projects): Die Hervorbringung des Sozialen in Ritualen ... / Familien- Rituale / Rituale in der Schule / Geschlecht und Rituale U. Wuggenig -> Pierangelo Maset David Frankel / Workshop in Performance Studies Ethnography (PSi7 Mainz) Magic Maori, Artificial Savages and Martians: (De)constructing Indigenous Identity Literature: Judith Butler !! / Bodies That Matter Performative Acts and Gender Constitution (article 1988!) / Judith Butler Performativity and Performance (book) ! Andrew Parker & Eve Kosofsky Sedgwick Symposium: Cross Gender/Cross Genre Performance and Performativity Graz 99 Geraldine Harris / Staging Feminities. Performance and Performativity (article) David E.R. George !! / Performance Epistomology (in: Performance Research) Dwight Conquergood / article: The Performative Turn in Anthropology Victor Turner / The Anthropology of Performance Elisabeth List / article: Leiblichkeit, performatives Selbst u. Geschlecht article: Kultur als Handlung Gertrude Koch (C.S. Peirce) Homi Bhabha / article: Of Mimicry and Man Marvin Carlson / Performance – a critical introduction (book) !! Michael Issacharoff & Robin F. Jones / Discourse as Performance (book) Literature: (... continued) Victoria Best & Peter Collier (Ed.) / Powerful Bodies – Performance in French Cultural Studies !! Geoffrey Leech / Principles of Pragmatics K. Marcia Moen / Peirce´s Pragmatism as a Resource for Feminism (article) Jean-Francois Lyotard / The postmodern Condition: A Report on Knowledge (book) T. Sarbin & V. Allen / Role Theory (book) Michel de Certeau / The Practice of Everyday Life Kate Ince / Between the Acts: Orlan, Performance and Performativity (in: Powerful Bodies) !!! J.-F. Lyotard / Das postmoderne Wissen Nietzsche Performance Research Vol.1 No.1 1996 D.George / Performance Epistemology Pierangelo Maset, Hubert Sowa (Ed.) / Ästhetisches Dasein. Perspektiven einer performativen und pragmatischen Kultur im öffentlichen Raum D. Böhler et al.(Ed.) Die pragmatische Wende Rorty, de Certeau, ... Liturgie und Ästhetik (event Münster) Literature: (... continued) R. Shusterman / Kunst leben – Die Ästhetik des Pragmatismus Mieke Bal (lecture) / Performance and performativity M. Foucault: Wissensarchäologische Diskursanalyse W. Hempfer / Performativität u. episteme anders Denken – M. Focaults >performativer< Diskurs (article) M. Foucault / Archäologie des Wissens M. Foucault / Die Ordnung des Diskurses M. Foucault / ... Reader Diskurs u. Medien Sybille Peters / (PSi7) Towards a Theory of Fake / Towards a Fake of Theory Theorising the Performative (PSi7) Anja Musiat, Dorita Hannah / (PSi7) Writing Gesture: Performing Words, or, "How to dance with words“ Jackie Smart / (PSi7) Processing Language in Physical Theatre Ola Johansson / (PSi7) From Stage to Page Stephen di Benedetto / (PSi7) Mutable Modes of Perception: Approaching Performance as Visual Art Literature: article: Kultur als Handlung Gertrude Koch Mary Ann Doane / Film and the Masquerade: Theorizing the Female Spectator (article) Valie Export Peter Weibel Philip Auslander / Liveness (book) Ihab Hassan / process/performance/ happening (Essay) Victoria Best & Peter Collier (Ed.) / Powerful Bodies (book) Claudia Liebrand / Kinematographische Gender-Performanzen (lecture) P. Dubois / Der fotografische Akt (book) Thomas Dreher / Aktionstheater und Intermedia (article) Paolo Bianchi (Video lounge at O.K.) / Die Transformation der Kunst zum "Performative Turn“ Max Schumacher / (PSi7) Grotesque Food - From Film to Stage Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Kunstf. Bd.136 / Ästhetik des Reisens Zeit – Die vierte Dimension in der bildenden Kunst Kunstf. Bd.150 / Zeit – Existenz – Kunst Kunstf. Bd.151 /Dauer/Simultaneität/Echtzeit Matthias Schäfer / Mediennutzung und Zeitfaktor in der Aktionskunst (Bd.151) Daniel Charles / Zeitspielräume – Performance, Musik, Ästhetik John Cage / Für die Vögel – Gespräch mit Daniel Charles (book) ! U. Krasberg / (PSi7) Ekstastetanz und Performance ... (Sufi rituals) Kinetographien (project) / Inke Arns, Mirjam Goller, Susanne Strätling, Georg Witte Literature: (...continued) Richard Kostelnatz / The Theater of Mixed Means. An Introduction to Happenings, Kinetic Environments ... ! R. Koberg / Die Kunst des Gehens Mosche Feldenkrais / (Lit. on: Feldenkrais Method) Dr. Walter Siegfried (dance theorist) Willy Jansen / (PSi7) The Dancing Saints Gender and Trance Ritual in Different Culters Freddie Rokem / (PSi7) Ritualisations of Repetition in Performance Translating Dance (PSi7) Julia Witworth / (PSi7) / Translating of the Body: Physical Theatre Trainings, ... Literature: (...continued) Butoh – Die Rebellion des Körpers (Kazuo Ohno, Carlotta Ikeda, Tatsumi Hijikata, Min Tanaka, Anzu Furukawa, Mitsutaka Ishi, Testuro Tamura, Yoshito Ohno, Dai-Rakuda-kann, Akaji Maro, Nanten Harada, Akira Kasai Yoko Ashikawa, Asbestos-an, Sankai-iuku, Ko Murobushi, Yu Osuga, Sanae Hiruta, Teru Goi, Macunaima (Brazilian Group), Eji Ikuyo, Hoppo Butoh-ha, Natsu Nakajima, Kunishi Kamiryo, ...) (Masaki Iwana) (Esther Maria Häusler) (Gérald Personnier) (René Schmalz) (Sabine Seume) (Kjetil Skoien) Claudia Jeschke / Anmerkung zum performativen von Tanztechnik und Tanz- schriften im 19.Jhd. Literature: Crossings (catalogue) Zeitspielräume. Performance Musik Ästhetik / Daniel Charles Musical Performance (book) Stan Godlovitch - a philosophical study Klangkunst (catalogue) Music and Performance (PSi7) Version 02 - Mainz PERFORMANCE ARRANGEMENTS Performance as a LIMES–IDEA of art (Border Machine Performance) History of performance as the history of transgressing borders (M.-L. Lange) Art as border crossing (P. Bianchi) Off limits (hors limites) (Maribel Königer) Counter to abbreviating and excluding discourses (with M. Foucault) 32/64 Views of the "Performative Turn" Article in Kunstforum vol.152 Kunst ohne Werk (Dirmoser, Nieslony) A cluster model revealing performance (and theater) to us as a system of possibilities, in which relations in the in-between result as though by themselves. ... (P. Bianchi) Performative Procedures in Art, Science and Education (*1) Performative procedures (for a transitional period) Performance is not so much a new art form as a new paradigm, it stands less for a new phenomenon than for a new observation of familiar phenomena. (David E.R. George 1996) Performance here becomes not only a subject for study but also an interpretive gridlaid upon the process of study itself, and indeed upon almost any sort of human activity, collective or individual (M. Carlson) The great popularity of "performance" as a metaphor or analytical tool for current practitioners of so wide a range of cultural studies. (M. Carlson) Recent studies have demonstrated the usefulness of the concept of "performance" in the analysis and understanding of all these ... human operations. (M. Carlson) The ideal performance /vs/ revolutionary performance approaches The perfect performance (James Lee Byars) How can performances be analyzed? an open-ended medium with endless variables art performance / dance performance / theater performance / etc. Daring to face uncertainty and temporariness (from network to interstice - the clustering) On representation: A "net" without edges (in other words a cluster) – contents are placed in spatial proximity. Semantic routes are to be set by the readers (in reading) themselves. A Poster Group by Gerhard Dirmoser and Boris Nieslony Version 01u.02 / 08/1999 – 04.03/2001 Linz/Cologne / A-4020 Linz Waltherstr. 2/2/5 G. Dirmoser gerhard.dirmoser@energieag.at / asabank@asa.de Translated from German by Aileen Derieg 11/2002, a.derieg@site38.ping.at All rights are retained by the authors (print-outs for private use are desired) Thanks to: Paolo Bianchi (PB), Wolfgang Preisinger, Attila Kosa, Eva Kosa, Gerhard Fröhlich, Gottfried Hattinger, Udo Wid, Peter Arlt, Georg Ritter, Gabi Kepplinger, Eva Sturm, Herbert Wimberger, Josef Nemeth +, Hakan Gürses, Just Merrit +, Rainer Zendron, Black Market, Astrit Schmidt-Burkhardt, Alexander Sigel Special thanks to the theorists Marvin Carlson, Hubert Sowa, H.-T. Lehmann 1.12.1993 Sedimente 4.3.1995 – 4.3.2001 Note: *1 (subtitle of the book "Schreiben auf Wasser") music theory theory of perception on architecture (B. Leitner) technoculture discourse 25 acoustic "view" dance theory body research film theory dromology time theories dance view auditive view human voice (see below) choreography view flight show with concert approach (STWST) Performance with Sound 26 movement view the emotional role of music for diverse rituals / creating basic atmospheres through music see: gestic view movements as depiction of fundamental human states (Monica Klingler) (long String Quartett, Terry Fox, C. Marclay, Andrea Sodomka, Sarah Marrs, Takehisa Kosugi, Joan La Barbara) sound performance dance performance dance performance atmosphere mood disposition techniques of movement dance studies (Xavier Le Roy) Lifedance (Gloria McLean) (Yvonne Rainer, Trisha Brown (Judson Dance Theater), Merce Cunningham, Monica Klinger, Rose Garrard, Lucinda Childs) sound sensuousness (Maria Berquet) (Christine Brodbeck: TP-founder in CH (Tanz pur)) (Petra Deus, Klara Schilliger, Laura Dean) (Katja Fleig & Seijiro Murayama) (Company Catherine Contour) (Anna Halprin, Robin Poitras, Gabriele von Scheidt, Silvia Buol, Maren Strack, Genevieve Fallet) (Honey and Milk: Dora Kiss, F. und Joel Mützenberg) (Mim Miriam King, Steve Paxton, Andrea Morein, Dorothea Rust, Yoshimichi Takei, Mari Tanikawa, Mona Kosa, Hanna Barbara, Nigel Charnock (Ex: DV8), Kim Hyun-Ju, Kim Young-Won, Bilderwerfer (D. Aschwanden), Simon Whitehead, Hae Kyung Lee) (audio group, Jens Brand, Sam Ashley, H.-J. Gilgen, Orquestra del Caos, N. Möslang & Andy Guhl, Noah Riskin, Gerrit de Vries, Richard Dunlap) kinetic environments movement theater audio performance (2) kinetic sculpture acoustic performance (Jeanette Yankian "Aorta“) see also: course of events view see also: view of the musical score (Nigel Rolfe) cinematographic theater (LE): (John Jesurun) impression of collage and montage – videographic, filmic, narrative – intrudes before every perception. dramatic logic A performance exists only and ever as a flux electroacoustic performance (Mia Zabelka) dance articulates energy study of basic types of human movements (B. Nieslony, Franz West, E. Wurm) lying, standing, sitting, ... (Lee Chang-Shik Park) film semiotics psychoanalysis(Lacan school) process theories sound Performance ecstatic dance body in motion (Robert Morris) moving Sculpture acoustic effect of the body (Janos Szirtes) (incl. TV view) dancing bodies control multimedia image projections - meeting of real/virtual bodies (Isabelle Choiniére) 27 filmic view everything in dance is gesture (LE) Sound sculpture (Mel Henderson, Paul Kos, Tom Marioni) (John Greyson) sculpture in motion (Nigel Rolfe) (Alanna O´Kelly, Akio Suzuki, Junko Wada, Peter Zegveld, Harry de Wit, Toine Horvers, Phill Niblock, Jens Brand, Savier Klaro, Stadtwerkstatt) Theater of gestures and movements see also: tableaux vivant movement research (Skip Flicker) film performance Performance is closely linked to montage; its flaw is that it is a much younger step-brother to film (BN) analysis of movement live electronic musical instruments interactive sound performance (Benoit Maubrey & Brodin – Audio Gruppe) mimetic-gestic aspects of music (Sonia Knox, Marcel Odenbach, Elizabeth Chitty, Dan Graham, Peter Land, Iimura, Ulrike Rosenbach, Martha Rosler, Joan Jonas, Aernout Mik, Douglas Davis, Takahiko Iimura, John Jerusun Aernout Mik, Malgorzata Potocka, John Wood & Paul Harrison, Jean Otth, F. Pezold, Dennis Oppenheim, Lydia Schouten, Joelle Ciona, Erik Dettwiler, Bettina Grossenbacher & N. Widauer, Suzanne Joly, Jerzy Onuch, Klara Schillinger & Valerian Maly, Alex Silber, Maciej Toporowicz, Jaime Vallaure, Jürg Schmoll, Benni Efrat, Anna Bring, Gillian Dyson, Anna Winterler, Jochen Gerz, Gelatin) vocabulary of movement hyperdance (Min Tanaka) kinetic possibilities of the body (Benni Efra) (LE) Theater resembles a kinetic sculpture motoric movements otherwise not "used" (Simone Forti) (Dennis Oppenheim, Malgorzata Potocka, Eulalia Valldosera (Collektive Al-Azaz)) gestures of conducting (as performance) movement performance (Eva Hurley) film projection combined with performance (Sol Lyfond) (Jack Goldstein – film maker) (Doris Balmer) (Stephen Laub) (Harald Busch & Erhard Hirt) (Anet van de Elzen) projecting "home movies“ (Anna Bring) montage of attractions (Sergei Eisenstein's concept) comprehensive concert/ performance/installation (Recombinant 9.9.99 ars electronica Posthof – all halls) Dance: having the hands "in play" movement behavior concert performance (Joel Hubaut) (Dilettanten- Orchester Linz) juggling with repertoire of movement electro- acoustic clothing (B. Maubrey) The tempo of the film cut is brought into theater (LE) collages of events Emotion from lat. Motio = movement / anger-irritation logic / fear or anger logic obsessed with speed images of feelings (Eva Hurley) Travel Arttravelling as performance (Vol. 136, 137 Kunstforum) travelling as global presence (Eva & Adele) Green line walk (Die Fabrikanten) (John Tylo) (Jochen Gerz) (Dimitri Alithinos) Photo: Moment catcher – Performance travelling (Gabriel Magos, Corinne Tache) using the quality of illusion performance concert (ZAJ) outside oneself in dance Butoh see above (Kazuo Ohno) SU-EN Butoh Co. (Susanna Akerlund) private filmic actions (Andy Warhol) dance with the Internet (Stelarc) camera replaces audience (restrictive presentation conditions) play-along music (John Cage) performative theories from cultural science performativity discourse performance studies speech act theory language game theory / Praxeology feminist theories (J. Butler) pragmatism symbolic pragmatism pragmatic-hermeneutical turn role theory (T. Sarbin) discourse analysis These aspects used to be treated under the theme of communication concepts (see below) criticism: communication and information theory have forgotten performance between rock music and scenic collages (L. feLugossy) film-specific performance styles (works by Jack Smith) hanging, floating, ... (Carolee Schneemann, Flatz, Jill Orr, Peter Brambring, Butoh, Il Carrozzone...) (Charlotte Moorman „sky kiss“) (Kees Mol) (Sankai Juku) (Bob Flanagan) (Jan MlCoch) (Danny Devos – hanging in magic places) (Mark Steger – hanging in trees) (Robert Sot – in a wreath of plants) (Hadass Ophrat & Guy Brieler) playing in video generates the interference of differing time rhythms Private Performances (Video Documents) (2) video performance Crossings-Schema: Jonas, Forti, Charlemagne Palestine L. Anderson. Haimsohn Beckley, Kubisch Fabrizio Plessi Albrecht D (ZEN) Jannis Kounellis Lentz, Dunlap, Tom Marioni others: Jon Rose , Christian Marclay ZAJ (Walter Marchetti, Juan Hidalgo, Ramón Barce , Esther Ferrer) Z´EV, Ian Smith FUCKKEAD, Anne Bean Paul Burwell, Sam Ashley Nancy Buchanan Richard Maxfield Endre Szkárosi Grundheber CAP Jörn Luther , Misa Savic Krzystof Zarebski, Irit Bluzer, Helena Villalobos Mark Trayle, Bender&Nern Pauline Oliveros performativity thrust performativity discourse music performance travelling and migration (Raúl Manrique & Claudio Fabián Pérez Miguez) 28 performativity as view (Sam Taylor-Wood) travel art – capturing moments Performance in motion – Resistance in motion (Performing Resistance, Volkstanz, Gettoattack – Vienna) Dance&Performance activists (Skip Flicker) (Devil´s Chauffeur – Roger Ely) playing with the Film Noir genre (Paul Couillard) Dance Noise (Anne Iobst, Lucy Sexton) Conquergood: involving a shift from viewing "the world as text“ to "the world as performance“ (Sistermann, Christine Kubisch, David Moss, Chie Mukai, Endre Szkarosi, Michel Asso, Bonnie Barnett, Leigh Hobba, Luca Miti, Maxime Rioux, Marianne Schuppe, Attila Dora, Tibor Szemzö) discourse view TV performance Van Gogh TV (Live and real time television / Multimedia performance Hotel pompino) filming performers (Black Market) (Jack Smith – Retrospective Graz 1999 Smith repeatedly treats his films for performances) Video eliminates the necessity of appearing before an audience moment art cycling all over the neighborhood (Kirsten Forkert) under water performance (Angie Hiesl) performative turn (Bonnie Marranca, Conquergood Dwight, Fischer-Lichte, ....) cf.. pragmatic-hermeneutic turn Performance is less a new form of art than a new paradigm, it stands less for a new phenomenon than for a new consideration of familiar phenomena (David E.R. George 1996) Expansion of film projection into the theatrical (John Latham) (Nam June Paik & Charlotte Moorman) (Friederike Pezold) (Douglas Davis) touching the inside of the TV aesthetics of speed slow motion-like movements (Wilson) slowness (Wolfgang Duck) (Min Tanaka) cf. Instant Intervention performance as mental model (Lit.: Georg F. Schwarzbauer) (Tache & Magos) Autoportrait (Carlo E. Lischetti) Performance without movement (seeing with the body ...) Abramovic/Ulay Theory as/of Performance filmed performances (Matthew Barney) performative moment Dance of Transgender (Hunter Reynolds & Pattina du Prey) Performances with/as/to music (Urs-Peter Schneider) Performance = significant theoretical framework Stadtwerkstatt-TV projects as performance (4 Days of Buffalo) / Ars electronica "no one is sure of himself“ Automaten TV etc. filming actions (Kurt Kren (on Otto Muehl, G. Brus)) Architecture-Performance & Film (Gordon Matta-Clark 17 Films) (Walter Pamminger) staying on the road (PB) Trash-TV (Schlingensief) see: performativity of language view of orality performative speech act dance articulates energy / everything in dance is gesture In plunging and elevation, pain and provocative erotic, the question is posed with Nietzsche of the "dancing god" (LE) dance as competitive sport (A. Périgot) dance & martial art (Li Portenlänger) (Schimpfluch) (Zoltan Szabo - Judoka) part of every performance: music (Stadtwerkstatt) taking movement into consideration in theory models (Proj.: Kinetographien) Performance as a concept in ethnography, anthropology, sociology and psychology filming partner (Carolee Schneemann's friend) Anthony Cox: husband of Yoko Ono) Performativity as new perspective / the dominance of textuality is penetrated approaching one another (Iréne Maag & Chen Tan) experiments with TV cameras (Alex Hay & Deborah Hay) multiple film projections (Stan Vanderbeek) Aleatoric sound and movement performances (J. Cage, Merce Cunningham) TV projection (daily news) combined with dirges (Dr. Walter Siegfried) aesthetics of duration see: performative pedagogy dance theater intensifies, shifts, invents movement impulses and body gestures (LE) space can only be performatively experienced as space distinction body as projection surface for films (Carolee Schneemann) ongoing performance: the question of plagiarism (Timm Ulrichs) gestic research using film (Valentina Baradinone, Gelatin) see: performative form of insight of the physical body Performative turn in theoretical discourse (analysis model for the specific performativity of the genre "dialogue") performative body memory (see: V. Appfelthaler) performativity of the social system (Lit.: Lyotard) Factory of the Excentric Actor (Eisenstein) filmic vision: in multimedia and intermedia art (incl. happenings, performances) "filmic vision" supersedes static vision (Th. Dreher) performative knowledge (R. Schechner) (e.g. dance technique, handling, ... "learning with the body" performing knowledge cf. hidden/implicit knowledge) cf. Life Art / Live Works Audio-Landscape (Wilson) 60s: real bodies in real time in real space stories run in the monitor cap (Kyung Ja-Na) performative understanding (Sowa) (historical) anthropology ethnology theology / New Age discourse theater anthropology ethnography performance studies ethnography cultural anthropology sociology and performance sociological discourse exotism discourse tribalism debate (tribal culture) structuralism discourse (game rules of art) time art "Time based art“ also includes video and new media encroachment / infiltrated situation (Günther Wallraff, Karel Dudesek) (Gianni Motti) infiltrating hospitals as doctor (Cabinet De Medicine) musical stagings (Norbert Stang) expanded cinema (as method: USA => A) (Jack Smith, John Latham, Valie Export, Peter Weibel) Smith combined film and cinema slide (Gabriele Oßwald & Wolfgang Sautermeister) Cinemasculpture (Alan Finneran) time-based experiences (Scott Macleod) Performance to experimental film (Anne Hody) (Pat Ferrero) centrality of performance in the construction and maintenance of social relationships masculinity/femininity as cultural performance (femininity: Sakiko Yamaoka) performance behind running projection (Enrico Bugli) film and shadow (Anet van de Elzen) (Gelatin) see: the performance of the body (performativity) arts tied to the course of time see also: culture-theoretical view time as material (Karl Kaltenbach) B.M. is performative temporal view of performance design projecting close-ups (Sol Lyfond) acoustically dynamic space perception (B. Leitner) performative sound sites (spatial music) 29 socio-logical view the performative is a cultural act (J.W. Kronik) influenced by experimental films (Madonna Hamel) time based art Orlan´s "Reincarnation“ project: A case study for the overlap between performativity and performance physique of the voice in architectonic spatializing film actors as performers (Akiko Izumi) couples as public "construct" (Judy Radul) dynamization of categories and models (Klaus Rinke, Ralston Farina, Ruedi Schill, Sakiko Yamaoka, Peter Kalmus, Michael Murin) Literature: Kunstforum Bd. 25 / Schamanen J. Raap / Kunst u. Schamanismus (article) Hartmut Kraft / Über innere Grenzen - Initiation in Schamanismus, Kunst, Religion und Psychoanalyse (book) Performance of Healing (book) Carol Laderman (Ed.) J.L. Moreno / Psychodrama (book) Joachim Hersinger Waldegg / Der Künstler als Märtyrer – Skt. Sebastian in der Kunst des 20.Jahrh. Mary Ann Doane / Film and the Masquerade (masquerade theory) Marianne Kesting / Das Happening als pseudo-religiöse Opferhandlung (article) Christa Lichtenstern / Metamorphose. Vom Mythos zum Prozeßdenken (book) Aristoteles / Katharsis-Begriff Theresa Smalec / (PSi7) Healing Shattered Subjects: Ron Vawter´s "Roy Cohn/ Jack Smith" as a Performative Means of Translating and Transforming Cultural Traumas Elizabeth Köpping / (PSi7) Charismatic Healing as Transformation Translating Difference: Performance and Disabillity (PSi7) Literature: (... continued) Audrey Colby / (PSi7) Acts Apart Carol Fischer-Sorgenfrei / (PSi7) / Animal- Human Transformation in Japanese Perf. Ulrike Krasberg / (PSi7) Ekstasetanz und Performance ... (Sufi-Ritual) Silke Wolf / (PSi7) Transformation ritueller Performanzen Petra Kuppers / (PSi7) Mapping Physicality: Translating Difference Callie Sandahl / (PSi7) Speaking Communities into Existence: One Person at a time Richard W. Mitchell / (PSi7) Laughing like Crazy: Performing Comedy with/for the ´Insane´ Kanta Kochhar-Lindgren / (PSi7) Earth Arts: Performance, Landscape and the Voices of Difference Ivy I-Chu Chang / (PSi7) Theatre as Therapy, Therapy as Theatre 26 temporal view performance as social, political strategy filmmakers as performers (and vice versa) (John Jesurun, Valie Export, ...) social performativity of gender (J.Butler) gender: a category constructed through performance (not a given social or cultural attribute) gender = a "doing“ B&W films as material demarcating reality (Helmut Schober) social view performative level of pop music curator in the field o film (Bettina Wagner) (burning 1 Mill Engl. pounds) A performative moment has been important to many art works since the 70s economical and social plots view of the musical score machine-controlled film projection (torture) (Istvan Kantor) offering a "different" filmic view of the performance commentary on film diaries (Balz Raz) (Pawel Althamer) film time and event (GANG ART) time units for the event see also: political view sound, music, score, composition (cf..: view of the musical score) emotional impact of the medium of film musical performativity (John Malpede) see: performative levels in pop music unfettering the fine arts in actional arts(Proj.: Kinetographien) Performance as the transient, flowing, ... social behavior as performance (Goffman) time as medium (Ralston Farinas) Performances action scores (category 03 according to M.-L. Lange) What is staged, random and composed coincide (Akio Suzuki & Junko Wada) social message (Nilofar Akmut) performance as social practice (see below) see: performativity of feelings the exhibited discourse (series "dis-positiv“ Vienna 05.2000) process demonstration process art notions of times (Judith Barry) innermusical performativity – music as a sui generis performative, physically staged phenomenon (Prof. A. Riethmüller) Film, Music & Performance (Michael Murin & Peter Kalmus) endless repetitions (Endre Tót) hexis/habitus as a series of performative practices social performance social performance Outsiders are in-between beings (PB) see: performative sculptures (Magos, Stuart Brisley) performative self (the self in process) There is no knowledge without discursive praxis (Focault) The discourse is that, for which and with which one fights (Foucault) ephemeral art Performativity of forms of materialization (project: Kinetographien) Theater is the art of the social per se (LE) Postdramatic theater performance accentuate the act over the result (LE) circular form of time (Giardini Pensili = Bordoni & Dalo) Performance in front of video projection (Oscar MacLennan & Anne Seagrave) the only medium with real quality is every other human being (BN) see also: mimicry of life 27 process view musical score (Kaprow) Identity as performance see: prediction actions with job-seekers, unemployed persons, homeless, prisoners(STWST) (Filomeno Fusco, Victor Kégli) (Santiago Serra) classic texts are also underlaid with pop understandings (sensation of rhythm) (LE) social researcher (Pino Poggi) (Karin Meiner & Manfred Hammes) dis-curs (running back & forth) performance art performance clips Clip Performance (Pipilotti Rist) action with a fuse (Roman Signer) Flow – acting outside time Performativity as the act of positing meaning permanently repeating itself a performance is capable of creating "communitas" (Jürgen Fritz) Performance art often moves in a discursive gap (Ray Langenbach) view of the act Deep flow = is an ecstatic experience moved innerly through perception of music/sound/rhythms moment as sculpture of touch (Franz Müller) magic ritual (BN) social sculpture social action (Tom Marioni) social actions (Roland Miller) dramaturgy (Norbert Klassen insisted on it for B.M.; but he is the only one with a score) pity / social feelings boredom (Büro Haake-Brandt) (Sakiko Yamaoka) process-oriented art / process-oriented procedure short performance (very long performances are hardly prepared anymore today) direct time-images (Klaus Rinke) (approach to) ritual performances (Category 04 according to M.-L. Lange) pragma-art (action and process instead of contemplatio) (cf. Michael Lingner, Eva Sturm) Performance as the processual, flowing revenge of the Indians on European music (Art Clay) performance as social situation ritual music (Maria Fisahn) Theatre of Social Change (PSi7) actions with concrete goals (Lidl-Academy) Foucault: ... the mechanisms of discursive formations could be picked up specifically in the in-between space of scientific discourses. relationship per se performativity as creating identity as a process of repeated quotation cf. strong boom of process view in business administration and informatics since about 1996 social sculpturing method (Labin Art Express) see also: process from the view of artistic production Performative Transformation(PSi7) (J. Beuys) (Volker Hamann) (Bruno Hoffmann) J. Beuys' actions as sculptures in space and time (category 08 according to M.-L. Lange) threshold situations (in the course of events view) From action to transformation action music immediacy (nothing can be taken back) / Live character performance as social experiment acoustic environment knots in the social field (Kira O´Reilly) therapeutic discourseg gestalt therapy psychodrama / psycho-techniques primal scream therapy system theory dance theory alchemy, hermetics esoteric debates / New Age discourse psychology view of transformation pair performances (Marina Abramovic & Ulay) Primacy of the process aesthetic social guest work (PB) See also: Theological View deconstructive „performativity“ of Paul de Man short processes, swarm of processes (Manfred Vänci Stirnemann) liveness noise music (H. Mucken – M. Vorfeld, Rolf Langhans) Fluxus (2) quasi-mythical places Pragmatism as culture studies paradigm (cf. Gertrud Koch) Performativity as the "more pleasing variation" structures of action see also: performance as action see: M.-L. Lange categorized performances according to action structures Discursive practices differ from non-discursive (technical, institutional, economic, social, political) practices Performance takes place in the "here and now" remaining in the present social "face" as highest good (honor, integrity, recognition and not just tolerance) /vs/ loss of face) 30 magical view live performance attacking social mechanisms (V. Acconci) (Chicago) Stalker (as concept) (Zygmunt Piotrowski) performative "being at one" of the Zen archer or Samurai warrior (cf. Flow) process design (see study Stadtwerkstatt-TV) Shamanism (mobilizing spiritual forces) (Rolf Hinterecker) (Geert Duintjer) (Anna Homler) (Raphael Montanez Ortiz) (Nam June Paik) (J. Beuys) (Brian D. Tripp) (Kim Suck-Hwan) (Yong-Gu Shin) affects as energy suppliers and organizers of social space live acting community performance art gnosis (BN) discourses are practices themselves slowing down time reducing energy (Prediction) Topicalizing relationship (G. Magos & Corinne Tache) (Inka Bernstein & Club Hofmann) (Lorena Menoez & Fernando Fuentes, Birchler & Hubbard) the Fluxus movement emanated from music, among other things Ritual (2) 28 pragmatistic view Ritual and shamanist performances (Holger G. Herrmann) Initiation „as“ dismemberment (Brus) cf. pragmatic hermeneutic turn initiation forms of interaction forms of the course of attention religious themes (Ulrike Rosenbach) live art Performance art with its radical assertion of real time as time experienced in common (LE) images of social community as performance composition as process (J. Cage) role view see: communication concepts view of duration:chained together 1 year (Linda Montano & Tehching Hsieh) (3 days: Linda Montano & Tom Marioni) (7 years of living art: Montano) (1 yr. cage, 1 yr. stamping, 1 yr. no interior space Tehching Hsieh) cf. Taxi Orange Musique sonore (Joachim Montessuis) string installations (Paul Panhuysen) investigation of the intimate zones of the body social (Bilderwerfer) mimicry It is how it is – the illusion (Nelly Agassi) symbolic actions (as precursor of performance) the spiritual / the holy Laying open - sacrifice - shamanism (Jappe) process-analytical works (Büro Haake-Brandt) relationship questions (cameras, monitor): Androgynous – Marion Leyh, U.Peter Schneider, Ruth Bamberg,Philippe Micol) Mask / masking (cf.. identity) masquerade (Boris Nieslony, Norbert Klassen, McCarthey, Joan Jonas, Franco Vaccari, Allan Sekula, Artur Tajber) performative generation of distinctions, i.e. separations and congruencies of social groups (Gebauer with Bourdieu) The body as magic sculptural object with cathartic effect (Viennese Actionism) emotionality through live presentation expectations of salvation (Tour de Coulór) performative perception of time Shamanism and animism (Z. Warpechowski) (Serge Pey) performative generation of belonging simulation mimicry of life automatism taking care of the right atmosphere and thus also for the right thinking cf.. Stadtwerkstatt-TV cf.. Taxi Orange In our culture, artists, priests, doctors and psychotherapists have taken over partial areas of shamanist functions game rules ritual (see left) selling snowballs (David Hammons) Foucault's archeology is an ethnology of his own culture processed objects (Performing Resistance) Animism (cult of the soul) material ordered in trance as script (Jacques van Poppel) acoustic design as rhythmization of the event (GANG ART) Media shamans (Jürgen Fritz) see also: intercultural exchange in performance course of process moment art (2) Kabalistic references (Nelly Agassi) Alchemistic theater (Antonin Artaud) (Kees Mol) Aesthetic alchemy (Rimbaud, Mallarmé) e.g. simulation of an office (Ingold airlines: Res Ingold) (Philippe Cuny u.a.: Protoplast) (Abel Bankprojekt) (FEM-Warenzeichen) (Bender & Nern) performance as mimicry of business (Ruskin Stichting, Rotraut Pape, u.a.) long-term performances(Das Konzil, Nieslony, Alastair MacLennan, B.M., Bodo Berheide, Robert Sot) (Matthias Jakisch & Elvira Santamaria, Ulrich Lepka) processual aesthetics (Proj.: Kinetographien) you need a role to become yourself (Cindy Sherman) Cf. magical theater (A. Artaud) = Theater of Cruelty Self-painting (G. Brus) White man (Roi Vaara) White men (T.R. Uthco: Dough Hall, Jody Procter, Brus, Yong-Gu Shin) Yellow man (Lie Wen) Camouflage painting (V. Kutscher) Like spotted animals (Mette Aare) (art incube) The body as canvas (BN) performance is directed against blind faith in progress 29 anthropological view / ethnological view performance as socially marked role play (see below) processual unfetterings 700 BICAPONIA-Performances as rituals of a private shamanist religion (German Vinogradov) the incredible power of music and rhythm the "omitted" staging (LE) (latitude, lacunas) Shamanist qualities (John Sturgeon) Physio-Psycho-Alchemy (Raphael Montanez Ortiz) changes and dynamics / dynamic processes ethnological material (Thomas de Chirico) course of events Alchemy (Anna Homler) Self-painting = surmounted self-mutilation (G. Brus) social and religious identity (Islam) (Majida Khattari) role view dynamic way of looking at psychical processes subversive simulation of platitudes (Biefer/Zgraggen) rhythmic performance (Esther Hiepler) Literature: Kunstforum Bd. 87 / Kunstgeschichte des Feuers Erika Billeter / Mythos und Ritual in der Kunst der 70er Jahre Transition to Modernity (PSi7) Bonnie Eckhard, Frederick Corey / (PSi7) Missed Callings: Myth, Middle Age, and Memory M. Serres Udo Wid Shamanist journey multimedia (Rachel Rosenthal) repeatability of staged performances (Lili Fischer, Laurie Anderson) allowed to play along (being part of the game) see identity time process of becoming image (LE) Performance as staging(see below) Transformation (2) (PSi7) Art as site of transformation (PB) Performer as modern shaman Performer as modern witch theological view rules of operations and permutations Alchemy of the kitchen (Attila Kosa) Search for the sacred (A. Artaud) course co-determined with thread (Jordan MacKensie) Birth (Fumiko Takahashi) ethnographic performances – following traces (Nikolaus Lang) Completely out of control (Ion Grigorescu) role (in)security with transgender persons (failure in daily "glance traffic") staging (2) performing art (2) music and video art (Les Reines Prochaines: M. Fuchs, Fränzl, Madörin, Muda Mathis, S. Zwick) artist as (participating) behavior researcher (U. Wid, A. Fraser) religious view / art (performance) as substitute for religion? Transformation as aesthetic category (FL) Alchemistic laboratory life-art-work Gotthard (Jean Odermatt) Concept art of the 60s - body art (K. Rinke) performers do not play a "role" praxis paradigm (cf. praxeology on Wittgenstein) mudman's seminars Alchemy of the ordinary (Boris Nieslony) Mudman (Kim Jones) (Young-Chul Shim) performance as mimesis(see below) artist as anthropologist (Tokio Maruyama) (Nieslony) (David Thomas) artist as skeptical anthropologist (PB) (BieferZgraggen) Fertility (Victorine Müller) With and about fire ... (Kain Karawahn, Otto Piene, Stadtwerkstatt, Young-Chul Shim)) (Holger G. Hermann, Thomas Ruller, Lukas Berchtold) Panic in burning paper tent (Igor Sacharow-Ross) Fire circles (Zorka Ságlová) flame thrower (Just Merrit) Fire & water (János Szirtes) , (SRL), (L. Berchthold) Fire theater, live flame (A. Heller) Incinerating rare plants (Terry Fox) Fire Table(s) (Ric Allsopp) In a burning tank under water (Harrie de Kroon) Recipient in a burning gyrator (times up/Just Merrit) Burning clothing piece by piece (Barbara Sturm) living prediction primary demonstrations Trance states (Helmut Schober) (Serge Pey) (Klaus Rinke, Michael Schmidt, Endre Tot, Yasunori Shiobara, Ruggero Maggio, Lee Chang-Shik Park) theory of the moment (James Lee Byars) Trance techniques (Terry Fox) cultic contemporary investigations (FS) (Bettina Kleinhammes, Annegret, Soltau) prediction (2) p-theory as theories of behavior Transformation through magical procedures: costumes, masks staged events (2) performance "like anthropological studies" (Kurt Fulton) Ethnolog. research into social conditions (Kurt Fulton & Richard Schachter) Performance as sound experience Body dismemberment & violence / body fragmentation in performance interactive processuality of cultural actions Ritual sculpture Cosmological view direct recourse to shamans (Schmutz) ritualizing everyday actions (Alastair MacLennan) performance as rituals of transition, of transformation (Translation TRANSITION Transformation – PSi7) Spiritist session (Rolf Langebartels, Vollrad Kutscher) (cf. Gestures, Attitudes) seance Model of cannibalism (Lygia Clark)anthropophagy (Judith Lorena Mendez Barrios) (Reindeer Werk) cultural anthropology structuralism (discourse) myth discourse literature discourse deconstructivism memory theories mythic view forms of culture (forms of expression) (Roman Signer) (Renee Kolla) ritual as means for coping with crises (LE) Presence of the deviant body triggering "immoral" fascination, discomfort or anxiety because it deviates from the norm due to illness, handicap or deformation (Just Merrit) performativity of rituals performance as ritual(see below) ritual actions (Thomas de Chirico) ritual performance art (Réné Ynez) artistic action /vs/ artistic production "holy" reality of the body the moment of the living process (vs. reproduced process) Forms of therapy that make use of performance techniques +Performance as staging ritualized performance(Rebecca Belmore) Action with stone (Stephan Goedecke) Lying under stones (Yin Xia-Feng) the gift 31 mythological view Therapeutic seances (Lygia Clark) Death and the beautiful shaman (M. Abramovic) neurotic rituals – intensity of a hysterical psychosis (Reindeer Werk) church service as performance (USA) the essence of the ritual is the tie, the plea process and not finished result View of the elements (fire, earth, water, air, ...) (Hanka Lee) (Katharina Trost) (Aktion im Moor – J.Beuys) performance ritual (Karin Bille, Jürgen Fritz, Thilo Hain, Walter Renner) ritual and emotion using the example of mourning (Ines Tsengas) (Moreno) probing the truth of the soul through action - catharsis of action exchange projects (Clegg & Guttmann) poetry of rites cultural pattern ritual Smeared with earth (Dieter Appelt) Lying naked in the water (Dieter Appelt) Forms of therapy as analytical "session" See: psychoanalytical view Therapeutic action (intention of body art) Cf. identity view Temple sacrifice and fire rituals (Siglinde Kallnbach) (minus delta t) ritual presentation of objects Acting out (process and not just analysis) Butoh therapy (Mitsutaka Ishii) Fear-angst system 30 therapeutic view purification ritual (Hansjörg Marti) ritual sculpture rituals mourning-depression system logic of mourning theater is at heart a death mass (LE) Ghost stories (Ping Chong) Machine: stream of fire/stream of water (Erik Hobijn) being in the process (Matthias Jakisch) Group therapy as installation ("Lovepangs" congress /4 phases of pain) Pain, death, transitoriness, rebirth (Gideon Gechtman) (Peter Gilles) (Hannah Wilke – her dying body) external and internal purification (Emil Gropoz) Therapist as performer (Yuko Yamamoto) Creation myth (Jürgen Raap) Mermaids washed ashore (Myriam Laplante) Performance in the ocean (Yong-Gu Shin) Galvanized into the symbolic disability view Cath. rituals (De Chirico & Angelika Thomas) Artist as martyr (Cf. G. Brus) rites of initiation Work with HIV patients (Jordan McKenzie) Aboriginal myths (Kevin Mortensen) pain & catharsis Therapeutic acting out (Jürgen Fritz) (Goji Hamada) Close to nature Bodies connected to trees with hoses (Enikö Szücs) Purification (Verena Schwab) Buddha States (Chen Chieh-Jen) ceremony / processions St.Sebastian – pierced sacrificial lamb (Ron Athey) (cf. Mishima) cf. Fakirs Theater as process (LE) Rooted in old myths Performances of Death in America (Andy Warhol) Purifying power of ritualized pain (Gina Pane, H. Nitsch) cult action Performance of Healing Performance as Process Theater in therapeutic pedagogy blessings Like a stone-age man (Jerzy Beres) Archaic and culture Archaic, Butoh (Gérald Personnier) Performance as catharsis (cf.. below) cultic purification self-purification ceremony art mudmans Seminars (2) Performance and Disability (PSi7) Mythic rituals (Günter Brus) ritual consecration performances (Ralf Vormbusch) Prerational logic of mythical image worlds Literature: Performance und Performance Art / Kunstf. Bd. 96 G.J. Lischka Beitrag: Schneisen im Heuhaufen – Formen von Performance-Art Marie-Luise Lange Critical theory and performance (book) Patrice Pavis Jürgen Schilling / Aktionskunst (book) Marvin Carlson / Performance – a critical introduction (book) !! B. Stanton Garner / Bodied Spaces: Phenomenology and Performance Nick Kaye / Postmodernism and Performance (book) ! David George / On Ambiguity: Towards a Post-Modern Performance Theory (article) Laurence Senelick / Cabaret Performance Stan Godlovitch / Musical Performance: a philosophical study Philip Auslander / From Acting to Performance (essay) Vadim Liapunov, Michael Holquist / Towards a Philosophy of the Act (book) (on Bakhtin et al.) Richard Schechner / Performance Theory (book) Patrice Pavis (Ed.) / The Intercultural Performance Reader (book) Michel Benamou / Presence and Play, Performance in Postmodern Culture Mise en Scéne (catalogue) Markus Weßendorfer (theater theoretician also writes on performance) Elisabeth Schweeger Hans-Thiess Lehmann (lecture) / Theater als Möglichkeitsraum Performance Theory and Practice (PSi7) Literature: (... continued) J.-F. Lyotard (event, performativity, language games, ....) J.-F. Lyotard / The Unconscious as Mise- en-scène (in: Performance in Postmodern Culture – 1977) Hassan Hannah Arendt / Vita Activa (book) Johanna Malt / Performative Constructions of Meaning (article) Dorothea von Hantelmann / Der andere Schauplatz: Theatralität u. Performanz in der zeitgenössischen Kunst Bonnie Marranca & Gautam Dasgupta Ed. Conversations on Art and Performance Philosophie in Aktion / P. Bourdieu, Hakan Gürses, O. Marchart, Chantal Mouffe, W. Pircher, R. Pfaller, G. Raunig, Slavoj Zizek (book) Hans-T. Lehmann (LE) / Postdramatisches Theater (book) ! Kathy Rosalyn / Toward a Theory of Performance Art (book) Transition to Modernity (PSi7) Hans-Friedrich Bormann (PSi7) Dieter Mersch (PSi7) Sophia Totzeva (PSi7) memento mori (event or object reminiscent of death) / memorial rite (James Lee Byaars: performed his death) (A. Heller: laying out of self) Death Meditations (Nina Wise) Political remembrance of the dead (Balint) Made up like a corpse (Shaun Caton) Sex with the Dead (John Duncan) (Alastair MacLennan) Archaic elements in performances reminiscent of archaic roots (Karina Wellmer-Schnell) (ADAW Palaf) medical performance mythological structures mental and physical disability (Kraft/Petz) (René Schmalz (Butoh)) in imitation of mudmans (Rolf Hinterecker) cf. identity view Embalming of a chicken (G. Bruckschweiger) ritualized and myth-related performance (See also: rituals) (Moira Roth, Carolee Schneemann) Orgies-Mysteries Theater Wheelchair performances (Krüppelschlag/Just Merrit) Sex in a wheelchair (Bilderwerfer: Conny Scheuer, Elisabeth Löffler) Sacrificial rituals (Max Dean) crucifixion scenes fertility rituals cultic actions ritual performance(M. Abramovic): "The lips of St. Thomas" carving, whipped, naked on cross of ice blocks (she stages herself as sacrifice) goes directly back to shamans (dirt) Group and family myths (highly emotionally charged) Ancestor cult mental derangement (Grahame Davis) rituals on Hawaii (Charlemagne Palestine) Archaic forms of expression (Arnulf Rainer) Retro-performance (J.Lothar Schröder) Cover performances (Verena Kraft & Kurt Petz) (Mike Kelly / Paul McCarthy) As a mummy in natural location (Liu Cheng Ying) Personal mythologies (Rosa Galindo, Pedro Garhel) (Kim Jones) (Ronaldo Ruiz) Sale of Roman Catholic pictures of saints (Richard Schachter) gay perspective Distribution of holy pictures as thanks for donations (Renate Bertlmann) ceremony (Hermann Nitsch) (religious) ceremonies of the Indians (Joan Jonas, Tina Girouard, James Luna, Yolanda Segura) Performance as form of action in therapeutic praxis Bedded on archaic frameworks (Dieter Appelt) Archaically poetic (Lee Wen) art-therapy (Paisan Plienbangchang) Far Eastern myths (R. Schwarzkogler) rite artistic mass (Jerzy Berés) Everyday stories Christian liturgy (Wolfgang Duck) Dionysus – paradigm for a new myth of destruction (in part, cf. Ortiz, Nitsch, Lebel, Mühl, Kaprow, Knizak, ...) Easter piece (crucifixion situations) (Cheri Gaulke) religious attitudes Maim dancer (Krüppel) (Nonko Ono) mythic material (Rachel Rosenthal, Meredith Monk) naked in church against the rite (Mette Aare) Mythologization of the self (Colette) story- telling (2) Performance as act of positing meaning +Performance as interpretation (BN) Mourning depression system fear of abandonment system Theme of death (Markus Schwaighofer) (Gianfranco Baruchello) (Mary Noéle Dupuis) aesthetic way of praying (Nitsch) Ultimate performance: (lethal performance as model) (Marco Ivaristtis kills animals to provoke reactions from the audience) Standing on hammered in nails (P. Kochsomrong) Postmodern: (Hassan, Lyotard) process / performance / happening work-in-progress, incomplete, fluid open, playful, optative, disjunctive, displaced, a discourse of fragments Modern: art object / finished work Artist as "sacrifice" Semantic, philological and etymological instruments (Luca Patella) (e.g. Catholic liturgy) Individual mythologies (Jonathan Meese) Mysticism and mythologies (are not accepted in performances: A´battery A“) Myths of the world (Jill Orr) Performance as drive analysis (and art analysis) (Via Lewandowsky) Performing Trauma (PSi7) Performances of TV-preachers (cf.: Schlingensief) objects from the Catholic liturgy (H. Nitsch) (cult of the new eve) Mythical mystical dance play 31 content view religious ecstasy (Unio mystica) Cf..: contemplation /vs/ ecstasy Performance = consciously dreaming Media, myths, fairy tales (BBB Johannes Deimling) religious acts religious feelings Content aspects of performance (arrangement) Poetic performance (Ruth Knecht) performative quality of postmodern work Performance as fundamental characteristic of postmodernism (Chantal Pontbriand) (Jan Swiedzinski) Who still deals with "major" themes? Virtual suicide (Cuco Suarez) Catholic mass as model of the theater Wilson's theater is neomythical Reaching the density of the mythical (Wilson) Deconstruction performances (Category 11 according to M.-L. Lange or Inge Baxmann respectively) This performances are targeted to: confrontation, irritation of sense, disjunction, interruption and dismantling of familiar semantic contexts. It is a matter of "an upsetting of order", of the destruction of traditional rhythms and flows of meaning. Role of the clown (BN) Performer as clown (cf.. Black Market) (Bruce Nauman) Performance appears today as a possible philosophical paradigm; a radical alternative to the modernist text paradigm. (George) (Cf. performative turn) academic performance(Marvin Carlson) Giving what may be found in madness (Artaud) religious rituals as material procession as performance (Giuseppe Desiato) (Nitsch OM Theater) Dissolution of the semantic obligation, honest performance! (BN) Content-based methods (Cf.. Stadtwerkstatt-TV study) Revealing evil and exorcising it. Total possession (in the performance) (Karen Finley) +Performance as socially marked role play Performance as social practice +Performance as ritual +Performance as mimesis P.M.: play, game, contradiction, process, performance (D. George) In postmodern times "performance" is the ideal medium and model (D. George) Naked, all hair shaved off in a tree – no story, no plot (end of time) (Oszeus Labyrint: Mark Steger & Hannah Sim) The performative as primary characteristic of contemporary, but especially "postmodern" art production (D. Mersch) (action, performance, installation, environment and event art, but also gestural painting) procession (aspects) (Heinz Cibulka) (Wolfgang Duck) Against religious symbols (Ulrike Rosenbach) Performer are tricksters and clowns Practical character of carrying out acts of meaning: meaning is acting/doing (Sowa) Sense & madness Scope of action in between terms (BN) Performance as Exorcism Philosophy in "action" (G. Raunig) Non-theatricality Performance mental model (Lit.: Georg F. Schwarzbauer) Exorcism – liberation from personal grief/suffering (Linda Montano "Mitchell´s Death") Performance and Philosophy (PSi7) Performance as theater of memory (see below) Theater as memory space (Cf.. essay by Dan Graham on Giulio Camillos) memoria theater Cruel healing through theater (A. Artaud) Philosophical terminal (as service) (Cf.. also: Rainer Ganahl - education complex) Performer with education in philosophy (Odradek Siblings: Eva Blut – Upper Austrian Design for V. Westwood) (Lygia Pape) Semantic shifts due to the confrontation of concepts (Marlene Madison Plimley) Legitimization (of research) through its performativity (Lit.: Lyotard) Philosophy of the act (Hagakure) Montage performance (montage techniques) "Theatron" was originally the audience space (LE) Theatron x 2 = design of the poster series Cf. service view Rituals as a means for dealing with crises Academic Performances (PSi7) Hedonism: a philosophy of performance art Cabaret as performance? Cf.. (Lili Fischer, Franz Prieler) (Donna Lewis) (Diva – Cabaret: Marlene Madison Plimley, Mernie Le Plested, Alvin Erasgo Tolentino, Lori Weidenhammer) cabaret performance 32 philosophical view Philosophical database (Mike Hentz) As a principle, B.M. is an exploration of attention (3) Attention as accuracy Experimentally assembling circumstances (BN) Allegorical processions (celebration art) (Antoni Miralda) Kneipp cure & Performance (Lili Fischer) Computer as theater of memory (research project) Performative science Avoidance of narrative structures Performativity as the operationality of information (Lit.: Lyotard) +Performance as ritual +Performance as catharsis Performance as drive analysis Performance as form of action in therapeutic praxis art studies view Turn to the performative act (instead of the well formed message) Professor of philosophy as performer (Adrian Piper) Philosophy lecturer (Nick Land) (Billedstofteater) lectures (2) Performance as representation of facts (s.r.) Narratively structured performance (Category 12 according to M.-L. Lange) These forms of action tell stories and are based on a clear concept of staging. (Renate Bertlmann) (Brian Catling) cf.. (art) historical view Performance as presentation Philosophical terminal (2) Three-dimensional narrations Philosophies and sciences of becoming (Proj.: Kinetographien) Lecture performance (Xavier Le Roy, Mike Hentz) Gray ascribes a coding effect and integrative function to all emotions for cognitive contents Cognitions with the same or similar emotional hue tend to conjoin into emotion-specific separate worlds (in the sense of the logic of anger, anxiety, mourning or joy ...) performativity discourse theater theory theater studies dramatic discourse art theory philosophy postmodern discourse nomadology discourse deconstructivism discourse performance studies performance theory Theater without theater (Mark Boyle) the intentional view "presentation" (BN) Choreography as danced theory (Jerome Bel) One-Woman-Theater (Margaret Dragu) Semantic routes on the Net Kinetographic theory development Lecture as performance (Thomas Huber, Andrea Fraser) (John Bock) (Bazon Brock) Practical performative hermeneutic deduction (H. Sowa) Performance lecture (PSi7: Hanne Sitz, Marie Luise Lange) Performance conferences (Also see: networks) performing arts Symposia The council Dress as information carrier (Regina Frank) body inscriptions Theater of perception (Adriana Zamboni) Methods of Using New Media in performance Studies (PSi7 see articles: Maria Beatriz de Medeiros, Carol Burbank, Irina Khiginskaya, Diane Howard, Stan Dyer) Narrative Performance (Vito Acconci) (Vasan Sitthiket) (M. Schwaighofer) (LE) A theatricalization may be observed in performance art Theater WuWei (Ruth Geiersberg, Elizabeth Le Compte, Jürgen Raap, Schechner: The performance garage, Ron Vawter, CARKA, Norbert Klassen, Studio Azzuro) Philosophical lecture-like performance (KwieKulik) (Prz. Kwiek & S. Kulik) The reduplicated event is always a farce (Mersch) Anti-mimetic theater seminars (2) theater performance Art jury as performance (the jury: U. Wid, Die Fabrikanten, G. Dirmoser, Neuner, et al.) 32 theater studies view Performance analysis (PSi7) performance knowledge control & mimetic distance (theatre) /vs/ physical awareness of the performative situation (Serapiostheater, Bak-Truppen, Wooster Group, SRL, La Fura dels Baus, ATEM Group) (Eva Fuhrer, Janet Haufler, Vereana Schwab, Jürgen Fritz, Norbert Klassen, Stefan Kurt, Charles Richardson, Matthew McGuire, Andrea Morein) Plurimedia theater (LE) PAM: Performance analysis method (Ute Ritschel) +Performance as memory theater Performance appearance as an absurd act of information (Ruskin Stichting, Rotraut Pape, et al.) Transforming Analytical Discourse to Performance (PSi7: Zoltan Imre) Translation between Performance and Performance Studies (PSi7 article: Deidre Mulrooney) theater view (Monica Klingler, Theater am Montag, STOP.P.T. Norbert Klassen, EX!T Elke Schmidt, Tilo Schwarz, Gob Squad) performance theater Theater of Mistake (Anthony Howell) Production of presence (LE) Performance archive (cf.. service) Extreme theater Viennese Actionists) Absurd Theater (Res Ingold, Boris Nieslony, Jürgen Fritz, Wolfgang Sautermeister) See also: dance performance movement view Methods of Performance Analysis: Cognition and Fragmentarisation (PSi7 articles: Zoltan Imre, T. Kubikowski, Wojciech Baluch) Mobile theater (Dorte Holbek) Miniature theater (Gregor Leschig) Street theater performance (Hiromi Shirai) Performance as trans-genre or anti-genre within art studies (Tadasu Takamine) Theater as event Notes as performance (Karin Beck, Elsbeth Böninger & Norbert Klassen) Literature: Die Grube und das Pendel (article in: Relikte & Sedimente / Rob La Frenais Kontextbewußte Ansätze in Kunst und Wissenschaft / G. Dirmoser (DG) Gotthard Günther (on polycontextuality) Marvin Carlson / Performance – a critical introduction (book) !! Victoria Best & Peter Collier (Ed.) / Powerful Bodies – Performance in French Cultural Studies !! Guy Debord / Rapport zur Konstruktion von Situationen Kenneth Burke Dwight Conquergood Victor Turner Erika Fischer-Lichte / 01.99 Kulturen des Performativen (Sonderforschung BRD) Erika Fischer-Lichte / Vom Text zur Performance – Der „performative turn“ in den Kulturwissenschaften (FL) action theater poetic theatre Living room on the stage (Otmar Wagner, Stadtwerkstatt) Which recursive effects do changes in communication (due to new media) have on "old media" such as theater, music, fine arts? "Theater" was an important starting point for the Viennese Actionists the black drawer Performative theater (BAK-Truppen (many open elements)) Aim of the performance conference: promoting the formation of concepts in performance art Theory as/of Performance (chapter in Victoria Best & Peter Collier) Performer as theater studies scholar (Jürgen Fritz) (From viewing art to a view of the world) Queer Theaters (Text: Rob La Frenais) (Cf.. Symp. Steir. Herbst) non-narrative, non-discursive, non-mimetic performance Encyclopedic delusion Programmatic texts: (BN) Reindeer Werk, Todays Place, Prediction, Minus delta t, Büro Berlin, polarpuls Art d´Ameublement, Kunoldtstraße 34, Bazillus, Programmpapiere kleiner Ausstellungsraum, Das Konzil 1981, Strategiepapiere des Fördervereins für Projektkunst, Die Stifter, ASA European, Black Market International, ...) Dream theater (La Fura Dels Baus, La Gaia Scienza) Performance art as pre-art (Z. Warpechowski) Post-Dramatic Theater (book: Hans-T. Lehmann (LE)) (Also see: story telling) Theater of circumstances Philosophical and metaphysical concepts (Tokio Maruyama) Philosophical, religious reflections (Zygmunt PioTrowski) With the means of invisible theater (Performing Resistance) Poor theater (proximity to performance) Paratheatrical actions = cultural investigations (Grotowski) Theatrically drastic productions (Paul McCarthy) Dynamic theater (Bremer, Spoerri) Theatrical material (Julien Maynard Smith – Station House Opera) Poor theater – what is left is the body (W. Pfaff) (LE) Energetic theater (Lyotard): Not a theater of meanings, but rather of intensities ... post-dramatic energetics Performance and theater artists (Black Market) Forms of organizing and executing culture Movement theater (LE) Theatrical staging (Knopp-Ferro & Frank Köllges) (Günfer Cölgecen) (Dan Senn) (Stuart Sherman) (Böröcz & Révész) (Yolanda Segura) ( Angelica Schubert) The living theatre (Julian Beck, Judith Malina, Kenneth Brown) Theatricality: "Grand Gesture" (Mattieu) The grand gesture as performance (being flown in by helicopter, nothing else). Theatrical productions (Atty Bax) (Christiane König) Theatrical scenes (Ian Hinchliff) The Cultural Translation Project (PSi7) Cultural Memory (PSi7) performatively negotiating culture (FL) Performance as a representation of circumstances +Performance as theater Interactive Cyber-Theatre (PSi7: Steve Dixon) Multimedia music theater (Hans-Friedrich Bormann – LOSE COMBO) Impromptu theater (Mark Russel) theatrically inspired hybrid performance (lt. Zakravsky) Situative investigations (ARGE Kulturtheorie Linz) (LE) A new association of opera, performance and theater results Environmental Theatre (Richard Schechner) "performative turn" in the cultural sciences (FL) theatric performance (Adina Bar-on, Karen Finlay, Kazuhiro Nishijima) gestures (3) Theater of deconstruction Avant-gardist isms were superseded by ideas and contexts (PB) Ritual Theater (Hanna Barbara) Object theater Experimental theater (Sam Ashley) Performativity as the constitutive feature of all cultures the function of performance within a culture (M. Carlson) Culture as performance (Turner, Milton Singer) (Fischer-Lichte) From writing culture to culture as performance Context-conscious strategies: surprise, alienation, distortion, ... de-formations Breadman (head bound with bread) (Tatsumi Orimoto) concept theatre Micro-theater (Adriana Zamboni) Mental state corresponding to the situation (caution, tensely aware or relaxed) Site-specific presentation (Mike Pearson) Performatively negotiating and establishing culture cultural performances Using the means of surprise (Emil Gropoz) Micro-drama (Johanna Householder) Constructivist theater The culture is the body (Tadashi Suzuki) The secrecy of body codes (Ethnologist: Milton Singer) Simulating the conditions of the surroundings (Hejettes Szolyazok: bathing situation beach) (Stadtwerkstatt: weather building) Socio-cultural roots Cultures of the performative (FL) Performance = Transformation of a situation (J.-F. Lyotard on Daniel Buren) cultural performance Cross-cultural transfer (PSi7) (Situationist International) situationist event Cultures of the performative (Erika Fischer-Lichte) The idea of the situation (GANG ART) Cultural Sciences Black Culture Theory Cultural Studies (discourse) Cultural History Context-conscious Theories Neo-situationism Discourse Postmodern Discourse Performance in the courtroom (Siglinde Kallnbach, Black Market & W. Preisinger) (Jörg Lenzinger & Patrick Sidler) (High Red Center) Performance as situative production Performance as situative experiment +Performance as culture-forming presentation (BN) Performance as a border, a margin (M. Carlson) Performance as culture-forming presentation (s.r.) (Boris Nieslony) Experimental actions (2) (Category 06 according to M.-L. Lange) ... What is commonplace is torn from its familiar context, subjected to incongruous examinations Situative experiments Role of contextuality (for significance) Culture-forming energy of performance Turning away from the object: stressing the process within a context cultural history view The simultaneity of high & low (critical art and pop) See: Montage culturally engaged performances Cf.. field terms Situative performative emergence of work Portable park project (Bonnie Sherk) 01 culture theory view Theater of the situation (Brecht) Merging the concept of performativity with the debate on cultural identities (Lit.: Stefanie Menrath) 01 contextual view exceptional places (LE): churches, ... Situation analysis (FS) Polycontextuality (BN)

  2. Literature: Phänomenologie der Wahrnehmung Poetik des Raumes (G. Bachelard) William Worthen / Disciplines of the Text, Sites of Performance (article) Marvin Carlson / Places of Performance – The Semiotics of Theater Architecture Flatz / Demontagen 87-91 Time/space performance/installation Goffman Dan Graham Robert Smithson / Gesammelte Schriften Literature: (... continued) Nicholas Whybrow / (PSi7) Schauplatz Berlin The performing city Literature: Victor Turner / Das Ritual – Struktur und Antistruktur W. Nöth / Strukturen des Happenings ! semiotic view: Patrice Pavis Umberto Eco / Semiotics of Theatrical Performance (article) Kurt Lewin / The Principles of Topological Psychology (book) Marvin Carlson / Places of Performance – The Semiotics of Theater Architecture Jean Alter (semiotician on performance) Michael Quinn / Celebrity and the Semiotics of Acting Burke / Grammar of Motives L. Wittgenstein Literature: (... continued) Andreas Nebelung / Zwischenräume – sechs ästhetische Erfahrungen (essay Kunstf. Bd. 152) A. Nebelung / Zwischenräume (book) Ivo Osolsobe Charles Morris Keir Elam Josette Feral Erika Fischer-Lichte (FL) / Semiotik des Theaters Perspectives of Uncertainty: Locating the Imperceptible (PSi7) Literature: Büro Berlin (catalogue book) Zwei Monate experimentelles Arbeiten (catalogue) Susanne De Ponte / Ereignis und Wahr- nehmung: eine interdisziplinäre Unter- suchung zu den Events der Künstler- gruppe „GANG ART“ (book) Victor Turner Michel Foucault !! / Mikophysik der Macht M. Foucault / Botschaften der Macht (Reader) Pierre Bourdieu / Die verborgenen Mechanismen der Macht (book) !! Elias Canetti / Masse und Macht (book) Cillie Rentmeister / Frauen, Körper, Kunst Mikrophysik der patrarchalischen Macht (article) Marianne Wex / „Weibliche“ und „männliche“ Körpersprache als Folge der patriarchalischen Machtverhältnisse (extensive picture study !!) Literature: (... continued) Johanna Pfaff-Czarnecka / Macht und rituelle Reinheit Judith Butler / Hate Speech Hakan Gürses (lecture) / Identität F. Nietzsche Arthur J. Sabbatini / Terrorism, Perform Bateson, Goffman, Turner (analysing processes of crisis) Dan Graham (article) / Theater, Kino, Macht (in: mise en scéne) Literature: RoseLee Goldberg / performance – live art since the 60s (book) GAG Art (Catalogue) Michel Giroud Heidegger / Beiträge zur Philosophie (Vom Ereignis) Susanne de Ponte / Ereignis und Wahr- nehmung (Eine interdisziplinäre Unter- suchung zu den Events der Künstler- gruppe GANG ART) + Hubert Sowa H. Szeemann / When Attitudes become Form (exhibition) Kunstf. Bd. 134 / art & pop & crossover Ed. Paolo Bianchi Richard Shusterman / Kunst Leben INFuG / Bemerkungen zur Ereigniskunst Let´s Entertain – Life´s guilty pleasures Stefanie Menrath / Performativität von Identiitäten im Hip Hop Literature: Georg Franck / Ökonomie der Aufmerksamkeit (book) J.-F. Lyotard / Das postmoderne Wissen (book) Performance contra Globalisation (PSi7) Jill Lane / (PSi7) Reverend Billy: mimesis an the dialectics of (not) shopping Still to be researched on the Internet: Milan Adamciak Arahmaiani Rahmayani / Julie Bacon Olimpiu Bandalac / Jozsef Bob / Maris Bustamante C. Ondine Chavoya / Chen Shi Sen Rosalyn Constantino / Raquel Mendieta Costa Angel Delgado / Ricardo Dominguez Amanda Dunsmore / Felipe Ehrenberg Károly Elekes / Maria Elena Escalona Stano Filko / Michael Fortune / Eri Furukawa Toshimasa Furukawa / Maria Elena Gaitan Mizuho Handa & Tomoko Takahashi Birgit & Wilhelm Hein / David Hull Noor Effendy Ibrahim / Patrick Jambon May Joseph / Elzbieta Kalinowska Padungsak Kochsomrong / Julius Koller Marleen Kos / John Kovach / Pawel Kwásniewski Aileen Lambert / Mi-Jeong Lee / Won-Hyung Lee Jessica Lerner / Pia Lindman / Roshan Linsi Jerzej Lipcynski / Hoang Ly / Janos Markus Cesar Martinez / Radislav Matustik / Mauntin Shue Dan McKereghan / Peter Meluzin / Aldo Menendez Charles Merewether / Wathiqu al a Meri Ottó Meszaros / Marta Minujin / Jose Munoz Aung Myuint / Nagisa Nakasone / Yumiko Okada Simone Osthoff / Pagac-Oravec (Duo) Cosmin Paulescu / Silvia Pellarolo Dan Perjovschi (cf. Amalia) Phanyawatchira Khaissaeng & Surapol Cosmin Pop / Vladimir Popovic Marilena Preda Sank / Antonio Prieto-Stambaugh Maria Elena Ramos / Mohammed Rezda Jae Rhee / Robin Rhode / Nelly Richard Peter Ronai / Tracey Rose / Lotty Rosenfeld Masano Sano / Santiphap Inkongam Zoltán Sebestyén / Rudolf Sikora / Lukasz Skapski Ewa Smigielska / Leandro Soto / Merian Soto Wojciech Stefanik / Neung-Kyung Sung Takeo Suzuki / Sompong Tawee / Rie Tanaka Sean Taylor / Harumi Terao / Attila Torö Felix Gonzalez Torres / Carmelita Tropicana Teresa Vascancellos / Evelyn Velez-Aguayo Szabolcs Veres / Piya Visuttiiprapanont Maya Wagatsuma / Susanne Walders Wang Mo-Lin / Piotr Wyrzikowski / Yasmin Jana Zelibska / Aida Zurinna / Vladimir Kordos Jamie Hutchison Not yet categorized: Bruce Adir (Adair) / Jim Allen / Thérése Ampe-Jonas / Georges Azzaria Artur Babiarz / Isabelle Bedou Nayland Blake / Waldemar Bochniarz Letitia Bolognesi Colin Campbell / Carmichael Catherine Costes Carsette / Tim Clark / Paul Cotten Sue Dakin / Mona Desgagné / Herbert Distel / DLR Paul Dorn / Leopold Duszka-Kolcz / Sophie Fabien Gabriele Forster / Vidya Gastaldon Joel Glassman / Daniel Grenier / Matthias Groeber Ryszard Grzyb / Klaus-Peter Haase Plassun Harel / Alexander Harvey / Helhard Haug Matt Hawthorn / Saiki Hiromu Peter Horobin / Joelle Keandre/ Birgit Kilp Marleen Kos/ Barbara Kozlowska / Jill Kroesen Uli Kruass / Marcin Krzyzawowski / Claudia Leder Sung-Yon Lee / Li Qiang / Qiang Li Isaia Mabellini (Sarenco) / Victor Meertens Gruppe Meier / Christian Messier Ronald J. Meyers / Antoni Mikolayczyk Kati Molnar / Melinda Moran / Helmut Martin-Myren Frank Na / Michaele Nolte / Erik Odijk Catherine Parisot / Jittima Pholsawake / Micky Plüsch Apinan Pohgananda / Wolfgang Rahs / Tim Richter Andrea Ritter / Antoinette de Robien (Robin) Valentin Rottemaler / Michael Sagorny Hiromu Saiki / Seppo Salminen Sarenco (Isaia Mabellini) / Ingrid Scher Marcus Shira-Tilles / Mayumi Yayoi Shozo Emil Siemeister / Suras KV Solwonk Christian Späte / Rüdiger Steiner / Tobias Stengel Wally Stevens / Wolfgang Störchle / Elke Suhr Eva Szanto / Ryo Takahashi / Christoph Tarnow Christophe Terpent / Frank-Udo Tielmann Jarry Vis / Jonas Wille Yit Mun Kwahn (artists village) / Silvia Ziranek Zyklus - Grac de la Luna / Myrna Renaud Richard Harding / Shannon Rose Riley Oeykue Potuoglu-Cook / Thomas Defranzt Heather Crow / Michael Mayhew / Latifa Fakiri Barry Edwards Perception theory on architecture (B. Leitner) Phenomenology of perception Location research (Peter Arlt, Marc Auge) Theory of urban locations Architectural theory / Arch. discourse 25 spatial view structuralism (discourse) semiotics / semiotics of theater symbol theories of knowledge system theory / system discourse field theories topological psychology formal sciences self-organization theory View of Locations 24 structural/structuring view Nature locations / natural locations (Cf. Land-Art as Action Art) (Jill Orr) (Yin Xiao-Feng) Performative Codes (Cf. Habitus) Danny Devos minus delta t Mike Hentz Werkzeug-Gruppe des Konzils / Black Market International Zygmunt Pio Trowski Matthias Jakisch Ulrich Lepka system view view of signs outdoor performance Places and Spaces Description of a performance (... as performance: Judith Barry) (System´Art Groupe: Michèle Métail, Louis Roquin) (Joan Jonas, Matthias Jackisch) (Rolf Hinterecker) "founded" places/spaces Performance as sign system (Cf. Nöth) location, place, site, area, room, space power of words power of acts locations of power Performance as breaking through structures (cf. Nöth) street art (2) See also: Performance as open system Performance location Performance as semiotic text (cf. Nöth) power of themes a year outdoors (Tehching Hsieh) The right place power theories power discourse (with Foucault) (game rules of art) organization theory critique of institutions discourse culture manager debate concept of performance oriented to power theory in the works of M. Foucault and Judith Butler the power of attribution (exercises something performative) Every form of street action, street theater, street music, cabaret (Word Play Group) performative perception of space (Cf. Skip Arnold) structurelessness (Do happenings have structures?) (LE) Telegram style and broken syntax (in Expressionism) acting in "concrete" locations (Günfer Cölgecen) poetic structures 23 power theory view effectivity private spaces living spaces on stage /vs/ off stage – activity See: avoiding narrative structures reception of spatial arrangement: participating action/embodiment and translated performance (H. Sowa) Investigating event structures (INFuG) preemptory speech (initiation) battle view Dirty conditions as power conditions (A. Kosa) Who is allowed to besmirch whom ... (Paul McCarthy) (Jason Lim – Bierregen) Cleanliness mania in Singapore (Amanda Heng) conventional places / non-places (Peter Arlt, Fabrikanten) immediacy (Institute for Direct Art: Mühl, Brus, Nitsch, Weibel, Kren) See also: view of destruction See also: energetic view stylistic structures (comedy as a stylistic structure) (Artaud) Attack of power instances: state, university, family, religious, ... Performance = exercise in occupying thresholds (neither stage nor audience space) (George) (cf. P. Handke) consecrated places (Stefan Kurowski & friends) See: experiments with the audience Performativity of the commander (his power) increases with every execution of a command (Lit.: Lyotard) See also: fighting machines transit space airport (Cooperation Project X) minimally structured events What was done (act) When or where it was done (scene) Who did it (agent) How he/she did it (agency) And why (purpose) (Burke) Performance as negative demarcation from other structures hidden performance See also: violence magic places power scenarios (from: La Fura dels Baus) power of circumstances / dilemma (Jamie McMurry) consenting disempowerment in imitation (BN) "Transformance" (commentary on power & money: Martha Wilson and Jackie Apple) performative sound locations (s.l.) 1979: the move of performance towards popular culture "the media generation“ institutionalized space Ocean panorama – Happening (Tadeusz Kantor) Beach performance (Pino Pascali) a place is a voice structural characteristics of singularity, unrepeatability (uniqueness), indeterminacy and finiteness of the performative event ephemeralness (James Lee Byars) "never show them again" Performance as agreement (2) power position of the viewer: the artist as exhibition piece in the box (Skip Arnold, Roi Vaara, K. Dudesek) male dominated society – performance as infor-mance (Karin Anarchia) surveillant exercise of power (Julia Scher) Confrontation with police and border patrol authorities (Marcos Kurtyz) Pursued by the police as a foreigner (Helena Villalobos) see also: cliches of representation Arranging the "mood" through the selection of certain places Different places/spaces convey their own specific affective messages media theory pop theory / Pop-theoret. discourse high&low discourse techno-culture discourse cultural studies discourse fashion discourse / Retro discourses hedonism debate new subjectivism debate fun debate ontology of the event social power conditions (Paul McCarty) Places as in-between spaces (s.u.) What must be questioned are: "models" as statically conceived and spatially structured explanations (e.g.: semiotic sign models, psychoanalytical topographies of un/conscious, spatial text terms) (Proj.: Kinetographien) ´coming out´ of performance into the mass culture (Eric Bogosian, Michael Smith) Power wants to tame, cut back, control and organize the discourse (discourse control through taboo) emotions at large sporting events masked avengers (Guerrilla Girls) seen in terms of the theory of acts of power (Foucault) (Sowa) understanding the space as practically traversed execution discourse as site of the unfolding of power (Lit.: M. Foucault) 22 view of popular culture movement/body techniques from eastern martial arts traditions (see also: dance performance) fear-anxiety system anger-annoyance system For Artaud, a performance must be unique, a real experience, unrepeatable, and it must actually transform the audience and the actors into a different state. aesthetics of theft (cf. gift) senses excluded (in the field of art) (2) community performance art Performance – a game of locations violent hands (threatening gestures) linguistic text, staging text and "performance text" playing suspends domination A bright friendly room relaxes the mood Environment fighters and lovers (Abramovic/Ulay) sporting aspects (Sport & Games) power bodies (in new theater) against violence (Suzanne Lazy) bondage situations (B. Nieslony) battle emotions environment art (James Melchert) (Insa Winkler) role of emotions in power struggles spaces with wind machines (Ralf Filges) list of networks: Todays Place The Prediction Reindeer Werk Das Konzil Werkzeuggruppe des Konzils Minus delta t East-West-Study-Project Aufmerksamkeitsschule Verein für Projektkunst e.V. ASA-European The Current Affairs Bazillus The Neoist´s MATERIAL und WIRKUNG Werkstatt Odem Club Moral Moltkerei Werkstatt Throbbing Christle (Genesis P. Orridge & Cosey Fanni Tutti & u.a.) Kunoldstraße 34 Augenladen Mannheim Le Lieu Quebec/Can Büro Berlin Artist Village (Singapore) street happening football club (association culture) (Biefer/Zgraggen) Artist-in-Residence in a ball club (Dough Hall) view of public appearances giving what is to be found in crime, in war (Artaud) structures of action • situation structures • the artist becomes part of the text • - the viewer becomes part of the text • see also: performance as situative production dance as combat sport / stuntman (Alexandre Périgot) anarchist actions (ArtPirates) anarchic situations (Hank Hyena) (Gillian Waering) What is an appearance? (Alex Silber) terrorism and performance (Kunstf. Bd. 117) (Muda Mathis) flowing transition between art and popular culture (Prof. Bonnie Marranca) acrobatics (new modern acrobatics – f´Legussozy) doing away with the stage (Stadtwerkstatt) theater of "divided" space pop entertainment Art without exhibition spaces – where the audience already is „ Pure Performance “ (ski boot advertisement: skiing through deep snow) In action with all one's senses, thoughts and powers (beside oneself) Being absorbed in the movement – Forgetting technique (W. Pfaff) Die tödliche Doris: (Käthe Kruse, Wolfgang Müller, Nikolaus Utermöhlen, Tabea Blumenschein) ironicizing the rituals of contemporary music groups Performance = capabilities and self-assertiveness in a competitive situation ASA s.u. Stunts as performance ? score as flow structure (see: view of the score) (see: performance as staging) surfing (Rolf Hinteregger) no fixed "locale" spatial structuring (see also: spatial view) political "appearances" seen as performance combat situations (Carlos Amorales) (Laurie Anderson) Songs about art: (Yan Duyvendak) Performance as place-less art(s.u.) Die Fabrikanten W. Preisinger G. Harringer P. Arlt Black market International: Boris Nieslony Zygmunt Piotrowski (former) Nigel Rolfe, Jürgen Fritz Norbert Klassen Jacques van Poppel, Roi Vaara Zbigniew Warpechowski Tomás Ruller (former) Alastair Mackay MacLennan (part-time.) Helge Meyer u. Marco Teubner (2000) see "pure dance" "Performance“ in the new economy gymnast & dancer (Molissa Fenley) cf. extreme situations spatial aspects of the performance design Festival of the Regions (A) combat sport & power training (Regula Knopp) Landscape Play: ... thinking of stage and text more like a landscape (Gertrude Stein) game rules ritual (s.l.) Party-Culture as Performance art marksman (Jürgen Wolfstädter) Icelandic Love Corporation: Sigrun Hrolfsdottir, Doris Isleifsdottir, Joni Jonsdottir, Eirun Sigurdardottir loss of gestural language in modernism (LE) consume critique (Montri Teomsombat) Flow = the result of becoming purely "absorbed" in in the activity Performance in pop music role of emotions Club Culture: a form of living room theater semiotic action experiments (Helmut Hempel) Büro Berlin: Fritz Rahmann Hermann Pitz Raimund Kummer (...) Urban Performances – Performing The City (PSi7) Athletic event (against the wall) (Barry le Va) consume critique through exaggeration Pink-Man (Manit Sriwanichpoom) 21 economic view / production view globalization discourse liberalism discourse economy as discourse (Foucault) (game rules of art) 25 architectonic view performance as a configuration of presence (the action) (BN) Sport with extreme involvement (flow – a Zen feeling) punk performances (Throbbing Gristle) (Genesis P-Orridge) punk (Pyromania) semiotics of the body (LE) High Red Center (Jiro Takamatsu, Genpen Akasegawa, Natsuyuki Nakanishi) Duo as trademark (Brigitte Bérard & Mileva Josipovic) attitudes (2) Sport and body work (Paul Harrison & John Wood) (Christoph Rütimann, Franklin Aalders, Christian Möller) threshold situations passage, transition, gate, door, translation (B. Nieslony) (cf. PSi7) gates transitions, virtual airport (Mo Diener, Sergei Nikokochev) contacts with rock/pop: (Yoko Ono – J. Lennon) (Cornelius Cardew: Scratch Orchestra) (Throbbing Gristle (Christle)) (Cabaret Voltaire (ars electr.)) (Robert Longo) (Urban Sax) Wrestling with profi wrestlers (Howard Fried) Boxing match (Arthur Cravan) 24 view of the field network of lines of force (light direction with Wilson) minus delta t: Karel Dudesek, Mike Hentz, Chrislo Haas, Wolfgang Georgsdorf, ... ("Performance Departures“) "everything is performance“ artist as trademark – making sales calls (F.E.M. Frauke Ellen Müller) funding view / cost view / sponsor view ArtPirates X-Ray-PSY = Michael Mierse, Georgy Bretschneider, Wolfgang Freund, Marcus Krips, Parzival, Enno Stahl, Jo Zimmermann Life as public appearance (scater, boarder, dancer, driver, poses, ....) Stadtwerkstatt Linz (STWST) Georg Ritter, T. Lehner, Gabi Kepplinger, Gotthard Wagner, W. Georgsdorf, R. Zendron, Flati, Blaas, Markus Binder, Elfi Sonnberger, et al. A.P.A.-Party: life and product consulting (Elfi Sonnberger, Martina Kornfehl, et al.) building as performance extremely personal forms of behavior (Ida Brun, Henriette Hendel-Schütz) The "Model" view of the in-between (space) Artist Village: Tang Da Wu (founder), Jason Lim, Koh Nguang How, Lee Wen, ...) consume realism (Lisa Cieslik) Cynic Pop-Diva (Pipilotti Rist) Shooting Diva (Pipilotti Rist) (Richard Martel) Re-Inviting the Diva (Lori Blondeau) (Aiyyana Maracle) Re-Inventing the Diva (Sheila James & Yasmin) (Carol Sawyer) (Alvin Erasgo Tolentino) Cyber Space – Psychic Diva (Kira Wu) (Peter Brook, Jürgen Fritz, Fischer-Lichte) Pop-Kitsch (Friederike & Uwe) political ironic deification of capitalism (Iwan Wijono) Cf.: contextual view Cf.: energetic view theory of gravitation shopping exhibition – the show must go on (Vanessa Beecroft) See also: Performance as total installation (Buckminster Fuller, 100 meter kitchen – P.Arlt fünf ingenöre, Stadtwerkstatt: time spiral tower) The Performance Show (1975) up to 30 artists in each program (Rose English, Sally Potter, Clare Weston, ...) Performer as advertising medium (Nenad Bogdanovic) catwalk performance (B. Bérard & M. Josipovic) ECART Group (John Armleder, Luchini, Rychner, Raoul Marroquin) category of the "between" as guiding category for an aesthetic of the performative Penny-peep-show conditions (Charlemagne Palestine, Olga Adorno, Pooh Kaye, Alison Knowles, Dupuy) (Stadtwerkstatt) can people be portrayed as commodities (Santiago Serra) Literature: (... continued) Jean Dupuy (Ed.) / Collective conscious- ness. Art performances in the seventies Arnaud Labelle-Rojoux (artist) / L´Acte pour L´Art (book) ! Carl E. Loeffler & Darlene Tong / Performance Anthology (book) ! Henry M. Sayre / The Object of Perform. The American Avant-Garde since 1970 ! Paul Schimmel / Out of Actions (catalogue) M. Carlson / Performance. –chap. P. in its historical context Out of Actions (catalogue) – Between Performance and the Object 1949-1979 Prof. Dr. Bonnie Marranca / Performance Arts Journal Performance Research (A Journal of Performing Arts) Vol.1 No.1 Spring 96 Performance Anthology – Source Book of California Performance Art !! Thomas Dreher (Diss.) / Performance Art nach 1945 – Aktionstheater u. Intermedia Joan Borsa / Performin interconnectedness: the cathartic installations of Aganetha Dyck, Ann Hamilton and Susan Shantz Performance in 18. Century (PSi7) Avantgarde (PSi7) Literature: Performance Ritual Prozeß – Handbuch der Aktionskunst in Europa / E. Jappe Gregory Battcock & Robert Nickas / The Art of Performance – A critical Anthology (book) ! Annabelle Melzer / Dada and Surrealist Performance (book) ! Mel Gordon (Ed.) / DADA-Performance Kunstforum Bd. 146 / Das Gartenarchiv (Paolo Bianchi) Kunstforum Bd. 32 / Künstler und andere Sanmler RoseLee Goldberg / Performance Art: From Futurism to the Present (book) !! RoseLee Goldberg / Performance : Live Art since the 60s (book) Joachim Dietrichs / Zum Begriff Performance (book) Kathy Rosalyn / Toward a Theory of Performance Art (book) Coco Fusco / Corpus Delecti: Performance Art of the Americas Timothy O. Benson / Conventions and constructions: the performative text in DADA relinquishing, not selling (BN) Organizational structure (Victor Turner) organizations in action Performance contra Globalisation (PSi7) self-organization Fashion show as performance (Wolfgang Flatz) fashion show (Rainer Aring) (Andrej Bartenev) the body as mannequin (Text: Bettina Rehberg) Architecture-related performances (A. Birchler & T. Hubbard: Impenetrable space - (after Kafka Renovation as performance (George Steinmann) Reconstruction as performance (David Ireland) fünf ingenöre: P. Arlt, Elke Knöß, Wolfgang Grillitsch, Martin Kaltwasser, Benjamin Foerster-Baldenius power fields (Kurt Lewin) energetic field 23 view of the organizing institution Manager training as performance (Robert Reschkowski) cf. analysis of body language (Pantomime) Club Shows (John Kelly, Karen Finley, Anne Magnusson) A further understanding of performativity: Efficiency = (calculable) performativity (Lyotard) The Ladies Ona B, Evelyne Egerer, Birgit Jürgenssen, Ingeborg Strahl, Lawrence Weiner company/product instead of artist/work (Protoplast: Philippe Cuny, Kate Isler, Alex Silber) The Theatrics of Performance Art (T.R. Uthco) leeways are in-between spaces attitude toward the field of events (GANG ART) sexual presentations in party life performance society performance clips (2) probability field Performantere = "better" information: It is a matter of knowing which game the opponent is playing (Lyotard) shop window performance (Colette) (Luciano Castelli) (Festival der Regionen) (Roi Vaara – walling in) (Gerd Belz & Raoul Marek) (Marie Teresa Hincapie) Department Store Performance (Anne Hoy) (seals in the department store: W. Georgsdorf) performance artist as curator/artist (Jean Dupuy, B. Nieslony, Roi Vaara, Seiji Shimoda & Kazuhiro Nishijima (NIPAF), Le Lieu (Jean Claude Saint-Hilaire), Nigel Rolfe, Ray Langenbach, Chumpon Apisuk, Amanda Heng, Christel Burmeister, Anet van de Elzen, Norbert Klassen, Heinrich Lüber & Karin Roth, Danny McCarthy, Milos Vojtechovsky) (Vollrad Kutscher: Performance Parties) (Masaki Iwana) (BBB.Johannes Deimling – builds own networks (Gabriele Oßwald & Wolfgang Sautermeister) (Michel Giroud) (catalyst arts) (Das Archiv: Sabine Kaeser) (Eloy Tarcisio) (R.József Juhász – studio erte) (Rafael Montanez Ortiz) (Sue Broadhurst) (Magnus Palsson) (Ryszard Piegza) (Chuke Stake) (Jordan McKenzie) (Gusztav Ütö & Konya Reka) (Marissa Carr) (Dziugas Katinas) (Wladislaw Kazmierczak & EWA Rybska) (Louise Liliefeldt) other organizers: (Gesine Weise, Jürgen Wolfstädter) (Zap Art) (Sylvie Ferre, Emily Tabassi, Lukasz Guzek) architect as performer (Buckminster Fuller) including exhibition institutions admission fees (GANG ART) working with and in the field (Marietheres Finkeldei) working with models (Vanessa Beecroft) people as dolls personal performance training (= applied performance) (Robert Reschkowski) Gutai the poetic network (BN) mental existence between persons sexuality as emotional decoy in advertising (erotic enticements) gesticulating like brokers with the train station time tables (Sislej Xhafa) Performance = accomplishment and self-assertion in a competitive situation Performers trained in architecture or stage design (Andrea Saemann, G. Ritter) Bodytainment (Stahl Stenslie) building performance Das Konzil Kunoldstr. 34 Büro Berlin Bodo Berheide (Galerie-Kollektiv Wuppertal) Werkstadt Odem Kl. Ausstellungsraum des Künstlerhauses Hamburg Servicebüro Hamburg Ultimate Akademie cf. networks Gravitation: B.M.'s performance is a field The attractor: the force of attraction Performance as event(see below) Performative marketing and attention techniques ventriloquist doll (Gebrüder Kunst) (Atsuko Tanaka, Kazuo Shiraga, Jiro Yoshihara, Sadamasa Motonaga, Saburo Mirakami, Akira Kanayama, Shuso (Shusu) Mukai, Shozo Shimamoto, Naoki Kanayama) On the in-between as a mental dimension (PB) Performance in consume temples: confronting consumers with wounds/mourning (Muntean/Rosenblum) "Presentations“ (Soviet Union) Presentive Events / life = kajf "life itself is the drug" stockmarket speculation with art money (Fabrikanten) Virtual performance architecture – video/mirrors systems (Scott Simeral) performance history art history cultural history psychology of collecting philosophy/theory of collecting memory discourse memory theories "end of history" discourse marketing strategies (Com & Com) J&W Management Consulting (Patricia Jacomella & Maria Walther) profiting from artists of the 3rd world Postmodern emotion culture (J. Gerhards): hedonist goal of avoiding negative emotions architecturally determined performances a battery of the in-between ASA installs: the field (BN) Economic view of exposure in image, text and performance (article: G. Brandstetter) (LE) Surrealism includes the call for a "Performance Art“ performative staging of nakedness (Beecroft, Gelatine) • Precursors of • performance art • Futurist performance • DADA • Theater der Grausamkeit • Fluxus (see detail ) • Situationists • Lettrists • Gutai (Japan) deconstruction of architecture as performance (Gordon Matta-Clark) Performance in advertising 20 (art) historical view Art-Entertainment (Mariola Brillowska) force theory view (Cf. Foucault) Performance as fashionable and fun `avant-garde entertainment´ tension / gradient of potential Architecture in transformation - chance for performance (factory hall flair) zones of transition (LE) Performance as: Business management style The perfect pose („The worlds first Pose Band“ Paul Richards, Ron Calla) the in-between networking (BN) (the physical network) 22 entertainment view Minnesong (advertising) minstrel performance art history marginalized performative art for a long time 1995 an awakening (I. Keiner & S. Berchtold) reflections on advertising (UlunMichael Steinke) (Theo di Ricco) charged spaces constructed by performance surrealistic performance enterprise theater for managers (Kosilo) Becoming "managers" with theater methods B.M.: ... The immaterial center of performance, of every encounter, the shared knowledge is: what is between the persons, what is between the things, ... Party Performers (ICELANDIC LOVE CORPORATION) (Jonathan Meese ) Entertainment circus artistry (Osamu Kuroda) permanent event locations: Moltkerei Werkstatt Cologne (E. Jappe) (...) contact persons from various countries/continents: M. Vänci Stirnemann (Switzerland), Richard Martel (Canada), Seiji Shimoda & Shozo Shimamoto (Japan), Ayah Okwabi (Africa), John Held (USA), Clemente Padin (Uruquay), Warren Burt (Australia), Lee Sang-Jin (Korea), Jozsef Juhasz (Slovakia), Artpool – Galantai (Hungary), Guy Bleuys (Belgium), Zygmunt PioTrowski (Poland), ASA & H.J. Tauchert & Inge Broska (Germany) dismantling (Wolfgang Flatz) circus animal performance Integrative history of performance art (Bonnie Marranca) Desolate spaces – factory halls, derelict buildings, contaminated areas (Kipper Kids, Susanne Helmes, Marie Kawazu, Jürgen Raap, Walther Stehling, Rainer Aring, Hong O-Bong, Andrej Bartenev, Karen Finlay, Osamu Kuroda, Gelatin) practical joke (2) 1948: last appearance by Artaud and Cage enters Black Mountain College Bauhaus (Oskar Schlemmer): the first school to undertake a serious study of performance as an art form Merzbühne theories (Kurt Schwitters) mechanical Bauhaus stage (ars electronica) Performer as advertising medium (ERGO) Situation comedy art as commodity item (Gretchen Faust) Entertainment as advertising and sales strategy for products (Mariola Brillowska) between (Buber/Rosenzweig) intercorporeality (Merleau-Ponty) betwixt and between (Turner) ecstasies of the things (Böhme) space-time force field (Fischer-Lichte) Transforming spaces through kissing (Nezaket Ekici) magic show – life as a pigeon (Christian Jankowski) soothsayer services circus-like show of strength Power seminars (as performance) walking over fire and glass ... (Habitus of these trainers: cf. Schlingensief) central manifesto on performance art: see: programmatic texts performance with architectural elements (Roi Vaara) important art theoreticians/editors on performance art: Elisabeth Jappe, Jürgen Raap, Paolo Bianchi, Gerhard Johann Lischka, Allan Kaprow, J.L. Schröder (PSi7), C. Doswald, J. Kistus, R. Puvogel, M. Hübl, H.-N. Jocks, Victor Mazin & Olesja Turkina, Paul Schimel, F-A. Hettig, Ilena Pintilie Teleaga, (...) auctions (A. Reinthaler) curating as performance Transforming the Canon (PSi7) meditative actions comedy as stylistic structure Clownerie clown acts (Laurie Anderson) cf. view of play and of the carnival Dance in comic costumes (Peter Callesen) Life style: that´s entertainment clothing/architecture for the homeless (Lucy Orta) important organizations: The Living Art Museum, The Western Front (Vancouver), The Performance Space (Australia), Perforum (Pfäffikon), The kitchen (NY), Hallwalls (Buffalo), Galeria Dzialan (Warsaw) important art historians on performance art: RoseLee Goldberg, Bonnie Marranca, Justin Hoffmann, (...) the renaissance of the circus (cf. A. Heller) tourist view of the curator (exoticism and spectacle) burning money (repealing bourgeoisie values) (Beate Ronig – story telling) important periodicals: Performance Research (London) / Inter (Quebec) High-Performance (Ed. Sara Wolf, Ed. Tim Miller & Linda Burnham) / Performance Art Journal / Performance Magazine (Hg. Rob La Frenais) Studio International (London) / p-form (Seattle) Datum (Holland) / Live Art Online (UK) / P-Form / Switch (technology and art) / TDR – the Drama Review Women & Performance: A Journal of Feminist Theory money-critical actions (Karin Schlechter & Sol Lyfond) (High Red Center) factory halls /vs/ White Cube modern clowns comic performers soap performance B.M. is in the arrangement of the "MA", of the in-between space, this nothingness, a kind of mental embarrassment. Fetishizing child idols (Mike Kelley) Repeats of historical performances (ECART) Theater as raising awareness of architectonic processes (Julian Maynard Smith) Performance as "opening circus" (important events) mobile architecture "Hotel Pompino“ (Van gogh TV) "No one is sure of himself“ (Stadtwerkstatt TV) Projects (see: project art) A Sociology of the Institutionalisation of Performance Art (PSi7: Britta B. Wheeler) black market event society and game culture (fun culture) space moods (outside the realm of action) genealogies of performance (Josef Roach) Performers as editor/writers/art theoreticians: Jürgen Raap, Allan Kaprow, B. Nieslony, Roi Vaara, Hubert Sowa, Johannes Lothar Schröder (PSi7), Jean Dupuy, Stefan Fricke (Fluxus theoretician), Arnoud Labelle Rojoux, Alain-Martin Richard, Michael Murin, Clive Robertson, Daniele Roussel, Tina Keane, Charles Garoian (PSi7), (...) (east/west study project) (MA Festival 1995) Literature: Relikte + Sedimente (catalogue OK Linz) Kunstforum Bd. 145 Künstler als Gärtner (Paolo Bianchi) Kunstforum Bd. 146 Das Gartenarchiv (Paolo Bianchi) Dorothea von Hantelmann Raum fort und fort (catalogue OK Linz) Erika Linz / The warehouse theory of memory is wrong – Zur Performativität semantischer Wissensstrukturen (lecture) Clemente Padin u.a. / From Representation to Action Dinah Jung / (PSi7) / Performing Fragrance Performance Between Identity and Representation (PSi7) party performance (Vjing, Djing, ...) "MA" Japan. 21 view of the market stage concepts cf. Stadtwerkstatt-TV action arts: (according to M.-L. Lange) Happening, Fluxus, Land-Art, Action Painting, Body Art, Event, Situation-Art production assistant with Schlingensief (Elisabeth Steger) organization art – integrating every imaginable institution (Stadtwerkstatt, U. Wid) events service Abiding and handling (Sowa) simultaneity of high & low (Mike Kelley) critical art and pop the art of entertainment silencing & chewing: permanent performance (Eva & Adele) revealing the invisible of the visible (Lyotard to Daniel Buren) view of the stage Computer animation of memorial architectures – memory theater (Giulio Camillo, Robert Fludd) Performative "attacks" on art theory texts (resolution of a Greenberg text: John Latham) art and entertainment combination (Van Gogh TV, ...) Reduction / celebrated void (instead of show) Performance negates the difference between being and appearance, presentation and re-presentation (George) Preservation = Participation The concept of organizing marks the point of transition between art and life (H. Sowa) Commentary on ring-shaped representation in over 32 views: everything is always and simultaneously present. Depending on the time segment, some things are (fashionably) in the foreground – but the rest is still present .... popular performance Life as art – art as life. (see below) Not a medium-related result. Cf. Plots / Real Performance See: Club Shows (John Bock) Oral history performance (Gretchen A. Case) The concert podium as stage in new music (research: Riethmüller) event art / event culture (Fabrikanten) (A. Heller) (Gelatin) rent an artist museum function of the theater curators on performance art: Rob La Frenais, G. Hattinger, E. Jappe, Noel Sheridan, B.Nislony, (...) see also: performers as curators Performative view of playing: emphasizes what is oscillating and unfocused, the "in-between", the framework art without history cannot be passed on (?) (Mersch) Happenings & Events representation cliche Dorfbod´n (100 Tage Prozeß Weibern OÖ) Performance is never a re-presentation, except of itself (George) Performance with historical references (Chen Chieh-Jen) (Kaori Haba) The boat is full (every creator a name) (Valerian Maly & Klara Schillinger) event paradigm vulgar performance trivial performance (Ulrich Frey & N. Klassen) +Performance as place-less art +Performance as agreement Artist Run Spaces Events (LE) Energetic theater would be outside the realm of representation art theory morphology criticism of the institution discourse curators' debate material debate difference philosophy rhizomatics Intelligent Stages (PSi7) is a service (see left) gallery made of clothes (Judy Freya Sibayan) OM Theater as a transgressive gesamtkunstwerk (O. Muehl to H. Nitsch) (PSi7) Performing the human historically view of re-presentation Performer as illusionist (Holunda – Atelier Juxus) cabaret 1995 First Annual Performance Studies Conference 1995 Performativity and Performance (Ed.: A..Parker & Kosofsky Sedwick) 1996 Vol.1 No.1 Performance Research (Journal) 2001 7th Performance Studies Conference Mainz PSi7 (PSI Performance Studies International) idea of the gesamtkunstwerk (R. Schwarzkogler) live art Performance instead of depicting (LE) Performance as counter-concept to "representation" 19 view of representation The visual spectacle (Jan Fabre) performing art Service (2) performativity of semantic knowledge structures (Theory: Erika Linz) spectacle culture (decentered attention) spectacle theater (LE) Collecting (for an exhibition) as performance (Isidoro Valcárcel Medina) (INFuG, GANG-ART further development of the event) Performance as sign system Performance as breaking through structures +Performance as configuration of presence Performance as space of tension conflating gesamtkunstwerk (Wolf Vostell) See also category 10 after M.-L. Lange: Performance as synaesthetic montage Synaesthetics (Art Clay) ritual display of objects (BN) view of the exhibition street art the performative as the "weak point" of representation experience world (Fluxus, George Brecht, INFuG, Gangart, Larry Miller, B.B.B.Johannes Deimling, Esther Ferrer, Die Fabrikanten, Stadtwerkstatt) cabaret, entertainment art events Performance cultures of the Middle Ages (FL) The culture of the Middle Ages can be understood as being genuinely performative spectacular performances (Chris Burden) 20 view of collecting view of presentation view of depicting view of reproduction (more important for the theater field) cf. communication view The presentation character outweighs the artifact character (FL) (cf. exhibition practice of Udo Wid) Performance as installative collecting(s.l.) transforming a museum into a house of God (GAAG) greed for life several days of excavation work (Ion Grigorescu) Every form of street action Street theater (Osamu Kuroda), street music, cabaret view of collecting custodian view (basis for historians' research) emotions of the mass (Jürgen Olbrich, Jürgen Kierspel, Wolfgang Hainke, Manfred Vänci Stirnemann, Thoroughly Pseudo, Fricker, Boris Nieslony, Ruedi Schill & Monika Günther, Jacques van Poppel, Ulun Michael Steinke) flight show (Stadtwerkstatt) cf. Futurists Performance as permanent collection (Nikolaus Lang) Transition of theater to an event (LE) Attempts to "exhibit" performance: Relicts + Sediments (OK Linz 12/1993) (LE) Theater, that tends to become a mute gesture – on the exhibition of processes fundamental materialism (R. Krauss) +Performance as gesamtkunstwerk? staged events Prodigious Performance (PSi7) (wonderful, violent, ...) pyrotechnic performances (Jens Nielsen, Roman Signer) cf. archeology with M. Foucault (the Archeological Archivist) Museum and exhibition productions – a phenomenon of performative cultural presentation (study by: Prof. Gaehtgens) (comp. studies by Eva Sturm) (cf. starting schema for this poster group: On the Art of the Exhibition) Collecting as cultural memory Varieté nerves: people want distraction / "number principle" Freakshow Performance is anti-museal burning lens made of ice (Paul Kos) (LE) The principle of the exhibition seizes linguistic material, in addition to body, gesture, voice Performance as show (performance is the heart of the show) shift from work to event (DADA, Futurism) (LE) Sculptures: Theater is here in greatest proximity to fine arts Perceived as fetish (as part of the collection) (Skip Arnold) Performance collection as travelling depot Material theater (Stadtwerkstatt) Varieté / Vaudeville (Oogiri) (Rakugo = Storytelling) event (fuck head) (Renee Kolla) the artist as scientist (Udo Wid) self-exhibition (Timm Ulrichs) Material performances (Roman Signer) (Ralf Vormbusch) short-lived sculptures use of explosive material (Marcos Kurtyz, Signer, Drill Hall, Guy Pro-Diaz, John Latham, Ivor Davies) tree explosion, simulated dog explosion & explosions at flight show (Stadtwerkstatt) Multimedia Shows (Rosa Galindo, Pedro Garhel) (Peter Weibel) B.M. is an event Beyond performance (Kunstf. Bd. 100) Visual works by (former) performers (Tom Puckey, Dirk Larsen, Floor van Keulen, Peter Baren, Urs Lüthi, Gina Pane, Sef Peeters, James Lee Byars, Marina Abramovic, Albert van der Weide) Archives on Odyssey (minus delta t) style characteristics of mannerist traditions (tendency to extremes ...) Literature: Philippe Dubois / Der fotografische Akt !! Herbert Blau / performative aspects of photography M. Köhler / Das konstruierte Bild – zur Fotographie und Performance (book) Nigel Rolfe / Sculptures in Motion (cat.) Johannes Lothar Schröder / Identität, Überschreitung, Verwandlung: Happenings, Aktionen und Performances von bildenden Künstlern Kunstforum Bd. 152 Kunst ohne Werk – Die Transformation der Kunst vom Werkhaften zum Performativen Paolo Bianchi (Ed.) T. Warr, A. Jones / The artist´s body ! D. Ronte, H. Schober / Von der Performance zur Malerei Out of actions (catalogue) – Zwischen Performance und Objekt 1949-1979 Philippe Dubois / Der fotografische Akt Peter Simhandl / Bildertheater (book) Clemente Padin / Non-Object Poetry: Action Art Robin Deacon / (PSi7) Hard Water and other Objects Visual Representation (PSi7) / Nic Leonhardt, B. Brandl-Risi, P.W. Marx, Vera Apfelthaler no events (Roman Signer) jeopardy Group material & effect (BKH Gutmann) the artist as exhibition object (Skip Arnold) (Oleg Kulik) performers with their own museums (Jacques & Catherine Pineau) topicalizing exhibition openings (Eva & Adele) (Allan Kaprow, Jonathan Meese, John Bock) Collecting as a kind of long-term performance (J. Olbrich) Clubs and meetings as ephemeral installations Performance as billboard newspaper (s.l.) Turn from work to event (PB) The event takes the place of the art work (FL) Performative event field (GANG ART) art of the event artist as gardener the garden as site of the action (Teresa Murak) growing seeds, cress dress (Montri Teomsombat) rice dress (Joseph Beuys) 7000 oaks interpreting material findings as a labyrinth (Marie Teresa Hincapie) fluxus (2) natural disaster as performance/event "the highest form of a possible experience“ (Walter de Maria) cf. (R. Signer) stage shows (Laurie Anderson (P. Hobermann), Jon Rose, Robert Ashley, Diamanda Galas – Blue Man Group) Performance installation (Mike A. Hentz) chemical material (Tomás Ruller) performativities of energetic matter (Kinetographien) the exhibited archive (B. Nieslony, Jürgen O. Olbrich) "The Perfect Smile“ or performance as collection object (James Lee Byars) Installative instrument to demarcate space (Simon Beer) (Stefan Enderich) portrait made of skin and bones (Orlan) work aesthetic as outmoded concept is superseded by the aesthetic of the performative (FL) rummaging in material (Servie Jannsen) +Performance as event Performance as staged event Performance as staging Environmental Theater (as Schechner called the "surrealistic street" of an exhibition (LE) (cf. Events) Performance as demonstration of accomplishment(s.l.) view of materiality is shifted into focus (FL) (LE) develop installation concept from action concept Archive(see also:Schwarze Lade) Video archive about P.(Ryszard Piegza) sifting (Volker Anding, Laib) (LE) The aesthetic object works as a trigger, catalyst and framework for a process (for the viewer) Post Performancism 19 material view / olfactory view (smell) view of traces Behavior Tableaux - body language (80 static poses: Scott Burton) InstallAction chain reactions (Fischli & Weiss) (R. Signer) (Mo Diener) (Cees Krijnen) (Myriam Laplante) cf. performance as accomplishment Costume performances costume show (cf. A. Heller) (Pat Oleszko, Vincent Trasov, Paul Cotton, Claude Wampler) important performance archive (Le Lieu) storage and mobilization of memory content following affects (cf. NLP) performance as installation(see left.) Botanic Ballet (Andre Bartenev) Theater is also an art of sculpture (SE) Animate and inanimate sculpture (Jannis Kounellis) Frozen performance (Jannis Kounellis, Luigi Ontani) plundering rummaging from the depot social static (Spencer Tunick) sculptural culture of the body Theater as event performance as curiosity cabinet material experiments (Richard Alpert) theater miniatures (John Bock) see: prostheses, hinges, models sculptural ritual (Lorna Stewart) (Le Lieu,Simon Beer, Angie Hiesl, Fritz Rahmann) performativity of forms of materialization (Proj.: Kinetographien) field researcher (Lili Fischer) (2) primary demonstrations Animotion – performative spatial installation (Stefanie Wilhelm) Interactive costumes (Lori Weidenhammer) imitating antique sculptures (Franticek Klossner) stockings (Margit Leisner) public sculpture Performance as "total" installation(see left) olfactory stimulations (Fluxus) scenes (Vanessa Beecroft) expanded installation concept (Simon Beer) (A. Birchler & T. Hubbard) action with body objects (Made In Eric) arm/head extensions: (Rebecca Horn) One Minute Sculptures (Erwin Wurm / Bd.145) (Franz West, ...) installative situation (Alastair MacLennan) (Christine Biehler – Jürgen Fritz) Extensive arrangement taking up space, including everything. economy of material shattered performance (Janusz Baldyga) hammer blows "nature study (Paul Gernes) performance as material collection(s.l.) performance as total picture (Fake shop – performance installation) image theories morphology pictural turn (discourse) sculptural arrangement (S. Berchthold, I. Keiner) +Performance as demonstration of accomplishment Performance as (repeatable) show being a still life taken from everyday life Performance art = art without object (Seamus Malone) performative aspects of object art ballasts (Robert Smithson) performative aspects of installation art (M. Dion, U. Wid) action as moving sculpture (Tan Chen) Earth works (Anna Mendieta) Bodiescapes (PSi7) Dirtyblueclothes (Howard Fried) ceremony art (2) celebration art communication sculpture (Hilmar Fredriksen) body statue (2) "quickly changeable sculptures" (actions by Roaman Signer) played installation (Brian Conolly) (Ross Sinclair) chemical experiments (Lukas Berchthold) still life performance Performance as total sculpture conference of plants (Lili Fischer) the body as material => body view organic material (Andrés Pereiro-Schmidt) latex performance (Viktorine Müller) (H.G.G.N.) performative sculptures (Nancy Blanchard) Non-object (Neide Dias de Sa) performance coupled with installation (V. Acconci) (Stefanie Marshall) action as work (s.u.) trans-formation /vs/ formation smell and taste rituals (see: Nitsch) life as a celebration (invitation to the feast) public celebration unconscious effect of sexual fragrances (pheromone) Relics See also: tableaux vivant moving sculpture (2) work concept purposeful use of smells (H. Nitsch, Lili Fischer, A. Kosa, ...) burning scent material (Ralf Vormbusch) fear comes from constraints, anxiety "Still Life" (Johan Lorber/Lorbeer) sculptural installation performance as sculpture performance sculptures (Heinrich Lüber) performance as relic (s.l.) (see: sediment) baroque celebrations/celebration culture: music, jugglers, sculpture, trumpery, fireworks, entertainment ob-jects in existence and dignity (Nigel Rolfe) (Th. Werner & J. Wüstenfeld) (Heinrich Lüber) (Li Portenlänger) The performer in the glass box with no freedom (of action) (Skip Arnold) body becomes a monument in a box (Mourad Cherait) Skip, the act – is the art work (self-exhibition) +Performance as relict +Performance as billboard newspaper +Performance as installative collection +Performance as curiosity cabinet +Performance as "total" installation +Performance as installation 18 view of the artwork In a framework at the top of a tree (Th. Werner & J. Wüstenfeld) happening (3) (FL) The performance character outweighs the artifact character extreme smells (Micha Brendel) smells that "move" (Robert Jelinek) (PSi7) Performing Fragrance Performance (scent, fragrance) performance as sediment(s.l.) all existence is also a trace the body as object taboo materials (blood, flesh, cot, urine, sometimes animals consecrated utensils, naked bodies) (Brus, H. Nitsch, Monty Cantsin, C. Kolig, C. Langenbach) Kitsch (Liew Kung Yu) Cf.: living pictures (tableaux vivants) cf.: LKW body/light sculpture (Atsuko Tanaka) performative sculptures sculpture in motion product view body in large water hose (Pawel Althamer) Picture theater – fine artists of the 20th C. as theater reformers (book: Peter Simhandl) Space becomes a site of traces (LE) (cf. Relicts and Sediments) From Appearance Thinking to Traces Thinking the performer creates a picture – is part of the picture multi-projection show (USCO M. Callahan) productive art (in the variation: overflowing to total life) cf. agit pop 60s see also: Mimicry of Life comparisons: absent bodies working with milk (Ottó Mezzaros) minute pictures (Erwin Wurm) Living Sculpture and living art works (Category 05 according to M.-L. Lange) humans as sculptural objects Surrogate throwing food (Nam June Paik) Gunpowder Performance (Cai Guo Qiang) 2 Performers at great height on chairs on the wall (T.R. Uthco: Doug Hall & Jody Procter) persons over 65 high on the wall (Angie Hiesl) manned turn: person integrated in wooden frame: human as component of the sculpture (Köppl / Zacek) A performance is supplied like a commodity. The Black Market actions are still very close to this commodity character (BN) ASA should be more free and floating. highly semantic spaces theater of pictures (Bob Wilson, Laurie Anderson) (2) Photo Performance living sculptures painted with blood (Y. Klein, Giuditta Tornetta) construction of the desolate (Paul McCarthy) material recycling: rubbish & the desolate (Paul McCarthy) cf. intimate performances (FS) Performance with food (Paisan Plienbangchang) subsequently rubbish (Surapol Phanywatchira) Painting Bodies: Saburo Murakami, Kazuo Shiraga, Shozo Shimamoto, Yves Klein, Claes Oldenburg, Jim Dine, Nam June Paik, Paul McCarthy, Ana Mendieta, Shigeko Kubota, Stuart Brisley, Janine Antoni, Rachel Lachowicz, Cheryl Donegan, Keith Boadwee, Schneemann, McCarthy (Penis) C. Kolig (anal) Elsbeth Böninger Arai Shin ichi human sculptures living sculptures Body Shape (PSi7) The Shapes of Sensation dance with large rubber bands (Esther Maria Häusler) work actions / work demonstrations (Franz Erhard Walther) work emerges through use cf. also Udo Wid & E. Wurm projections as theatrical productions (color, light, sound, mirror, prisms) (Milton Cohen) dancing graphies (Calligraphies) (Proj.: Kinetographien) Literature: Pia Müller-Tamm & Katharina Sykora (Ed.) Puppen Körper Automaten – Phantasmen der Moderne (book) Ric Allsopp & Scott deLahunta / The Connected Body ? (book) ! RESEARCH – Industrial culture handbook Olaf Arndt & Johannes Kockel (Ed.) / RRM Dieser Wahnsinn muß ein Ende haben - Maschinenperformances 91-92 ars electrocia catalogues prix ars electronica catalogue books Martina Leeker (on extended perform.) Martina Leeker (article) / zur Zwiespältig- keit von performativen Künsten und digitaler Technik Kerstin Evert (on Stelarc) Archeology of the Future (PSi7): J. Birringer, Helen Paris, Leslie Hill, Tomie Hahn, Marina Grzinic, Scott deLahunta, Jörg Sonntag, Yacov Sharir Yvonne Gaudelius & Charles Garoian / (PSi7) Machine/Meat: Abjection, Romanticism and Identity M. Beatriz de Medeiros / (PSi7) Telepresence and Performance Art staged photography (B.J. Blume & Anna Blume) (Cindy Sherman) (Hannah Frenzel) (Pierre Keller) (G. Brus) (R. Schwarzkogler) mounds of earth, earth and sand islands (Darryl Sapien, Gutai) (Hannah Wilke, Pierre Molinier, Tatsumi Orimoto, Jared Bark, Walter Pfeiffer) (Joa Selin & C. Ranzenhofer) (Arnulf Rainer) Calligraphy / writing art as performance (Nja Mahdaoui) The visual versus the verbal (PSi7) large images via illuminated windows with residents' participation (Pawel Althamer) (cf. Clickscape by the Stadtwerkstatt) actionist painting (Gutai => George Matthieu) (Yasuo Sumi) (Shanna Noyes) (Sadama Montanaga) rolling in material (grass, dirt, ...) (Paul McCarthy) rolling in mud: (Illka Juhani Takalo-Eskola) (Gilber & George 1969) (Eva & Adele) (Colette) (James Lee Byars) (Thomas Niggl) (Timm Ulrichs 1966 „first living artwork“) (Peter Greenawy: 100 Objects ...) (Richard Long) (Muntean/Rosenblum Steir. Herbst „why die?“) (Egle Rakauskaite: Honigmulde) 18 view of the picture action form /vs/ work form (F. E. Walther) (Sowa) not an observing stay, but a participating stay Painting and Performance (Bauhaus) (Emilio Morandi) Theatralizing painting +Performance as sediment +Performance as material collection Performance as counter-concept to "representation" dressed in foil (Lambert Janssen & Urs Küng) woman in foil (Hong O-Bong) wrapped in transparent film (Miriam Steinhauser) capturing a moment as performance – Polaroid (Tache/Magor) (Christian Boltanski) (Fabrice Gygi) (Tetsunori Kawana) painting actions (Barbara Heinisch: danced pictures) (Joel Hubaut) Performative-temporal character of picture genesis (Phil. Hubert Sowa) crashing head against the wall (Ralf Berger) action painting slide projections and music (Kjetil Skoien) (Shigeko Kubota, Carolee Schneemann) accidental (jumping cars) (Leo Schatzl) kissing walls – imprints (Ella Tideman) face imprints (Goji Hamada) DressWorks: every "dress" created in conjunction with a performance (Katja Hergenhahn) Polaroid events (a´ battery a“ : Chrigg Perren, Vänci Stirnemann, Fritz Franz Vogel, Victoria Zappata) performative aspects of photography (Herbert Blau) expressive action painting as starting point: (G. Brus, O. Muehl, H. Nitsch, R. Schwarzkogler) Photo action with small animal figures (Yukio Saegusa) Posed performances (Urs Lüthi) event images (electronically controlled) (Hansjoachim Dietrich) The "happening" movement was essentially carried by painters (Group: Hejettes Szomlyazok) painting battle image concepts Nigel Rolfe Jochen Wüstenfeld & Thomas Werner Ingolf Keiner Heinrich Lüber Ken Unsworth K. Rinke painter as actor see also: gestures gestural painting (Michael Burges) see: gesturing bodies traces – foot stamps (Günter Saree) FormAnce (2) performer acts in a picture (Miranda Payne) (B. Nieslony) PerFORMance (Parzival (Pörsch)) performers wear black costumes – like figures from traffic signs (Yvette Helin) pictures drawn/ painted with the body (Carolee Schneemann) see: Painting Bodies Surrealistic a.p. (ecriture) (Pollock, COBRA, Situationists, Lettrists, Manzoni, Klein, Spur, Egon Schrick, Barabara Heinisch) painting as crucified woman (Natascha Fiala) Performance: striving for a common image (B.M.) pictures brought into life (Gérald Personnier) Live art (Claes Oldenburg, Jim Dine, Al Hansen) The "presentation" of pictures while opening and closing medieval codices (PSi7 W.C. Schneider) shadow plays (Jim Melchert) (Gelatin) (Anet van de Elzen) performance as image-generating action (s.l.) process of a sculptural development (Janusz Baldyga) active "work" with art objects – attracts sculptures in its wake (Jerzy Beres) Object theater also opens up new theater models between installation, kinetic object art and landscape art (LE) artist as engineer and behavior scientist (time´s up, Tim Boykett, Udo Wid) Mechanics of stimulation - stimulation dispenser (C. Kolig) body between foils "under pressure" (Hanna Frenzel) highly semantic acts (cf. highly semantic spaces) kinetic sculpture (2) (Eve Bhend & Jörg Köppl, Gordon Monahan) large projections of objects (playing with the objects on a turn table) (Diane Landry) Sculptures appear like forms of action (Joa Iselin & C. Ranzenhofer) dolls as forgotten people, family machine, execution machine (Kantor) sculpturally tied bodies (Maria Pohland) cf. Tableau Vivant: imitating 18th C. paintings body exhibited next to other artifacts (James Luna) performance as living pictures projection performance with several overhead projectors (S.A.C. modeller´s club: Mark-Steffen Bremer, Anna Weber, Petra Kowalenko, Ulrich Wegenast, Stephen Thomas) In interaction with stills (Gelatin) entanglement with hoses (A. Schubert & Dieter Pütz) iconoclasm – destruction of pictures as performance (Humer - porno-hunter) +Performance as work +Performance as sculpture +Performance as image-generating action "Performance" of software and processors Living paintings (Stephen Taylor Woodrow – hanging on the wall) photos of executed people: ... revealing another image layer behind these images (Chen Chieh-Jen) Techno-hybrid Performances (Monika Fleischmann) tennis ball machine tosses glowing balls (Valentin Torrens) technically infiltrated bodies prelinguistic picture dependency clay pigeon tossing machine tosses glowing clay pigeons (Stadtwerkstatt – G. Lindorfer) appearance of geometrical, machinic structuralism of postmodern dance (Cunningham) transitional objects: when the subject tends to become thing digital environments extending the self in the machine unleashing identity in the machine unleashing the body through unmediated connection to the machine causality machine (Sandor Doro – Sándor Dóró) (2) robot performances performance as picture set in motion (Judith Haman) what is the picture after the action (Kjetil Skoien) Diverse ars electronica projects (knowbotic research – simulation space) see: machine view, TV view, acoustic view, etc. Extended bodies extendable bodies Prosthetic bodies extended performances artist in robot-like appearance (M. li Antúnez Roca) robot theater The picture behind the picture (in front of the picture) (Boris Nieslony) pictorially oriented actions (Artaud): automated personnel (people as though controlled with invisible wires) Bio-mechanics Mechanical Dances Dancing automatons Mechanical ballets Bio-mechanical exercises Machine and body (The Shadow Machine: Peter Courtemanche, Ken Gregory, Carol Sawyer, Alvin Erasga Tolentino) machine performances (Julian Knowles) Performance of the steel works facilities (driving through with the works train) („Wall Street Performance“ / Momoyo Torimitsu) (Stelarc) Theater of objects, entirely without human actors, theater with technical devices and machines (SRL) (LE) object theater the (linguistic) image wants action (BN) Unnatural bodies (Jim Whiting) dancing machines see: Material "machine": prostheses, hinges, models (Stelarc = Stelios Arcadiou) interactive video performance (Christin Lucas) time-controlled household appliances (Dick Higgins) Archeology of the Future: Intelligent Stages, Neural Systems (PSi7) telematic sculptures / Live TV with telepresence – remote controlled over 1000 km (Stadtwerkstadt) digital performance Performing Internet (PSi7) machine theater (time´s up/Just Merrit) (Chip Flynn, Liz Young) (Jim Whiting) Re-assembling a B-Car as Performance (Chris Burden) machine sculptures mechanical sculpture implications for performance of the emerging world of cybertechnology turning bodies into machines (Futurists) Tele-Existence (Stelarc) cf.: prix ars electronica Interactive art On the use of the performative in digital environments robot community in human-free zone (Chico MacMurtrie) media and techno-body electronic performance (Space violins: Jon Rose) performance of machines music machines / sound machines (time´s up, Joe Jones, Scot Jenerik) (Matt Heckert) (The Users: Symphonies for Dot Matrix Printers) cf. also body view – physical view (of achievement) robotics AI research / AI discourse connectionism cyberdiscourse / cybertheory net discourse technoscience and cyberculture computer performances Cybersex Performances machine sculptures EEG-Experiments (Bruce Gilchrist, Udo Wid, Horst Prehn) tools with a life of their own (see also: tool view) bio feedback mechanisms (spin sphere – time´s up Just Merrit) sound performance with construction machines from a large building site (Stadtwerkstatt) Tactile satisfaction and torture devices (C. Kolig) accident / techn. catastrophe as performance (Jean Tinguely) Happening with self-destructing machines (Jean Tinguely) self-experiments with machines (Bruce Gilchrist) boundaries of the human body (Just Merrit) fighting machines (Leo Schatzl, Franz Xaver, SRL Survival research laboratories (Mark Pauline, Bram Renstorm), Peter Zegveld, Mark Heckert, Eric Werner) achievement view scurrilous machines of love and death (Kantor) cf. "fake" amputation robot (fictive: John Fare) view of objects machinized sculptures (Proj. Kinetographien) file cabinet machine theater / machine performance (Intercourse – Istvan Kantor) controlled torture scenes Performance as machine theater (Bruce Gilchrist u. Jonathan Bradley / Stelarc) Cindarella in a Dragster (Suzanne Lacy) 17 machine view 17 body extensions (curator: G. Hattinger) driving around with window-cleaning equipment (Christoph Rütimann) machine: stream of fire/stream of water (Erik Hobijn) ritual machines (Rebecca Horn) finger-fan performance (Linda Christanell)

  3. 17 carnival view play theory language game approach(Wittgenstein) postmodern views anthropology (of laughter) comic turn, carnival of mimicry (Homi Bhabha) puppet theater as performances (Rirkrit Tiravanija) laughter reveals hidden fundamental fears celebration art (2) game moves with tremendous performativity (Lit.: Lyotard) most physical art of laughing: the joke 17 playful view view of playing logic of joy see also: identity view role plays (s.l.) games (3) carnival as testing bed for new cultural and social structures playing with identity Concept of carnivalization (Lit.: Mikhail Bakhtin / Bachtin) Performance as play Intensive play (flow) Deep play view of laughter culture playing and humor see also: Fluxus (G. Brecht) free play (see: Improvisation) free play with materials, objects, body movements, action locations (see: release view) Laughter becomes chaotic in carnival silliness exuberance carnival – the place for working out body language jokes laughter community ritual clowns (Pueblo Indians) annulment of hierarchical relationship (of noncarnival life) Meta-communication (Bateson) Psychological frame (Ralf Samens, Ben + Sam, Ross Sinclair, Udo Idelberger) playfulness and fun culture playfully devoted to chaos (Gelatin) irony and humor (Bartolomé Ferrando, Rainer Aring) (Marlene Madison Plimley) The human being becomes human in playing performance is playing ironic commentaries (Charly Banana: Ralf Johannes) time of impossible connections view of nonsense gloating practical joke (2) child's view (PSi7) carnival – the place for working out (cf. view of destruction) experimental games (Situationists) clumsy performer (John Bock, Peter Land, C. Schlingensief) jester's body with mimicking gestures, pointing, masquerades game rules (of art) musical score as game rules (s.l.) playing as the essence of culture culture as a game (Lit. Huizinga) (Sowa) reality as practical execution of life (actus) human weaknesses (Smelly) exposure DADA (2) cathartic games (see below.) materially unproductive, rule-based, ,... gaining influence over attitudes and interpersonal relationships (Tadeusz Pawlowski) play drive playful insight playing as a joint praxis of suspension playing with frameworks (cf. context view) (Schlingensief) games of fate Literature: Spielregeln der Kunst (series) Eric Berne / Games People Play Roger Caillois / Man, Play, and Games Johan Huizinga / Homo Ludens (book) Vom Ursprung der Kultur im Spiel V. Flusser (homo ludens) various articles Victor Turner / Vom Ritual Theater. Der Ernst des menschlichen Spiels !! Gregory Bateson / A Theory of Play and Phantasy (Essay) !! Important concepts to performance theory Erving Goffman op.cit. Mikhail Bakhtin (concepts of carnival and dialogism) -> Julia Kristeva Hans-Georg Gadamer / Die Aktualität des Schönen. Kunst als Spiel, Symbol u. Fest TOYS´N´NOISE (catalogue OK) Bachtin J. Piaget , L. Wittgenstein, F. Schiller Andreas Nebelung Barchorski u. Röcke (research project) / Dramaturgie von Witz und Witzkultur in Spätmittelalter u. früher Neuzeit Gebauer (research) / Die Aufführung der Gesellschaft in Spielen Gebauer, Wulf / Spiel – Ritual – Geste Vom Ernst des Spiels (book) respectless sense of humor (Kurt Fulton) effectivity/rituals /vs/ entertainment/theater (R. Schechner) purification (cleansing) liberation more game than battle (Performing Resistance) carnival of thinking (ridicule of other directions of thinking) liberation from religious and sexual taboos use of toys (Sigalit Landau, B. Nieslony) genuine /vs/ play (in comparison to theater) in relation to the performer's use of the body in relation to the role of the "viewer" catharsis as artistic effect bets and gambling (Stadtwerkstatt) (see also sports view) fun objects (Jim Pomeroy) playful action, pure play of the hands (Verena Schwab) Hula Hop show (essence of body art) (Oliver Kochta & Frank Lüsing) play of locations (see above.) collective consciousness (Jean Dupuy) reminder of what is held in common (among people) desire for presence, physicality, sensuousness, material experience (Bernd Schulz) Performance as observation Performance as spiritual exercise cf. knowledge as passion logic of joy pleasurable play modified (card) games (Robert Filliou) Performativity of netgames electronic game environments (Miltos Manetas) bumper cars with game environment and modified slot machines (Stadtwerkstatt) the mental network (BN) the network of intentions sex education (AIDS) (Hortensia Ramirez R.) therapy function event society and game culture outdated concept of effect aesthetics superseded by the aesthetics of the performative Theater-anthropological thesis: Bipolarity is not found between ritual and theater, but rather between the parameters of effectivity (in ritual) and entertainment (in art) (LE) Rolling art – glass balls (Stadtwerkstatt) "Shaken" by: enthusiasm, insight, fascination, shock, excitement, confusion (LE) science on and for people (B. Nieslony) Bingo (Jahn Mauritz Löcke) disruption, shock as consequence (Kees Mol) experimental self-experiments exposure shame embarrassment (Peter Land)(BN) chagrin temporary panic, dizziness (Lit.: R. Caillois) vertigo (Milica Tomic & Róza El-Hassan) table football championship (Raoul Marek) constrained thinking: negative feelings like anger, fear and mourning, also revulsion and shame have a specifically divisive, distancing effect on cognition thus connotated computer game rules (Markus Hensler) computer games (Paul Demarinis) Moments of "panic and destruction", where consciousness threatens to collapse (Export on G. Brus) The allotropic = the purest thought of alchemy; does a process of insight need 20 years or can an event create it in a second act/effect realized in being dealt with (H. Sowa) constraining thinking processes (sabotage – Robert Jelinek) participative research (performative) vs. observational "standpoint" unmediated sensation of unbearableness (through directly conveying a physical stress situation) (FS) artist as (participative) behavior scientist (U. Wid, A. Fraser, Gina Pane) cheering entrancing enticing political, social consequences (see political view) agitation, impotence as consequence touched, moved soiled querying disquieting perturbing frightening key experiences senses up-set (BN) every insight is only possible through action / knowledge is a matter of doing (Grotowski) entertaining emotions mourning (Hans-Jörg Marti) B.M.: ... certain states of knowledge cannot be held down The 8 rasas (non-commonplace emotional states), that the audience experiences through the art of the performer (W. Pfaff) inner thunderbolt (Zen) (Nam June Paik) mental chagrin (B.M.) (theatrical) research work: knowledge about oneself ... put into a trance artistically autonomous research work (Hayley Newman) commonplace ironicizing studies about ballistics and others (Dr. Math.) (Irma Optimist (Luchta)) outrage legal prosecution as consequence (G. Brus, P. Weibel) Performance as "spiritual exercise (Lit.: W. Welsch)practice exercise real-physical investigations (Attila Kosa) Vivisection (intervention in live animal ...) (B. Nieslony) Understanding a situation means ... actively grasping it (Sowa) Performance aims to provoke dismay, fear, anger, desire, anxiety, hate (Li.: J.-F. Lyotard) insight illumination comfort In the arrangement of "MA", the in-between space, this nothingness, B.M. is a kind of mental chagrin. reference system of terms action research total irritation (Schlingensief) Performance and the idea of expanded writing (Ric Allsopp) Performance and writing curiosity interest system interest logical mental pleasure +Performance as originary human language +Performance as language Performance as narrative insight as consequence censorship as consequence (Karen Finley) (Ron Athey – NEA USA) deconstructivist essence of performance (cf. Hakan Gürses) evolutionary research program (ALMA) cf. service view art without work, but with effect (PB) 16 effect (consequence) view daydreams police stop performance (Isa Perkasa) showing and communicating (with Wittgenstein) Sites of performative learning: laboratory, workshop, ... trial action trial thinking (analogous to trial action) the body's performative forms of insight B. Nieslony: shows languages of the body, the physique, the gestures, the images, the actions Beginning in the mid-80s, language again becomes more important in performances (often in social and political context) performativity of reading The (photographic) picture becomes performative in the act of viewing consequences for the field of art (game rules of art) cf: revolutionary approaches consequences of performances Why performances ? the function of performance within a culture (Lit.: M. Carlson) function/meaning of performance cf. theater view cf. service view cf. political view see: lectures increased attention energizing and (de)motivating effect of affect on cognition performance as analytical session (see below) 19years exhibition ban (Zorka Saglova) sharpening perception by falsifying the result (curse: Rudolf Heimo Eber, Joke Lanz) Performance as conscious dream (see below) (Terry Fox) own way of speaking and living (KUSCH) performance as observation Text Performances (Chumpon Apisuk) (Waldtraut Winkler) (Dominique Tronchet) Learning foreign languages as "art praxis" (R. Ganahl) Perception as performative act ! mind shift-ing experiments cultural development (see below) tensed interdisciplinary actions Performance as construction of meaning (in actu and in situ) Language Happenings (Emmet Williams) (Reindeer Work, Boris Nieslony, INFuG, Markus Schwaighofer, Jean Odermatt, George Steinmann, Lili Fischer) Performance art emerged from the analysis of forms of representation (Ray Langenbach) a theory of language, is part of a theory of action (Searle) open thinking (positive feelings, pleasurable relaxation) the body is the focal point of investigations (Abramovic/Ulay) The ideas that are in performance are functions (interfunctions) performance artist as perception theorist (David Thomas) Performed Text (Secession) (Josef Bauer, Valie Export: finger poems) Spoken word performance (Kristin Lucas) speech theory cf. ethical view (B. Nieslony) monologues (David Cale) actionist reflection on the social status of the painter (Jean Le Gac) Performance /vs/ Competence Visual versus Verbal (PSi7) performativity of thinking (public collective thinking) interdisciplinary approaches in performance see: interdisciplinarity view "language planes" instead of dialogues (LE) Insight comes from suffering; disturbance first forces the system into a new way of functioning emotionalization of thinking thinking as communicative performance (dialogization; productive debate) performative verbs Language as performance (Austin, Searle) strong lecture culture in: Hungary, Czech Republic, Croatia doubt Performativity of Language Thinking is deed, leap, dance ... (Foucault with Deleuze with Nietzsche ...) reading performances (Kathy Acker) 16 epistemological view Fairy Tale: Performance as rightful speaking (Grimm's Fairy Tales: Joan Jonas) +Performance as formational field of experiment Performance as life-art-work (2) performative utterance performative tendency of all creative writing laboratory situation of knowledge formation (UlunMichael Steinke) analytical chilly rationality studies (Helmut Schober, Scott Burton) artificial disclosure (FS) Speech act as event see: communication view There is no performance without Preformance (John MacAloon) art as knowledge system (Kunstforum: Jean Odermatt "LKW Gotthard") (George Steinmann) analytical philosophy epistemology cognition sciences cognition theories artistic research constructivism resemblance theory Literature: Zur Wirkungssicht: cf. article by Marie-Luise Lange Jill Dolan / The Dynamics of Desire: Sexuality and Gender in Pornography and Performance (article) Marvin Carlson / Performance – a critical introduction (book) !! Roger Caillois Hanne Seitz (Ed.) Schreiben auf Wasser Robert P. Crease / The Play of Nature - Experimantation as Performance P. Bianchi / Kunst ohne Werk – aber mit Wirkung (article Kunstf. Bd. 152) H.G. Furth / Wissen als Leidenschaft Thomas Kellein / Fröhliche Wissenschaft Helen Freshwater / (PSi7) Contagion, Containment, and Censorship (article) performance as language (Ric Allsopp) child's language ritualized speaking (Heinrich Lüber) Language Performances (Stefan Güpping) see also: Narratively structured performance (Category 12 according to M.-L. Lange) acts of meaning production / meaning is acting/doing PreFormance Memo-theatrical dimensions of texts / strategies for visualizing literature (cf. ILIAS – E. Kosa) stammering – prelinguistic utterance performative understanding (Sowa) lived mental art work (PB) Experimental actions (Category 06 according to M.-L. Lange) cf. context view Slam Poetry Performances on: language and its relationship to voice (Amanda Stewart) Thinking through Performance (PSi7-article: Dwight Conquergood) performance as "theory event“ see: lecture performance rhythmizing language (Toni Davidson) Walking and Thinking Thinking is Walking Walking as cultural act border-crossers (Kunstf.Bd.136) Diva of spoken words (Jill Battson) Performance: Restored behavior Exposing the physique of the voice in screaming, groaning, animal sounds (LE) Performance as a praxis of articulating identity Performance as memory work Happenings as quiet research understanding as form of action (Sowa) The "Internationale“ in 10 min tact (Susan Philipsz) The "Internationale“ with TV set on pedestal (Wang Mai) anonymity (Guerilla Girls) ArtPirate (PSY = Michael Mierse) shown By: pseudo through and through (M.V. Stirnemann u. Gido Dietrich) thinking in movement (Peripatetics, INFuG, ARGE Kulturtheorie, Stefan Szczelkun) radical poetry (Ruedi Schill, Erich Jandl) Form ance singing sculpture (Gilbert & George) performers in animal costumes (penguin, polar bear: Gelatine) Exposition voives: Vito Acconci, Judith Barry, Genevieve Cadieux, Janez Cardiff & George Bures Miller, Garry Hill, Jochen Gerz, Pierre Huyghe, Kristin Oppenheim, Moniek Toebosch poetic text as starting situation (Charles Dreyfus) Physique of the voice in straining, wheezing, rhythm, archaic sounds and screams (LE) speech act performance as research laboratory (Wladislaw Kazierczak) (Werner Herterich) art as investigation (Chris Burden) performance as self-creation Diagrams (thoughts, feelings) (John White) Dolls, stuffed animals as (co-)players (Boris Nieslony) (Paul McCarthy) (Natalie Eberle) (Jürgen Raap) (Gelatin) Performance with language: (Joan La Barbara, Ferrando Bartolome, Dick Higgins, Massimo Mori, Brian Catling, Emmett Williams, Fritz Schwegler) Performance is quality (Disc.) Lecture as Research Performance (Marietheres Finkeldei) Is performance a language? (Vienna Group) (Sabine Sonnenstein) emotions with regard to what is strange The strange as monster (see below) literate performance poetry in action identity through work (Arai Shin ichi) Destruction of tradition and memory for the benefit of the identity of the now (Myung-Hee Seon) Experimentation as Performance (Udo Wid) Action Poetry (Lori Weidenhammer) voice performance (Jana Haimson) 15 linguistic view Quality singing performance (see above) extreme self-presentation (Kiev Stingl) humans as players – playing the role of themselves (H. Plessner) Word on the street-performances & Tele-poetics-performances (Andrea Thompson) Self-Performance-Art (PB) speaking, singing, screaming (Jilia Heyward, Shelley Hirsch) (Michael Schmid – screaming naked) (Kim Tomczak) Performance of thinking (Hermann Bohmert) The performance artist's gesture of self-presentation (LE) (Loidl) (Charles Dreyfus) Performativity as establishing identity as a process of repeated citations performance with language(s) Exhibitionism (not accepted in a performance: A´battery A“) speech or body knowledge (cf. Eva Sturm) view of the voice gender transformation suits (Lygia Clark) performance artists as poet, storyteller, preacher, rapper, ... (Giovanni Fontana, Joel Hubaut, John Giorno, Bernard Heidsieck, Fernando Aguiar, Pierre-André Arcand,, Michel Giroud) literary performance anonymous performance (Charles Kaltenbacher) (Ria Pacquée) (Emil Gropoz) Living in a bag Called „I“ (Ryota Shimizu) poesie d´action personal fears and obsessions performativity of thinking (public thinking) cf. "linguistic turn“ +Performance as attention +Performance as aesthetic category Performance as aesthetics of existence attempts to establish new concepts of art physical voice examination (Natalie Eberle) (Gundi Feyrer) explore alternate selves (Eleanor Antin) speech performance rap meets poetry (cf. Marvin Carlson) return of the text self-referentiality of the performance (FS) Tele-narrative (Adriana Zamboni) Staging Cultural Identity (PSi7) self-exploratory performance (Erich Jandl => Andrea Saemann) (Norbert Klassen) fighting for the right to be different (Amalia Perjovschi) Presentation character has outweighed artifact character since the 60s (FL) author = work Story telling techniques language as soundscape music of multiple languages Performance Poetry Show (Flati - Stadtwerkstatt) invisibility of the author memorial culture tied to the body (cf. NLP) Bruit-TTV (Louis Oueller, Fabrice Montal, Robert Faguy, Jocelyn Robert) logic of different identities autobiographical performance(Rachel Rosenthal, Spalding Gray, Julia Haywards, Laurie Anderson) literature performance living artwork (Orlan) (Al Hansen) (Laurie Anderson) (Andrea Saemann) (Alexis Smith) (Jean-Yves Frechette, Jan Swidzinski, Hanna Barbara, Adriana Zamboni) story telling (2) identity transfer (Valie Export) work on the self (Eleanor Antin) actors as theme and main figure (LE) Multilingualism (PSi7) spoken words performance (LE) most radical form of self-transformation: public suicide hovering attention (cf. trance) poetic structures virtual suicide (mirror) (Cuco Suarez) (2) expanded performance negotiating identities in use Before there was writing, before there was theatre, there were surely performances the voice comes directly from the soul (see also: poetic theatre) (Gabriele Oßwald & Wolfgang Sautermeister) (Steve MacCaffery, Enno Stahl, Gilles Ateeu, Yves Boisvert, Stan Lafleur, Jean-Pierre Verheggen) abidance (Heidegger) rhetoric Solo-Performance exhibition of the self Poland: almost like story-tellers, but always relating to real life school of attention Ultimate performance with oneself: (Bas Jan Ader, Serge III (Serge Oldenbourg *1), Tibor Hajas, Petr Stembera) *1 Russian Roulette losing (Mexican) identity (Maricruz Penaloza) mirror (Iole de Freitas, Joan Jonas, Dan Graham) personality creative tension between repetition and innovation attention as raw material (1) the general essence of performance emotional power of expression (cf. "southern" cultures) nostalgia linguistic performance Literature: Eva Kosa / Ilias (masters thesis) ! Doro Franck (article) / in: Relikte & Sedimente Eva Sturm / Im Engpaß der Worte J. Lacan John L. Austin / How To Do Things wih words John R. Searle / Speech Acts: An Essay in the Philosophy of Language J. Butler Herbert Paul Grice, Strawson Eli Rozik / Categorization of Speech Acts in Play and Performance Analysis L. Wittgenstein (language game theory) Pierre Bourdieu / Was heißt sprechen? Die Ökonomie des sprachl. Tausches !!! V. Flusser Mikhail Bakhtin / Speech Genres ... J. Kristeva J. Derrida !!! Shoshana Felman / Don Juan avec Austin Richard Baumann / Story, Performance, and Event: Contextual Studies in Oral Narrative Marvin Carlson / Performance; chapter The performance of language Noam Chomsky (competence /vs/ performance) voice (as emotionally controlled component of communication) ultimate performance (Roddy Hunter) Disguise as performance (Orlan) (Yasumasa Morimura) Publicly sympathizing in disguise (Ria Pacquée) cf. also: masks collective authorship Transgender (Siverding) self-image (Rakugo = storytelling) disintegration and new identity (initiation) intensifying participation (after Sloterdijk) presence authenticity An utterance is performative, if it simultaneously realizes what it designates experiments with sound characteristics of sound creation sound poems (Carles Santos, Henri Chopin et al.) (Meredith Monk) Performance as demonstration Performance as political phenomenon Performance as political strategy Performance as praxis of destabilization Performance as subversion Performance as communication guerilla see above self-attention the body as building A performance "speaks" more directly than a presentation cf. Pure Performance Theater (Perf.) as genuine experience of existence (A. Artaud) rebirth of life Performing Authenticity (PSi7) Transvestite (Urs Lüthi, Jürgen Klauke) portrait performances (Irene Andessner) (Giorgio Ciam) speech acts as actions Performance: concrete use of language practical situative attention /vs/ contemplative aesthetic attention Performance as ritual of transition in a crisis situation (PSi7: Transition) self-transformation (cf. self-mutilation) observation as performance (Robert Filliou) The oral apostles (Ralf Filges (Ralf Fölling)) artist image (Susan Mogul) dandy as model performative speech act (... imbedded in ritual situations, etc.) camp performance lesbian camp performance (Helena Goldwater) gay camp performance (life as theater) Theater of the Ridiculous I am an artwork (Jeans Group: Holger Dreissig) cross-dressing (role playing) (G.J. Lischka) Oral cultures are exemplary performative cultures (FL) Oral tradition in Romance countries aesthetics of the living aesthetics of existence (M. Foucault) artist identity (Büro Haake-Brandt) authentic introverted autistic (BN) pragmatic aesthetics stressing the body the conference as speech laboratory contemplation /vs/ ecstasy Performance without the performer not appearing and not conducting either (Rose Finn-Kelcey) cross-culture screams (Siglinde Kallnbach) invented identities (Lynn Hershman) Performance: concrete realization of the linguistic utterance (... voice, breath, gesture, mouth, ear, eye) ... what is personal, physical in every act of speaking (cf. also habitus) performing artists view Oral traditions (see study: Eva u. Attila Kosa) Conference or sermon as form of performance (Lili Fischer) sing-song (Lili Fischer) Cross-dressed performance aesthetics of the moment (cf. ZEN) see: Identity theater as oral institution ... Existence has always already been tuned (Heidegger) aesthetics of presence (cf. ZEN) identity game with B. Bardot (Lena Eriksson) drag performances 14 view of the artist ersatz performer (Rose Finn-Kelcey) surrendering identity in every performance (Nieslony) 15 view of orality transformation as aesthetic category (FL) see above sound poetry (Larry Wendt, Serge Pey, J.-A. Deelder, Julian Blaine, Jaap Blonk, Jean-Francois Bory, Jacqueline Cahen, Diane-Jocelyne Cote, Jean Dupuy, Paul Dutton, Cyrille Fontaine, Giovanni Fontana, Bernard Heidsieck, Joel Hubaut, Arnaud Labelle-Rojoux, Jean Jacques Lebel, Alberto Masala, Joseph MacKenzie, Martha & Jenny, Angéline Neveu, Tibor Papp, Michael Rice, Valeri Scherstjanoi, Cesar Figueiredo, Enzo Minarelli) performative theories ethnology analytical philosophy linguistic philosophy rhetoric language studies / linguistics structuralism speech act theory (Austin, Searle) pragmatics/interactions and conversation analysis socio-linguistics linguistic performance theory literature studies literature discourse linguistic turn (discourse) see: Attitudes (techniques of aestheticization) performative constitution of gender identity (Annette Messager) physical changes (Eleanor Antin) border situations (green line walk – Die Fabrikanten) Great Wall Walk (ULAY) resource of attention art as a quick trick +Performance as whereabouts +Performance as life Performance as life-art-work Performance as celebration Performance as "translation" (PSi7) Performance as valuative achievement, as configuring presence to action (BN) existence-philosophical topicalization of situation (Jaspers, Sartre, Merleau-Ponty) emotions relating to the unfamiliar the unfamiliar as monster Performance = always also an embodiment of language view of performance aesthetics without intent (PB) (Francis Francine: Drag-Performer with Warhol & Smith / Mario Montez, Jack Curties: Drag- Performer with Warhol) drag queen / drag king (Diane Torr) Drag (Mary Noéle Dupuis) Myth of performer recycling (Ursula Palla) Performance = intensification of visual and tactile stimulations (Wanda Golonka) author view operation performance Operation as performance (Orlan) remodeling identity Identity in process +Performance as act +Performance as analytical postulate Poesie brut (Alberto Masala) provocation aesthetics aesthetics of horror Staging the Holocaust (PSi7) Indian Movement (Jimmie Durham, James Luna) (Brian D. Tripp) poesie sonore As human existence intervening in an immediately effective way in the existence of a public body (BN) arranging morbid curiosity visual drama rightful speaking – performance (BN) Western taboo of transgressing beauty: cutting the face (Gina Pane) (Orlan) Performance as memory work (see above) (Schmiz&Drux: Alexander Schmid, Michaela Drux) light extinguishing machine (Andreas Techler) Smashing lightbulbs Las Americas: Crossing Cultures (PSi7) pictures of anonymous people, tortured, executed (Chen Chieh-Jen, Nieslony) model of the accident (Allan Karpow)(Stuart Sherman) event of disconcertedness par excellence existential and bodily "abhorrence" that results speechlessness and comes before thinking Identity & Habitus tableau vivants (2) B.M. is an intercultural elected affinity laughter reveals hidden fundamental fears "Peintre Nato" theory of self-liberation sound poetry / phoneme acting performatively Western "text-fixated" culture; in comparison, non-western cultures appear as "performance“ Performative dimension of identity constructions "Something, an echo of nothing / serial murder (Franticek – Klossner) „Beauty now“ (Vanessa Beecroft, Cindy Sherman, Yasumasa Morimura, Matthew Barney, Leigh Bowery, Mariko Mori, Pipilotti Rist) linking cultures (Dimitri Alithinos) sonore lectures Light and pineal gland (Ingolf Keiner) Girlism visual dramaturgy Performing Identities: Nation, Region, Religion (PSi7) in the moment of dread Phosphorescence (Fried Rosenstock) absolute solitude in the act bizarre piece of existence theater (Via Lewandowsky) childhood experiences, primal fears, destructive fantasies, drive analysis environmental issues (Mongkol Plienbangchang) performative creation of distinctions (Gebauer with Bourdieu) Living Tableau Performing Identity: see also feminist view (Yayoi Kusama, Pierre Molinier, Judy Chicago, Faith Wilding, Urs Lüthi, Adrian Piper, Patty Chang, Jürgen Klauke, Katharina Sieverding, Linda Benglis, Robert Morris, McCarthy, U. Rosenbach, Warhol, Leigh Bowery) "dialogical" performance intercultural performer training (Schechner) quality of perception Nihilistic existence (Ming Zhu) Happening (1) the art of the act fear-angst system (V. Acconci) abandonment panic system existential meaning of angst intercultural exchange in performance (Henry Chopin) Cf. Butoh (Christoph Mayer A) Butoh: search for origins in the depths of one's own existence Performance as perfect corporate identity / corporate identity performer emotional influences of light (in space and through the seasons) private performances (Jamea Lee Byars) audience participation open end losing one's grip possibility of ec-stasy lectures (3) exposing oneself completely (extreme performance) (BN) (Abramovic) (PSi7) Performing Trauma: Rewiring Self and Society In the Aftermath of Violence race and Performance (Fabio Mauri) (Laurie Carlos) (Adrian Piper) intercultural performance(PSi7) flood of light (Sonia Knox) Intervention (2) (Alain-Martin Richard) aesthetics of the atmosphere cultural respect (BN) loving people (openness / taking no position / ...) (Allan Kaprow, Tadeusz Kantor, Jean-Jacques Lebel, Wolf Vostell, Al Hansen, Rauschenberg, Robert Whitman, Nitsch, Schneemann, Knizak, K. Dewery, Alain Jouffrey, Zorka Saglova) multicultural performance (PSi7) lightshows Identity (as) performance 13 identity view Performance as "translation" (PSi7) into a different area. After a P-phase, artists are often active in other fields. (Min Tanaka) existential commitment in performance (Pane, Brisley) honing survival instincts (Ronaldo Ruiz) mapping sites of existence (Janos Szirtes) intercultural performance projects intercultural dialogue (P. Jacomella & M. Walther) Light- Performance light compositions (Nan Hoover) private /vs/ public Performance = the art of the act (Black Market) performative action Penetrating the atmosphere – What is art and what is "reality“? (Harrie de Kroon) existential questions (Petra Deus) (Sowa) Situative existence as carrying out action DADA non-existence of woman (Varsha Nair) flow – experience light music (Rolf Julius, Christian Möller) gender- tainment (2) intercultural transformation (Translation Transition Transformation – PSi7) intercultural collaboration (PSi7) person marked as hermaphrodite (Fen-Ma Liuming) existential actions – to the point of total exhaustion (Ben ´D Armagnac) Light-Noise Performance (G. Ritter, P. Haunschild) being a person among people (BN) ethnicity and performance intercultural theater Your presence is the best work (James Lee Byars) Judaism (Tanya Ury concentration camp tatoo) see: Performance as life periodic performative intensities (instead of works) gathering for moments of intensity Literature: (... continued) Ferdinand de Saussure (la langue /vs/ la parole) Senta Trömel-Plötz (Ed.) Gewalt durch Sprache (book) J. Habermas / theory of communicative competence and performance Charles Morris (semiotician) Emile Benveniste Jerrold Katz (competence/performance) William Labov (sociolinguist) Hans-Dieter Huber Johanna Malt / Performative Constructions of Meaning (article) Robert A. Fischer / Oral, multimedial (article Kunstf. Bd. 152) Walter J. Ong / Orality and Literacy N. Luhmann Davidson Horst Wenzel (research project) / Repräsentation und Kinästhetik im Spannungsverhältnis von Mündlichkeit und Schriftlichkeit König (research project) / Produkt- orientierte und prozeßorientierte Ansätze in der Sprachwissenschaft Semi-orale Kulturen des Mittelalters Sybille Krämer (research project) / Performanz u. Performativität in der Sprachphilosophie opening oneself up to the experience of intensive presence (Petra Deus) Total participation instead of spectacle (Situationists) the enflamed aura (charisma) staging light (Noah Riskin) postdramatic theatre of happenings (LE) story telling (1) the conference as life of the act There are no repetitions, only situative presence LKW (2) art of life Dame Magma (Lori Weidenhammer) Counterpart to energy: flattening emotion – slowing down, pasty appearance, flabby muscle tone, quiet voice, cold skin, dull gaze Performative aesthetic (H. Seitz) (FL) Animotion (Stefanie Wilhelm) culture politics as core of performance (Charles Garoian) ethnic performance (Guillermo Gomez-Pena, Laurie Carlos, Jessica Hagedorn, Robbie McCauley, Coco Fusco, Shirin Neshat, Lorraine O´Grady, Reona Brass) without intentions Art Attack (Lynn Mc Cary, Evan Hughes, Alberto Gaitan) re-auratization in performative art (religious) rapture / ecstasy Activity – Frames of mind (Kaprow) processual aesthetics (Proj.: Kinetographien) see: aesthetics of existence (Foucault) meaning is acting/doing (Sowa) basic state of calmness Being – as performative practical Act (Sowa) Practicist concept of being (with Heidegger) taking action = "taking in hand" (giving existence "a hand") act forums Poles: often related to one's own life aesthetic of performative art Excess, the moment of delirium (McCarthey) interplay between aesthetics & existence (PB) Suspension of the familiar ego boundaries, close to psychosis, in both the ecstasy of love and religious ecstasy (unio mystica) Asian ideas (BN) The energetic sum: Emergence (higher plane of being), not conducting secondary discourses category of the "in-between" as guiding category for an aesthetic of the performative the act Politically motivated self-immolation as performance? (Jan Pallach) Seppuku (Yukio Mishima) woman as a piece of meat (Mary Noéle Dupuis) feeling of total participation (Flow) art action imperturbability aesthetic action without an emotional push there is no action To analyze performance as the primary reality (David E.R. George) Performance as a model of existential reality B.M. is a principle with ethnic-cultural dimensions aesthetics of living places aesthetics of life practice (PB) Life – an instruction manual: the book of gestures (Jochen Gerz) against discrimination because of cultural differences (G. Gomez-Penas, James Luna, Adrian Piper, Tim Miller, Holly Huge, Robbie McCauley) (Elvira Santamaria) displacement of the dominance of the visual (sense of sight) space of action incl. audience (Karen Rahn) irreducibility of the practical beings from another world (Mariko Mori) energetically putting oneself into a Samurai (Charlemagne Palestine) – Hagakure: in praise of energy (Mishima) Levitation (canceling gravity) (Terry Fox) tense and relaxed fundamental state of being Life Performance (Abramovic, Ulay) deep play /vs/ shallow play (Geertz) (2) Neurotic Rituals – in the intensity of a hysterical psychosis (Reindeer Werk) life-art as self-experiment perception politics 12 aesthetic view / visual view / light view action existentialism (primacy of action) existential philosophy subjectivism debate performer takes sleeping pills – audience has to react (Ma Liuming)/ sleep pieces (Geoffrey Hendricks) on the drip with sleeping drugs (Holtappels) encounter(2) Communitas view of real experience east art / west art Performance as an aesthetic category (em) bitter(ed)ness hardness strictness (Helga Moehrke) (Monika Günther & Ruedi Schill) (Sompong Thawee) life art Gestures (2) see: the enflamed aura (charisma) the art of existing Disquieting and renewing energy (Ric Allsopp) Performance is based on the presence of acting artists 14 existential view media presence for political issues (Schlingensief) hand generated light (Richard Alpert) to exhaustion completely expending oneself (Gina Pane) (McCarthy) (Reindeer Werk) (Denis Oppenheim) (Marina Abramovic: dance to unconsciousness) (Marcos Kurtyz) (Dorte Strehlow: dragging sack) (Melati Suryodarmo: dances,falls, ...) total overload (Stuart Brilley) real action as taking political effect search for the perfect Now (moment) (James Lee Byars) "let's do some action" Performance as an aesthetic phenomenon (as aesthetic category) see above pragmatic ethics and aesthetics (with Rorty, Shusterman) (H. Sowa) Performance as a meeting of different cultures (Abramovic/Ulay, Minus delta t) bed in (for peace) (Yoko Ono) see: life-art-works presence aesthetics technology critique (Fake shop – Performance-Installation) the recipient as (necessary) witness interrelationships of life are declared art Artaud: to be as one condemned to be burned and making signs from up on the stake taboo violations (2) (discourse control through taboos) The performative indoctrination model (Ray Langenbach) Performance is present haptic stimulations (Fluxus) (Colette: declared the course of her life an art work) communication with the audience (Sang-Jin Lee) Cut piece (Yoko Ono) configuration (of presence) neo-existentialists (@Home) see: most sublime moments of physical presence performance as ability to act organic material audience brought in one by one (Franco B.) garbage delivery performance audience and performer participate in the same energetic space Performing world war (PSi7) war victims (Mona Hatoum) Aura (air, breath) as what is forgotten in humanness (D. Mersch) in search of the authenticity of experience Touch and Feel Cinema (Valie Export) Body Contact (Schechner) Touches (Franz Müller) The performer as avid recipient of an exhibition (Tomás Ruller) voyeurism of performance (V. Export, Lydia Lunch, Rachel Rosenthal, Elke Krystufek) animal hears (sometimes pulsing) (Stadtwerkstatt, Sándor Dóró) energetic observation of psychic processes (psychic energy) censorship (Tania Bruguera) political theater cf. identity view (Performing Identities – PSi7) Political Performance (Adrian Piper) (Padang Ilalang Group) (Kathrin Butt) (Michelarcangelo De Luca) political climate: (Mongkol Plienbangchang – U-kabat-Group) building up intensive energy fields (Rolf Langebartels) life (as topic) for a re-politicization of performance (Hans-Jörg Tauchert) extreme performance (Text: Lischka) (Julie-Andree Tremblay) There are as many performance aesthetics as forms of living or language games (D. Charles with Wittgenstein) cage situations (Bonnie Sherk, Gómez-Pena & Fusco) Animal ritual (Bradley smith) see: contemplation /vs/ ecstasy pleasure of grasping /vs/ touch prohibition (Franz West – pieces that should be experienced with the body) (desire for touch) art propaganda 20 performance-meters become a marathon (Albert van der Weide) the untouchable view of world view Intensity and energy: Vital works: Abramovic/Ulay energy dialogue playing with the audience's attention (Giuseppe Chiari) human as dog (Oleg Kulik, Alexander Brener, Peter Weibel) energy drawings of performances (Morgan O´Hara) no distance conventional life situations see: uninhibited performances Ethics is the Aesthetics of the Few (ture) (Laurie Anderson) Performance with (dead) animals (V. Export, Siglinde Kallnbach, Werner Klotz (snails), Via Lewandowsky, Alastair MacLennan, H. Nitsch, R. Schwarzkogler, Otto Mühl, Zbigniew Warpechowski, Mark Tomson/Thompson (work with bees), Stadtwerkstatt (bug race), Zitronenfalter (Brook), Attila Kosa (taxidermist), Paul Kos (Trophy), Josef Beuys (coyote, horse, dead hare), J. Kounellis (horses), G. Duintjer (horse), Bender&Nern (horse), Arnulf Rainer (Painting Performance with Monkey), Stephan Us (dead sparrow), Elisabette Mileu (fish) Pascale Grau (ladybug), Bonnie Sherk, Tatjana Ilic (bird in mouth), Marco Ivaristtis, Kim Jones (Rat-Burning), Ella Tideman, Markus Schwaighofer, Walter Stehling (dog), Ramiro Oviedo (snake), Hélio Oiticia, Carolee Schneemann (snake, fish, chicken), Kaprow (chickens), Rafael M. Ortiz (chicken destruction), Mark Boyle (insects in the throes of death), Simon Whitehead (tracking animals) Cf. animal performance (circus) testing the audience's reactions (see: borderline situations) (La Fura dels Baus) 11 political view / intercultural view emotions are the central suppliers of energy with regard to aesthetics /vs/ ethics cf. Wittgenstein viewer in the role of the performer (in complicated technical installations) (Chris Burden) (V. Acconci) naked performance by the "audience" organized through private ads (Spencer Tunick) experiencing the greatest possible intensity: as goal of the performance (Peter Stembera) Recipient- Performer see: attention (energy field as centered attention) posing with the camera (Ma Liuming) performance in politics cf. body as medium (Performing Resistance – Vienna) energetic parallelisms (Morgan O´Hara) intoxicated state It is not possible to speak about ethics (praxeology) ethics = action (performative) Ethics is the aesthetics of the future (RoseLee Goldberg with Lenin) audience in the victim role completely surrendering to the visitors (Marina Abramovic) (Hermes Phettberg) (Julie-Andree Tremblay) escalation begins with one´s own body (Engelmann) shop for energies of all kinds (Ulf Freyhoff – FreiRäumeN) Performance culture as hotbed of a new reception art Inge Broska Hans-Jörg Tauchert Jürgen Olbrich thoroughly pseudo Boris Nieslony Ulun Michael Steinke Reindeer Werk: Lebende Vorhersage – The Prediction 79-82 political revolutionary approaches manifestation manoeuvre (Canada) Performance as social, political strategy Performance as the production of an energetic body situative production maneuver, sit ins see: the brutal be-holder (in actu) cf. view of the field Core of a performative ethics and aesthetics: intensification of life with all its capability for expression, perception and pleasure (H. Sowa) black performance view of behavior see: view of destruction passion The ritual does not distinguish between audience and performers Emotion as a form of social energy Happening (2) energetic view unmediated reference to the audience as essential characteristic of the action arts communication aesthetics sociology (Bourdieu) identity discourse performativity views postmodern views postprop- agitprop agit prop agit pop life: intense, burning, infernal spectacle (Tibor Hajas) 10 recipient view / tactile haptic view Animals Transforming Culture: High and Low (PSi7) agit-lecture On the ethics of the deed – Hagakure (Yukio Mishima) 13 intensity view Interpassivity (theory) Psychical energy (Stuart Brisley) feeling of "power" depends on the energy behind it audience participation lie as performative act DADA, Futurism and Surrealism seek mental, psychical-psychological and even physical attacks on the audience (LE) (Mary Bauermeister) sense of touch agitation & propaganda (Marxist, Leninist) (Sonia Knox, Elisabeth Chitty) (Ray Langenbach) (Marcel Odenbach) (U. Rosenbach) (Marcella Bienvenue)(Chris Reinicke) Interventive actions of public life thinking and acting in intensities (BN) 09 everyday view action important parameters of p.: identity of the subject "Tactiles" (C. Kolig) Ethics of catharsis requires participation (LE); transfer qua awakening of uncontrollable emotional reactions (fear, revulsion, alarm) Learn where the meat comes from (Suzanne Lacy) Experiments with the audience(Dan Graham) (Viktorine Müller (vacuum-packed audience), Mike Hentz (enclosed, shackles), Nikolaus Urban (locked in, stabs), V. Export (whipping), Jason Lim (beer rain, flour rain), Markus Hensler) (Bruce Barber) direct art social movement (cf. projects by IRWIN) in the service of humanity (Rui Huang) engaged performance Political agitation (Birgit & Wilhelm Hein) gorilla masks Freudian concept of sublimation = transformation of libidinous energy into different types of processes agitations (organic) decay decomposition (Kosa) Club Moral (Danny Devos & Annemie Van Kerckhoven) Art as unmediated direct communication (FS) (James Barth, Heinz Cibulka) social activist performance political actionism politically motivated actions actionism in parliament symbolic actionism (PB) "a" battery "a" The Prediction Büro Berlin ASA-European Rent An Artist, Prediction Black Market International STOP.P.T. Performance Networks Situationists, Lettrists IRWIN, Lidl Akademie Chris Reinike Rasa Todosijevic against sexism, racism (Guerilla Girls) Fears for the dignity of the human being in delusion (Rolf Hinterecker) psycho-physical attacks philanthropy see: view of playing re-enacting everyday situations nauseating material battles When Abramowicz presents herself to the visitors ... perception must turn into an experience of responsibility Aktivismus / Activism (Chumpon Apisuk, Arahmaiani (A. Rahmayani)) washing laundry with Golf War video (Ali al Fatlawi) dignity performance (Zofia Kulik, Przemyslaw Kwiek) Activism and Community (PSi7) directness (as central quality of performance – in comparison with communication through media) attacking the audience (Istvan Kantor – Monty Cantsin) Theater of perversion (LE) ethical equivalency games event aesthetics as ethics (GANG ART) Shan – discipline of attention (Zygmunt Piotrowski - School of Attention) presidential candidacy (Heinz Baumüller) founding political party (Schlingensief) (LE) emotionally unmediated terrorizing radical pain performances The great American worker (Francis Brown) disgust view performance as demonstration(see above) (Milan Kizak) mental situation "Polis Performance“ (Matthias Schönweger) politically intended actions and performances (category 13 according to M.-L. Lange) (Janus Markus = J. Markus-Barbarossa) disgusting performances nauseating smell (Else Gabriel) Performance as attention(see above) performance is playing resistance movement protest movement, sit ins responsibility models (Georg Ritter) audience responsibility performance as subversion(see above) Giving what is to be found in love (Artaud) (Ralf Samens) attention as raw material (2) the general essence of performance helplessly exposing oneself to the audience (Wolfgang Flatz, Abramovic) sadistically tortured (Hermes Phettberg) strictness nauseating abjects feminine myths of everyday life (Mechthild Barth) ritualizing (staging) emotions "participant" as actor performance as destabilizing practice(see above) responsibility (Z. Warpechowski) ecoactivist performance taboo topics child abuse (Rosa Galindo, Pedro Garhel, B. Nieslony) ecological performance political performance attitude in common (B.M.) Re-Imaging Tableaux Vivants (Stephanie Beaudoin, Tarin Chaplin, Colette, Kim Dawn & Christof Migone, Shawna Dempsey & Lorri Millan, Rachel Echenberg, Nathalie Grimard, Louise Liliefeldt, Christine Martin, David McFarlane, The Other Theatre, Kathryn Walter) Art and Revolution (P. Weibel, V. Export, O. Mühl, G. Brus UNI Vienna 1968) dealing with the taboo Taboo Guerilla Art Action Group (GAAG: Jean Toche, Jon Hendricks, Silvianna, ....) (Esther Ferrer, Elvira Santamaria) Picking up the audience and taking them along into the water (Billedsofteater) coerced performance of life The ethics of giving is performative (the event as gift, The gift as event must be irruptive, unmotivated – Derrida) urban strategical interventions (Shanna Noyes – Urban Canvas Art Initiative) PIM performative indoctrination model (Ray Langenbach) guerilla art see also: political view aesthetics as art theory aesthetic discourse art theory / morphology perception theory debate on the sublime aura debate revulsion theory communication aesthetics performance studies ethnography shame (culturally determined) taboo violation/taboo breach (Tibor Hajas, McCarthey) (Fluxus) (autoperforation artists: Micha Brendel, Else Gabriel, Rainer Görß, Via Lewandowsky) (Schlingensief / What else could be violated?) Performance as provocation (Else twin Gabriel, Micha Brendel, Via Lewadowsky) Pro-Vocation - calling actions for the life of the earth (Ulrike Rosenbach) 12 ethical view mimesis and imitation (Robert Hartmann, Werner Reuber, Ulrike Zilly) anarchist approaches (Charlemagne Palestine) showroom /vs/ space to act see: taboo materials Performativity of the procedure already replace (acc. to Luhmann) the normativity of laws (Lit.: Lyotard) Extremity in the emotional sphere (V. Export, Lorraine O´Grady: Guerilla Performances) guerilla theatre performance demonstrations (Guerilla Girls) Terror of violated intimacy (Schlingensief) (minimal public distance) Eva Seanto Ulrike Rosenbach Simone Forti Deborah Hay Elaine Summers Trisha Brown Lucinda Childs Alison Knowles Charlotte Moorman Angelika Festa feminist narrative performance lesbian performance arrested theatrics rage-anger system dream illustrations (Eleanor Antin) dream theater (the Surrealists) hellish bodies: horror worlds: electrical shocks, unbearable noise (LE) Feminist Art Workers (Nancy Angelo, Laurel Klick, Cheri Gaulke) living tableau Feminist Actionists (Carolee Schneemann, Joan Jonas, Ann Halprin) body as material (see left) Disrupt political colonialism (Spiderwoman) (Alex Mlynarcyk, Colette, Luigi Ontani, Johan Lorbeer, Claudia Triozzi, Myriam Laplante, Faisal Abdu´Allah) Expressionistic and psychological interests (Viennese Actionists) Ethical "performance“ (internet newsletter) cf. Wittgenstein Tableaux Vivants self-exposure rape scenario (to break the code of silence) (Ana Mendieta) In reality of rape (Sandra Orgel, Aviva Rahmani) being tense together (2) Sadomasochistic Performance: (Bob Flanagan, Sheree Rose) (Paul McCarthy) (Mike Parr) (Da Blunschi) self-poisoning (Heli Rekula) Political women's movement Performance art feminist actionism (originally. V. Export & U. Rosenbach) body=social construction=transfigured nature /vs/ material=body=nature enticement/fobbing off (Anja Ibsch) pleasure and pain (Eulalia Valldosera) cf. living environments (living pictures as in the baroque era) zones of dis-rupture (Mike Hentz, Karel Dudeseck, Monty Cantsin, Padeluun, Flatz) (Kees Mol) excitement Queer performance is a paradigm of feminism itself stimulating emotionality (Hansjörg Marti) celebrations of everyday life (Milan Knizak) destruction actions (category 07 according to M.-L. Lange) (W. Flatz) symbolically directed against civilization (Wolf Vostell, G. Brus, O. Mühl, R. Schwarzkogler) Translating the Body (PSi7) emotions in the battle of the sexes fear situations (Mark Boyle) gender surfing (playing with gender roles) (ritual double genderedness – shamans) emotional space / space of feelings breast performance (Ewjenia Tsanana) (cf. V. Export) prediction (1) gender: a category constructed through performance (not a given social or cultural attribute) gender = a "doing“ man/woman dualities analysis (Elena Ferrer) freeing buried female potentials (Mileva Josipovic) (T junction) Performance = what moves us: goals, emotion, dreams, fears, relationships tradition and entertainment art and life (Yuan Mor´O) the emotional as a fundamental position emotional force of performance performativity of feelings gender (in) performance (John Duncan) rage and hate as motivation gender- tainment (1) political discourse re-politicization discourse post-colonial discourse exoticism discourse race discourse regionalism debate minorities debate Eurocentrism debate critical discourse living prediction (Reindeer Werk) What touches us ? Black cultural theory cultural criticism feminist studies / feminist theory gender studies anthropology of gender cultural history postmodern views postcolonial theory (Game Rules of Art) Legend Performatively generating gender & sexuality violence as critical array of instruments see also: identity view (Antoni Miralda) destruction in art B.M. Micro-emotions are the tools of taking action mourning performance (Hans-Jörg Marti) feminist performance celebration art (1) public celebration (fire-eater ...) 11 feminist view These views cover content/analytical perspectives or delineate content zones. Placement within these zones follows the principle: spatial proximity = subject matter proximity. The outer ring is generally more abstract than the inner area. In Foucault's terms, these could also be called archeological fields. logic of anger, rage and aggression (Kees Mol => Nieslony) poetically destructive aggressive action (BN) Feminist view (Faith Wilding, Suzanne Wilding, Valie Export, Martha Rosler, Barbara Smith, Marie Beth Edelson, Linda Montano, Yvonne Rainer, Suzanne Lacy (Lazy) & Judy Chicago, Yoko Ono, Eleanor Antin, Hannah Wilke, Shrin Neshat, Amanda Heng, Carolee Schneemann, Betsy Damon, Leslie Labowitz, Martha Wilson, Lydia Schouten, Fumiko Takahashi, Diane Torr, Split Britches, Anna Deavere Smith, Nicole Croiset, Karin Anarchia, Anna Dancikova, Taro Ito, Tina Keane, Anna Paci) nn view controlled facial muscles (Huge Harry) EEG-measurable: hunger, fear, anger, mourning, joy performance as exorcism (see above) brutality as a fundamental position transition of theater to a celebration (LE) destruction in art symposion DIAS (1966, ...) (O.Muehl, H.Nitsch, P. Weibel, A.Hansen, Gustav Metzger, Susan Cahn, John Sexton, Kurt Kren, Vostell, R.M. Ortiz) feminist performances psychical exceptional situations (Michael Burges) life as a celebration (invited to the table) ceremony art (1) discourses advanced studies method complexes theory complex research directions discipline self-experiments with psychopharmaca (Marina Abramovic) celebration as intersection between action theater and society The archeology follows the axis: discursive praxis => knowledge => science. In keeping with this, relevant discourse, research directions (scholarly fields) and method complexes are listed here. Discipline: grouped methods (of a scholarly discipline) performance as analytical postulate (see above) aesthetics of destruction / deconstruction extreme situations mental and physical burden (Chris Burden) (Barbara Sturm) mental boundaries (Stuart Brisley, Geert Duintjer) ceremony venting games X days birthday celebrations (Yutaka Sone) Literature: Sue-Ellen Case and Jeanie K. Forte (Ed.) Performing Feminisms: Feminist Critical Theory and Theatre (book) Senelick Lawrence / (book) Gender in Performance Geraldine Harris / Staging Femininities Performance and Performativity Routledge Reader in Gender and Perform. Performative Acts and Gender Constitution (essay 1988!) / Judith Butler Kate Davy / ... Reception, Context, and Address in Lesbian Performance The politics of black performance (book) / Catherine Ugwu African-American Performance (book) / A. Bean (Ed.) P.A.N. (catalogue book) Black Market International (brochures) Büro Berlin (catalogue book) Herbert Blau / To All Appearances: Ideology and Performance Randy Martin / Performance as political act Baz Kershaw / (PSi7) / Ecoactivist performance The Environment as Partner in Protest Literature: (... continued) Jill Dolan / The Feminist Spectator as Critic Michelene Wandor / Studies of British feminist performance Lance Carlson / Performance Art as Political Activism (essay) Catherine Elwes / Floating Femininity: A Look at Performance Art by Women (essay) Lynda Hart & Peggy Phelan / Acting out – Feminist Performances (book) Valie Export / (essay) Persona, Proto-Performance, Politics Coco Fusco (artist) / The Other History of Intercultural Performance (essay) Susanne Schwinghammer-Kogler / (PSi7) Interculturalism and aesthetics or the deconstruction of an eurocentric myth Norma Broude & Mary D. Garrard (Ed.) / The Power of Feminist Art Edith Almhofer / Performance Art – Die Kunst zu leben Patrice Pavis (Ed.) / The Intercultural Performance Reader Erika Fischer Lichte (intercultural approach) dramatic self- expression (G. Brus, A. Rainer, V. Export) Literature: (... continued) Peggy Phelan / Unmarket – The Politics of Performance (book) Sue-Ellen Case (theorist of feminist perf.) Moira Roth / 1970s The Amazing Decade Michelene Wandor / Carry On, Understudies Helene Cixous Luce Irigaray Julia Kristeva Marcia K. Moen / Peirce´s Pragmatism as a Resource for Feminism Teresa de Lauretis / Sexual Indifference and Lesbian Representation Andrea Juno & V. Vale (Ed.) / Angry Women (Kathy Acker, Susie Bright, Wanda Coleman, Valie Export, Karen Finley, Diamanda Galas, Bell Hooks, Holly Hughes, Lydia Lunch, Kerr & Malley, Linda Montano, Avital Ronell, Sapphire, Carolee Schneemann, Annie Sprinkle Women and Performance (Journal) Philip Auslander / (PSi7) Performing Resistance in a Commodified Context (PSi7) Literature: (... continued) Theatralisierung des Politischen (article) G. Rauinig / Wien Feber Null (book) Geraldine Harris / Staging Femininities. Performance and Performativity Anette Baldauf / Gender & Performativity Ian Watson / (PSi7) Interculturalism and Aesthetics: Eugenio Barba´s Barter Practice Rosalinda Borcila / (PSi7) Citizen/Foreigner: The Body at the Border Literature: Performance as an aesthetic category (edition of a performance journal) Dwight Conquergood / Performing as a Moral Act: Ethical Dimensions of the Ethnography of Performance (article) Marvin Carlson / Performance – a critical introduction (book) !! Gerhard Johann Lischka / Momente Ästhetischer Praxis De Certeau Ruth Askey / Humanistic Concerns in Performance (article) Dieter Mersch / Reauratisierung in performativer Kunst (research project) Kunstf. Bd. 152 Dieter Mersch / Kategorien für eine Ästhetik „performativer Kunst“ J. Derrida / Given Time Doris Kolesch / Ästhetik der Präsenz Fischer-Lichte (research project) / Ästhetik des Performativen (FL) Beauty now (catalogue) poetry and destruction (Vasan Sitthiket) inflation of self-expression Literature: Texte zur Kunst Sept. 1999 9.Jg. Heft 35 Notes on Camp / Susan Sontag Kate Davy / Fe/male Impersonation: The Discourse of Camp (article) Expansionen (catalogue) Wiener Festw. 79 Georg F. Schwarzbauer (FS): Physische und Psychische Energien in der Performance Clifford Geertz, P. Bourdieu Mihaly Csikszentmihalyi / Das flow- Erlebnis (also: John MacAloon) Richard Poirier / The Performing Self Suture – Phantasmen der Vollkommenheit (catalogue and symposium publication) Peter Gorsen / Körperrituale der Travestie und des Transvestismus (article) Petra Klaus / Hardcore-Performance (article) Hakan Gürses / Identität (lecture Gmunden) Dieter Mersch T.Warr, A. Jones / The artist´s body ! Orientalities: Representing National and Intra- National Identities Through Art an Music (PSi7) Vera Apfelthaler / Drag, Performance und das performative Körpergedächtnis Literature: ( .... continued) Doris Kolesch / Ästhetik der Präsenz Mattenklott / Präsenzästhetiken Mattenklott (research project) / Kultur des Coming out (Coming Out und Subkultur - Technologien des schwulen Selbst) Mattenklott / Erzähltes Geschlecht Andrea Sieber (research project) / Zum Wandel der Geschlechterdifferenz in körpersprachlichen Inszenierungstypen der Liebe Nietzsche Mishima / Hagakure - Zu einer Ethik der Tat Spielarten von Authentizität (conference) / O. Hruschka, A. Matzke Harald Begusch (Diss.) / CrossDressing? TransSex? CoreGender? Stefanie Menrath / Performativitäten von Identitäten im Hip Hop Between Identity and Representation (PSi7) Staging Cultural Identity (PSi7) Literature: Kunstforum Bd. 150 Zeit – Existenz – Kunst Peter Gorsen / Der spielbar gemachte Alltag oder die Rückkehr des Existentialismus in der Performance Art (catalogue essay) Roland Barthes / La Mort de l´Auteur Heidegger / Existentialphilosophie ... Heidegger / Sein und Zeit Jaspers, Sartre, Merleau-Ponty Staging the Holocaust (PSi7) Miriam Yahil-Wax / (PSi7) Where language ends (see: encounter) banquet (Tamar Raban, Raoul Marek) celebration culture (Stadtwerkstatt) (Werksküche: transpublic) performance as celebration celebration of psycho-physical naturalism (Otto Muehl, H. Nitsch) experience of primal excess (H. Nitsch) situation with guests (Hinrich Sachs) These symbols highlight "canonized" performance directions. These directions could also be called streams (BN), performance categories, concepts, movements, media directions, performance (sub)cultures, (micro-)styles, practices, basic patterns (of behavior) or performance "types". As a supplement to these, see the non-canonized "performance terms“. receiving guests (any affair) direction emotional turn (following cognitive turn) psychical border-crossing performances(category 01 according to M.-L. Lange) manifesto of tactilism existentialism (primacy of the act) psychoanalysis / disgust theory Lacanism discourse queer theory (PSi7) gender studies psychological theories of performance psychology / action psychology see also Gustav Metzger moods of contemplation, solemnity or celebration nomadic artists (nomads) as mediators between art and everyday life => celebrations (Alain Gibertie) movement "les Vivants“ 10 emotional view rituals and emotion / ritualizing emotions joy / logic of joy psychoanalytical view / psycho-physical view reference literature for the respective view / conference references red text: first development phase (Version 01) black text: subsequent development phases (modifications / expansions) artist (collective list) 09 everyday view sociology(Bourdieu) cultural studies new subjectivism privatism debate life philosophy (game rules of art) psychical view view of destruction see above: therapeutic view +Performance as ... (short definition) Performance Terms Literature: Justin Hoffmann / Destruktionskunst Michel de Certeau !! / Kunst des Handelns Paul Ricoeur (application) / Lehrstuhl für Philosophie des Handelns Konserviete Welt / Eva Sturm Kultur als Handlung / article: Gertrud Koch /Texte zur Kunst 99 – 9 – Heft 35 Ästhetische Handlungen u. Demonstrationen Samson D. Sauerbier Habermas, Apel (Theory of Communicative Action) Interpassivität / Ed. R. Pfaller Karl Gröning / Hände Literature: (... continued) Allan Kaprow / Step Right in Assemblage, Environment & Happenings (book) !! Udo Kultermann / Art-Events and Happenings (book) ! Kathy O´Dell / Contract with the skin - masochism, Performance art and the 1970s J.L. Moreno / concept of psychodrama Julia Kristeva (theory of the "abject“) David Jones / The Performance of the Abject (article) Sigmund Freud, Wilhem Reich Literature: (... continued) Elke Koch (research project) / Ritual und Emotion.Theorie u. Begriff des Rituals am Bsp. der Trauer Jens Roselt (article) / Vom Affekt zum Effekt Judith Butler (injurious speech / hate speech) Slavoj Zizek Kunstf. Bd. 126 / Große Gefühle (weak) Luc Ciompi / Die emotionalen Grundlagen des Denkens !! Norbert Elias (sociology of emotions) Jürgen Gerhards / Soziologie der Emotion academic performance, akustische P, animal performance, anonymous P, architecture performance, autobiographical performance, Bewegungsperformance, black p, breast performance, cabaret performance, camp performance, collaborative P, costume performance, cover performance , cultural performance, Dauerperformance, deconstruction performance, dialogical performance, didactical P, digital P, dinner performance, Echtzeitperformance, ecological performance, electroacoustic P, electronic P, ethnic p, ethnographical P, feminist P, Fingerfächerperformance, fragrance p, Gesangsperformance, Grenzüberschreitungsperformance, gestic P, gestural P, homosexual performance, intercultural performance, Intimperformance, Kaufhausperformance, Kommunikationsperformance, Konzeptperformance, konzeptualistische P, Körperperformance, Kurzperformance, Langzeitperformance, Latex performance, Laufstegperformance, lecture performance, lethal P, Light-P, life performance, machine performance, medical performance, minimal P, minstrel performance, multicultural p, myth-related performance, naked performance, narrative P, operation performance, party performance, permanent P, poetic P, political performance, popular p, Portrait P, posed performances, private performance, projection performance, pure P, real time p, research p, retro-performance, revolutionary p, Ritual P, Rollstuhlperformance, rhythmische P, Sauf-P, Schaufensterperformance, self-exploratory performance, shamanist P, Stehgreifperformance, Stimmperformance, Tele-Performance, Telephone-P, Text-P, theatralic performance, table performance, trivial performance, ultimate P, urban p, verborgene P, unsichtbare P, Vortragsperformance, vulgar performance, Weihe-Performance, zerbrochene P, Zweierperformance Literature: L.K.W. (catalogue) OK Linz Performance Art, die Kunst zu leben Life is art enough / Ed. Anita Beckers Life is art enough / Felix Philipp Ingold Linda Montano / Art in Everyday Life Performance art – Die Kunst zu leben (book)

  4. 01 atmosphere view 01 contextual view poetic pilfering (separated from the usual function) context-aware theories contextualism discourse theories of meta-communication performance as a field of action and experience – an all-encompassing atmosphere (Prof. Mike Pearson) Disco atmosphere (Frank Lüsing & Oliver Kochta) (2) human sculptures performance as situation (Terry Fox) situation art absurd moments invention of grotesque moments (Jaques van Poppel) poetry and performance (PB) musical/acoustic atmosphere situative approaches (Udo Idelberger, Pier van Dijk) +Performance as situative production +Performance as situative experiment serene attention view of the framework situation art poetic situations (Peter Trachsel) poetic situations in duplication (Joa Iselin & Christoph Ranzenhofer: Port Rouge) see also: aesthetics of atmosphere (atmosphere as term of aesthetics) responding to the context (Roi Vaara, Peter Weibel, V. Export) using objects outside the usual context (Jaques van Poppel) construction in the atmosphere (INFuG, Stadtwerkstatt) living sculptures (source: Marie-Luise Lange) presentation of an atmosphere and a state of mind (LE) (Edward Lazikowski) (Richard Martel) (Psychogeographical Association) affect and context dependent selection of memory contents while simultaneously repressing memories not conforming to affect situative abidement and lingering associations (Sowa) truly situative action Performance = action, framed by a defined space (Matthew Maguire) mood gauge (GANG ART, granular synthesis: Kurt Hentschläger & Ulf Langreich) (cheerful, uplifting, alarming, aggressive, ...) frames and framework conditions are are training fields for the situative (BN) climate chambers (biospheres) visitors are exposed to elementary sensations (heat, cold, steam, storm, ..) (Bigert & Bergström) (cf. Wettergebäude by the Stadtwerkstatt) generating clouds (Lone Twin – Gregg & Garry) strategy of duplicated frameworks (LE) atmosphere – mood – disposition Performance as transformation of a situation (J.-F. Lyotard) the power of the context (Thomas Huber) energetic situation (absurd actions) (Mimi Nakajima) inflection, habitus, manner (see: orality) connection between New Music and Conceptual Art (Esther Ferrer – Gruppe Zaj (W. Marchetti, J. Hidalgo, R. Barce)) "framing“ has a central significance for performance theory Literature: Kontextbewußte Ansätze in Kunst und Wissenschaft / G. Dirmoser (DG) Erving Goffman / Frame Analysis (book) Gregory Bateson J. Derrida Performance: Texts and Contexts (1993) Victor Turner / Frame, Flow, and Reflection (1977) in: Performance in Postmodern Culture Gernot Böhme / Atmosphäre - Essays zur neuen Ästhetik Thomas Dreher, Peter Weibel, ... forms of living as context Performances by concept artists (Marcel Broodthaers, P. Weibel, ...) tableau (framing) atmosphere/mood emotionally conceived (GANG ART) greater appreciation of atmospheric perception frameworks of light, space and sound (Wilson) (cf. GANG ART) +Performance as open system Performance as breaking through structures +Performance as a transitional form of art Performance as agreement framing everyday life (Kam Yeon Hee (YEONEE) temperament, constitution breaking through the atmosphere – What is art and what is "reality"? (Harrie de Kroon) invisible performance (e.g. as couple: Judy Radul) Concept Theatre (LE) Post-dramatic theater can also be understood (in reference to Concept Art) as an attempt to conceptualize art in the sense that it offers an experience of the real rather than representation. Conceptual art: performance as demonstration or an execution of those ideas Setting Performance as predicament (2) (LE) Concrete theater – abstract theater without action different locations/spaces and lighting each convey their own affective message arranging the "Situation“ Performance without an audience intimate performance (FS) reflection on the social practice of art (Didier Bay) disposition (with Heidegger) invitation as substitute performance allusion as substitute (Peter Arnold) art space renovation as performance substitute climate control technician performativity through new arrangement; through new conjunctions (of the data of a game move) (cf. Lyotard) Ideas conveyed verbally (by telephone) over several days: "spoken house“ (Otiose: Ailith Roberts & John Dummett) conceptual models of attention (Gen Murai) open system of collaboration (Hayley Newman) open system of encounter (BM) (R. Tiravanija) Performance as agreement(see right.) asking passers-by for a moment (Franz Müller) Urban intervention (40 singers in the underground) (Christine Carson) Performance without people or without performer - Making art without artists (e.g. naked performances through recipients: organized by Spencer Tunick) displacement confusion Simultaneity (a form of openness as concept) – it remains open, whether there is a connection or or merely an external simultaneity (LE) Minimal Performances (Murmeln im Mund: Harrie de Kroon) (James Lee Byars) (Ralf Berger) (Peter Kalmus & M. Murin) Minimal Actions (Michael Blättler) (Esther Ferrer) imaginary performance (Stuart Brisley) without boundaries: see various forms of ecstasy scenic montage: synchronously played "fields" (cf. BM) parallel action (Wilson) (cf. BM) attention hanging in the balance (cf. Trance) "alea" or chance (John Cage) aleatoric free play with materials, objects, body movements, action locations group feeling (communitas) (cf. BM) open end (Happening) openness see also: process (process view) invention .... moments abandonment: surrendering to openness (Alex Silber) a kind of phantom that is constantly changing (Tine Kortermand Hansen) open practice role of chance (resistances with the help of chance) conceptualistic performances (Moscow conceptualists: Ilya Kabakov, F. Infante, A. Monastyrskij) participants and audience were identical Polyphony instead of dialogue (LE) The dialogical structure gives way to the monological and choric (LE) cf. chorus theater free spaces = playing spaces conceptual performances instructions as propositions (Esther Ferrer) concept performance (Anna Winteler) (Felix S. Huber) no stylistic restrictions (BM) performance with open progression relaxed momentum self-propulsion Collaborative Performances (with 15 participants) (Jörg Lenzlinger, Patrick Sidler) Performance: a permissive, open-ended medium with endless variables anonymous intervention steered intervention Meditations on Tenderness of/in Performance (PSi7) Indeterminacy (Cage) +Performance as personal field of experimentation Performance as link between sections Performance as gift affection (B.M.) conceptual actions (Teodor Graur) view of manifestos conceptual way of dealing with art (ALMA) indeterminacy (allowing the quality of sums) (BN) Apollonian actions programmatic disturbance (INFuG) (2) social performance conceptual openness performative actions of love Art as intervention (Art Attack) 02 conceptual view contemplative openness Three people at a table – each operates without perceiving the others (VLIES: Rolf Konrad, Pat Binder, Wim Kolb, Jörg Brandt) Intervention Group performance the non-action (Kjetil Skoien) parallel plot strands (LE) (otherwise boring) Improvisation (2)(c. Hommelsheim, W. Höfinger) free play Intervention as support measure for reality (Matthias Schamp) Academic Performances(PSi7) (Pierpaolo Calzolari) (3) expanded performance Performance Interventionist (Gordon W) (Rudolf Klaffenböck) staging connection with the whole (Religio) actions with job-seekers, unemployed persons, homeless, prisoners (Christoph Schlingensief) (Santiago Serra) undeliberated collective doing regaining complexity knowledge as passion rent an artist (2) Performances without fixed concept for action (category 02 according to M.-L. Lange) Improvisational, arising spontaneously from the moment (Black Market) equal right of intervention incompatibility as sovereign gesture (the precise monologue) (BN) breaking through conventional patterns of perception and reception expectations (cf. Expanded Theatre) gift pieces power of the incompatible (BN) see also: revolutionary performance approaches Deconstruction performances (2) (category 11 according to M.-L. Lange / Inge Baxmann) These performances seek: confrontation, irritation of sense, disjunction, interruption and demontage of familiar semantic conjunctions. The point is "upending order", the destruction of traditional rhythms and flows of meaning. patterns of staging love (public, conventionalized staging) /vs/ unbounded Expanded Performance (category 09 according to M.-L. Lange) ... Can be understood as a practical transfer of Concept Art into practice and the public sphere The Open Art Work(U. Eco) (Game Rules of Art) Intertextuality(Tina Keane) environmental problems and urban problems (T.X. Harsono) boundless play departures = spontaneous actions (scream in the concert hall) Neo-dadaism valet for 1 month performative staging of his biography (as researcher) (Xavier LeRoy) confrontations real-time performance ( /vs/ theater ) 02 view of eros sculptural-aleatoric process (Andreas Techler) love relationships have an unfettering effect (decentered; abandoning one's own standpoint) movements of a common desire principle: Black Market experimental, sketch-like logic of joy, pleasure and love Warburg => Nieslony, DG W. Benjamin => Nieslony Improvisations (1) (Brian Catling) 02 unbounded view dialectics of behavior (Stuart Brisley) (John Sturgeon & Aysha Quinn) All genuine life is encounter. ... Space and time are found in the encounter. (M. Buber) total improvisation (in music) = "purely“ performative ? demonstration of an idea (without audience participation) polyscenic, simultaneous, fragmented theater (Artaud) Performance as reference encounter (1) ASA: the art of the encounter The performer as transformer tries to keep his senses together (Verena Schwab, Foundation Schwab-Hensler) Georges Bataille Roger Caillois Performance as a ritual of transition (FL) (PSi7: Transition) cf. absurd theater Simultaneity Fluxus Performance improvisation Carmelo Bene => Gilles Deleuze Literature: Postmodernism and performance (book) Nick Kaye Marvin Carlson / Performance Intertextuality (article) Marvin Carlson / Performance – a critical introduction (book) !! Interventions / Ed. Opus International Editions Friederike Hassauer / Die Kunst der Entgrenzung (article) R. Barthes / Fragmente einer Sprache der Liebe Meditations on Tenderness of/in Performance (PSi7) / Peggy Phelan, Della Pollock, Rachel Hill, Judith Hamera unpredictability in the course of communication (Die Fabrikanten) cf. Happening Parallelbewegung settling in, destroying mimicry as appropriation of diverse disciplines (BN) (Peter Wolf) cf. also: infiltrating existing systems (Gianni Motti) attempt dialogical approaches joint anxiousness Transformation (ASA is transformation) Performance as transitional form of art (see above) conflict discussions as service Gertrude Stein => Performance (acc.to Bonnie Marranca) S. Freud => Viennese Actionists / Surrealists => Michel Journiac Ritual and improvisation (Pauline Oliveros) Trickster (counterpoint critic) (Jacques van Poppel) synchronicity principle: ASA interactive processuality (George Maciunas (namer), George Brecht, Bob Watts, Yoko Ono, T.Schmit, Joe Jones, Yoshimasa Wada, B.Vautier, G.Chiari, J.Hidalgo, W.Marchetti, Ayo (Ay-O), A.Köpcke, T.Kosugi, Christiansen, Eric Andersen, W. de Ridder, G. Hendricks, Milan Knizak, Dick Higgins, Phil Corner, Robert Watts, Alison Knowles, Nam June Paik, Charlotte Moorman, Ken Friedman, Takako Saito, Emmett Williams, Robert Filliou, Al Hansen, Ben Patterson, Larry Miller, Raphael Montanez Ortiz, Tomas Schmidt, G.Baruchello, Beuys, J.Dupuy, R. Morris, C. Oldenburg, C. Schneemann, D. Spoerri, W. Vostell, Zaj, R. Summers, Piki Soul,Mary Bauermeister, ...) Community Art Projects (PSi7) (Regina Hellwig-Schmidt, Horst Konietzny, Regina Frank, S.A,C. Modellers Club) exposed drawings(Senoner) the translation (GANG ART, BM) (Translation Transition Transformation – PSi7) artist dialogue (Raoul Marek) R.D.Laing => Stuart Brisley J. Berke (MA v. Laing) => DIAS associations Michel Serres => Orlan (operation readings) Fluxus Adaption (Bob Lens) New type of fluxus (Sara Seagull, Neal Taylor) The artist is at the Service of the Community (Francisco Inarra) Performance as a new discipline or an interdisciplinary field. Joseph Roach: it is of course an anti-discipline (the trickster as guru of this anti-discipline) interactivity Performance as link between sections (see right) De Sade => John Duncan Performance as breaking through structure (see above) commissioned intervention view of synergies (U. Wid) Kurt Levin => V. Acconci project theater (LE) (Team of: dancers, graphics artists, musicians, architects, ...) "Services“ "artistic service“ (project by A. Fraser & Helmut Draxler) cf. also reading seminars (R. Ganahl) lecture service (U. Wid) care of the handicapped (as service) (Christine and Irene Hohenbüchler) cf. projects by MAIS W. Reich => Viennese Actionists W. Reich => Atelier van Lieshout W. Reich => John Duncon convulsivist (Reichian) breathing exercises rent an artist (3) interdisciplinary works (Jiri Kovanda) interdisciplinary projects (Marcelo Exposito) Yoga exercises: lead to (too) introverted concentration – all feelings extinguished (Grotowski) cf. Tao +Performance as tool +Performance as profiling facility Marcel Mauss => Sowa (habitus as form of practice) Proto-Fluxus (Toshi Ichiyanagi, Jackson MacLow, David Tudor, Henry Flynt) interdisciplinary poet-researcher (INFuG: F. Kleuderlein, B. Kümmelmann, Hubert Sowa, Thomas Eisen) Performance as guided tour (in the museum) – (A. Fraser, C.P.Müller, Christel Burmeister) Bakhtin / Bachtin ! Erving Goffman ! interdisciplinary theater (LE) Circumscription of otherwise disintegrating theater languages (acting, music, installation, light poetry, singing, dancing) Interdisciplinarity (as common characteristic of performances) (BN) (BM) (as service) (Schlemmer´s) theory of performance networks creating the in-between (see: list of networks) network idea (Jürgen Olbrich) Artaud => Kristeva Julia Kristeva => Orlan (operation readings) Artaud => Orlan (operation readings) Pragma-art (Pierangelo Maset) 03 interdisciplinarity view Post-Fluxus (Montagne Froide - Valentine Verhaege) A.Artaud => Derrida ! => Foucault ! Methods of infamy, vivisection, implosion (BN) lecture artist (Stan Lafleur) Paul de Man cf.: support association for project art Second hand shop as art (Christine Hill) Performativity of originally separated fields (of knowledge): performativity through interdisciplinarity (cf. Lyotard) interdisciplinary actions W. James Austin ! => Sowa Searle ! fundamental change in the approach to and way of dealing with the objects Judith Butler !! => Ray Langenbach S. Zizek Luce Irigaray lecture performance (Marietheres Finkeldei) (Ray Langenbach, Yuji Sone, Ewjenia Tsanana, P. Arnold, Savier Klaro, Andrea Saemann) (Helena von Oldenburg) (Fritz Schwegler) lecture as form of action (P. Cuny, Kate Isler, Alex Silber) project-oriented art (Simon Beer) +Performance as medium for communicating art +Performance as mediated reality +Performance as value-setting achievement (BN) Performance as gestural situative event technique = traditionally effective action (Marcel Mauss / Körpertechniken) international communication G. Bateson Ralph Ortiz => Arthur Janov (impulse for primal scream therapy) Jürgen Fritz R. Ganahl Ute Meta Bauer Wochenklausur ALMA Früher machten wir Pläne, heute sprechen wir von Projekten (PB) Martin Buber => B. Nieslony (dialogical approaches) Networker / electronic network work (Cesar Figueiredo, Nieslony, Padellun, Bernd von den Brincken) Performance theory has to have an interdisciplinary arrangement (Prof. Dr. Bonnie Marranca) V. Flusser => M. Vojtechovsky communication settings services cf. Public Access projects (Stadtwerkstatt, Servus, FRO) M. Merleau-Ponty ! => Stelarc Council discussion: every theme needs its tools. The toolbox is the selection of critical instruments (theory). Hannah Arendt => B. Nieslony ASA Projekte: Die Gabe Gabe als Gesellschaftssinn the gift is the greatest, the oldest, the swingingest network that exists (Rirkrit Tiravanija) cf. exchange projects Service (as servant or waiter: Bruno-Peter Schärli) the performer as waiter in the gallery (Chris Burden) => Nieslony P. Bourdieu, Gebauer, Wulf => H.Sowa, Kosa Performance-Service-Art Heidegger ! => H. Sowa, K. Rinke Heidegger => Foucault, Lehmann Gadamer => H. Sowa Davidson Feyerabend Putnam Hintikka Ludwig Wittgenstein ! => Lyotard => H. Sowa (language game concept) => Fabrikanten Wittgenstein => James Lee Byars joint practice – gesture of showing "Werk-Zeuge " - tools testifying work ASA = communication pool ASA = interactive art performative lectures (INFuG) lecture performance(Mike Hentz) (Xavier LeRoy) Lecture-Demonstration (Abramovic, W. Pfaff) art that provides services tools/instruments (in actu) in use (Pepi Meier – furniture deconstruction) ASA in Bologna: (Padellun Rena Tangens, Raoul Marek, Boris Nieslony) cleaning services (Gelatin - naked) "learning with the body" passing something on through the "direct manipulation" of the body. See: performative knowledge (R. Schechner) cf. also habitus concept the opposite of control is service philosophical terminal (see above.) as service action work with adolescents (M.-L.. Lange) future suitcase (Hannimari Jokinen) (CH 2 ART AS SERVICE: Daniel Hauser, Chiarenza) R. Barthes (intensive theater attendance.) M. Foucault => Ray Langenbach Artaud => Foucault Foucault => P. Bianchi (LKW) art as service offering (INFuG) Performance: body-machine art teaching as art (INFuG) Hölderlin, Schelling, Nietzsche => H. Sowa (eliminating the difference between art and life) Literature: Die Kunst des Öffentlichen / article by Stella Rollig: Projektorientierte Kunst in den 90er Jahren Lesezimmer / Ute Meta Bauer Charon – Eine Ästhetik der Grenzüberschreitung / G. Raunig Bonnie Marranca (interdisciplinary performance theory) Alan D. Schrift / The Logic of the Gift Christel Weiler / Performance als Gabe (article) Get together – Kunst als Teamwork (cat.) Walking through society (yearbook) Peter Frank / Nachkriegs-Performance: Das Vermischen von Kunstformen und Kunstsparten (article / ars electr.) Marion Strunk / Vom Subjekt zum Projekt (article Kunstf. Bd. 152) being one's own tool A performance is supplied like a commodity. The Black Market actions are very close to this commodity character (BN) ASA should be much more free and floating. documentary theater (LE) scenic lecture (Georgsdorf, Lehner, Ritter, Binder) service offerings view = service view services in the community services for the recipient individual service offerings art as service offering church-service (U. Wid) the service is the medium service as a technique of passing something on Shusterman, Rorty, Dilthey => H. Sowa the body as tool teaching as performance +Performance as communication guerilla Performance as communication • F. Nietzsche => P. Bianchi (LKW) • Viennese Actionists • Foucault (life as a work of art) Cultural Worker see: machine view (tools with a life of their own) continuous service as performance (ASA) ability communicative action (nach Habermas) didactic performance process-oriented forms of teaching public production of art works (Cezary Bodznianowski) enactive aspects in fine art (Udo Wid) De Certeau !! => B. Nieslony real work as performance (Bender/Nern: Firma B&N) Pragmatists: Charles Peirce, Rorty, Mead, Quine, Dewey, Dilthey, Fellmann, Shusterman education as performative method (Eva Sturm) material "machine": prostheses, hinges, models method = tool Performance as communication laboratory (Nenad Bogdanovic) away from commodity concept (cf. work view) ASA: The Art of Service ASA = art service association ASA should be a pure service / Service makes ASA visible action as tool lectures Kierkegaard Flow = optimal performance (through anxiety-free situation) losing oneself in doing performative pedagogy (Habil: Martina Koch) communication concepts of performance reflections on historical tools (Verena Kraft & Kurt Petz) Presentation as performance (Udo Wid) philosophy as tool performance theory epistemology dialogical approaches postmodern views crossover debate 04 influential thinkers project groups work performative practice (Performing Resistance) communication performance (Wulle Konsumkunst) mobile office container counters, tradefair booths, office spaces, hotel lobbies as possible presentation forms Bertolazzi, Brecht => L. Althusser Performance art as critical pedagogy utensils (materials / props) see: view of material Postdramatic theater praxis: different kinds of genres are conjoined in a presentation (dancing, performance, narrative theater, ...) All means are equally valuable 03 service view / project view Performance as (new) "procedure" (see insight view) communicative framework conditions The praxis paradigm takes the place of the poiesis paradigm (H. Sowa) question and answer sessions (J. Beuys) cf. on this: performativity as view Appeal J. Habermas (bodiless) Habermas => S. Szczelkun passing on communication projects (Chuke Stake) (Pomodoro Bolzano – (Max de Well)) (Hinrich Sachs) performative processes are a core of learning teacher => pupil K. Rinke => Karel Dudesek B. Nieslony => ... Marina Abramovic => ... office as performance substitute (?) +Performance as achievement +Performance as dilemma performance as pedagogic (Christel Burmeister) (cf. also theater) performer in suitcase (Yeun-Hi Pan) art as communication creating communication spaces (cf. Rirkrit Tiravanija, Die Fabrikanten) (Constanza Camelot) the power of communication Service communication as art (Robert Reschkowski) art as communication ritual (H. Sowa) the programmatic opening of the avant-gardist work concept in the direction of practical, performative forms of life participation approaches (pleasurable) Alternative continuing education as performance (T junction) cf. Servicebüro Hamburg cf. Büro Berlin (H. Pitz) cf. Sampler Büro Bert cf. Community Service (USA) cf. Depot (Vienna) laboratory of life (Victor Snessar) B.M.: objects as performers of equal worth „Dead-House-Walking“ (Social Impact) OÖ Sexuality (Carolee Schneemann, J. Klauke, Ulay Abramvic, G. Brus, V. Export, COUM: Genesis P. Orridge & Cosey Fanni Tutti, McCarthy, Frank Wedekind, Johanna Went, Marissa Carr, Brian D. Tripp, Gelatin) performance as value-setting achievement(BN) role of costumes (András Böröcz & Lásszló Révész) (Kyupi Kyupi) (Leigh Bowery) (Gelatine) avoiding communication (VLIES) action lecture (P. Weibel) (W.Hofmann minus delta t) instant intervention difference between: fabricating/making/building and acting/living/caring (H. Sowa) agit-lecture (2) games (2) see also: moment art On the gradual development of thoughts while speaking value transfer (CH 2 ART AS SERVICE) Performance as symposium, round tables, staged encounter (Adi Hoesle, Fabrikanten) question & conversation performance (forced entertainment) cf. archive cf. view of collecting cf. view of the organizing institution cf. political view: activism specific practice of speaking and showing (INFuG) haptic experiences, skill, method capabilities ad hoc performances (Wulle Konsumkunst) use of addictive substances/psychedelic agents (cf. Shamans) community-oriented work Masturbation as performance autoerotic performances (Elke Krystufek, Vito Acconci, Annie Sprinkle, G.Brus) Sex oral (Harri Schemm) palm of the hand (Allucquére Rosanne Stone) (Werkzeuggruppe des Konzils / minus delta t Black Market International) (office of dramaturgy and performance research - Vienna) opening addresses, appearances, presentations, scenic arrangements (INFuG) dialogues (Fabrikanten) Life ist art enough (Jürgen Olbrich) life situations permanent performance conference cf. Stadtwerkstatt as permanent conference cultural transport enterprise (minus delta t) (Tonga-Expedition: G. Ritter, G. Wagner) telephone sex (Odette Le Blanc Practitioner) Production aesthetics as outmoded view is superseded by the aesthetics of the performative (FL) techniques view tools of performance artists transported in boxes (Dudesek, Roi Vaara) interventions (2) maneuver (2) (Canada) Performance as social political strategy Performing Sex (Annie Sprinkle) breast performance / Sex worker (Mamiko Kawabata) trans-latio (Matthias Jackisch & Elvira Santamaria) 05 tool view resources view view of instruments queer performances limited publicity Transport (radical social changes due to new transport techniques durch neue Transporttechniken)(BN) Performance Art as critical pedagogy (Charles R. Garoian) destruction of communication (Ralf Filges) LKW life art male duos: (ALMA – Alfred Hofstetter & Max Markus Frei, Patrick Sidler & Jörg Lenzinger, Joa Iselin & Christoph Ranzenhofer) Non-intentional actions (Fabrikanten) performance techniques (Christian Hasucha) Reisetour / Audiotour (W. Pilar) AOS – Art Operating System (Zürich) (Bruno Peter Schärli, Peter Spillmann, Hans Wermelinger) method view "dialogical“ performance means (media) of performance (see: media view) art projects as communicative practice communicating with people on the street (Tatsumi Orimoto) Porno-Formance (Carol Queen) the role of public spaces for production (cf. project view) (art space = protected space) homosexual performance: gay perf., lesbian perf. (David Drake, Tim Miller, Holly Hughes, Karen Finley, John Fleck, Isaac Julien) urban space as prerequisite ? (urban view) media centers theater locations festival locations gay & lesbian, transsex. nomadism (Black Market) (Cooperation Project X) Recycling performance / ironized repetition of "classical" performance "pieces" (Ursula Palla) conversation as performance (Hinrich Sachs) leaving traces as performance (Gunter Demnig) Ariadne Thread nomadic performances delivery runs as performance (Padellun) Performativity: re-valorizing team work (Lit.: Lyotard) cf. art as teamwork (GANG ART) (Andrej Dudek-Dürer) (Eva & Adele) (KUSCH) (Laura Kikauka) (Geert Duintjer) (Klat und pac) • Methods • of discontinuity • of series • of autonomy • of differentiated dependencies • of parallel movements • of ironic substitution auto-aggression auto-destruction (G. Metzger) Lust counterexample: Festival of the Regions Performer as teacher: Nieslony, Abramovic, Hubbard, Zeca Ligiero, ... the performance – an operating system of art Tele-Performances (Stadttwerkstatt – Checkpoint) (Mia Zabelka) Participation-Tele-Performance (Nam June Paik, Allan Kaprow) art as translation (GANG ART) (PSi7) Interaction Crossover & Bricolage skin cuts: V. Export Gina Pane Raul Zurita Diamela Eltit knife's edge (Carola Riess) absolute freedom denouncing the rites of art (Kees Mol) Performance art = free art – The art of freedom (Z. Warpechowski) performance space as transit space education is not to "be had", it must occur processually (Pazini) Urban Performances – Performing The City (PSi7) self-jeopardizing body work (Tibor Hajas) (Chris Burden) the self at stake(FS) (Brus, Ben Vautrier) life art instead of lifestyle (PB) Kunst als Lebensform traveling as performance reaching a high degree of being-in-the-body through self-injury telephone performance (Markus Hensler) (STWST) (Thorsten Kellermann) Performance as a special kind of interaction The Influence of Globalisation on Performance (PSi7) the art of travelling (Kunstforum – Paolo Bianchi) (minus delta t) life and work as unit/ every public act = performance (James Lee Byards) "teaching" as gestural- situative event (cf. NLP) Triggering actions becomes an artistic task (P. Maset) public "production" of art works (art factory / curator Hattinger) Laura Kikauka, Leo Schatzl, Sabine Zimmermann et al. (Perf. at Posthof), ... intermedia approaches in performance art (Valie Export) (Tina Keane) (Barbara Konopka) (Palindrom) Flow – most unmediated communication prelingual image dependency (also with new media) self-injury/pain (Tibor Hajas, Gina Pane, Chris Burden, Petr Stembera, Jerzy Truszkowski, Z. Warpechowski, Danny Devos, G. Brus, M. Abramovic, Ron Athey, Bob Flanagan, Franko B, Michel Journiac, H.G. Herrmann, W. Kazmierczak, ...) crossing the Atlantic in a sailboat (Bas Jan Ader) self-experiments: (Denis Oppenheim – sunburn) (Barry L Va – smashing against the wall) (Norbert Stück) the activity of producing and carrying out (takes the place of the product) (LE) philosophies and sciences of becoming (Proj.: Kinetographien) ASA = methodic change of lenses (BN) The performer is a pontifex (bridge builder) Reiseprojekte (Marianne Tralau) the conference as "laboratory for action" Literature: Marvin Carlson / Performance – a critical introduction (book) Hubert Sowa / Nach Duchamp und Heidegger: Kunst, verlernen Anita Cherian / (PSi7) Performing the Region – Nation body in pain (Scarry) private performances (for photo works) (Colette, Jürgen Klauke, R. Schwarzkogler) investigative working method (R. Tiravanija) living in exhibition spaces for several weeks (Klat und pac) (Udo Wid) the inaccessible performance Ausbildungssicht view of presentation view of depiction view of reproduction view of producing view of fabricating (shifts more into focus again) with INTERMEDIA the finished product is always just a set piece of the process (Konrad Schnitzler) Lust am Moment (Vollrad Kutscher) Collage, Montage (Jochen Gerz) pain automatically generates a more active reception on the part of the viewer 06 education view view of educators (teaching) plurimedia theater (LE) acts of violence against the body (Zhang Huan) close to torture (Shi Sen Chen) Living Projects creating an "aesthetic laboratory and workshop situation" (M.-L. Lange) (category 06 experimental actions) Replacement of the paradigm of the production => Turning toward paradigm of reception (Sowa) performance theory dialogical approaches operating system discourse cf. poster sections: context approaches- in art and science Media as superfluous accessory (BN) mail art scene travel art (Ko DE Jonge, Niall Monro, Ed Varney, Juan J. Agius) living intermedia sculpture (@Home) joy of experimentation Performance is intermedia art per se everyday behavior Perfect Performance (James Lee Byars) the perfect performance self-torment (not accepted: A´battery A“) real performance audience performance 04 view of artistic production 60's: new spirit of experimentation Experimental art borderline situations risk situations: electricity, fire, dangerous materials, knives, drugs, extreme duration, hanging, piercing, ... (cf. torture practices) Intermediality (as common characteristic of performances) transport view / view of the journey projections in a "performance triptych“ (Robert Longo) the author regards himself as a producer (FS) (1) photo performance extreme situations (panic due to lack of oxygen: Peter Gilles) (Jan Mlcoch) lack of breath to unconsciousness (Gilles) Performance as creative field of experimentation (see right) (Kees Mol, Alastair MacLennan, Harrie de Kroon, Geert Duintjer, Carole Schneemann, C. Palestine, Seiji Shimoda, Richard Martel, Irma Optimist, Hayley Newman, Z. Warpechowski, Chen Chieh Yen, Ma Liuming, B. Nieslony, Thomas Kumleh, Markus Schwaighofer, Elvira Santamaria) this point is considered a superstructure for several neighboring views Transgressive bodies revolutionary performance approaches (expansions, transformations, renewal) (see above)performance as mediated reality seeing an everyday situation and turning it into a performance / 1:1 transfer (not mimicry, not mimesis) Performative aspects in photography Performance as dilemma performance educators (see: curators, editors) seminars action and accident (sensation of falling) (McCarthy) bondage see also: performance as translation performative pedagogy shifting the boundaries of body, pain and risk Intermedia / mixed means challenging the physical body – walking over glass (Rebecca Belmore) standing on ice (C. Schmidt- Chemnitzer) Performance as autonomous art (?) (BKH Gutmann, Mariko Mori, M.C. Chaimovicz, Ma Liuming, Stephen Laub) "Risk behavior" as imaginable basic pattern for performances => the unplanned (Hinrich Sachs) physical exceptional situations (Stephan Us) spitting ice .... Projection with speaking voice (James Coleman) perceiving oneself (mirrored) in the other (Surachai Ekphalakorn) Intermedium (Happening) everyday relics teaching and learning situation with the audience (Pino Poggi) (Chris Reinicke) change of paradigm (cf. performative turn) Performance as the blood of the media uninhibited performances (Kees Mol) trans-formation /vs/ formation confrontations (2) (Etant Donnes) container (Carola Willbrand) walk and posture determined by high heels (Vanessa Beecroft, Gelatin – cleaning action) everyday objects Siehe auch: Servicesicht perfect bodies deformed bodies (Lee Wen) the conference as "laboratory for action" view of communication Body boundaries (skin incisions, self-experiments, ....) skin-like clothing (Regina Frank) clothing printed with body parts (Katharina Trost) enlightenment through action (Inge Broska) (Theresa Drache) (Hans-Jörg Tauchert) Media performances: other media (without electronic media): Monty Cantsin, Jason Lim, Mike Hentz, Karel Dudeseck Padeluun, Franklin Aalders Ralf Samens, Ben & Sam vernissage ritual: as celebration of thanksgiving, initiation, rite of passage body language: breaking through the boundaries of convention with performance (Tony Morgan) performative generation of belonging (to groups) / Code Communities (Jean-Claude Schmidt) common store of gestures, rituals and signs habitus = gait (GANG ART) glued to the wall (Roi Vaara) stuck to the ceiling (Roi Vaara) broom (Qing Qing Chen) curiosity-interest-system / pleasurable innovation (pleasurable channeling of new feelings and thoughts anti-mimetic ... (LE) performative aspects of the presentation of fine art (vernissage speeches, accompanying actions) media performance 07 view of media performativity through inventing or carrying out new game rules (Lit.: Lyotard) redesigning one's own body (Orlan) theory of pure form (LE) revoking mimesis (orientation to painting) table performances (Janet Haufler, B. Nieslony, BBB Johannes Deimling, Dziugas Katinas, Regula Kopp, Mario Ohno, Seiji Shimoda) Tischsituationen / Tischregeln (Ralf Filges) (Ulla Rauh) Tischtransaktionen (Fabrikanten, Nieslony) Suspensions (skin hooks – Stelarc) (cf. Fuckhead) skin hooks (H.G. Herrmann) Performance of the body ("believable performance": identity) cleaning actions (Gelatin) most sublime moments of physical presence deformation (Denis Masi) (Li A- Roca) view of electronic media dances from gestures (Pina Bausch) (Peter Weibel, V. Export, Etoy) (Pyromania: B.N. Hiesserer) radical expansion of the concept of art "open concept of art" extreme body art (Wen Lee) breast incisions joined with operation needles (JOKO: Karin Jost & Regula J. Kopp) pain through connection (in nettles) poesie d´action poetry with body language anarchic body avant-garde since Nietzsche (cf. Foucault) Identität u. Habitus (s.r.) practical performative forms of living (H. Sowa) (see above)Performance as profiling facility expanded performance body language as sculpture (Beuys) view of mediality performances crossing physical boundaries (category 01 according to M.-L. Lange) (time´s up) "emptying" and "purifying" the body physical borderline states (Charlemagne Palestine) multimediality body knowledge body memory gesticulation (La Ribot) video performances mediality as performativity a choreographology is missing (gen. theory of gestures) multimedia performance avant-gardist isms are superseded by ideas and contexts (PB) see also: mimicry of life transformation from showing to showing performative and body-language surplus essential body experiences (Sylvette Babin) body language affective communication, emotional contagion and enslavement: art is a social phenomenon with strongly affect- driven components: facial expression, posture, voice, gestures media aesthetics and performative practice (Mattenklott) on: (Ron Athey, Laura Aguilar, Matthew Barney, Eva u. Adele, Mary Kelly, Rachel Rosenthal, ...) (Manfred Vänci Stirnemann, Boris Nieslony, Jürgen Olbrich, Robert Fillious -> , Alain Gibertie) (Stuart Brisley) furniture chopper (Pepi Meier) chair destruction (Ralph Ortiz) chemical "moods" (Dopamin, Epinephrin, Serotonin) body archeology (body's capacity for remembering – Grotowski) (Thomas F. Fischer, Joan Jonas, Christina Kubisch, Fabrizio Plessi, Marcel Odenbach, Nam June Paik, Charlotte Moorman, Ulrike Rosenbach, Pipilotti Rist, M.Bienvenue, Gershon Berkowitz, Tomás Ruller, Peter Land, Matthew Barney, ....) Performance theory (game rules of art) behavior research physical view – achievement (see also view of achievement) view of ideas body as language (Gina Pane) see also: Behavior Tableaut (Rachel Rosenthal) (Paul Demarinis) (Sang-Jin Lee) (Station Rose: Gary Danner & Elisa Rose) (Valie Export) (Orlan) (Stelarc) (GANG ART) (James Partaik) (Sylvette Babin) (Mark Dijkstra) (Amsterdam Ballons) (The Dark Bob) (Max Frazee) (Marlene Madison Plimley) (Gordon Monahan) (Milos Vojtechovsky) (Perry Hobermann) (Maricruz Penaloza) (Pyromania (B.N. Hiesserer)) (Jürg Schmoll) gesture of the physical catatonic position (cramp) (G. Brus) research projects by Prof. Wulf family rituals (Bourdieu reference) rituals in school Behavior Art 08 body view / gustative view The Every Day(ly) (PSi7) Pantomime 05 view of innovation behavior collective term: cf. expanded theater cf.: Grand Gesture Japanese body work body therapy (G. Pesonnier) animalist behavior media of movement body as medium taste, incorporating emotionalization of communication through gestures Public body (M. Abramovic) general patterns of behavior (FS) (Michael Buthe, Jet Ferro, Hans Eykelboon) body work 09 everyday view behavior experiments view of art criticism (Reindeer Werk: Tom Puckey, Dirk Larsen) see also: attitudes Theater of gestures and movements (gestus) the performance of the body (performativity) (Julie-Andree Tremblay) Feldenkrais Method Gesturing bodies: (Yves Klein, Ben Vautier, Charles Ray, Erwin Wurm, Arnulf Rainer, ...) Telephone Performance (Bob Wilhite, Minus delta t) Gender Behavior and Codification of Gestures (T junction) performer as researcher of gestures and gesticulation (W. Hofmann) (Rachel Echenberg) (2) TV performance Nao Bustamante Skip Arnold, Kees Mol (BM) Zbigniew Warpechowski Orlan, Roi Vaara Marina Abramovic Harrie de Kroon Nikolaus Urban Jan Bas Ader, Koop Seiji Shimoda Ken Unswort. Mike Parr Robert Faguy, Ishi Mitsutaka Marco Klaassen, Ralf Berger Glyn Davies Marshall Bruce Nauman Ulay = Uwe Laysiepen Rebecca Horn Klaus Rinke, Timm Ulrichs Denis Oppenheim Matty Jankowski William Wegman Christine Bänninger RIA Pacquée, Atau Tanaka Phillip Warnell, Salvo Drama in Real Life (minor accidents – with bike into the canal) (Jan Bas Ader) Video or performance installation (Gary Hill, Bill Viola, Muda Mathis, Tadasu Takamine, Kubisch + Plessi Martine Aballéa, Serge Comte) Discours du corps Minimal Performances (BBB.J. Deimlinger) body works multimedia approaches in performance art Habitual behavior patterns habitual behavior (FS) New Media (Christian van de Borght) tongue traces (Gillian Dyson) performance /vs/ behavior (Elio Mariani) (Thomas F. Fischer) (Stuart Brisley) (Albert Mayr) body performance (Fuckhead) art corporel art corporal everyday performance (Stadtwerkstatt) living Environments masculine attitudes (Ilija Soskic) gesticulation / signs of expression poses (Bruce MacLean) (Lucas Samaras) (V. Beecroft) intensified gestures (Stelarc) gesture bodies feedback disciplining primary gestures Ponton Medias: (B. Heidersberger, K. Dudesek, S. Vanasco, M. Hentz) see above practically every imaginable physical activity has been investigated (real time activity) Performance as synaesthetic montage of action strands, aesthetic means and media (category 10 according to M.-L. Lange) ... Working with multimedia means. Semantic unity in the sense of a gesamtkunstwerk (cf. view) (Franz Kaltenbäck) Gesture Dance (Schlemmer) Leading actor in one's own life? (Gérald) gestures (2) soap performance closed circuit procedure Body art & Butoh (Mark Steger) attitudes elementary forms of behavior (not rationally controlled) (A. Rainer, Reindeer Werk) (attitude – imitated sculptures) body art living pictures like in the baroque era (Colette: celebrated her life in designed environments) gestic painting (see right) Gesture (French) = Action aesthetics of the living traces of a (living) body (Stefan Berchtold & Ingolf Keiner) gestural performance skinning performance (Viktorine Müller, Irene Bachmann) (Barbie Cyborg (V.M.)) (Miriam Steinhauser) cybertechnology and performance electronic performance Performance at the intersection of art and everyday life extreme gestures similar to painting Gestures extremely personal forms of behavior (as cultural achievement) body as material (material actions: Otto Muehl, H. Nitsch) Gutai: material actions body-material-interaction (Valie Export) see also: tableaux vivants robot performances digital performance (P. Weibel) (Mathew Wilson, Mark Alice Durant, Ilija Soskic) multimedia largest scale performances (Kunst & Kravall: Stadtwerkstatt) father of body art: G. Brus Real time performance via Internet (Michael Schaowanasai) body fragmentation in the performance family life with children as performance (Shirley Cameron & Roland Miller) Performance as primal human language (2) (LE) Theater is first of all a form of behavior and then art computer performances High-tech-Theater Everyday life (Marcia Tucker) body sculpture (1) everyday gestures (Gelatin) Interactive audio tour (Tagny Duff) naked performances (V. Beecroft) (Spencer Tunick) simulated events ("Wall Street performance“ / Momoyo Torimitsu) (Stelarc) gestic performances Computer games (Paul Demarinis) Performing Internet (PSi7) inscribed in the body (incorporation) communication theory / NLP pedagogy / art pedagogy (game rules of art) theater theory nomadology discourse body theory body philosophy / body sociology see also: view of orality science on and for the human being relocation action (J. Lothar Schröder) over 50% of communication is nonverbal (gestures, facial expression, posture) (2) extended performance 06 gestic view deconstructions (Rafael Montanez Ortiz) The dominants of drama and illusion are migrating to the media, whereas the currentness of performance becomes the new dominant of the theater (LE) see in detail: machine view art corporel (Gina Pane) transformed bodies projected onto dancer bodies (K. Obermaier & Chris Haring) mythology of the profane gesture as guarantee of the statement impenetrability (Hubbard & Birchler) body as tool Alchemy of everyday Allotropy of everyday cybernetic research (Sadie Plant) body as instrument (Matthew Barney) violence as critical instrument (2) see body extensions: (Stelarc) habitual view learning the language of the body invitation into intimate spaces (Barbara Smith – naked) everyday chaos (Sandy MacFadden) body orifices (P. Rist, Gebrüder Kunst) media shamans (Jürgen Fritz) brutality as fundamental position (2) uplifting energy-conserving behaviors feeding (Stefan Halter, Franz Gratwohl) cf. role of nonverbal communication with G. Bateson (double bind ...) "how" something is communicated n.b.: separated from body view lust greed media performances electronic media: Old Boys Network, (Helena von Oldenburg), Frauen und Technik, Gruber, Mike Hentz, Karel Dudesek, Richard Kriesche, P. Weibel, Regina Frank, Hayley Newman, Pipilotti Rist, Kira Wu surveillance as performance (Julia Scher) The Avant Guard in Action (T.R. Uthco) body as sound box drinking performances (Jürgen Raap) (Monty Cantsin, Jason Lim, Helinä Hukkataival, H.A. Schult, John Bock, Tom Murin) action-analytical commune (Otto Muehl) Private performance – collective "departures" (Stadtwerkstatt) dinner performances hunger as basic sensation (fasting 33 days: Ernst Len) fasting (R. Schwarzkogler) starving (K. Etschmann) The postdramatic body is a body of gesture (LE) Dionysian actions intoxicating, ecstatic Dionysus ritual (Etant Donnes: Eric Hurtado, Marc Hurtado) philosophy of intoxication (H. Nitsch) Bioenergetic performance (R.M. Ortiz) Roman orgiastic culture of gorging (Ro Ma Ma Chine: Cecile Noldus, Mike Hentz) trash performances trash art Dada Shave (Anna Banana & Bill Gaglione) everyday mental state as (affective) point of departure artificiality of the everyday (Emil Gropoz) What separates real life from performance? publicly peeling vegetables: (Devora Neumark) Neoism (performances of the 80s) (Stuart Home) anti-minimalist movement / quasi- baroque style interactive real-time video systems (Gretchen Schiller) Cooking/Kitchen as performance cooking & gift cooking & communication (P. Arlt – fünf ingenöre, Kubelka, Rirkrit Tiravanija, Matthew Ngui) kitchen pieces (Attila Kosa) cooking art (Spoerri, Mario Ohno) (transpublic: transpikante Erfahrungswelten) Hell Cuisine (W. Grillitsch, E. Knöß, H. Müller) (see also: celebration) as the turkey (Mechthild Barth) eat art smelling and tasting rituals (OM Nitsch) Trash-TV and trash-aesthetics (Schlingensief) "seeing" with the body decollage happening Ritualistic bodies (see also: rituals) Job as measure of life work (Devora Neumark) Media burn (Ant Farm: Chip Lord, Hudson Marquez, Doug Michaels, Curtis Schreier) raising awareness of banal processes Can we no longer bear "direct" (non-transmitted) reality? (A´battery A“) Is this "directness" a chance for performance ? Actionism body in honey, rolling in feathers or hair (Barbara Sturm) sitting in vinegar (Julie-Andree Tremblay) see: action fascination of the banal physical body as painting ground (Barbara Smith) raising awareness of important activities (Mierle Laderman Ukeles) revolutionary performances media theory / media discourse media studies media anthropology communication theory information theory net discourse / cyber discourse simulation discourse theater of subversion daily life koans (Andrés Pereiro-Schmidt) 07 subversion view / media-critical view "getting wasted" "total action" (Muehl) "piss action" (Muehl) smearing edibles (Karen Finley) (Andre Stitt) (the kipper kids – Harry Kipper) physical investigations with the body (bending, falling, folding, walking, hanging, leaning, ....) (Ken Unsworth) (Barry La Va) work as performance (Servie Janssen) Viennese Actionism (Tara Babel & Andre Stitt) (Gebrüder Kunst) Extremes of doing nothing and the boundaries of self-control (Chris Burden, ...) (see above)Performance as communication guerilla Orgies-Mysteries- Theater (cf. ceremony art / Celebration art) subversive communication systems plots the daily, the daily story (the koan) (Hermann Nitsch, G. Brus, Rudolf Schwarzkogler) Art of walking (Tony Morgan) (Mike Pearson) (Alexander Schmid) (Fabrikanten: walking with no intentions) media guerilla (gettoattack) (Bucky Grinberg) ironic way of dealing with communication technologies (Franz John & Merit Aton) the physical body as the sensing and sensed body suffering bodies (Martyrs) (Bob Flanagan, Ron Athey, Eleanor Antin, ...) (Ana Mendieta) Koans - daily life plots extract of a story (B. Nieslony) daily plots (Kristinn G. Hardarson) representation and excess (ketchup/chocolate sauce instead of blood/feces) (Paul McCarthy) sex, blood and flesh rituals taking blood (Peter Gilles) (Ray Langenbach) dough – mouth formation (Ann Hamilton) Theater of blood (Artaud) Ritualize/fetishize/highlight the ordinary (Joelle Ciona) everyday logic, logic of joy /vs/ logic of fear, logic of anger, logic of mourning (Hans-Jörg Marti) Performance = Production and reproduction of corporeality corporeality of feelings the real organ of feeling is the entire body transgressive bodies electro-welding and other craft elements (Angelika Thomas & De Chirico) physical body /vs/ body schema as physical body, the structure relinquishes itself (B/Ph.B) as body, it internalizes itself is inscribed in the body The aspect of the physical body is presentation The aspect of the body is representation Literature: Marvin Carlson / Performance – a critical introduction (book) !! Richard Kostelnatz / On Innovative Performance(s) (book) Marcel Mauss / Körpertechniken (article) Hubert Klocker (Diss.) / Der Wiener Aktionismus. Das Orgien-Mysterien- Theater. Eine performancetheoretische Studie Literature: Kunstforum Bd. 137 Atlas der Künstlerreisen Frauen, Kunst und neue Medien / Ed. Heidi Richter et al. Ute Ritschel / Symposion 2001: Performance art & Pädagogik Terretoires Nomades Hanne Seitz (Ed.) / Schreiben auf Wasser Performative Verfahren in Kunst, Wissenschaft und Bildung (book on the symposium: Performance u. Lehre) Charles R. Garoian Marie-Luise Lange / Schneisen im Heuhaufen – Formen von Performance Kunst (article) Hubert Sowa (INFuG) / Kunstpädagogik und Praxisparadigma (article) Robert Filliou / Lehren und Lernen als Aufführungskünste Eva Sturm / (article) Kunstf. Bd. 152 Literature: (... continued) V. Flusser / Gesten Karl Gröning / Hände Erving Goffman / On Facework: An Analysis of Ritual Elements in Social Interaction (article) Lea Vergine / Body Art and Performance The Body as Language Gregory Bateson / Ökologische Kommunikation P. Bourdieu (Habitus/Hexis) Gesten u. Körperinszenierungen im Mittelater K.-J. Pazzini Martina Koch (Habilitation) / performative Pädagogik self-confirmation by licking the body (B. Johannes Blume) everyday prohibitions (1968) (Project: Paradise now) Literature: Dirmoser (DG) (study) Wer fliegt – Abenteuer Kommunikation / Die Fabrikanten Dirmoser (DG) (study): STWST – TV M. Serres / Der Parasit Handbuch der Kommunikationsguerilla Luther Blissett, Sonja Brünzels Marvin Carlson / Performance – a critical introduction (book) !! Philip Auslander / Performance in a Mediatized Culture (book) Bausch & Sting / Forschungsprojekt: Medien und Rituale Philippe Dubois / Der fotographische Akt H. Böhme, P. Matussek / Computer als Gedächtnistheater J. Fohrmann / Textur und Performanz: Medientheorien im Vergleich J.L. Schröder (lecture) / Blende und Traumzeit – Performance u. Medien Martina Leeker / (PSi7) Performativity and Notions of Media Literature: (... continued) Cyberdance – Performance u. neue Medien / Martina Leeker (article): ... bio-elektronische Performances Ruth Schnell (article): Performance u. interaktive Medienkunst Sophia Totzeva / (PSi7) Differenz und Identität – Medientransformation als Wiederholung Wolf-Dieter Ernst / (PSi7) Body Check: How to perform the body in mediated Culture without getting tired? Diane Howard, Stan Dyer / (PSi7) Translation, Transition, and Transformation in Cyberspace Translating into Cyberspace (PSi7) Anja Diefenbach, Barbara Büscher, Steve Dixon, Martina Leeker Barbara Büscher / (PSi7) Cybernetic Transformation in Performance. Körper u. Medien, (rück)gekoppelt queer theory / gender studies sexuality discourse / AIDS debate Body theory / body philosophy body sociology dance theory / new body theories phenomenology of perception revulsion theory bioenergetic therapy body view /vs/ physical body view the art of existing ritualizing the everyday (R. Schwarzkogler) (Thomas F. Fischer) The concept of "performance“ dominates American culture as a way of viewing everyday activity (Bonnie Marranca) 08 physical body view everyday situations (Anna Dancikova) sociology(Bourdieu) cultural studies new subjectivism privatism debate life philosophy (game rules of art) 09 everyday view Literature: The explicit body in performance (book) Rebecca Schneider Powerful Bodies (book) Victoria Best & Peter Collier (Ed.) Küchenlatein – Performance – Drehbuch 1989 (on Lili Fischer) On Cooking (Performance Research) Hermann Nitsch – Leben und Arbeit Danielle Spera Stefan Brecht / Queer Theatre M. Merleau Ponty (entire work) W. Reich, M. Foucault, F. Nietzsche Martina Leeker (article) / Der Körper des Schauspielers/Performers als ein Medium Literature: (... continued) V. Flusser / Gesten Erving Goffman / On Facework: An Analysis of Ritual Elements in Social Interaction (article) Lea Vergine / Body Art and Performance The Body as Language Peter Gorsen / Sexualästhetik, Grenz- formen der Sinnlichkeit im 20. Jahrh. Erving Goffman / Stigma M. Haerder & Sumie Kawai (Ed.) / Butoh Die Rebellion des Körpers Charlie Spencer (Ed.) / a catalog of Queer performance Literature: (... continued) Kate Ince / Between the Acts: Orlan, Performance and Performativity (in: Powerful Bodies) !!! Tracey Warr, Amelia Jones / The artist´s body (book) !!! Marcel Mauss (lecture.) / Körpertechniken Jean-Luc Nancy Prof. Hermann Schmitz – Neue Phänomenologie (Differenz von Körper und Leib) / (book) Der Leib, der Raum und die Gefühle W. Pfaff u.a. / Der sprechende Körper Siemke Böhnisch / Gewalt auf der Bühne Literature: Marvin Carlson / Performance – a critical introduction (book) !! Atelier van Lieshout / the good, the bad + the ugly (catalogue book) Stadtwerkstatt in Arbeit (catalogue book) Jürgen Schilling / Aktionskunst. Identität von Kunst und Leben? !! Alan Read (PSi7) / Theatre and Everyday Life Davied E.R. George Bonnie Marranca M. Foucault / Der Brauch der Lüste (originally.: „Das Leben als Kunstwerk“) L.B. Clark / (PSi7) The Everyday Life of Objects extreme large page shift with scrollbar

More Related