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What does it mean to “rethink” a course?

What does it mean to “rethink” a course?. Carol DiFilippo’s Course Audition and Spoken Language For pre-service teachers who will have hearing-impaired students in class

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What does it mean to “rethink” a course?

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  1. What does it mean to “rethink” a course? • Carol DiFilippo’s Course Audition and Spoken Language • For pre-service teachers who will have hearing-impaired students in class • Goal: students will be able to analyze pupil characteristics, classroom performance, and learning environments to design, implement, and assess lesson plans that will enhance spoken language learning.

  2. Goal: Analyze pupil characteristics, classroom performance, and learning environments to design, implement, and assess lesson plans that will enhance spoken language learning • Previous organization • Around topics such as nature and physiology of hearing loss, interpreting audiograms, troubleshooting hearing aids, designing lesson plans • New organization • Moderately hearing-impaired child • Severely hearing-impaired child • Profoundly deaf child

  3. Goal: analyze pupil characteristics, classroom performance, and learning environments to design, implement, and assess lesson plans that will enhance spoken language learning • Same topics revisited with increasing complexity in each course chunk • Enables students to have repeated practice toward goals with increasing independence • Same overall content but goals threaded throughout the course • Assessment is straightforward

  4. Transforming a course • Aaron Kelstone’s course on Deaf Heritage • Goal: students will be able to synthesize past and present events in deaf heritage to formulate a personal understanding of their experiences as deaf or hard of hearing individuals; analyze a current event in Deaf Heritage that may generate ethical or personal issues for the future.

  5. Goal: synthesize past and present events in deaf heritage to formulate a personal understanding of their experiences as deaf or hard-of-hearing individuals • Previous organization • Chronologic history of deaf culture • New organization: change over time in various issues • Issues of identity • Education • Language development • The arts • Ethics, genetics, and technology • Course is relevant and exciting but still “covers the material”; focuses on students

  6. Strategy for designing effective courses • Workshop introduces a practical strategy for designing courses that • gets students to think for themselves in the context of the discipline • stresses inquiry and de-emphasizes traditional direct instruction • emphasizes relevance, transferability, and future use • builds in authentic assessment

  7. How are coursescommonly designed? • Make list of content items important to coverage of the field • Develop syllabus by organizing items into topical outline • Flesh out topical items in lectures, recitations, discussions, labs • Test knowledge learned in course

  8. What’s missing? • Consideration of what your students need or could use, particularly after the course is over • Articulation of goals beyond content/coverage goals • Focus on student learning and problem solving rather than on coverage of material by the instructor

  9. An alternativegoals-based approach • Emphasis on designing a course in which: • Students learn significant and appropriate content and skills • Students have practice in thinking for themselves and solving problems in the discipline • Students leave the course prepared to use their knowledge and skills in the future

  10. An alternativegoals-based approach • Brings same kind of introspection, intellectual rigor, systematic documentation, and evaluation to teaching that each of us brings to our research • Really shakes the tree and designs the course from the bottom up • Focuses on student learning, and assessment falls out naturally

  11. Rethinking a course • Example from an art history course • Survey of art from a particular period Vs. • Enabling students to go to an art museum and evaluate technique of an unfamiliar work or evaluate an unfamiliar work in its historical context or evaluate a work in the context of a particular artistic genre/school/style

  12. Rethinking a course • Example from a bio course • Survey of topics in general biology Vs. • Enabling students to evaluate claims in the popular press or seek out and evaluate information or make informed decisions about issues involving genetically-engineered crops, stem cells, DNA testing, HIV AIDS, etc.

  13. Rethinking a course • Example from an education course • Survey of results of research on learning Vs. • Enabling students to design classroom activities for students that are consistent with educational theory and the science of learning.

  14. Common denominator • What sorts of things do you do simply because you are a professional in your discipline?? • I use the geologic record to reconstruct the past and to predict the future. • I look at houses on floodplains, and wonder how people could be so stupid • I hear the latest news from Mars and say, well that must mean that….

  15. What do you do?? • Physicist: predict outcomes based on calculations from physics principles • Art historian: assess works of art • Historian: interpret historical account in light of the source of information • English prof: critical reading of prose/poetry

  16. Task: What do you do? • Your course should enable your students, at appropriate level, to do what you do in your discipline, not just expose them to what you know. • Go to Part 1.0 of the worksheets. • Start by answering the question • In context of general course topic, what do you do? What does analyze, evaluate, etc. involve? • Alternatively, what is unique about your world view/the view of your discipline?? • Leave Elluminate on; hang up your phone. • Post questions to chat (opt.); call back in at 11:45.

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