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MUL 2010 – Midterm Test #1 Given FRIDAY, 17 Oct 08 Chapters 8-9-10-11-12-13-14 Grades have been received To be posted on “myUCF Grades” Midterm # 2 Will be scheduled for either next Friday (7 Nov 08) or the following Monday (10 Nov 08)

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MUL 2010 – Midterm Test #1

Given FRIDAY, 17 Oct 08

Chapters 8-9-10-11-12-13-14

Grades have been received

To be posted on “myUCF Grades”

Midterm # 2

  • Will be scheduled for either next Friday (7 Nov 08) or the following Monday (10 Nov 08)


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Genres in the Classic Era (classifications of pieces)

  • Symphony (4 mvts) - orchestra

  • Concerto (3 mvts) – orchestra w/ solo

  • String Quartet (4 mvts) – 2 vln, vla, cello

  • Sonata (3 or 4 mvts) – 1-2 instruments

  • Chamber Music – for small ensembles

  • Opera

  • Other?


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Around 2-10 performers

1 Player per part(no doubling)

NO conductor

Chamber Music

String Quartet2 violins, viola, ‘cello

LG, p. 216, Haydn Quartet


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Joseph Haydn (1732-1809)

  • Son of a wheelwright

  • Educated by church

  • 1st jobs in Vienna

  • Hired as Kappelmeister for Prince Esterházy (1761)

  • 2 trips to London (1791-2, 1794-5)

  • Symphonies & String Quartets, etc.


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Esterháza


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Interior and Exterior at Esterháza

“Does his majesty wish music today?”


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Wolfgang Amadeus Mozart(1756-1791)

  • Son of Leopold Mozart (famous violinist)

  • Child Prodigy (tours Europe)

  • Joined Salzburg cappella (w/ father)

  • “kicked out on my arse” (1781)

  • Freelance in Vienna

  • Piano Concertos, Chamber Music, Operas, Symphonies, etc. (excelled at everything!)


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An old Genre revised: CONCERTO(in Classic era)

  • Originated in the Baroque era (see Vivaldi)

  • “Concertare” = “to work together” or “to compete” (solo vs. orchestra)

  • 3 movements- Sonata-Allegro- Slow (Andante, etc.)- Rondo (or maybe Sonata Allegro)


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Concerto 1st Movement(Sonata Allegro Form modified, p. 220-21)

EXPOSITION (1 - orchestra)T1 (tonic) – trans – T2 (tonic) – closing

EXPOSITION (2 – solo)T1 (tonic) – trans – T2 (dom.) – closing

DEVELOPMENT (B)

RECAPITULATION (A’)T1 (tonic) – trans – T2 (tonic) – Cadenza - closing


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Opera in the Classical Era

  • Splits into- Opera buffa = new “comic” (realistic) style- Opera seria = older Baroque style

  • More “fluid” vocal ensembles, mixed w/ arias and recitatives in “scenes”

  • W. A. Mozart (music) & Lorenzo da Ponte (lyricist) - the great team of the 18th century

  • Don Giovanni, K. 527 (1787) – the great opera of the era (or perhaps of all time)


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Mozart, Don Giovanni, K. 527(Act I, complete) [LGs on p. 225-7, 227-9]

  • Mozart, Don Giovanni (1) Overture, “Notte e giorno” [action begins 5:55]

  • Mozart, Don Giovanni (2) Sword Fight + “Fuggi crudel” duet

  • Mozart, Don Giovanni (3) “Ah, chi mi dice mai”

  • Mozart, Don Giovanni (4) “Madamina, Il Catalogo e Questo”

  • Mozart, Don Giovanni (5) “Ho Capito” + “La Ci Darem la mano” [3:30]+ “Fuggi Il Traditor”

  • Mozart, Don Giovanni (6) “Non Ti Fidar” + “Don Ottavio Son Morta!”

  • Mozart, Don Giovanni (7) “Or Sai Chi L'onore” + “Dalla Sua Pace”

  • Mozart, Don Giovanni (8) “Finch’han dal vino” + “Batti Batti o Bel Masetto”

  • Mozart, Don Giovanni (9) Act 1 Finale Part 1/2 “Viva La Liberta!”

  • Mozart, Don Giovanni (10) Act 1 Finale Part 2/2 “Tutto Tutto Gia Si Sa”


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