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IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4)

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IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4). Proposition (Escher Theorem) Given a topological space X, a sequence of gesture skeleta  1 ,  2 , ...  n and a permutation  of 1, 2,... n. Then there is a topological isomorphism

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slide1

IV THREE COLLABORATIVE PILLARS

V.11 (We Apr 9) Gesture Theory (4)

slide2

Proposition (Escher Theorem)

Given a topological space X, a sequence of gesture skeleta

1 , 2, ...n

and a permutation  of 1, 2,... n.

Then there is a topological isomorphism

[email protected] ...[email protected]  (1)@ ...(n)@X

„The skeleta of hypergestures can be exchanged“

„a loop of lines = a line of loops“

slide8

repetition of halting gesture

halting ofrepetition gesture

repetition gesture

halting gesture

slide9

Turn this Abstract Logic into a Gestural Movement

Solution: Complexification + Deformation

David Lewin’scharacteristic gesture

“

i—

Complexification exchanges duration/onset ~ repetition/halting!

slide10

h

g

k

Comprendre est

attraper le geste et

pouvoir continuer.

slide11

z

x

u

y

X

Y

w

v

gesture morphisms: throwing gestures around

g

f

slide12

Rebecca Lazier

VANISH 2002

Guerino Mazzolaand

Heinz Spoerli‘sZurich OperaBallet 2006

slide13

Rebecca Lazier: Vanish choreography (7 dancers) New York City 2002

for Arnold Schönberg‘s String Trio op. 45 (1946 after heart attack)

Paper: Making Schoenberg Dance

In: Sound MovesProceedings of the Int. Conf. on Music and Dance, Roehampton Univ.

slide14

Lazier refers to Michael Cherlin‘s paper

Memory and Rhetorical Trope inSchoenberg‘s String Trio(J. Amer. Musicol. Soc. 1998, vol. 51, no. 3)

Schoenberg explained the many juxtapositions of unlike material within the Trio as reflections of the delirium which the composer suffered during parts of his illness. Thus, the seemingly fragmentary nature of the Trio‘s material represents the experience of time and events as perceived from a semiconscious or highly sedated state. These unusal juxtapositions also represent ... the alternate phases of „pain and suffering“ and „peace and repose“ that Schoenberg experienced.

(Schoenberg shared his illness experience with friends and students.)

distraction/imperfection

slide15

Cherlin‘s three levels of memory are hypergestural networks

memory ~ gestural movement

musical world

extramusical world

work

work

work

slide16

Teil 2doze off

Episode 2awaking

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