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Aesthetic Potentials of Chinese Short-shorts

Aesthetic Potentials of Chinese Short-shorts. Aili Mu Iowa State University March 10, 2008. Argument ( 主题句）. Powerful Chinese short-shorts have special agency for aesthetic cognition （审美认知） and ethical enlightenment （ 道德启迪）. Outline （提纲）. Definition （定义） “Number Eight” （“第八个”）

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Aesthetic Potentials of Chinese Short-shorts

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  1. Aesthetic Potentials of Chinese Short-shorts Aili Mu Iowa State University March 10, 2008

  2. Argument (主题句） Powerful Chinese short-shorts have special agency for aesthetic cognition（审美认知）and ethical enlightenment（道德启迪）.

  3. Outline （提纲） • Definition（定义） • “Number Eight”（“第八个”） • Conclusion（结论） • Questions （问题）

  4. very short story story bytes sudden fiction flash fiction one-minute fiction palm fiction mini fiction snapshot fiction a story of a thousand words … Hybrid nature Definition: Names

  5. Definition: Genre（文体） • Embrace and escape all genres • Have formal tolerance • Offer endless artistic possibilities • In the process of transformation

  6. the story elements that novels, novellas, and short stories have Setting/Atmosphere Plot/Conflict Character Narration/Point of view Theme a short length that is usually around or less than 1500 characters 速率审美效应 Creative artistry Aesthetic response Flexibility Expedient Definition(实用定义）:A work of fiction (A narrative text) that has

  7. Flexibility of the genre

  8. 第八个 吴宜民 连着几天大雨，积水盖住了路面，车子骑过去，压溅出两排水花，煞是壮观。 路旁一个小孩，呆站在那儿不知干什么，很快地我获得了答案，我的摩托车前轮陷入雨水所覆盖的洞中，那孩子脸上露出狡狯的笑意，向屋里另一个孩子叫道：“第七个！” 我狼狈地推起车子，走到他的身旁，一时竟不知道该如何教训他。随着他喜形于色的目光，我回头见到另一位骑士，威风凛凛地分水而来。 路旁站着一位浑身湿淋淋的大人和一个孩子，想必吸引了他诧异的目光。在我还来不及组织心中的感觉时，那骑士面上的诧异刹那间迅速地扩大…… “第八个！”我竟然与那顽童不约而同的叫喊出来。

  9. Strategy: plot

  10. Agency of art: I（审美功能：1） The art of “Number Eight” implicates a compassionate perception（有人文关怀的认知）that recognizes connections through differences and celebrates the unity of seeming adversaries.

  11. Strategy: First-person narrator “第八个！”我竟然与那顽童不约而同的叫喊出来。”

  12. Agency of art: II（审美功能：2） The art of “Number Eight” acknowledges a fundamental connection （根连）among people with differences and cultivates a non-discriminative cognition（反任何形式歧视的认知）for shared humanity.

  13. Third-person: First-person: Self-discovery (自我发现） Strategy: Attitude and Position N N

  14. Names： Short-shorts’ many names manifest the genre’s non-discriminative essence Genre： The formal tolerance of the genre implicates the ethical agency of art Conclusion: 结论

  15. Questions

  16. Thank you!

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