Blackface and Minstrel Shows. An Inspiration for Jim?. What is a Minstrel Show?.
Blackface and Minstrel Shows
An Image/Link below is provided (as is) to download presentation
Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.
The Minstrel Show presents us with a strange and awful phenomenon. In the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the "old time nigger show" with its colorful comic darkies and its rousing songs and dances.
White performers would blacken their faces with burnt cork or greasepaint, dress in outlandish costumes, and then perform songs and skits that mocked African Americans as lazy, buffoonish, dumb, superstitious and musical. Some of the most famous songs in American history--Dixie, Camptown Races, Oh Sussanah, My Old Kentucky Home--began as minstrel songs.
These three stock characters were among several that reappeared in minstrel shows throughout the nineteenth century. "Jim Crow" was the stereotypical carefree slave, "Mr. Tambo" a joyous musician, and "Zip Coon" a free black attempting to "put on airs" or rise above his station. The parody in minstrel shows was often savage.
A Blackface “Routine”
Dog-gone it, seems like every time there's a [train] excursion, I'm always broke.
You wouldn't be broke if you'd go to work.
I would work, if I could find any pleasure in it.
I don't know anything about pleasure, but always remember it's the early bird that catches the worm!
Uh, the early bird catches what worm?
Why, any worm!
Well, what of it, what about it?
He catches it, that's all!
Well, what's the worm's idea in being there?
(They go on and on with this as Moran gets ever more exasperated, and Mack finally sighs):
Who wants a worm, anyhow?
The Legacy of Blackface
old “Looney Tunes” cartoons
Buckwheat (The Little Rascals)
Amos ‘n Andy
Aunt Jemima and Mrs. Butterworth
Uncle Ben’s Rice
modern-day sketch comedy
Spike Lee’s Bamboozled (This film accuses black entertainment of exploiting African-American culture for the benefit of white audiences.)