ITALY, 1500-1600. GARDNER CHAPTER 22-2 PP. 588-596. MICHELANGELO.
Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.
GARDNER CHAPTER 22-2
MICHELANGELO BUONARROTI, David, 1501–1504. Marble, 13’ 5” high. Galleria dell’Accademia, Florence. Here is Vasari’s description of David,…nor has there ever been seen a pose so easy, or any grace to equal that in this work, or feet, hands and head so well in accord, one member with another, in harmony, design, and excellence of artistry.
The statue depicts Moses with horns on his head. This is based on a literal translation of the Latin Vulgate of Exodus 34:29-35, which speak of Moses' face as having "horns," horns being symbolic of authority in ancient Near Eastern culture. However, in both Latin and Hebrew the word for horns can also refer to rays of light.
MICHELANGELO BUONARROTI,The Downfall of Adam and Eve and their Expulsion from the Garden of Eden, ceiling of the Sistine Chapel, Vatican City, Rome, Italy, 1511–1512. Fresco, approx. 9’ 2” x 18’ 8”.
The overt subject matter of the ceiling is the doctrine of humanity’s need for Salvation as offered by God through Jesus. It is a visual metaphor of Humankind's need for a covenant with God. The old covenant of the Children of Israel through Moses and the new covenant through Christ had already been represented around the walls of the chapel.
Detail of the Azor-Sadoch lunette’s left side over one of the Sistine Chapel windows at various stages of the restoration process, Vatican City, Rome, Italy, 1977–1989