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What do you think is the definitive scene from the Wizard of Oz?. Follow the Yellow Brick Road We ’ re off to see the wizard. She ’ s scary but remember the flying monkees?. Poppies. Somewhere over the rainbow. There ’ s no place like home. A dream?. I.B. Justify why it ’ s definitive.

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i b justify why it s definitive
I.B. Justify why it’s definitive

When you do notes on a film write three paragraphs on the definitive scene.

1. Describe using Film vocabulary

2. Why it’s definitive

a. tells same story as the film

b. memorable

c. a key turning point.

3. Give cultural, theoretical, and/or historical context

media justify why it s definitive
Media Justify why it’s definitive

When you do notes on a film write two paragraphs on the definitive scene.

1. Describe using Film vocabulary

2. Why it’s definitive

a. tells same story as the film

b. memorable

c. a key turning point.

d. a matter of opinion.

structure and language of film

Structure and Language of Film

Vocabulary: shot, sequence, montage, types of shots, types of edits, types of camera movements

structure of a film
Structure of a film
  • Shot – a simple run of the camera
  • Sequence– a group of shots depicting one action, or which seems to belong with or depend upon each other
  • Scene- A group of sequences or a group of shots which depict an event or occur in one place
  • Montage-a series of shots or sequences that are related by theme and not necessarily by time or place
slide11
Shot
  • a simple run of the camera
  • The basic unit in film
  • Shot is to film as word is to text
slide12
Types of shots long shot or wide shot medium shot close up extreme close up 2 shot over the shoulder shot
wide shot w s
Wide shot (w.s.)

Description:

Shows whole body or space.Purposes: Establish scene or setting, allow room for action.

medium shot m s
Medium Shot (m.s.)

Description: Shows subject from waist up. Purposes: Allows connection with subject while providing room for gestures. Most frequently used shot.

Description: Shows subject from waist up. Purposes: Allows connection with subject while providing room for gestures. Most frequently used shot.

close up c u
Close up (c.u.)

Description: Shows enlarged view of part of subject.Purposes: Draws attention to details and adds emotion.

slide27
Cut-the ending of a shot. If the cut is a jerky movement, which seems inconsistent with the next shot it’s called a jump cut
slide28

Fade in or out-the image appears or disappears gradually. Often used as a division between scenesDissolve-one image fades in while another fades out so that for a few seconds the two are super imposed

camera movements
Camera Movements
  • Pan-movement from side to side from a stationary position
  • Tilt- movement up or down from a stationary position
  • Tracking-camera itself moves to follow a moving object
  • Zoom-lens shortens or lengthens to make object closer or further
  • Dolly-moving camera in and out to make make subject appear larger or smaller in the frame
slide31
Pan

Description: Shows what\'s to the left or right of the screen.

Purposes: Reveal setting, sweep across subject wider than screen, show relationship between two subjects.

slide32
Tilt

Description: Shows what\'s above or below the screen. Purposes: Reveal parts of vertical subject, useful for showing tall objects, show relationship between parts of a subject, can add suspense or surprise.

slide33
Zoom

Zoom

slide35
Arc

A variation on the tracking shot

camera angles
Camera Angles

Normal camera angle is at the same level

as the subject, but there could be cinematic reasons to move the camera up or down.

slide42

Dutch Angle—used to communicate psychological imbalance among other things, now becoming overused perhaps. It’s actually a framing technique more than a camera angle

sound diegetic vs non diegetic
SOUNDDiegetic vs. Non Diegetic

Diegetic = sound from the world of the film,

that the characters can hear.

Non Diegetic = sound, usually music and

narration, that only the audience

can hear

slide47
Notes: it is possible for imagery to be non diegetic as wellsome directors as a matter of style have blurred the lines in diegeticism
mis en scene
Mis en scene

French for put in the scene

citizen kane 1941 orson welles
Citizen Kane (1941) Orson Welles
  • One sentence synopsis
  • 2 Paragraphs on Definitive Scene
  • Questions

1. Is this the greatest movie

of all time? Why or why not?

2. Explain some of the

innovative film techniques in

this film.

3. Describe how Kane is a

tragic hero in the vein of

Macbeth & Oedipus

do you know these script terms
Do you know these script terms?

EXT.

INT.

V.O.

P.O.V

Transitions

DISSOLVE TO:

CUT TO:

FADE IN

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