1 / 51

Early Medieval Art in Europe

Early Medieval Art in Europe. Chapter 14 – Stokstad. The Middle Ages/ The Medieval Period. Designates Europe During 1,000 years between fall of Western Roman Empire (5 th century) and the Renaissance (15 th century) Divided into: Early Medieval Period (Chapter 14)

orrin
Download Presentation

Early Medieval Art in Europe

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Early Medieval Artin Europe Chapter 14 – Stokstad

  2. The Middle Ages/The Medieval Period • Designates Europe • During 1,000 years between fall of Western Roman Empire (5th century) and the Renaissance (15th century) • Divided into: Early Medieval Period (Chapter 14) Romanesque Period (Chapter 15) Gothic Period (Chapter 16)

  3. Early Medieval Period • 5th century Rome is no longer Imperial Capital (Constantine moved to Byzantium) • Upon Constantine’s death empire divided in two (between Constantine’s two sons) 1. Eastern Roman Empire = Byzantine Empire (Chapter 7) 2. Western Roman Empire

  4. Emperor of the Western Roman becomes weak • Pope of Catholic Church takes some of responsibilities (pope amounts to governor of Rome) • Nomadic peoples enter and jockey for power in weakened Empire

  5. Nomadic groups are called “barbarians” (meaning anyone outside the dominant influence) • Barbarians = Huns, Vandals, Visigoths, Celts, Vikings and Anglo-Saxons • Because nomadic: they create small, portable art

  6. The Vikings You are responsible for reading this section of the text on your own. Figures 14-9 and 14-10

  7. Anglo-Saxon Period

  8. Sutton Hoo Burial Ship

  9. Redwald

  10. Byzantine Spoons

  11. French Coins

  12. Hinged Clasp • From Sutton Hoo burial ship • Suffolk, England • 7th century • Cloisonne and Millefiore • Interlace and Animal Interlace • Figure 14-4

  13. Gold Buckle

  14. Medallion from Hanging Bowl

  15. St. Patrick converts Ireland (the Celts) to Christianity in c. 400 CE • Roman monks continue converting “barbarians” to Christianity to the South • Irish monks begin converting other “barbarians” to Christianity to the North (i.e. England and Scotland) …their art becomes known as Hiberno-Saxon

  16. Hiberno-Saxon Period

  17. Illuminated Manuscripts “tools for conversion” • Display Script Page • Initial Page • Carpet Page • Cross Carpet Page • Evangelist Symbol Page

  18. Evangelist Symbols • Matthew = man (winged) • Mark = lion • Luke = ox • John = eagle

  19. Gospel Book of Durrow

  20. Page with Man • Gospel of Matthew from Gospel Book of Durrow • Iona, Scotland • 7th century • Ink and tempera paint on parchment • Figure 14-5

  21. Carpet Page (Book of Durrow)

  22. Sometimes more ornate - Cross Carpet Page (as in Lindisfarne)

  23. Display Script Page (Book of Durrow)

  24. Gospel of Matthew begins with “Liber generationis”- The book of the generations of Christ (geneology) then it switches to narrative “Christi autem generatio” and begins the story of the birth of Christ Chi Rho Iota Display Script Page

  25. Book of Kells

  26. Evangelist Symbols on Same Page

  27. Evangelist Portrait Page

  28. Display Script Page

  29. Chi Rho Iota Page (Initial Page) • Book of Kells (Book of Matthew) • Iona, Scotland • Late 8th or Early 9th century • Ink and pigment on vellum • Figure 14-1

  30. Much more elaborate… instead of just Display Script Page to mark the place in the Gospel of Matthew that begins the life of Christ, Book of Kells has 3 page spread… 1. Portrait of Christ 2. Cross Carpet Page 3. Chi Rho Iota Page (seen here)

  31. Carolingian Period c. 768 – 877 CE

  32. Carolingian Period • c. 800 CE the Vikings arrive in England and Ireland • Artistic production in the area plummets… • However, France and Germany are “holding their own” • Period (and area) dominated by figure of “Charlemagne the Great”

  33. Charlemagne -becomes King -because he protects pope and Christianity he is also crowned Emperor -because crowned Emperor, artistically he focuses on Imperial imagery (both Roman Imperial and Byzantine Imperial)

  34. Palace Chapel of Charlemagne Figure 14-14

  35. Palace Chapel of Charlemagne • Interior view • Aachen, Germany • 792-805 • Figure 14-13 • Modeled after San Vitale (remember: Byzantine Emperor Justinian)

  36. Monastery Building Saint Gall Plan Fig 14-16

  37. Carolingian Period marked by great production in the arts, build up of monastic communities • However, at the end of this period…the Carolingians are attacked by several groups (including the Vikings) and lose their power. • The next group…The Ottonians…step into the void…they rule what had been the eastern half of the Carolingian Empire (present-day Germany)

  38. Ottonian Period c. 919 – 1002 CE

  39. Ottonian Period • Ottonians see themselves as the successors to the Carolingians (not as usurpers who take over during weakness of Carolingians) • They carry on tradition of Imperial association… • They take it a step further… Otto II marries Theophano, niece of the Byzantine Emperor (so, attempting to ally with most powerful Christian empire)

  40. Abbey Church of Saint Michael Hildesheim, Germany 1015 Bronze Fig 14-24 Doors of Bishop Bernward

More Related