JOHANN SEBASTIAN BACH. The Genius of Baroque Music. CONTENTS. Biography Works Music style Legacy. BACH´S BIOGRAPHY.
TheGenius of BaroqueMusic
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque Period. He enriched many established German styles through his skill in counterpoint, harmonic and motivicorganisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Many of Bach\'s works are still known today, such as the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, and his cantatas, chorales, partitas, passions, and organ works – and his music is revered for its intellectual depth, technical command, and artistic beauty.
He wasn’t verypatient or tolerance with incompetents. He likedto do the things in an excellent way, also he was very passionate with his music and a workaholic too.
The Brandenburg concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian ludwig, margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as among the finest musical compositions of the Baroque era.
The Well-Tempered Clavier (German: Das WohltemperierteKlavier),BWV 846–893, is a collection of solo keyboard music composed by Johann Sebastian Bach. He first gave the title to a book of preludes and fugues in all 24 major and minorkeys, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study."
The Mass in B minor (BWV 232) is a musical setting of the complete LatinMass by Johann Sebastian Bach. The work was one of Bach\'s last, not completed until 1749, the year before his death in 1750. Much of the Mass consisted of music that Bach had composed earlier:
Bach\'s musical style arose from his skill in contrapuntal invention and motivic control, his flair for improvisation, his exposure to North and South German, Italian and French music, and his devotion to the Lutheran liturgy.