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IAT 100 week 04

IAT 100 week 04. Transitions Activity. Or a use a poem or story. Have a mix of pictures and text. Movement is choreographed around object or character Movement (object, frame, transitions) should emphasis content. Pick content that has a simple message (do not try to recreate a film).

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IAT 100 week 04

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  1. IAT 100 week 04 • Transitions • Activity

  2. Or a use a poem or story • Have a mix of pictures and text. • Movement is choreographed around object or character • Movement (object, frame, transitions) should emphasis content. • Pick content that has a simple message (do not try to recreate a film). • Student examples: • http://vimeo.com/40119991 • http://vimeo.com/39987817 • http://www.sfu.ca/iatwork/202/summer2010/project1/ • Other examples: • http://www.youtube.com/watch?v=ZTkR0ixaLJw • http://www.youtube.com/watch?v=jc8iCAcFalc https://www.youtube.com/watch?v=ldf2zjek-sU&feature=related

  3. Sequence • Two approaches: • Classic approach to editing: • Establish location and characters and then give details • This may be reversed. • Contemporary approach to editing: • Build space out of a series of close-ups • More intense, well suited to small scale projects.

  4. Classic The "180° rule," shown in the diagram below, dictates that the camera should stay in one of the areas on either side of the axis of action Craig Frazier Studio : Bladerunning Description: Flash Advertisement

  5. Contemporary http://www.youtube.com/watch?v=ej8-Rqo-VT4

  6. Motion literacy – review object • Components: • Motion of objects within the frame • Motion of the frame (frame mobility) • Transitions between scenes

  7. Core principles (or how to make it interesting) • Anticipation • Follow through • Slow in and slow out • Timing • Squash and Stretch • Secondary action (or action and reaction) https://www.youtube.com/watch?v=xqGL1ZLk3n8

  8. Motion literacy • Components: • Motion of objects within the frame • Motion of the frame (frame mobility) • Transitions between scenes

  9. Mobile framing: The Ken Burns effect Student example based on: http://vimeo.com/40119991 Motion Control 3D: Bringing Your Photos to Life in Three Dimensions – Lynda.com

  10. Frame mobility • Panning / whip pan • Mimic eye looking around • Tilting • Horizontal can emphasis height • Downward, slow reveal • Tracking: forward, backward, diagonally, circular side-to-side • Build anticipation as it reveals off screen space • Create continuous space (instead of transitions or cuts).

  11. Mobile framing examples

  12. Mobile Framing

  13. Motion literacy • Components: • Motion of objects within the frame • Motion of the frame (frame mobility) • Transitions between scenes

  14. Scenes & transitions • The shot in AE is the length of time before a change in framing. • Transition is a way of joining or linking your shots together. • Two main types of transitions: optical or cut (cut is the most common) • Mobile Framing, way of changing framing without a cut (sequence shot).

  15. Transitions: optical • Fade to black or white • Dissolve • Wipe • Superimpositions • ***beware AE transition effects not distracting in our work. https://www.youtube.com/watch?v=jKU6XNAm-KI

  16. Transitions: The cut A cut or edit is an immediate transition from one shot to the next. You will need to consider how to make cuts flow visually from one shot to the next. Use: • Graphical Match – connect two separate images • Jump Cut – drop frames to create a disjointed effect. • Montage – series of images to create symbolic meaning. • Edit on action – cut on the movement of an object.

  17. Graphical match Choreograph motion based on matching graphic qualities and using frame movement.

  18. Jump cut http://thisisdk.com/work/boxing

  19. Montage http://www.youtube.com/watch?v=YtI19LkvOkc

  20. Editing on Action • Shot-by-shot pg. 154- 155 • Cutting on Movement Exits and Entrances Clearing the frame Same principle shot many times for different editing possibilities.

  21. TURN YOUR CLICKERS ON

  22. Nan Goldin, Siobhan with a cigarette, 1994 LARRY BURROWS South of the DMZ, Vietnam, 1966

  23. placement The placement of the Center of Interest follows what design principle? • Photographic center • Balance • Rule of thirds • Unity • Counter point

  24. placement The placement of the Center of Interest follows what design principle? • Photographic center • Balance • Rule of thirds • Unity • Counter point

  25. Balance Balance is created by ? • contrast • Line • Depth • Counter point • Space

  26. Balance Balance is created by ? • contrast • Line • Depth • Counter point • Space

  27. How is the counter formed? The counter point follows this rule? • Rule of thirds • Unity • People • Space • Direction

  28. How is the counter formed? The counter point follows this rule? • Rule of Thirds • Unity • People • Space • Direction

  29. Mystery and Melancholy of a Street. 1914. Oil on canvas, by Giorgio de Chirico

  30. + What is the colour scheme? A: Complementary B: Split Complimentary C: Triadic D: Analogous E Monochromatic

  31. + What is the colour scheme? A: Complementary B: Split Complimentary C: Triadic D: Analogous E Monochromatic red, yellow-green and blue-green!

  32. When to use a complimentary colour scheme • A: when you want something to stand out (contrast). • B: work that is happy and has a lot of energy. • C: want to create tension in work • D: colours that are good for childish world. • E: always look good together.

  33. When to use a complimentary colour scheme • A: when you want something to stand out (contrast). • B: work that is happy and has a lot of energy. • C: want to create tension in work • D: colours that are good for childish world. • E: always look good together.

  34. Example: Creates tension

  35. What type of sequence was this? • Contemporary • Classic • Continuity • Graphical • Montage http://www.d-kitchen.com/work/dexter-main-title#

  36. What type of sequence was this? • Contemporary • Classic • Continuity • Graphical • Montage http://www.d-kitchen.com/work/dexter-main-title#

  37. Activity – LAB prep With a partner note (with direction arrows) every aspect of this image you could animate in AE. (you will be animating this image in class this week)

  38. animation • Argument In A Superstore • Ah Pook • The Man with the Beautiful Eyes • 10000 photos of you

  39. Collage http://www.runwrake.com/

  40. Stop Motion: Ten Thousand Pictures of Youby Robin King

  41. Iat 100 lecture 05 fin

  42. Widescreen Test Pattern (16:9) Aspect Ratio Test (Should appear circular) 4x3 16x9

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