Texas Association of Sports Officials BASEBALL DIVISION MECHANICS MANUAL

1. Texas Association of Sports Officials BASEBALL DIVISION MECHANICS MANUAL This manual is in a Power Point presentation format. You may view the presentation by utilizing the left mouse key, hitting the “Enter” key, the “Page Up” or “Page Dn” keys, or the scroll wheel. These methods will allow you to move forward and backward between slides.

2. Texas Association of Sports OfficialsBaseball Division Texas High School Baseball Mechanics

3. TASO MECHANICS MANUEL This manual is divided into 4 sections: SIGNALS AND RUNDOWNS TWO MAN MECHANICS THREE MAN MECHANICS FOUR MAN MECHANICS 2, 3, and 4 man mechanics are contained in separate presentations. This will allow you to view them separately.

4. SIGNALS

5. Introduction to Signals ThePurpose

6. THE PURPOSE FOR USING SIGNALS COMMUNICATION COMMUNICATION COMMUNICATION COMMUNICATION COMMUNICATION COMMUNICATION COMMUNICATION YOU MUST COMMUNICATE WITH YOUR PARTNER/S

7. SIGNALS = COMMUNICATION • Umpires need to communicate with their partner/s, coaches, and fans; • They need to know what your decision is on all plays; • The quickest and easiest way to communicate that decision is by giving a signal; • SAFE/OUT,FAIR/FOUL, ETC.

8. MECHANICS • The PHYSICAL MOVEMENT used in order to PUT YOUR HEAD in the best position to SEE the play properly, in order to make the best decision and the correct call.

9. THE 7 STEPS OF EXECUTING A PROPER SIGNAL • STANCE • POSITION • SEE THE COMPLETE PLAY • MAKE A DECISION • PROPER TIMING • PROPER CRISP SIGNAL • VERBAL CALL

10. PROPER STANCE • In umpiring baseball there are two basic stances: • Standing set • Hands on the knees set

11. SET POSITIONSTANDING • Your feet should be shoulder width apart as in a good boxing stance; • Your feet should be in a comfortable position that will give you a sturdy base for good balance; • Your head and shoulders should always be square to the play; • Your head and eyes should be looking at the play.

12. SET POSITIONHANDS ON THE KNEES • Feet slightly more than shoulder width apart; • Right foot slightly back; • Get a good sturdy base for balance; • Lean forward at the waist while putting your hands just above the knees with your arms locked straight; • Settle into a comfortable stance; • Keep your shoulders and head square to the play.

13. SIGNAL CHART

15. DO NOT PITCH SIGNAL • Right arm straight out with palm and fingers up; • This signal is used by the plate umpire: • At the beginning of the game; • At the start of a new inning; • After time has been granted or after all dead ball situations. • It does not allow any play to occur, TIME IS OUT; • The ball remains dead until it is put in play; CALL • THERE IS NOT A VERBAL CALL.

16. PLAY/PLAY BALL SIGNAL • This is actually a continuation of the do not play signal; • While still implementing the do not play signal with your right arm straight out with palm and fingers up; • Making sure that the battery and your partner/s are ready to play; • Point to the pitcher. CALL • “PLAY” or “PLAY BALL” • This signal is used by the plate umpire after the DO NOT PLAY signal; • At the beginning of the game; • At the start of a new inning; • After time has been granted or after all dead ball situations; • The ball remains dead until it is put in play.

17. TIME SIGNAL • The arms are extended above your head in front of your body; • The palms of your hands should be facing away from you with your fingers fully extended and together, NOT A FIST, BUT OPEN AND FLAT. CALL • A verbal call of “TIME” should be made at the precise time the hands reach their maximum height; • This signal is used for all dead ball situations to kill play; • Before any play can resume the ball must be put into play after all dead ball situations.

18. STRIKE SIGNAL • From the set position raise to an upright position; • While raising your right hand (open) to ear level; • Bring your hand forward as if to hit a wall with the heel of your hand while closing your hand MAKE A FIST at the start of the forward motion; CALL • At the same time as your fist would hit the wall you should verbalize “STRIKE.”

19. OUT SIGNAL • From the standing OR hands on the knees set position raise your right hand (open) up to ear level; • Bring your hand forward as if to hit a wall with the heel of your hand. • Start closing your hand making a fist at the start of the forward motion. • The forward motion should stop with a closed fist comfortably in front of your body line at the same time your fist would hit the wall. CALL • You should verbalize “OUT.”

20. SAFE SIGNAL • From the standing OR hands on the knees set position with your hands flat, fingers together and palms down; • Raise your arms fully extended directly in front of your body to shoulder height with the sides of your thumbs touching; • Part your hands to each side of your body inline with your shoulders, no higher. CALL • As your hands part verbalize “SAFE”; • Bring your hands back in front of your body to shoulder height touching your thumbs and then drop them to your sides.

21. FAIR SIGNAL • Start from a standing set position with your feet straddling the foul line; • With your arm fully extended shoulder high, point with the thumb tucked in and the index finger extended point into fair territory. CALL • There is not a verbal call with this signal, JUST POINT.

22. FOUL SIGNAL • Start from the standing set position with your feet straddling the foul line. With your arms fully extended above your head and in front of your body line; • The palms of your hands should be facing away from you with your fingers fully extended and together. (Not a fist- but open and flat); • Then with your arm fully extended shoulder high, point with the thumb tucked in and the index finger extended point into foul territory. CALL • A verbal call “FOUL” should be made at the precise time the hands reach their maximum height; • This is known as proper timing • This signal is used for all dead ball situations to kill play; • Before any play can resume, the ball must be put into play; • After all dead ball situations the ball must be put into play.

23. INFIELD FLY SIGNAL • Point your right hand with the index finger extended fully above your head as the ball reaches it’s apex. CALL • A verbal call is made as the ball starts it’s decent; • The verbal call should be “INFIELD FLY.” • If near a foul line “INFIELD FLY. THE BATTER RUNNER IS OUT IF FAIR.”

24. INFIELD FLY SITUATION SIGNAL • Your right arm, with your hand flat, palm toward your body, extended across your chest; • This signal should also be returned by your partner/s. • This is one of three signals that maybe used to communicate with your fellow umpire/s that the infield fly rule in effect. CALL • No verbal call.

25. INFIELD FLY SITUATION(ALTERNATE SIGNAL) SIGNAL • Pat the top of your head with the palm of your right hand; • Your partner/s should return the signal; CALL • No verbal call.

26. INFIELD FLY SITUATION(ALTERNATE SIGNAL) SIGNAL • Touching the bill of your hat; • This signal should also be returned by your partner/s. CALL • No verbal call.

27. CATCH • SIGNAL • From the standing set position raise your right hand (open) up to ear level; • Bring your hand forward as if to hit a wall with the heel of your hand; • Start closing your hand making a fist at the start of the forward motion; • The forward motion should stop with a closed fist comfortably in front of your body line at the same time your fist would hit the wall. • CALL • Verbalize, “THAT’S A CATCH!”

28. NO CATCH SIGNAL • From the standing set position with your hands flat, fingers together, and palms down; • Raise your arms fully extended directly to your sides at shoulder height. CALL • NO VERBAL CALL.

29. DELAYED DEAD BALL SIGNAL • From a standing set position raise the left arm shoulder height, fully extended; • At the same time make a closed fist with the left hand; • Hold this position for a two second count. CALL • “OBSTRUCTION”

30. TIME PLAY SIGNAL • The plate umpire, prior to the pitcher contacting the pitchers plate (rubber), taps his left wrist (typically wrist watch position) with the index and middle fingers; • Partner/s shall return the signal. CALL • NO VERBAL CALL .

31. FOUL TIP SIGNAL • This signal is only implemented by the plate umpire; • After a foul tip: • The plate umpire will raise to a standing set position. (so all can see); • Raise both hands simultaneously slightly above the head with the left hand forward of the right hand; • Keeping the left hand stationary; • Bring the right hand forward with your fingers glancing off the palm of your left hand. • This signal is always followed by a strike signal. CALL • NO VERBAL CALL.

32. RUNDOWNS If involved in a rundown alone, do not over commit to one end or the other. Remain in the middle of the rundown. Be aware of possible obstruction by the defense, interference by the offense, or the runner running out of his base line to avoid a tag. When becoming involved in the rundown let your partner know you are in position by telling him, “I’ve got this end.” Do not tell your partner you are in position too soon. If a rundown occurs with multiple runners on base, do not over commit to one end of the rundown. Be in a position that you can react to plays at other bases. When both umpires are involved in the rundown, the umpire that is facing the runner when he is tagged will make the call.