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Chinese Calligraphy and Painting by Yi Li

Chinese Calligraphy and Painting by Yi Li. An Introduction by Prof Yuk L. Yung Caltech 3 Nov 2011. 書法 书法 Hangul 서예 Hanja 書藝 Kanji 書道 Hiragana しょどう (modern) しよだう ( historical) . Great Chinese Calligraphers Wei Shuo 衛鑠 (272–349) Wang Xizhi 王羲之 (303–361)

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Chinese Calligraphy and Painting by Yi Li

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  1. Chinese Calligraphy and Painting by Yi Li An Introduction by Prof Yuk L. Yung Caltech 3 Nov 2011

  2. 書法 • 书法 • Hangul 서예 • Hanja 書藝 • Kanji 書道 • Hiragana • しょどう (modern) • しよだう (historical)

  3. Great Chinese Calligraphers • Wei Shuo衛鑠 (272–349) • Wang Xizhi王羲之 (303–361) • Wang Xianzhi王獻之 (344–386) • Ouyang Xun歐陽詢 (557–641) • Yu Shinan虞世南 (558–638) • Chu Suiliang褚遂良 (597–658) • Emperor Taizong of Tang唐太宗 李世民 (599–649) • Zhang Xu張旭 (658–747) • Yan Zhenqing顏真卿 (709–785) • Huai Su懷素 (737–799) • Liu Gongquan柳公權 (778–865) • Emperor Gaozong of Song宋高宗 趙構 (1107–1187) • Cai Xiang蔡襄 (1012–1067) • Su Shi蘇軾 (1037–1101) • Huang Tingjian黄庭堅 (1045–1105) • Mi Fu米黻 (1051–1107) • Emperor Huizong of Song宋徽宗 趙佶 (1082–1135) • Zhao Mengfu趙孟頫 (1254–1322) • Ni Zan倪瓚 (1301–1374) • Tang Yin唐寅 (1470–1524) • Wen Zhengming文徵明 (1470–1559) • Dong Qichang董其昌 (1555–1636) • Huang Ruheng黃汝亨 (1558–1626) • Wang Duo王鐸 (1592–1652) • Zheng Xie鄭燮 (1693–1765)

  4. Emperor Gaozong of Song宋高宗 趙構 (1107–1187) • Cai Xiang蔡襄 (1012–1067) • Su Shi蘇軾 (1037–1101) • Huang Tingjian黄庭堅 (1045–1105) • Mi Fu米黻 (1051–1107) • Emperor Huizong of Song宋徽宗 趙佶 (1082–1135) • Zhao Mengfu趙孟頫 (1254–1322) • Ni Zan倪瓚 (1301–1374) • Tang Yin唐寅 (1470–1524) • Wen Zhengming文徵明 (1470–1559) • Dong Qichang董其昌 (1555–1636) • Huang Ruheng黃汝亨 (1558–1626) • Wang Duo王鐸 (1592–1652) • Zheng Xie鄭燮 (1693–1765)

  5. Seven arts of life for a Chinese intellectual • 琴、棋、诗、书、画、酒、茶

  6. He finds it apt that the Chinese like to play “wei qi,” or “go,” a protracted game of encirclement while we play chess, looking for control of the center and total victory. • “On China” Henry Kissinger, 2011

  7. My father once pointed out to me a key difference in the cultures of West and East. He said that in Western Art, nature often takes a back seat to humans, with the landscape being very small and the person being very large (Fig. 26a). In Asian Art, on the other hand, the landscape is often depicted as being very large, and the humans are very small (Fig. 26b). In Western landscape painting, there are usually no humans. Western culture sees humans as being “Apart from Nature;” Asian culture, as “A part of Nature.” Prof Frank Shu, Astronomer, Shaw Laureate

  8. Sample of poetry, painting and music

  9. 科學家之歌 翁玉林 千載文明堪足誇 五湖四海繫中華 昔時仁義宏諸夏 今日科研成一家 先哲劬勞闢荒原 後賢勵志種百花 大地莫嗟芳草少 桃李賡延麗天涯

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  11. backups

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