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I D E O L O G Y 2 : MODERNIS M and ITS CRITICISM

I D E O L O G Y 2 : MODERNIS M and ITS CRITICISM. George Childs, “Dowlais Ironworks from the South,” 1840. William Morris , page from The Sea Stones and The Fall (by John Ruskin), 1853. William Morris, f abric design s (left) and font design (right), 1890s.

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I D E O L O G Y 2 : MODERNIS M and ITS CRITICISM

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  1. I D E O L O G Y2 : MODERNISM and ITS CRITICISM

  2. George Childs, “Dowlais Ironworks from the South,” 1840

  3. William Morris, page from The Sea Stones and The Fall(by John Ruskin), 1853

  4. William Morris, fabric designs(left) and font design (right), 1890s

  5. William Morris, furniture designs, 1870s

  6. Philip Webb and William Morris, “The Red House,” Bexleyheath, ENGLAND, 1859

  7. William Morris, “St Peter,” stained glass design, 1870s

  8. Frank Lloyd Wright, stained glass window designs, 1902

  9. MODERNIS M An ideology that emerged around 1900 that reacted to the political, social, economical and technologicalchanges in Europe • Modernists prefer: • - simplicity over ornamentation • - abstraction over realism • - “honesty” over “dishonesty” • - the future over the past

  10. M.H. Baillie Scott, “Side Table,” 1901 Charles Rennie Mackintosh, “Chair for Hill House,” 1904

  11. Gruppo Toscano Architects, “Stazione S. Maria Novella,” Florence, ITALY, 1932

  12. Giacomo Balla, “Abstract Speed + Sound,” 1914

  13. Filippo Marinetti,poem from Les mots en liberté, 1919

  14. Antonio Sant’Elia, designs for “La Città Nuova” (The New City), 1914

  15. front cover of the first issue of DE STYL magazine,1917 Georges Vantongerloo, “Interrelation of Volumes,” 1919

  16. Piet Mondrian,“Color Planes in Oval,” 1913-1914 Piet Mondrian,“Tableau 2,” 1922

  17. Theo Van Doesburg, Sophie Taeuber & Jean Arp, “Cafe l’Aubette,”Strasbourg, FRANCE, 1926-28,

  18. Walter Gropius, “The Bauhaus,” Dessau, GERMANY, 1925-26

  19. Joost Schmidt,“Bauhaus Exhibition Poster,” 1923

  20. Marianne Barndt, “Tea Pot,” 1924 Carl G. Jucker,“Lamp,” 1924 Marcel Breuer,“Nesting Tables,” 1925

  21. Eileen Gray, furniture designs, 1920s

  22. Bruno Taut Faculty of languages, history and geography, Ankara University, 1937 Glass Pavillion, Berlin 1914 Izmir Fuar Pavillion, 1939

  23. Q U E S T I O N I N G M O D E R N I S M

  24. Richard Hamilton, “Just What is that Makes Today’s Homes so Different?,” 1956

  25. Andy Warhol, “Turquoise Marylin,” 1962 Andy Warhol, “Shoes,” 1980

  26. Roy Lichtenstein,“Little Big Painting,” 1965 Roy Lichtenstein,“M-Maybe,” 1963

  27. Cindy Sherman, “Untitled Film Stills,” 1970s

  28. Tadashi Kawamata,“The Shortcut Chairs,” 1998

  29. “The Assembly Line” Damien Ortega, “Cosmic Thing,” 2002

  30. Viktor and Rolf,“Evening Wear,” 2007 Viktor and Rolf,“Uniforms for Utrecht Centraal Museum Guards,” 2001

  31. Charles W. Moore,“Piazza d’Italia,” New Orleans, USA, 1976-79 Philip Johnson, “AT&T Building,” New York, 1978-84

  32. Zaha Hadid, "Nordpark Cablecar Metro Station," Innsbruck, SWITZERLAND, 2007

  33. Alexander Rodchenko,“Books on Every Subject,” 1925(poster against censorship of bookstores) Shepard Fairey, “Saks Fifth Avenue Advertisement,” 2009

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