Il cinema all’americana?
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Il cinema all’americana? Defining the Transnational “Popular”. Austin Fisher The University of Bedfordshire, UK. The “Peplum” (1958-1965). The Spaghetti Western (1964-1977). The “ Giallo ” (1970-1978). The “ Poliziesco ” (1971-1980). Le fatiche di Ercole / Hercules

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Il cinema all’americana? Defining the Transnational “Popular”

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Il cinema all americana defining the transnational popular

Il cinema all’americana?

Defining the Transnational “Popular”

Austin Fisher

The University of Bedfordshire, UK


Il cinema all americana defining the transnational popular

The “Peplum”

(1958-1965)

The Spaghetti Western

(1964-1977)

The “Giallo”

(1970-1978)

The “Poliziesco”

(1971-1980)

Le fatiche di Ercole /

Hercules

(Pietro Francisci, 1958)

Milano trema: la polizia vuole giustizia / Violent Professionals

(Sergio Martino, 1973)

L’uccello dalle piume di cristallo /

The Bird with the Crystal Plumage

(Dario Argento, 1970)

Per un pugno di dollari /

A Fistful of Dollars

(Sergio Leone, 1964)

Ercole e la regina di Lidia /

Hercules Unchained

(Pietro Francisci, 1959)

Il grande racket /

The Big Racket

(Enzo G. Castellari, 1976)

Django

(Sergio Corbucci, 1966)

Profondo rosso /

Deep Red

(Dario Argento, 1975)


Il cinema all americana defining the transnational popular

Popular Italian Cinema


Il cinema all americana defining the transnational popular

Popular Italian Cinema


Il cinema all americana defining the transnational popular

Popular Italian Cinema

“mass culture”

“of the people”


Il cinema all americana defining the transnational popular

Popular Italian Cinema

La ragazza che sapeva troppo

/ The Evil Eye

(Mario Bava, 1963)


Il cinema all americana defining the transnational popular

Popular Italian Cinema

“mass culture”

“of the people”


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