Curated by brian gillis and nate betschart nceca phoenix the icehouse march 2009
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Curated by Brian Gillis and Nate Betschart NCECA - Phoenix, The Icehouse, March 2009. Powerpoint Prepared by Prof. Brian Harper.

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Curated by brian gillis and nate betschart nceca phoenix the icehouse march 2009

Curated by Brian Gillis and Nate Betschart

NCECA - Phoenix, The Icehouse, March 2009

Powerpoint Prepared by Prof. Brian Harper


The Margins uses the notion of a historically non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Greg Moore non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.

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name non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Alex non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Hibbitt


Alex non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Hibbitt


Neil Forrest ? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


name non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Jeannie non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Hulen ?


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Chad Curtis non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Chad Curtis non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Julie York non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Julie York non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Daniel Bare non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Daniel Bare non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Daniel Bare non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Nate non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Betschart


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Paul non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Sacariditz ?


John Byrd non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Tyler non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Lotz

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? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


name non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


name non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


name non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Jennifer Forsberg non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Bryan non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Czibesz


Bryan non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Czibesz


Bryan non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Czibesz


Bryan non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Czibesz

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Susan non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Beiner


Jason Briggs non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


name non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Jeremy Hatch non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Jeremy Hatch non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Jeremy Hatch non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


? non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Erin non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.Furimsky


Hoon non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition. Lee


Del Harrow non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition.


Elissa non-traditional approach to a tradition-laden medium as a point of departure from which installation, performance, and mixed media work has as much of a voice as more traditional forms have had for generations.  This exhibition highlights artists who are making work that is unfettered by genre specificity and in favor of an approach that is intended to be seen for its own merit within the tradition of Art, not necessarily within the scope of a ceramic-specific tradition. Armstrong, Jessica Bader, Dan Bare, Susan Beiner, Brian Benfer, Timothy Berg, Nathan Betschart, Jason Briggs, Vincent Burke, John Byrd, Rebecca Catterall, John Chwekun, Heather Coffey, Chad Curtis, Brian Czibesz, Marc DeBernardis, David East, Neal Forrest, Jennifer Forsberg, Erin Furimsky, Brian Gillis, Dell Harrow, Jeremy Hatch, Alex Hibbitt, Jeannie Hulen, Hoon Lee, Tyler Lotz, Ian McDonald, Michael Jones McKean, Gregg Moore, Christine Rabenold, Brian Rochefort, Anders Ruhwald, Paul Sacaridiz, Carlo Sammarco, Joanie Turbek, and Julie York.


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