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ARTS 125 Week 2 Individual Assignment Visions of America Assignment Options//tutorfortune.com<br><br>Click on below link to buy<br>https://tutorfortune.com/products/arts-125-week-2-individual-assignment-visions-of-america-assignment-options-1<br><br>Instructions: Resources: Review your Week 2 readings and videos. For your Week 2 Assignment, choose one of the options listed below. Option A Choose one of the following artists for an examination of their stylistic development into abstraction: <br>u2022tArthur Dove<br>u2022tStanton Macdonald-Wright<br>u2022tMarsden Hartley<br>u2022tMax Weber<br>u2022tGeorgia O'Keeffe Write a 700- to 1,050-word paper examining your selected artist's development into abstraction that responds to the following:<br>u2022tHow and why did early American abstraction develop?<br>u2022tWhat subjects were present in your artist's abstract works? Describe with at least one example from the artist.<br>u2022tWhy did the artists choose to work in this style? To what influences were they responding to from Europe, and how was their own exploration of abstraction meaningful to them?<br>u2022tWhat is your own response to the artist's work? Format your paper according to appropriate course level APA guidelines. Submit your assignment to the Assignment Files tab.<br> <br>Option B Imagine you are working in a historical society dedicated to the promotion and preservation of the legacy of the Harlem Renaissance. Create a 700- to 1,050-word overview of the Harem Renaissance that can be used as a handout at your historical society. Include the following in your overview: <br>u2022tAn overview of the history of the Harlem Renaissance; what developments in American history led to the emergence of the Harlem Renaissance? How does the Harlem Renaissance continue to be relevant to our society? <br>u2022tDiscussion of at least two visual artists associated with the Harlem Renaissance whose work, in your estimation, is representative of this cultural era.<br>u2022tAn examination of at least two representative works from your selected artists which includes a description of style of the artist; why did the artists choose these artistic styles? How is their work related to the abstraction of the early modernists during this same time period? Is it also abstract? How would you describe it in your own words? <br>u2022tAn examination of the artistic choices involving media, techniques, and subjects of your selected artworks. Was the cumulative effect of the artist's choices successful? Why or why not?<br>u2022tAn analysis of your selected artworks in their historical and social context; what meaning did your artists bring to their work and why? To what social or historical forces were they responding?<br>u2022tInclusion of at least two images of artwork from your selected artists. You may submit your overview as a Microsoftu00ae Word document with images. Or, you may use another document creation tool if you have access to the Adobe Creative Suite. Cite your images according to appropriate course level APA guidelines. Format your overview according to appropriate course level APA guidelines. Submit your assignment to the Assignment Files tab.<br> <br>Option C Imagine you are a curator organizing an exhibition on the art discussed in your Week 2 readings. Choose three to four of the following artists for an exhibition centered on the organizing theme, Trends in Early Twentieth Century American Art: <br>u2022tAlfred Stieglitz<br>u2022tArthur Dove<br>u2022tGeorgia O'Keeffe<br>u2022tMarcel Duchamp<br>u2022tMarsden Hartley<br>Individual Aug 28, 2017 11:59 PM 15<br>u2022tRomaine Brooks<br>u2022tAnsel Adams<br>u2022tImogen Cunningham<br>u2022tDiego Rivera<br>u2022tEdward Weston<br>u2022tTina Modotti Select at least six to eight artworks total for your exhibition. Write a 175- to 250-word label for each of your selected artworks. You may submit your overview as a Microsoftu00ae Word document with images, or using a presentation tool, such as PowerPointu00ae or Prezi. Cite your images according to appropriate course level APA guidelines. Format your overview according to appropriate course level APA guidelines. Submit your assignment<br>u2022tExplain user interface considerations.<br>Format your memo according to APA guidelines.<br><br>Click on below link to buy<br>https://tutorfortune.com/products/arts-125-week-2-individual-assignment-visions-of-america-assignment-options-1<br>
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ARTS 125 Week 2 Individual Assignment Visions of America Assignment Options//tutorfortune.com Click on below link to buy https://tutorfortune.com/products/arts-125-week-2-individual-assignment-visions-of-america- assignment-options-1 I n s t r u c t i o n s : R e s o u r c e s : R e v i e w y o u r We e k 2 r e a d i n g s a n d v i d e o s . F o r y o u r We e k 2 A s s i g n me n t , c h o o s e o n e o f t h e o p t i o n s l i s t e d b e l o w . O p t i o n A C h o o s e o n e o f t h e f o l l o w i n g a r t i s t s f o r a n e x a mi n a t i o n o f t h e i r s t y l i s t i c d e v e l o p me n t i n t o a b s t r a c t i o n : A r t h u r D o v e S t a n t o n Ma c d o n a l d - Wr i g h t Ma r s d e n H a r t l e y Ma x We b e r G e o r g i a O ' K e e ff e Wr i t e a 7 0 0 - t o 1 , 0 5 0 - w o r d p a p e r e x a mi n i n g y o u r s e l e c t e d a r t i s t ' s d e v e l o p me n t i n t o a b s t r a c t i o n t h a t r e s p o n d s t o t h e f o l l o w i n g : H o w a n d w h y d i d e a r l y A me r i c a n a b s t r a c t i o n d e v e l o p ? Wh a t s u b j e c t s w e r e p r e s e n t i n y o u r a r t i s t ' s a b s t r a c t w o r k s ? D e s c r i b e w i t h a t l e a s t o n e e x a mp l e f r o m t h e a r t i s t . Wh y d i d t h e a r t i s t s c h o o s e t o w o r k i n t h i s s t y l e ? T o w h a t i n fl u e n c e s w e r e t h e y r e s p o n d i n g t o f r o m E u r o p e , a n d h o w w a s t h e i r o w n e x p l o r a t i o n o f a b s t r a c t i o n me a n i n g f u l t o t h e m? Wh a t i s y o u r o w n r e s p o n s e t o t h e a r t i s t ' s w o r k ? F o r ma t y o u r p a p e r a c c o r d i n g t o a p p r o p r i a t e c o u r s e l e v e l A P A g u i d e l i n e s . S u b mi t y o u r a s s i g n me n t t o t h e A s s i g n me n t F i l e s t a b . O p t i o n B I ma g i n e y o u a r e w o r k i n g i n a h i s t o r i c a l s o c i e t y d e d i c a t e d t o t h e p r o mo t i o n a n d p r e s e r v a t i o n o f t h e l e g a c y o f t h e H a r l e m R e n a i s s a n c e . C r e a t e a 7 0 0 - t o 1 , 0 5 0 - w o r d o v e r v i e w o f t h e H a r e m R e n a i s s a n c e t h a t c a n b e u s e d a s a h a n d o u t a t y o u r h i s t o r i c a l s o c i e t y . I n c l u d e t h e f o l l o w i n g i n y o u r o v e r v i e w : A n o v e r v i e w o f t h e h i s t o r y o f t h e H a r l e m R e n a i s s a n c e ; w h a t d e v e l o p me n t s i n A me r i c a n h i s t o r y l e d t o t h e e me r g e n c e o f t h e H a r l e m R e n a i s s a n c e ? H o w d o e s t h e H a r l e m R e n a i s s a n c e c o n t i n u e t o b e r e l e v a n t t o o u r s o c i e t y ? D i s c u s s i o n o f a t l e a s t t w o v i s u a l a r t i s t s a s s o c i a t e d w i t h t h e H a r l e m R e n a i s s a n c e w h o s e w o r k , i n y o u r e s t i ma t i o n , i s r e p r e s e n t a t i v e o f t h i s c u l t u r a l e r a .
A n e x a mi n a t i o n o f a t l e a s t t w o r e p r e s e n t a t i v e w o r k s f r o m y o u r s e l e c t e d a r t i s t s w h i c h i n c l u d e s a d e s c r i p t i o n o f s t y l e o f t h e a r t i s t ; w h y d i d t h e a r t i s t s c h o o s e t h e s e a r t i s t i c s t y l e s ? H o w i s t h e i r w o r k r e l a t e d t o t h e a b s t r a c t i o n o f t h e e a r l y mo d e r n i s t s d u r i n g t h i s s a me t i me p e r i o d ? I s i t a l s o a b s t r a c t ? H o w w o u l d y o u d e s c r i b e i t i n y o u r o w n w o r d s ? A n e x a mi n a t i o n o f t h e a r t i s t i c c h o i c e s i n v o l v i n g me d i a , t e c h n i q u e s , a n d s u b j e c t s o f y o u r s e l e c t e d a r t w o r k s . Wa s t h e c u mu l a t i v e e ff e c t o f t h e a r t i s t ' s c h o i c e s s u c c e s s f u l ? Wh y o r w h y n o t ? A n a n a l y s i s o f y o u r s e l e c t e d a r t w o r k s i n t h e i r h i s t o r i c a l a n d s o c i a l c o n t e x t ; w h a t me a n i n g d i d y o u r a r t i s t s b r i n g t o t h e i r w o r k a n d w h y ? T o w h a t s o c i a l o r h i s t o r i c a l f o r c e s w e r e t h e y r e s p o n d i n g ? I n c l u s i o n o f a t l e a s t t w o i ma g e s o f a r t w o r k f r o m y o u r s e l e c t e d a r t i s t s . Y o u ma y s u b mi t y o u r o v e r v i e w a s a Mi c r o s o f t ® Wo r d d o c u me n t w i t h i ma g e s . O r , y o u ma y u s e a n o t h e r d o c u me n t c r e a t i o n t o o l i f y o u h a v e a c c e s s t o t h e A d o b e C r e a t i v e S u i t e . C i t e y o u r i ma g e s a c c o r d i n g t o a p p r o p r i a t e c o u r s e l e v e l A P A g u i d e l i n e s . F o r ma t y o u r o v e r v i e w a c c o r d i n g t o a p p r o p r i a t e c o u r s e l e v e l A P A g u i d e l i n e s . S u b mi t y o u r a s s i g n me n t t o t h e A s s i g n me n t F i l e s t a b . O p t i o n C I ma g i n e y o u a r e a c u r a t o r o r g a n i z i n g a n e x h i b i t i o n o n t h e a r t d i s c u s s e d i n y o u r We e k 2 r e a d i n g s . C h o o s e t h r e e t o f o u r o f t h e f o l l o w i n g a r t i s t s f o r a n e x h i b i t i o n c e n t e r e d o n t h e o r g a n i z i n g t h e me , T r e n d s i n E a r l y T w e n t i e t h C e n t u r y A me r i c a n A r t : A l f r e d S t i e g l i t z A r t h u r D o v e G e o r g i a O ' K e e ff e Ma r c e l D u c h a mp Ma r s d e n H a r t l e y I n d i v i d u a l A u g 2 8 , 2 0 1 7 1 1 : 5 9 P M 1 5 R o ma i n e B r o o k s A n s e l A d a ms I mo g e n C u n n i n g h a m D i e g o R i v e r a E d w a r d We s t o n T i n a Mo d o t t i S e l e c t a t l e a s t s i x t o e i g h t a r t w o r k s t o t a l f o r y o u r e x h i b i t i o n . Wr i t e a 1 7 5 - t o 2 5 0 - w o r d l a b e l f o r e a c h o f y o u r s e l e c t e d a r t w o r k s . Y o u ma y s u b mi t y o u r o v e r v i e w a s a Mi c r o s o f t ® Wo r d d o c u me n t w i t h i ma g e s , o r u s i n g a p r e s e n t a t i o n t o o l , s u c h a s P o w e r P o i n t ® o r P r e z i . C i t e y o u r i ma g e s a c c o r d i n g t o a p p r o p r i a t e c o u r s e l e v e l A P A g u i d e l i n e s . F o r ma t y o u r o v e r v i e w a c c o r d i n g t o a p p r o p r i a t e c o u r s e l e v e l A P A g u i d e l i n e s . S u b mi t y o u r a s s i g n me n t E x p l a i n u s e r i n t e r f a c e c o n s i d e r a t i o n s .
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