Grotowski in my eyes about his theory and train
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Grotowski in My Eyes – about his Theory and Train. 9716049 Shrek Hu. Who is Grotowski ? Shape-shifter, shaman, trickster, artist, adept, director, leader, Grotowski . by Richard Schechner 1997: 459. Theory Process.

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Grotowski in My Eyes – about his Theory and Train

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Grotowski in my eyes about his theory and train

Grotowski in My Eyes – about his Theory and Train

9716049 Shrek Hu


Grotowski in my eyes about his theory and train

Who is Grotowski ?

Shape-shifter, shaman, trickster, artist, adept, director, leader, Grotowski.

by Richard Schechner 1997: 459


Theory process

Theory Process


The background of grotowski 1933 1999

The Background of Grotowski(1933~1999)

being born in Polish’s small town named Rzeszow

suffered from World War II in his childhood

went to Polish Theatre School learning performing arts from 1951 to 1955 and then went to Moscow studying Directs

During the time, he had a chance in touch with two Russia directors: VsevolodMeyerhold and Stanislavsky, respectively. These two men’s theory had a great influence on Grotowski’s early stages.

At 1956, Grotowski went back to Polish and started to direct in 1958.


Poster for kordian design waldemar krygier

Poster for Kordian(Design: WaldemarKrygier)


Kordian s photos

Kordian’s photos

Scenic arrangement.

The action takes place in a mental hospital, the spectators being treated as patients.


Grotowski in my eyes about his theory and train

The doctor treats one of his patients, surrounded by spectators.


Grotowski s stage theory

Grotowski’s stage theory


Grotowski in my eyes about his theory and train

Poster for

The Constant Prince


Scenic arrangement for the constant prince

Scenic arrangement for The Constant Prince


The constant prince

The Constant Prince


The constant prince1

The constant prince


Grotowski in my eyes about his theory and train

Poster for

Apocalypsis Cum Figuris


Apocalypsis

Apocalypsis

The Simpleton

(RyszardCieslak)

“In such an approach the director’s vision overrides the playwright’s, and the original script becomes material to be shaped.”


Akropolis

Akropolis

Esau (RyszardCieslak) sings the praises of the freedom of a hunter’s life.


Grotowski in my eyes about his theory and train

“Because of the actor’s central role in performance, Grotowski devoted much of his attention to actor training.”Seeing his training ways makes me think of a movie “V for vendetta.” In that film, V tortures heroine Ivy in both spiritual and physical, wanting to remove her fear. Eventually Ivy successfully reaches the state with no fear and thrusts herself out to fight the evil government.

About training


About training

About training

http://www.youtube.com/watch?v=G7IG6c8D73c&feature=related


About training1

About training


About training2

About training


About training focus on hand motions

About training – focus on hand motions

http://www.youtube.com/watch?v=dRyLLTvs00c&feature=related


About training for voice

About training - for voice

http://www.youtube.com/watch?v=kvdepoSpjJQ&feature=related


Grotowski in my eyes about his theory and train

JerzyGrotowski

And

AndrzejBonarski


Grotowski in my eyes about his theory and train

JerzyGrotowski

And

Jean-Louis Barrault


R eference

Reference

  • Oscar G. Brockett, Robert J. Ball. 2004. the Essential Theatre - 8th ed. Thomson / Wadsworth, c2004.

  • chap9: 231

  • chap11: 283, 291

  • chap13: 324

  • chap14: 354

  • Thomas Richards. 1995. At work with Grotowski on physical actions. London ; New York : Routledge, 1995.

  • 鐘,明德. 著1953- From poor theatre to art as vehicle : tell it forward with JerzyGrotowski. 台北市: 書林出版, 2007.

  • GrotowskiJerzy. 1933. Towards a poor theatre. London : Methuen, 1991, 1968.

  • Taipei Theatre Journal, Revisiting Grotowski’s Theatre Practice and Theory. 厲,復平.

  • Page8~11

  • The theatre of Grotowski /Jennifer Kumiega : London : Methuen, c1985 Page 109~144

  • 浮士德博士悲劇史 /馬婁(Marlowe, Christopher)著, 郭錦秀譯&導讀. 馬婁, 著: 台北市 : 桂冠, 2000[民89].


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