Loading in 5 sec....

Camera Lens F-Stop Values ExplainedPowerPoint Presentation

Camera Lens F-Stop Values Explained

- 36 Views
- Uploaded on
- Presentation posted in: Paintings / Photography

Camera Lens F-Stop Values Explained.

Camera Lens F-Stop Values Explained

Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.

- - - - - - - - - - - - - - - - - - - - - - - - - - E N D - - - - - - - - - - - - - - - - - - - - - - - - - -

Lens aperture settings are commonly knows as f-stops. The letter "f" is an abbreviation of the term "focal-ratio", which describes the ratio of the lens's focal length to the diameter of the light entrance pupil (more commonly called the aperture).

The standard sequence of f-stops is:

f/1.4 f/2 f/2.8 f/4 f/5.6 f/8 f/11 f/16 f/22

On this scale, an f/1.4 setting is the largest aperture, while f/22 is the smallest, and each f-stop in the sequence is half the size of its neighbour to the left, and twice the size of its neighbour to the right. In other words, f/5.6 permits the passage of twice as much light as f/8, but only half the light of f/4.

Low f-stop numbers represent larger apertures, and higher f-stop numbers indicate smaller apertures because the f-stop is a ratio is between the size of the aperture and the focal length of the lens; i.e. a bigger number represents a larger difference.

Here's the maths for a 50mm lens.

f-stop / Diameter (mm) / Focal length: aperture ratio

f/1.4 / 35.7 / 1:1.4

f/2.0 / 25.0 / 1:2

f/2.8 / 17.9 / 1:2.8

f/4 / 12.5 / 1:4

f/5.6 / 8.9 / 1:5.6

f/8 / 6.3 / 1:8

f/11 / 4.5 / 1:11

f/16 / 3.1 / 1:16

f/22 / 2.3 / 1.22

This ratio is commonly detailed around the front element on most lenses (e.g. "50mm 1:1.8", or sometimes "50mm f:1.8").

Here's a bit more maths, but don't stop reading, because it's really quite simple, and all the calculations have been done, so you just need to follow the logic. Let's start with f/2 on a 50mm lens. This f-stop has a diameter size that is half the focal length of the lens: that is 25mm.

The area of a circle is calculated using the formula - πr2.

Expressed in words, this is "Pi" (the common name of the π symbol, which represents 22 / 7) times the radius (r) squared, which is another of way of saying radius x radius. You will no doubt remember that the radius of a circle is half the size of its diameter.

The calculation of the area of f/2 for a 50mm lens is therefore: (22 / 7) x (12.5 x 12.5).

Repeating this calculation for each f-stop produces the following results:

f-stop Diameter(mm) / Area (mm2)

f/1.4 / 35.7 / 1,002

f/2.0 / 25.0 / 491

f/2.8 / 17.9 / 250

f/4 / 12.5 / 123

f/5.6 / 8.9 / 63

f/8 / 6.3 / 31

f/11 / 4.5 / 16

f/16 / 3.1 / 8

f/22 / 2.3 / 4

What you should see in this table is proof that the area of each f-stop is double/half the size of each neighbour (results shown to the nearest whole number).

The point of all this dull maths is three-fold: it proves the claimed relationship made at the beginning of this article, it explains why lenses use such and odd sequence of numbers to name f-stops, and it equips us to understand the in-between apertures, such as f/1.8, and other idiosyncrasies of the naming system.

If 35mm film photography is your thing, you will have inevitably encountered some f-stops that don't fit the opening sequence: f/1.7, f/1.8, f/1.9, f/3.5 and f/4.5 are some of the most common ones.

f/1.7 is one-half-stop larger than f/2.

f/1.8 is one-third-stop larger than f/2.

f/1.9 is one-quarter-stop larger than f/2.

f/3.5 is one-third-stop larger than f/4.

f/4.5 is one-third-stop smaller than f/4.

Lenses Pro:

http://lensespro.org/