1 / 12

Letteratura inglese III ( 2012-13)

Letteratura inglese III ( 2012-13). M. Calbi. Timetable. Mondays 14.30-16.30 (Room 12) Tuesdays 12.30-14.30 (Room 8) Thursday 10.30-12.30 (Room 11) (from March 11 th ) (42 hours= 6 credits)

jerom
Download Presentation

Letteratura inglese III ( 2012-13)

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Letteraturainglese III (2012-13) M. Calbi

  2. Timetable • Mondays 14.30-16.30 (Room 12) • Tuesdays 12.30-14.30 (Room 8)Thursday 10.30-12.30 (Room 11) (from March 11th) • (42 hours= 6 credits) • N.B. Don’t forget that 6 credits include attendance, work at home= readings for each class; assessment

  3. Office hours (M.Calbi) • Mondays 10.30-12.30 • Tuesdays 9.30-10.30

  4. Objectives • Knowledge of 16th- and 17th century English literature and culture • How to analyse the most significant texts (?) of the period

  5. Content / themes • Study of the Elizabethan and Jacobean age, and Shakespeare’s theatre in particular. • Humanism and Renaissance; self-fashioning; the sonnet tradition, the cult of Elizabeth, Shakespeare’s sonnets • Elizabethan and Jacobean theatre; race and gender in the theatre; representation of the body; Puritanism and “new philosophy”

  6. Language of tuition • English (summaries in Italian)

  7. Assessment / Methods • See students’ handbook (Guidadellostudente) • Il profitto dello studente è valutato tramite esame orale alla fine del corso. L'esame si svolge sia in inglese che in italiano. Al momento dell'esame si chiederà allo studente di leggere e commentare brani significativi in lingua originale tratti dai testi adottati. Lo studente dovrà dimostrare di conoscere sia i testi presentati dal docente nel corso delle lezioni che gli studi critici relativi. Sono valutate positivamente la capacità di elaborare in modo autonomo e critico il materiale presentato dal docente e la capacità di capire, anche con l’ausilio dei testi critici adottati, i collegamenti tra i vari testi studiati, nonchè le relazioni tra i testi studiati e i contesti socio-culturali in cui essi si situano, con riferimento a scuole e correnti letterarie.

  8. Take notes, re-elaborate, summary, do your reading / work week by week; don’t wait until the last minute; do not ‘attempt’ • Students groups (on each act of Macbethand Othello)

  9. Primary Texts • W. SHAKESPEARE, Sonnets (ed. italiana Garzanti con testo a fronte) (Sonnets I, XX, CXXX). • W. SHAKESPEARE, Macbeth (ed. italiana Garzanti con testo a fronte). • W. SHAKESPEARE, Othello (ed. italiana Garzanti con testo a fronte).

  10. Criticism / History of Literature • CATTANEO, ARTURO, A Short History of English Literature: From the Middle Ages to the Romantics, Milano, Mondadori, 2011 (capitolosu 'The Renaissance', pp. 37-101) • (Alternatively: P. BERTINETTI (a cura di), Storiadellaletteraturainglese. Dalleorigini al Settecento, vol. I, Torino, Einaudi, 2000 (capitolo 1, pp. 55-60; capitolo 2, pp. 61-109, pp. 122-206. • GARBER, MARJORIE, Shakespeare After All, New York, Anchor, 2005 (capitolosuMacbeth). [CUES] • LOOMBA, ANIA, Gender, Race, Renaissance Drama, Manchester, Manchester UP, 1989 (capitolosuOthello) [CUES] • Da F. MARENCO (a cura di), Storiadellaciviltàletterariainglese, Torino, UTET, 1996, vol. I, icapitoliseguenti [CUES]: • F. FERRARA, “Letteratura e comunicazionenell’epoca Tudor”, pp. 361-378. • S. GREENBLATT, “William Shakespeare drammaturgoelisabettiano”, pp. 551-575. • K. NEWMAN, “Politica del corpo: La rappresentazionedella donna all’iniziodellaetàmoderna,” pp. 967-978.

  11. Breakdown of classes • 42 hours • App. 24 hours dedicated to reading / commenting / contextualising Macbethand Othello • 12 hours to the history of literature, criticism, keywords, etc. • 4 hours dedicated to Shakespeare’s Sonnets and the Sonnet tradition

  12. Next week • Reading: Bertinetti, p. 61-83 • Get a copy of Macbethand Othello

More Related