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The Renaissance: The Autonomy of Art and The Social Status of the Artist

The Renaissance: The Autonomy of Art and The Social Status of the Artist. 1400’s - 1500’s. Italian Renaissance. Lorenzo Ghiberti Gates of Paradise (East Doors), Baptistery of San Giovanni 1425 - 52. Italian Renaissance.

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The Renaissance: The Autonomy of Art and The Social Status of the Artist

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  1. The Renaissance:The Autonomy of Art and The Social Status of the Artist 1400’s - 1500’s

  2. Italian Renaissance Lorenzo Ghiberti Gates of Paradise (East Doors), Baptistery of San Giovanni1425 - 52.

  3. Italian Renaissance Lorenzo Ghiberti Gates of Paradise (East Doors), Baptistery of San Giovanni1425 - 52. Location: Florence, Italy

  4. Lorenzo Ghiberti Gates of Paradise (East Doors) detail of Adam and Eve panel

  5. Key Concept:Innovations in Perspective Lorenzo Ghiberti’sThe Gates of Paradise detail of the Jacob and Esau Panel

  6. The beginning of the Renaissance Key concepts: Perspective, Space, Geometry, Mathematics and Reality Lorenzo GhibertiThe Gates of ParadiseAbraham panel Lorenzo GhibertiThe Gates of ParadiseSolomon panel

  7. BotticelliThe Birth of Venus (1482 -1486)

  8. Key Concept: The New Artist Leonardo Da Vinci (1452-1519) Seff-portrait c. 1515

  9. Key Concept: Humanism Leonardo Da Vinci Vitruvian Man ca. 1487

  10. Key Concept: The Study of Nature Leonardo Da Vinci

  11. Key Concept: The Study of Nature

  12. Key Concept: The Study of Nature Leonardo Da Vinci

  13. LEONARDO da Vinci, The Battle of Anghiari (detail) 1503-05

  14. Key Concepts: Naturalism and Classicism Michelangelo, Battle of Cascina (closeup) 1505 Cartoon

  15. Key Concepts: Naturalism Michelangelo, Buonarroti Battle c. 1492

  16. Michelangelo, David 1501 - 1504

  17. Who is Michelangelo? Raphael The School of Athens (detail) Heraclitus as Michelangelo 1509-1511

  18. Raphael, The School of Athens, 1509

  19. New Genre: Portraiture

  20. New Genre: Portraiture What is a portrait?

  21. Gothic period New Genre: Portraiture Portrait of a Princess c. 1420

  22. Gothic period New Genre: Portraiture *Perfect Profile Portrait of a Princess c. 1420

  23. Gothic period New Genre: Portraiture *Perfect Profile *Aristocratic individuals Portrait of a Princess c. 1420

  24. Gothic period New Genre: Portraiture *Perfect Profile *Aristocratic individuals *Brightly lit and sharp features Portrait of a Princess c. 1420

  25. Gothic period New Genre: Portraiture *Perfect Profile *Aristocratic individuals *Brightly lit and sharp features *Strong graphic qualities Portrait of a Princess c. 1420

  26. Gothic period New Genre: Portraiture *Perfect Profile *Aristocratic individuals *Brightly lit and sharp features *Strong graphic qualities *Elaborate and ornamental details Portrait of a Princess c. 1420

  27. Northern Renaissance

  28. The Flemish tradition New Genre: Portraiture Jan van EyckThe Arnolfini Marriage1434

  29. Who were they? New Genre: Portraiture Jan van EyckThe Arnolfini Marriage1434

  30. The Netherlands The new middle class Key Concept: The new middle class Jan van Eyck’sThe Arnolfini Marriage1434

  31. What is going on? The new middle class Key Concept: The new middle class Jan van Eyck’sThe Arnolfini Marriage1434

  32. Portrait as a Document? Jan van Eyck’s The Arnolfini Marriage (mirror detail)1434

  33. Key Concept: Courtly Art Jan van Eyck The Virgin of Chancellor Rolin 1433 - 35

  34. Key Concept: Courtly Art Jan van Eyck The Virgin of Chancellor Rolin 1433 - 35

  35. Key Concept: Courtly Art Who was Chancellor Rolin? Jan van Eyck The Virgin of Chancellor Rolin 1433 - 35

  36. Key Concept: Self-portrait Albrecht DÜRER Self-Portrait at 26 1498 Albrecht DÜRER, Self-Portrait in a Fur-Collared Robe 1500

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