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The Styles of the Enlightenment 1750 – 1820 Rococo Bourgeois Neo-Classical Marie-Elisabeth-Louise Vig ée-Lebrun Self-Portrait with Daughter c. 1798 Aristocratic patrons Neo-Greek Neo-Renaissance Sentimental KEY IMAGE p. 302 Neo-Classicism Those Greek ideas again

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The styles of the enlightenment l.jpg
The Styles of the Enlightenment

1750 – 1820

Rococo

Bourgeois

Neo-Classical


Marie elisabeth louise vig e lebrun self portrait with daughter c 1798 l.jpg
Marie-Elisabeth-LouiseVigée-LebrunSelf-Portrait with Daughterc. 1798

Aristocratic patrons

Neo-Greek

Neo-Renaissance

Sentimental

KEY IMAGE p. 302


Neo classicism l.jpg
Neo-Classicism

Those Greek ideas again

(doesn’t that make this neo-neo-neo-Classicism?)

ART FOR ARISTOCRATS OR REVOLUTIONARIES?


Ange jacques gabriel petit trianon versailles france 1761 4 louis xvi l.jpg
Ange-Jacques Gabriel, Petit Trianon, Versailles, France 1761-4 (Louis XVI)


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Monticello 1770-84

THOMAS JEFFERSON

Revolutionary & Neo-Classical architect

Key image p. 313


University of virginia library l.jpg
University of Virginia library

Similar to???


Self portrait l.jpg
Self-portrait

Neo-Classical Style in painting

Jacques-Louis David


David the death of socrates 1787 l.jpg
David, The Death of Socrates, 1787


David oath of the horatii 1784 l.jpg
David, Oath of the Horatii, 1784

NEO-CLASSICAL

Key image p. 315


Jacques louis david lictors bring to brutus the bodies of his sons 1789 l.jpg
Jacques Louis David, Lictors Bring to Brutus the Bodies of His Sons, 1789


David death of marat 1793 l.jpg
David, Death of Marat, 1793


Slide12 l.jpg
NOT

HEART vs. HEAD

EMOTION vs. INTELLECT

IT’S ALL EMOTIONS – IT IS A QUESTION OF WHAT KINDS OF EMOTIONS


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SUMMARY – 18TH CENTURY

  • Age of Enlightenment but not all are enlightened . . .

  • ART & IDEAS - 3 different styles (Rococo, genre, Neo-Classical) reflect overlapping and conflicting values of different social classes

  • MUSIC – Genres such as the SYMPHONY and the STRING QUARTET emerge, all emphasizing CLARITY of musical ideas and the organization of CONTRAST, as exemplified by SONATA FORM


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