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Photomontage

L/O: Show understanding of photomontage and ways to recreate it through digital methods. All must (E): Show analysis (written and visual) of two different contextual examples. Most should (C): Use that knowledge and understanding to recreate their styles digitally.

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Photomontage

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  1. L/O: Show understanding of photomontage and ways to recreate it through digital methods. All must (E): Show analysis (written and visual) of two different contextual examples. Most should (C): Use that knowledge and understanding to recreate their styles digitally. Some could (A): Present creative outcomes with a confident level of skill. Photomontage Photomontage is the process and the result of making a composite photograph by cutting and joining two or more photographs into an illusion of an unreal subject. Sometimes the resulting composite image is photographed so that a final image may appear as a seamless photographic print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as "compositing", and in casual usage is often called, "photoshopping", due to a particular software often used. Ray Demski Sequence Photography

  2. L/O: Show understanding of photomontage and ways to recreate it through digital methods. All must (E): Show analysis (written and visual) of two different contextual examples. Most should (C): Use that knowledge and understanding to recreate their styles digitally. Some could (A): Present creative outcomes with a confident level of skill. Ray Demski “Ray Demski's action sequence photography might not be anything new, but its Matrix-like vibe is incredibly well-executed, giving it an original appeal that is both sharp and detailed. A clear fan of many sports, Demski has created a portfolio filled with intriguing movements that will surely get your heart racing as you browse through it”. Ray Demski Epic Sport Motions

  3. L/O: Show understanding of photomontage and ways to recreate it through digital methods. All must (E): Show analysis (written and visual) of two different contextual examples. Most should (C): Use that knowledge and understanding to recreate their styles digitally. Some could (A): Present creative outcomes with a confident level of skill. Paul M Smith Paul M Smith was commissioned to create a series of cheeky photomontages of British pop singer, Robbie Williams, in various staged scenarios. In some examples he appeared as different characters assembled alongside each other. In other examples he appeared as one character but in multiple angles – such as the famous illustration for the ‘Sing When You’re Winning’ album cover from 2001. These clever composites were created using the lasso tool and copy and paste in Photoshop.

  4. L/O: Show understanding of photomontage and ways to recreate it through digital methods. All must (E): Show analysis (written and visual) of two different contextual examples. Most should (C): Use that knowledge and understanding to recreate their styles digitally. Some could (A): Present creative outcomes with a confident level of skill. Complete written analysis of a Ray Demski and Paul M Smith photomontage using annotation help sheet. Print your examples and typed notes. Using your workshop photos, follow your notes taken during demonstrations to create pastiches in the style of Demski and Smith. Print outcomes in colour. Type up notes describing the process you followed to create your outcome. Assemble your work into your sketchbooks as per order of work list issued.

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