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Understanding by Design

Understanding by Design. the ‘big ideas’ of UbD. 1. Identify desired results. 2. Determine acceptable evidence. 3. Plan learning experiences & instruction. 3 Stages of (“Backward”) Design. Why “backward”?. The stages are logical but they go against habits

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Understanding by Design

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  1. Understanding by Design the ‘big ideas’ of UbD

  2. 1. Identify desired results 2. Determine acceptable evidence 3. Plan learning experiences & instruction 3 Stages of (“Backward”) Design

  3. Why “backward”? • The stages are logical but they go against habits • We’re used to jumping to lesson and activity ideas - before clarifying our performance goals for students • By thinking through the assessments upfront, we ensure greater alignment of our goals and means, and that teaching is focused on desired results

  4. Unit Template Overarching understandings Essential Questions Knowledge and skill to be acquired Understanding by Design Template: • The UbD template embodies the 3 stages of “Backward Design” • The template provides an easy mechanism for exchange of ideas

  5. Standard(s): Unpack the content standards and ‘content’,focus on big ideas Understandings Essential Questions s t a g e 1 Assessment Evidence Performance T ask(s): Other Evidence: s t a Analyze multiple sources of evidence, aligned with Stage 1 g e 2 Derive the implied learning from Stages 1 & 2 Learning Activities s t a g e 3 The “big ideas” of each stage: What are the big ideas? What’s the evidence? How will we get there?

  6. Stage design elements Stage 1 Stage 2 Stage 3 Learning Plan Understandings Task(s) Questions Rubric(s) Content Standards Other Evidence Knowledge & Skill

  7. ! Not necessary to fill template “in order” • There are many ‘doorways’ into successful design – you can start with... • Content standards • Performance goals • A key resource or activity • A required assessment • A big idea, often misunderstood • An important skill or process • An existing unit or lesson to edit

  8. Other entry points • You can – • Search for, find, and attach other designers’ essential questions and understandings to your own unit • Use the web links provided to find ideas on relevant sites for each design element • Study exemplary units and adapt them to your own needs and interests

  9. ! Misconception Alert:the work is non-linear • It doesn’t matter where you start as long as the final design is coherent • (all elements aligned) • Clarifying one element or Stage often forces changes to another element or Stage • The template “blueprint” is logical but the process is non-linear (think: home improvement!)

  10. The Parallel postulate S.A.S. Congruence Like rules of a game Big Idea: A system of many powerful inferences from a small set of givens Like Bill of Rights Big ideas provide a way to connect and recall knowledge A2 + B2 = C2

  11. “Big Ideas” are typically revealed via: • Core concepts • Focusing themes • On-going debates/issues • Insightful perspectives • Illuminating paradox/problem • Organizing theory • Overarching principle • Underlying assumption • (Key questions) • (Insightful inferences from facts)

  12. Big Ideas in Literacy: Examples • Rational persuasion (vs. manipulation) • audience and purpose in writing • A story, as opposed to merely a list of events linked by “and then…” • reading between the lines • writing as revision • a non-rhyming poem vs. prose • fiction as a window into truth • A critical yet empathetic reader • A writer’s voice

  13. Questions for identifying truly “big ideas” • Does it have many layers and nuances, not obvious to the naïve or inexperienced person? • Can it yield great depth and breadth of insight into the subject? Can it be used throughout K-12? • Do you have to dig deep to really understand its subtle meanings and implications even if anyone can have a surface grasp of it? • Is it (therefore) prone to misunderstanding as well as disagreement? • Are you likely to change your mind about its meaning and importance over a lifetime? • Does it reflect the core ideas as judged by experts?

  14. You’ve got to go below the surface...

  15. to uncover the really ‘big ideas.’

  16. 1. Identify desired results 3. Plan learning experiences & instruction 3 Stages of Design, elaborated 2. Determine acceptable evidence

  17. Stage 1 – Identify desired results. • Key: Focus on Big ideas • Enduring Understandings:What specific insights about big ideas do we want students to leave with? • What essential questionswill frame the teaching and learning, pointing toward key issues and ideas, and suggest meaningful and provocative inquiry into content? • What should students know and be able to do? • Whatcontent standardsare addressed explicitly by the unit?

  18. The “big idea” of Stage 1: • The big ideas provide a clear focus for the unit • Implications: • Organize content around key concepts • Show how the big ideas offer a purpose and rationale for the student • You will need to “unpack” Content standards in many cases to make the implied big ideas clear

  19. From Big Ideas to Understandings • An understanding is a • “moral of the story” about the big ideas • What specific insights will students take away about the meaning of ‘content’ via big ideas? • Understandings summarize the desired insights we want students to realize

  20. Understanding, defined: They are... • Specific generalizationsabout the “big ideas.” They summarize the key meanings, inferences, and importance of the ‘content’ • Deliberately framed as a full sentence “moral of the story” – “Students will understand THAT…” • Require “uncoverage”because they are not “facts” to the novice, but unobvious inferences drawn from facts - counter-intuitive & easily misunderstood

  21. Understandings: examples... • Great artists often break with conventions to better express what they see and feel • Price is a function of supply and demand • Friendships can be deepened or undone by hard times • History is the story told by the “winners” • F = ma (weight is not mass) • Math models simplify physical relations – and even sometimes distort relations – to deepen our understanding of them • The storyteller rarely tells the meaning of the story

  22. Knowledge vs. Understanding • An understanding is an unobvious and important inference, needing “uncoverage” in the unit; knowledge is a set of established “facts”. • Understandings make sense of facts, skills, and ideas: they tell us what our knowledge means; they ‘connect the dots’ • Any understandings are inherently fallible “theories”; knowledge consists of the accepted “facts” upon which a “theory” is based and the “facts” which a “theory” yields.

  23. Essential Questions – Ask yourself… • What questions – • are arguable - and important to argue about? • are at the heart of the subject? • recur - and should recur - in professional work, adult life, as well as in classroom inquiry? • raise more questions – provoking and sustaining engaged inquiry? • often raise important conceptual or philosophical issues? • can provide organizing purpose for meaningful & connected learning?

  24. Essential - STAGE 1 Asked to be argued Designed to “uncover” new ideas, views, lines of argument Set up inquiry, leading to new understandings Leading - STAGE 3 Asked as a reminder, to prompt recall Designed to “cover” knowledge Point to a single, straightforward fact - a rhetorical question Essential vs. “leading” Q’s (Stage 3)

  25. Sample Essential Questions: • Who are my true friends - and how do I know for sure? • How “rational” is the market? • Does a good read differ from a ‘great book’? Why are some books fads, and others classics? • To what extent is geography destiny? • Should an axiom be obvious? • How different is a scientific theory from a plausible belief? • What is the government’s proper role?

  26. 1. Identify desired results 2. Determine acceptable evidence 3. Plan learning experiences & instruction 3 Stages of Design: Stage2

  27. Stage 2 – Assessment Evidence • Template fields ask: • What are key complex performance tasks indicative of understanding? • What other evidence will be collected to build the case for understanding, knowledge, and skill? • What rubrics will be used to assess complex performance?

  28. The big idea for Stage 2 • The evidence should be credible & helpful. • Implications: the assessments should – • Be grounded in real-world applications, supplemented as needed by more traditional school evidence • Provide useful feedback to the learner, be transparent, and minimize secrecy • Be valid, reliable - aligned with the desired results of Stage 1 (and fair)

  29. Just because the student “knows it” … • Evidence of understanding is a greater challenge than evidence that the student knows a correct or valid answer • Understanding is inferred, not seen • It can only be inferred if we see evidence that the student knows why (it works) so what? (why it matters), how (to apply it) – not just knowing the specific inference

  30. Assessment for Understanding • i.e. You really understand when you can: • explain, connect, systematize, predict it • show its meaning, importance • apply or adapt it to novel situations • see it as one plausible perspective among others, question its assumptions • see it as its author/speaker saw it • avoid and point out common misconceptions, biases, or simplistic views A detailed, narrated presentation on Evidence of Learning is in a later module.

  31. 1. Identify desired results 3. Plan learning experiences & instruction 3 Stages of Design: Stage 3 2. Determine acceptable evidence

  32. E F F E C T I V E E N GAGING Stage 3 big idea: and

  33. Stage 3 – Plan Learning Experiences & Instruction • A focus on engagingandeffective learning, “designed in” • What learning experiences and instruction will promote the desired understanding, knowledge and skill of Stage 1? • How will the design ensure that all students are maximally engaged and effective at meeting the goals?

  34. W. H. E. R. E. T. O. W • “Where are we headed?” (the student’s question) • How will the student be ‘hooked’? • What opportunities will there be to be equipped, and to experience and explore key ideas? • What will provide opportunities to rethink, rehearse, refine and revise? • How will students evaluate their work? • How will the work be tailored to individual needs, interests, styles? • How will the work be organized for maximal engagement and effectiveness? H E R E T O

  35. Next Steps • It is now time for you to begin to complete your Understanding by Design Template. • Hit escape key to return to class.

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