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HUM10 GUILLERMO TOLENTINO

HUM10 GUILLERMO TOLENTINO. "FATHER OF PHILIPPINE ARTS". BIOGRAPHY. SCULPTURE (MAIN WORKS). OTHER AWARDS. Bonifacio Monument (1931) University of the Philippines Oblation (1935) University of the East Alma Mater statue (1957) Filipinas in Bondage. U.P. Oblation. U.E. ALMA MATER STATUE.

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HUM10 GUILLERMO TOLENTINO

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  1. HUM10 GUILLERMO TOLENTINO

  2. "FATHER OF PHILIPPINE ARTS" BIOGRAPHY SCULPTURE (MAIN WORKS) OTHER AWARDS • Bonifacio Monument (1931) • University of the Philippines Oblation (1935) • University of the East Alma Mater statue (1957) • Filipinas in Bondage U.P. Oblation U.E. ALMA MATER STATUE BONIFACIO MONUMENT FILIPINAS BONDAGE • GawadIskulturangTaon (1955) • GawadngMerito (KomisyonngMgaNagkakaisangBansangPilipinas) (1959) • Gawad Rizal naMaka-Patria (1961) • GawadPatnubayng Sining at KalinanganparasaIskultura (1963) • GawadPamanangPangkulturangRepublika (1967) • MedalyangMeritongPangulo (1970) • GawadDiwangLahi (1972) • Pambansang Alagad ng Sining parasa Sining Biswal (Iskultura) (1973) • (1890-1976) • Born on 24 July 1890 in Malolos, Bulacan. • His parents are Isidro Tolentino and Balbina Estrella. • In 1919 - 1921, he studied and graduated in United States with scholarship grant & honor. • In 1926 - he became a professor at the University of the Philippines' School of Fine Arts. • In 1932, Tolentino married Paz Raymundo with seven children. • In 1953-1955, he became the director of School of Fine Arts at University of the Philippines. • In 1973, Tolentino was named National Artist for Visual Arts. -iconic symbol of the University of the Philippines. -a man facing upward with arms outstretched, symbolizing selfless offering of oneself to his country. -measures 3.5 meters in height, symbolizing the 350 years of Spanish rule in the Philippines. -based on the second verse of Mi Ultimo Adios. -installed facing west, purportedly a tribute to the American roots of the University. Guillermo Tolentino • - symbolizes of Filipinas being tying, binding, or restraining for the sexual, aesthetic, and/or psychological pleasure & lack of freedom when it comes to Filipino women. • a heartwarming sight with her welcoming arms. • - delighted to be painted as lovely, confident and sophisticated as the pastel portraits of modern "Mona Lisas“. ------------------------------------------------------------------------------------------- - symbolizing Filipinos cry for freedom located in intersection of EDSA and Rizal Avenue.

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