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Genetic Modification. Genetically Modified Organisms. Theme. Advances in technology are always scrutinized by the public who have seen it being used in misguided, terrible ways and then backfired.

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genetic modification

Genetic Modification

Genetically Modified Organisms

theme

Theme

Advances in technology are always scrutinized by the public who have seen it being used in misguided, terrible ways and then backfired.

This theme, the fear of tampering with the unknown, is an underlying theme in the horror genre. I wish to connect the horror film genre.

To name but a few of the films made where science goes terribly wrong.

aesthetic glofish

Aesthetic: Glofish

LGFUAD (2010) Kelsey Clark

Link: http://vimeo.com/1142661

Trapdcode Test Daniel Gies 2012

Link: http://vimeo.com/38144942

africanized bee

Africanized Bee

Links:

Alice Madness Cutscenes

Link: http://www.youtube.com/watch?v=CxVVmKon7aI

documentary filmography

Documentary Filmography

Playing God (2012)

Link: http://watchdocumentary.org/watch/playing-god-video_fe8c719f5.html

Attack of the Killer Bees (2006) National Geographic Documentary

Link: http://www.youtube.com/watch?v=gstt3XlNXN4

bibliography

Bibliography

Genetic Testing and Its Implications: Human Genetics Researchers Grapple with Ethical Issues

Isaac Rabino

Science, Technology, & Human Values , Vol. 28, No. 3 (Summer, 2003), pp. 365-402

Published by: Sage Publications, Inc.

Article Stable URL: http://www.jstor.org/stable/1557969

Indirect Genetic Effects and the Evolution of Aggression in a Vertebrate System

Alastair J. Wilson, Uriel Gelin, Marie-Claude Perron and Denis Réale

Proceedings: Biological Sciences , Vol. 276, No. 1656 (Feb. 7, 2009), pp. 533-541

Published by: The Royal Society

Article Stable URL: http://www.jstor.org/stable/30244888

Geographies of Risk and Difference in Crop Genetic Engineering

Kathleen McAfee

Geographical Review , Vol. 94, No. 1 (Jan., 2004), pp. 80-106

Published by: American Geographical Society

Article Stable URL: http://www.jstor.org/stable/30033954

slide8

Genetic Technologies Meet the Public: The Discourses of Concern

JesperLassen and Andrew Jamison

Science, Technology, & Human Values , Vol. 31, No. 1 (Jan., 2006), pp. 8-28

Published by: Sage Publications, Inc.

Article Stable URL: http://www.jstor.org/stable/29733923

The Africanized Honeybee: The epithet "killer bee" is undeserved

Scott Camazine and Roger A. Morse

American Scientist , Vol. 76, No. 5 (September-October 1988), pp. 464-471

Published by: Sigma Xi, The Scientific Research Society

Article Stable URL: http://www.jstor.org/stable/27855385

Grounded Theory of Florida Aquarium retailers’ Acceptance of the Glofish

Brian Peddie

Published by: University of Floridia, 2008

Article Stable URL: http://ufdcimages.uflib.ufl.edu/UF/E0/02/00/00/00001/peddie_b.pdf

the evolution of horror

The Evolution of Horror

Horror: the Changing Monster

1922 nosferatu

1954 Godzilla

1922 Nosferatu

the history of evil

The History of Evil

The History of Evil

Link: http://www.youtube.com/watch?v=T6c-umQ_hlc

love theft

Love & Theft

Love & Theft (2010) Andreas Hykade

Link: http://www.youtube.com/watch?v=rEUxlwb2uFI

bibliography1

Bibliography

Sunset with Chainsaw

Evan Calder Williams

Film Quarterly, Vol. 64, No. 4 (Summer 2011), pp. 28-33

Published by: University of California Press

Article DOI: 10.1525/FQ.2011.64.4.28

Article Stable URL: http://www.jstor.org/stable/10.1525/FQ.2011.64.4.28

Debating Black Swan: Gender and Horror

Mark Fisher and Amber Jacobs

Film Quarterly, Vol. 65, No. 1 (Fall 2011), pp. 58-62

Published by: University of California Press

Article DOI: 10.1525/FQ.2011.65.1.58

Article Stable URL: http://www.jstor.org/stable/10.1525/FQ.2011.65.1.58

slide14

Films without a Face: Shock Horror in the Cinema of Georges Franju

Adam Lowenstein

Cinema Journal, Vol. 37, No. 4 (Summer, 1998), pp. 37-58

Published by: University of Texas Press on behalf of the Society for Cinema & Media Studies

Article Stable URL: http://www.jstor.org/stable/1225726

OWI Meets the Monsters: Hollywood Horror Films and War Propaganda, 1942 to 1945

Rick Worland

Cinema Journal, Vol. 37, No. 1 (Autumn, 1997), pp. 47-65

Published by: University of Texas Press on behalf of the Society for Cinema & Media Studies

Article Stable URL: http://www.jstor.org/stable/1225689

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