1 / 25

SOUND & the MUSIC of AFRICA

SOUND & the MUSIC of AFRICA. VIDEO. List three things that impressed you, that you learned, or “ ahas ” you had while watching. Isaiah at age 4 Rhythm of Foli Write three questions you now have after watching. PRIOR KNOWLEDGE. Write your own understanding of the words SOUND and MUSIC.

halen
Download Presentation

SOUND & the MUSIC of AFRICA

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. SOUND & the MUSIC of AFRICA

  2. VIDEO • List three things that impressed you, that you learned, or “ahas” you had while watching. • Isaiah at age 4 • Rhythm of Foli • Write three questions you now have after watching.

  3. PRIOR KNOWLEDGE • Write your own understanding of the words SOUND and MUSIC.

  4. SOUND PRODUCTION • Motion: instrument is struck, bowed, plucked, buzzed • Vibration: instrument vibrates and creates a wave • Amplification: wave is carried throughout the instrument • Transmission: wave travels through matter • Perception: wave is received by our ear

  5. VOCABULARY 1 • Dynamics: volume of the music, loud and soft • Tempo: speed of the music, fast and slow • Ostinato: short repeated pattern

  6. VOCABULARY 2 • Polyrhythm: two or more different and often conflicting rhythmic patterns played simultaneously creating layered patterns of rhythm • Call & Response: alternating between leader and group • Master drummers: teach, lead, solo over the group, work with dancers, give signals, compose, apprentice • Master Drummers

  7. VOCABULARY 3 • Syncopation: emphasis on the off-beat • Call and response: alternating between leader and the group where the group has the same response each time while the leader’s call changes

  8. TRAITS • Music is functional • Accompanies some other aspect of life • Not just for listening/entertainment • Communicate • Ease burden of work • Worship • Teach • Record history

  9. TRAITS 2 • Rhythm most important aspect of the music • Syncopation is key • Sounds are layered, dense overlapping parts • Lots of percussion instruments • Language is tonal so musical patterns and instrument names reflect this • Taught and learned orally/aurally • Repetition used to extend the music/cyclical

  10. TRAITS 3 • Time line is organizing unit, usually played by a bell • Vocal style • Buzzy or raspy sound • Chanting style • Straight, piercing tone to carry over percussion • Balance between sound and silence

  11. Get your clipboard, pencil, and packet ready now. • READ silently and independently for 10 minutes.

  12. JOURNAL #1 • Title: Obokete • Composer: arr. SowahMensah • Question #3: What instrument anchors the piece?

  13. JOURNAL #2 • Title: Gadzo • Composer: Traditional • Question #3. List three traits of the music of Africa that you hear.

  14. WORLD INSTRUMENT CATEGORIES • Phone: Greek word meaning sound • Aerophone: instrument that produces sound by vibrating a column of air • Chordophone: instr. that produces sound by vibrating a stretched chord • Idiophone: instr. that produces sound by vibrating its self, most common category worldwide

  15. CATEGORIES - cont’d. • Membranophone: instr. that produces sound by vibrating a stretched membrane or skin • Electrophone: instr. that produces sound by oscillating a current of electricity transmitted through a speaker

  16. JOURNAL #3 • Title: Oshika • Composer: MusaphaTetteyAddy • Question #3: Which instrument is the most consistent with it’s pattern? Why?

  17. JOURNAL #4 • Title: Lost River • Composer: Ricky Hart • Question #3: What two world categories for instruments are included here? • Is this African or American in style? Explain

  18. JOURNAL #5 • Title: Atsiagbekor • Version 2 • Version 3 – Smithsonian • Composer: traditional • Question #3. Define polyrhythm.

  19. JOURNAL #5 TRANSLATION We are prepared to perish Surely we will go to battle We want to witness it Master drummer asks: When the time comes to fight in battle, will you be able to do it?

  20. JOURNAL #6 • Title: They Live In You • Composer: Rifkin & Lebo • Question #3: In what specific ways is this African in style?

  21. JOURNAL #7 • Title: Adzogbo – AsiMasi • Title: Adzogbo - Ovitse • Composer: traditional Ewe people of Ghana • Lead drum speaks the piece • Proverb is intoned on the drum through different rhythms and hand positions that imitate Ewe speech • Astimevu – kidi – sogo – gankogui – axatse - kaganu

  22. AEROPHONES • Common: • all brass and woodwind instruments • Flute • Oboe • Trumpet • saxophone

  23. CHORDOPHONES • Common: • All string instruments • Guitar • Piano • Harp • Banjo • Chorda: Latin word for string

  24. IDIOPHONES • Common: • Triangle • Xylophone • Maraca • Bell • Rattle • Gong

  25. MEMBRANOPHONES • Common: • All drums • Snare • Timpani • Djembe • Etc…

More Related