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(left) Occupy Boston , October 11, 2011; (right) Honoré Daumier, The Uprising , 1860. Paul Cézanne & Georges Seurat Post-Impressionism. Paul Cézanne (French, 1839-1906), photo-portrait, 1861 (year of first stay in Paris). “The Master of Aix”.

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Left occupy boston october 11 2011 right honor daumier the uprising 1860
(left) Occupy Boston, October 11, 2011; (right) Honoré Daumier, The Uprising, 1860



Paul c zanne french 1839 1906 photo portrait 1861 year of first stay in paris
Paul Cézanne (French, 1839-1906), photo-portrait, 1861 (year of first stay in Paris)

“The Master of Aix”


(left) PaulCézanne, Self Portrait, 1878-80. Compare with (right) Pablo Picasso, Portrait of Vollard, 1910 (Analytic Cubism)“What forces our interest is Cézanne’s Anxiety. That’s Cézanne’s lesson.”Pablo Picasso


"I had a dream the other day. I had written a beautiful book, a wonderful book, which you had illustrated with beautiful, wonderful pictures. Both of our names shone in letters of gold on the first page and, inseparable to this fraternity of genius, passed on to posterity."

Letter to Paul Cézanne from Emile Zola

From Paris, early 1860’s


Paul c zanne academic study male nude 1862
Paul Cézanne book, a wonderful book, which you had illustrated with beautiful, wonderful pictures. Both of our names shone in letters of gold on the first page and, inseparable to this fraternity of genius, passed on to posterity.", Academic study: Male Nude, 1862


Paul c zanne father of the artist louis auguste 1866
Paul Cézanne book, a wonderful book, which you had illustrated with beautiful, wonderful pictures. Both of our names shone in letters of gold on the first page and, inseparable to this fraternity of genius, passed on to posterity.", Father of the Artist (Louis Auguste), 1866


Stock, caricature of Paul Cézanne with the two painting rejected by the Salon jury of 1870. (right) Portrait of Achille Emperaire, 1867-68, oil on canvas, 78 3/4 x 48 in., Musée d'Orsay, Paris. Intentionally lacked all the elements of charm, grace and finish appreciated by the jury.


Paul c zanne the abduction 1867
Paul Cézanne, rejected by the Salon jury of 1870. (right) The Abduction, 1867


Paul c zanne the murder 1870
Paul Cézanne rejected by the Salon jury of 1870. (right) , The Murder, 1870


(left) rejected by the Salon jury of 1870. (right) Camille Pissarro(1830-1903), Louveciennes, 1872. Compare with(right) Paul Cézanne,Louveciennes, 1872, 73 x 92 cm, oil on canvas Transformation of Cézanne’s style through the Impressionism of Pissarro

Modernism developed through acts of exchange and discussions, rather than through isolated enterprises.


(left) rejected by the Salon jury of 1870. (right) Paul Cézanne, The Hanged Man's House, 1873, oil on canvas, 22 x 26”, Musée d'Orsay, Paris – breakthrough and beginning of mature style.(right) CamillePissarro, Red Roofs: Auvers sur Oise, 1877


Paul c zanne the bay from l estaque 1885 31x39 chicago institute
Paul Cézanne rejected by the Salon jury of 1870. (right) , The Bay from L’Estaque, 1885, 31x39”, Chicago Institute


Paul c zanne mont sainte victoire seen from les lauves 1902 6 oil on canvas 25 x 32
Paul Cézanne rejected by the Salon jury of 1870. (right) , Mont Sainte-Victoire Seen from les Lauves1902-6, oil on canvas, 25 x 32”


Auguste Renoir rejected by the Salon jury of 1870. (right) (left), Mont Sainte-Victoire, 1889. Compare withPaulCézanne, Mont Sainte-Victoire, 1889. The artists painted these paintings together in Aix, en plein aire.


Paul Cézanne rejected by the Salon jury of 1870. (right) , Still Life with Basket of Apples, 1890-95, oil on canvas 24 x 31,” The Art Institute of Chicago


Paul Cézanne,  rejected by the Salon jury of 1870. (right) Still Life with Plaster Cupid, oil on canvas, c.1895 (Courtauld Gallery, London)http://vimeo.com/18214834


Georges Seurat rejected by the Salon jury of 1870. (right) (French, 1859-1891, lived 31 years)Neo-Impressionism (Divisionism, Pointillism, Scientific Impressionism, Chromo-luminism)Overheard at a Neo-Impressionist exhibition in 1894 : “It’s done mechanically?” “No, Monsieur, by hand.”

The Eiffel Tower, 1889, 9 ½ X 6”, Fine Arts Museums, San Francisco


Georges Seurat rejected by the Salon jury of 1870. (right) , (left) Academic Study, c. 1875-1879, chalk drawingSeurat, Embroidery: The Artist’s Mother, 1882-83, conté crayon on ingres paper 12 x 9 “


Georges Seurat rejected by the Salon jury of 1870. (right) , ASunday Afternoon on the Island of la Grande Jatte, 1884-86, o/c, 6’ 9” x 10’ Art Institute of Chicago. Artist was 25 years old


Detail of rejected by the Salon jury of 1870. (right) La Grande

Jatte (dog next to

monkey) showing

Pointillist technique


Georges seurat child in white and couple preparatory drawings for la grande jatte 1884
Georges Seurat rejected by the Salon jury of 1870. (right) , Child in White, and Couple, preparatory drawings for La Grande Jatte,1884


Georges seurat oil studies for la grande jatte
Georges Seurat rejected by the Salon jury of 1870. (right) , oil studies for La Grande Jatte


Georges Seurat rejected by the Salon jury of 1870. (right) (1859-91) La Grande Jatte, 1884, compared with (below) Puvis de Chavannes (French Symbolist, 1824-98) The Sacred Grove, 1884, part of mural for the Lyons Museum of Fine Art, 181 x 419.” Seurat assisted Puvis de Chavannes on this work.


Seurat, rejected by the Salon jury of 1870. (right) La Grande Jatte compared with Pierro Della Francesca, The True Cross, 1466, early Italian Renaissance fresco


Paul Signac rejected by the Salon jury of 1870. (right) (French 1863-1935), Neo-ImpressionismAgainst the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints: Portrait of M. Félix Fénéon in 1890, 1890, o/c, 29 x 36”


Paul Signac rejected by the Salon jury of 1870. (right) , The Gulf of Sainte Tropez, 1892compared with Henri Matisse, Luxe, Calme, et Volupté, 1904Signac and Matisse painted side by side in Sainte Tropez


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