1 / 22

Elvis and Rockabilly

Elvis and Rockabilly. Bill Haley and the Comets. Haley from Western swing tradition Some success with cover of Rocket 88 Renamed band “the Comets” Starts performing R&B covers Hits with Rock Around the Clock For most of song, fast shuffle rhythm

glynn
Download Presentation

Elvis and Rockabilly

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Elvis and Rockabilly

  2. Bill Haley and the Comets • Haley from Western swing tradition • Some success with cover of Rocket 88 • Renamed band “the Comets” • Starts performing R&B covers • Hits with Rock Around the Clock • For most of song, fast shuffle rhythm • Occasionally beat evens out, esp. during guitar solos

  3. Bill Haley and the Comets • Style combination of Western swing, boogie-woogie, and R&B • Not a huge impact in this country, but in England, bigger than Elvis • Starts English teens singing rock and roll • Strong crossover appeal • Frequently involves mixture of styles • Most defined by strong rhythmic activity • Descended from swing jazz • Stripped down instrumentation: 2-3 horns + percussion section • Plus a blues shouter – male vocalist with strong, supported blues voice • Up-tempo numbers with boogie-woogie feel • Riff-based accompaniments • Rough, “honking” instrumental timbres • Four- or eight-beat style beat • “Slice of life” vignettes • Showmanship important • “Father of rhythm and blues” • Showman, comic, and bandleader • Ex. Choo-Choo-Ch-Boogie • Shuffle style beat • Boogie-woogie walking bass • Riff-based • Verse/chorus blues form • Verse = 12 bar blues • Refrain = 8 bar blues • Country blues carried north to cities • New style starts to develop in Chicago • Drums, bass, harmonica and/or piano added to singer+guitars • Role of each instrument specified • Forms: • 12 or 16 bar (aaab) blues • blues verse/chorus • Often riff-based • Strong rhythm section • Amplification used • Aggressive and extroverted: shouted vocals, hard timekeeping • Major influence on urban blues • Ex. Hoochie Coochie Man • Waters (guitar), piano, bass, harmonica • Verse/Chorus blues form • 16 bar blues; first 8 verse, 2nd 8 chorus • Stop time: 1 1/2 beat riff, 2 1/2 beats for vocals • Dense textures • Shuffle rhythms • Afro-Cuban influences prominent in New Orleans R&B • Major influence: Professor Longhair (Roy Byrd) • Walking bass • Boogie-woogie piano • Shuffle rhythm • PLUS “reverse” clave rhythm 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + X X X X X X X X X X rather than… 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + X X X X X • Influenced by Professor Longhair and Latin-flavored boogie-woogie • Signature characteristic - fast, even triplets • Laid-back style • Ex. Mardi Gras in New Orleans • Dense textures, often polyrhythmic as well • Clave rhythm • 12-bar blues

  4. Elvis Presley • Is most of Elvis’ music rock and roll? • Jailhouse Rock? • Mystery Train? • Hound Dog? • All Shook Up?

  5. Elvis Presley • Regardless of beat structure, Elvis is rock and roll --- • Figure though which R&B/rock and roll reaches large white audience

  6. Elvis Presley (1935-1977) • Born Tupelo, Mississippi into poor family • Begins playing guitar age 11 • Influences: Muddy Waters, Jimmie Rodgers • Moves to Memphis 1948, absorbs blues, R&B scene • Early 1954 goes into Sun studios to record demo

  7. Elvis Presley (1935-1977) • Early 1954 goes into Sun studios to record demo • Second session records That’s All Right Mama and Blue Moon of Kentucky • By August featured on Grand Old Opry • August 1956 TV appearances make a sensation

  8. Elvis - Major Influences • Brings huge number of vocal styles into rock and roll • Persona in which country and R&B, black and white cultures mesh • Style combination of honky-tonk, Western swing, R&B, with unique vocal style • Creates sub-genre of rock and roll = rockabilly

  9. Rockabilly • Combination of country and R&B, but with more weight on the country elements • Less blues influence on vocal style than Berry, Little Richard • Rather, hiccups, stutters • vibrato (quavery) vocal effects • Fast, nervous tempos of bluegrass

  10. Rockabilly • Combination of country and R&B, but with more weight on the country elements • Less blues influence on vocal style than Berry, Little Richard • Accented backbeat, but even beats of country music

  11. Rockabilly • “rock” or “honky-tonk” instrumentation • lead electric guitar • acoustic rhythm guitar • string bass • drums • songs from R&B repertoire, or in similar style

  12. Carl Perkins (1932-1998) • Born rural Tennessee • Working as country singer when heard Elvis on radio • Decided to pattern style after Elvis • Went to Sun records, auditioned for Sam Phillips • First record - Blues Suede Shoes - major hit

  13. Blue Suede Shoes • Country influences audible • But heavy doses of blues as well • Stop time • guitar style • riff-based

  14. Buddy Holly (1936-1959) • Born Lubbock, TX • Formed Western swing band in high school; worked as back-up band for Bill Haley • Models vocal style after Elvis after meeting at gigs • First recording, in 1956, unsuccessful

  15. Buddy Holly (1936-1959) • That’ll Be The Day a hit in 1957 • Rapid string of seven hit records with band The Crickets • Killed in plane crash in 1959 - “The Day The Music Died”

  16. Buddy Holly - style • Equal parts of country, R&B, and rock and roll • Guitar style: R&B influenced • Vocal style: country + Elvis • Musical forms, Chuck Berry-influenced lyrics: rock and roll • Compositions most sophisticated of early rock artists

  17. Not Fade Away • Riff-based, but combines with stop time • Stuttering vocal style • Multiple rhythmic layers • beat • style beat • Bo Diddley beat • backbeat

  18. Well…All Right • Very different style - more pop oriented • Verse/refrain, with weight on verses • Forward-looking: Blind Faith records a decade later

  19. Jerry Lee Lewis (1935- ) • Born Ferriday, Louisiana • Primary influences - boogie-woogie piano, New Orleans R&B style of Professor Longhair • Often categorized as rockabilly, but more in common with Little Richard

  20. Great Balls of Fire • Percussive, boogie-woogie piano style • With addition of glissandos, triplets of New Orleans style • Frantic performing style • Honky-tonk/hillbilly vocals • Blatantly sexual lyrics

  21. Everly Brothers (Don 1937 - and Phil 1938 - ) • Born into family of country musicians • Parents ran radio station in Iowa, so heard and performed everything • Earliest recordings for Candice label in Nashville

  22. Everly Brothers - Style • “Old-Timey” vocal harmony in thirds • High tenor range - influence from blues and gospel • “rock” instrumentation + piano • catchy melody lines • gentle rock timekeeping

More Related