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George Melly/JR Glaves-Smith. 1973 The New Yorker Collection.

Explore the role of color, texture, and value in the composition of two-dimensional designs. Featuring works by Sydney Licht, Claude Monet, Roy Lichtenstein, David Smith, Jennifer Bartlett, Mark Rothko, Giorgio Morandi, Russell Connor, and more.

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George Melly/JR Glaves-Smith. 1973 The New Yorker Collection.

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  1. George Melly/JR Glaves-Smith. 1973 The New Yorker Collection.

  2. Two dimensional design (composition) is basically the arrangement of shapes. The color, texture and value of these shapes plays a key role. Sydney Licht. Still Life with Two Bunches. Oil on linen, 12” x 12”

  3. Sydney Licht

  4. Sydney Licht Still Life with Dessert

  5. Claude Monet. Rouen Cathedral: Portal, grey weather. 1892. Oil on canvas Roy Lichtenstein. Cathedral #2 from the cathedral series. 1969. Colour lithograph.

  6. Claude Monet. Rouen Cathedral, morning affect

  7. Roy Lichtenstein Cathedral #2 from the Cathedral series, 1969 Color lithograph and screen print.

  8. Roy Lichtenstein. Cathedral #5 from the cathedral series. 1969. Colour lithograph.

  9. Angle of perception David Smith. Blackburn: Song of an Irish Blacksmith, front and side views. 1949-50. Steel and bronze 46 ½” x 41” x 24”

  10. Jennifer Bartlett. Boats 1987. Sculpture: painted wood, steel support, pine mast, 66 ½” x 47 ½” x 46” each; Painting: oil on canvas, 9’10” x 14’.

  11. Jennifer Bartlett. Boats 1987. Sculpture: painted wood, steel support, pine mast, 66 ½” x 47 ½” x 46” each; Painting: oil on canvas, 9’10” x 14’.

  12. Jennifer Bartlett

  13. Mark Rothko Orange and yellow, 1956 Oil on canvas. 91 x 71 inches

  14. Giorgio Morandi. Natura Morta. 1956 Oil on canvas

  15. Russell Connor. The New Yorker cover drawing November 1992

  16. Russell Connor. Beyond the Brillo Box 1992

  17. Rembrandt c. 1632 The Anatomy Lesson, oil on canvas.

  18. Rottgen Pieta. c. 1370 Wood 10 1/2”

  19. Ad for Nike Sportswear 1995 NYC

  20. Catherine Murphy, Self-Portrait. 1970. Oil on canvas, 49 ½” x 37 ¼”

  21. Catherine Murphy, Self-Portrait at easel 1973.

  22. Paul Resika. July 2001. Oil on canvas 52” x 60”

  23. Rebecca Harvey. Systema Naturae. Ceramic 1998

  24. Arshile Gorky. Garden in Sochi. c. 1943. Oil on canvas, 31” x 29”

  25. Whiting Tennis, Little Agricultural, Cardboard collage

  26. Helen Frankenthaler Over the Circle 1961. Oil on canvas 84 ½” x 87 ½”

  27. Daniel Wiener. Chorus, 1993. Hydrocal, acrylic, wire dyed muslin, 15’5 ½” x 13’ x 7’7”

  28. Armchair in a continual curved form.

  29. Rocio Romero. Prefabricated Home, 2003

  30. Yeardley Leonard. Sita. 2001. Acrylic on linen on panel, 16 ½” x 33”

  31. Will H. Bradley. Poster for Thanksgiving Number of The Chap-Book. 1895

  32. Nationale-Nederlanden Building, Prague 1996. Architects: Vladimir Milunic/Frank Gehry

  33. The location of shapes in space organizes the space into positive and negative areas.

  34. Utamaro. Ten looks of women’s physiognomy/enjoyable looks.

  35. Aaron Siskind. Chicago 30. 1949 Gelatin silver, 14” x 18”

  36. Michael Graves. Addition to the Benacerraf House. Princeton, NJ 1969

  37. Michael Graves. Addition to the Benacerraf House, side view. Princeton, NJ 1969

  38. left: Georges Seurat. The Black Bow. c. 1882 Conté crayon, 12” x 9” above: Georges Seurat. Silhouette of a Woman. 1882-84 Conté crayon, 12” x 8 7/8”

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