WELCOME TO PHOTOGRAPHY 101. EQUIPMENT REQUIREMENTS 35MM SLR MANUAL CAMERA IN WORKING CONDITION. DON’T HAVE ONE? HMMMM!!!!!!! ORDER ONE ON LINE AT: http://www.freestylephoto.biz/index.php
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35MM SLR MANUAL CAMERA IN WORKING CONDITION. DON’T HAVE ONE? HMMMM!!!!!!! ORDER ONE ON LINE AT:
HERE YOU CAN ORDER A MANUAL CAMERA THAT IS AFFORDABLE AND IT WORKS. I REALLY RECOMMEND YOU ORDER ONE TODAY.
Vivitar V3800N 50mm f/1.7 Lens Starter Kit w/Two rolls Legacy Pro 400 iso B&W Film
Model# 59893 $179.99
ALL OTHER MATERIALS INCLUDING PORTFOLIO, FILM, PAPER, AND CHEMICALS WILL BE AVAILABLE TO YOU IN CLASS.
I will expect you to have a camera by the end of the week. I do not have any that work.
One more thing I would like you to get a note book that you can use for notes and exposure data.
Lighting early in the morning or late in the evening can have dramatic effects.
Why Black and White?The answers are many, and call me old fashioned, but black and white, the original art that inspired Sir John Herschel to coin the term "photography" drawing with light will always have a rightful place in the pantheon of legitimate art forms.
Look and tell—what do you see?
See beyond just seeing white…..
CONTRAST IN TONAL VALUES, SUBDUED LIGHTING, PROPORTION, SHAPES, LINES, COMPOSTIONAL RATIOS
Newsboys white…..getting ice cream from Street vendor. 1908 Wilmington, Delaware
documentation white…..Dorothea Lange
“Migrant Mother” 1936
Dorothea Lange's "Migrant Mother" Photographs in the Farm Security Administration Collection: An Overview
The photograph that has become known as "Migrant Mother" is one of a series of photographs that Dorothea Lange made of Florence Owens Thompson and her children in February or March of 1936 in Nipomo, California. Lange was concluding a month's trip photographing migratory farm labor around the state for what was then the Resettlement Administration. In 1960, Lange gave this account of the experience:
I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed. She had just sold the tires from her car to buy food. There she sat in that lean- to tent with her children huddled around her, and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it. (From: Popular Photography, Feb. 1960).
The images were made using a Graflex camera. The original negatives are 4x5" film. It is not possible to determine on the basis of the negative numbers (which were assigned later at the Resettlement Administration) the order in which the photographs were taken.
There are no known restrictions on the use of Lange's "Migrant Mother" images. A rights statement for the Farm Security Administration/Office of War Information black-and-white negatives is available online at: http://www.loc.gov/rr/print/res/071_fsab.html.
Ansel Security Administration Collection: An Overview Adams
Ambient light is natural lighting. This allows for a soft glow with a wide range in tonal values. The beauty of black and white images allows for no distraction from color.
Depth glow with a wide range in tonal values. The beauty of black and white images allows for no distraction from color.
koppel glow with a wide range in tonal values. The beauty of black and white images allows for no distraction from color.
NICE glow with a wide range in tonal values. The beauty of black and white images allows for no distraction from color.