SYMBOLISM

1. Can also get a reflection of your inner self— “younger, lighter, happier in body” Light Dark Good Evil Jekyll Hyde Appearance is important Jekyll looks in the mirror and sees Hyde Hyde is deformed—feel of evil like it is written on his face Mirrors Is a small part of Jekyll SYMBOLISM You have to open a door to reveal something— “nothing but a door on the lower storey...bore in every feature, the marks of prolonged and sordid negligence” Its broken and it is the only key to the door Keys Doors Means that the truth cannot be unlocked easily—has to be forced open Wine symbolises addiction Doors are also there to conceal something from the reader

2. “Satan’s signature on his face” Symbol,of hell and all things evil (Hyde) Hyde = Hide Utterson = To speak/utter Jekyll = I Kill Gabriel = The angel messenger Names Symbolises universal drug addiction Satan SYMBOLISM Windows White Powder No windows on gable end Windows are clean at start and dirty at the end Hiding secret “Three dusty windows barred with iron” Back Door—not to be seen Father and Son “errant son” “Jekyll had more than a fathers interest; Hyde had more than a son indifference”

3. Hyde has a key, so he can unlock the secret Utterson doesn’t have a key, cannot unlock the secret Hyde has a power .U doesn’t No key = kick of power and authority “Story of the door” Stands at the doorstep Secrets behind the door Behind the door, Jekyll succumbs to his evil ways Reflection of yourself, “younger, lighter, happier” “When the wine was to his taste” Brings in aspects of duality Symbolises personality altering substances Poole doesn’t drink which shows that the respectable can be unrespectable “Drank gin when he was alone “ similar to an alcoholic Utterson goes “soberly to bed” Difference as he does not abuse this power Keys Doors Symbolises secrets and evil “Some city in a nightmare” Mirrors Symbolism Soho Alcohol Fog Documents Represents things being covered up, unclear Fog-conceal mystery When the mystery deepens “ even in the houses the fog began to lie thickly” “Labyrinth”-streets symbolises J. getting lost in his addiction Windows Give story flow Key to mystery –Utterson holds the key =Lanyon’s letter and Jekyll's confession Burnt paper-paper represents truth. burnt =truth destroyed Bars Prison for Jekyll—discontent prisoner Symbolise Jekyll’s state of mind- “clean” to begin with but become un kept Full Moon Symbolises Hyde’s savagery and evil.—represents horror, but also a romantic scene The name Hyde symbolises that he is covering up his behaviour-something to “Hyde” behind

4. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Hyde always turns into Jekyll at night. Victorian London—two side of society. The upper class and lower class, linking to duality. Almost everything important happen at night. “The dismal quarter of Soho” “the rooms bore every mark of having been recently and hurriedly ransacked.” Fear of degeneration. Setting “Furnished with luxury and good taste” Hyde’s house in Soho. “by-street in a busy quarter of London” Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” By Alan Ferguson and Kimberly Smith. “My devil had been long caged and he came out roaring.” This means that his addiction has been held back for such a long time that it comes out in a binge form and he goes on a “bender”. “The powers of Hyde seem to have grown with his sickliness of Jekyll.” This means as Jekyll grows weak he is easily taken over by Hyde. “This drug is wanted bitter bad” - JekyllThis shows how Jekyll wanted this drug, it shows desperation. “White powder”This quote has a universal significance of any kind of drug. It can also relate to cocaine in a modern perspective. “The moment I choose I can be rid of Mr Hyde.” This shows illusion versus reality, as Jekyll believes he can control his addiction, but he really cannot. “I neither gave up the house in Soho, nor destroyed the clothes of Edward Hyde.” This shows Jekyll has not committed to giving up his addiction, as he does not give up the material positions of Mr Hyde. “Their last sample is impure.”This shows how Jekyll has became more addicted to this drug, as he needed a more concentrated substance for it to have the same effect on him. Hyde—Lower Class Jekyll—Upper Class Hyde—Lower Class Jekyll—Upper Class Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Hyde always turns into Jekyll at night. Hyde—Lower Class Jekyll—Upper Class Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Almost everything important happen at night. “The dismal quarter of Soho” Hyde always turns into Jekyll at night. Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Almost everything important happen at night. “The dismal quarter of Soho” Hyde always turns into Jekyll at night. Carew's murder and Hyde turning into Jekyll. The contrast of day and night, good and evil. Victorian London—two side of society. The upper class and lower class, linking to duality. Almost everything important happen at night. “The dismal quarter of Soho” Victorian London—two side of society. The upper class and lower class, linking to duality. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “The dismal quarter of Soho” Fear of degeneration. • Alcohol.Wine is referred to a lot throughout the novel. All of the main characters drink it excessively, alone and socially. However, none of the servants in the play touch alcohol when offered. Gin is also mentioned, as Utterson drinks this when he is by himself.Note: Gin is said to be the drink of the alcoholic when drank alone.“Jekyll and Hyde Syndrome” This is a commonly used term to describe the change that takes place in someone's persona when influenced by alcohol. It can be the dire need for more drink that makes it like this, and the efforts some people go to get it. • DrugsJekyll is addicted to the drug he created, in which he transforms into Hyde.He does this to become another person where is relieved of his responsibilities as Dr Henry Jekyll. This drug soon takes over Jekyll and starts to control his life. It soon takes so much control over him that he can’t control when his personality splits. The drug is never identified, there fore it could be anything, which is why it can be related to today’s society. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “The dismal quarter of Soho” Setting Fear of degeneration. Addiction. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “The dismal quarter of Soho” Setting Fear of degeneration. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “The dismal quarter of Soho” Setting Fear of degeneration. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “The dismal quarter of Soho” Setting Fear of degeneration. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “The dismal quarter of Soho” Setting Fear of degeneration. Almost everything important happen at night. “the rooms bore every mark of having been recently and hurriedly ransacked.” “Furnished with luxury and good taste” “The dismal quarter of Soho” Setting Fear of degeneration. Hyde’s house in Soho. “the rooms bore every mark of having been recently and hurriedly ransacked.” “Furnished with luxury and good taste” Setting Fear of degeneration. Hyde’s house in Soho. “the rooms bore every mark of having been recently and hurriedly ransacked.” “Furnished with luxury and good taste” Setting Fear of degeneration. Hyde’s house in Soho. “by-street in a busy quarter of London” “the rooms bore every mark of having been recently and hurriedly ransacked.” “Furnished with luxury and good taste” Setting Fear of degeneration. Hyde’s house in Soho. “by-street in a busy quarter of London” “Furnished with luxury and good taste” Setting Hyde’s house in Soho. “by-street in a busy quarter of London” “Furnished with luxury and good taste” Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. Hyde’s house in Soho. “by-street in a busy quarter of London” “Furnished with luxury and good taste” Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. Hyde’s house in Soho. “by-street in a busy quarter of London” “Furnished with luxury and good taste” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. Hyde’s house in Soho. “by-street in a busy quarter of London” “Furnished with luxury and good taste” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. Hyde’s house in Soho. “by-street in a busy quarter of London” “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” “Furnished with luxury and good taste” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. Hyde’s house in Soho. “by-street in a busy quarter of London” “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” When Jekyll was at the pinnacle of his addiction he had to triple his dosage to reach to orgininal hit. However this time was taking it to remain normal, and not in distress. This has a very high reference to alcoholics these days, as they must always have alcohol to remain their normal person. Much like Jekyll’s condition. This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. “by-street in a busy quarter of London” “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. “by-street in a busy quarter of London” “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. Jekyll has no control over his addiction to Hyde this shown as he wakes up in the park as Hyde. “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” This use of dingy places enhances the feeling of seediness. Use of contrasting images build on the theme of duality. “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” “the street shone out in contrast to its dingy neighbourhood like a fire in a forest” Drugs create a different person in everyone.

5. Homosexuality –written the year after it was made illegal. “unspeakable vice” “unnatural” The street in the 1st chap shines out with its “neat shop fronts” from its “dingy neighbourhood” intro of duality Jekyll’s house is located amongst “handsome houses...decayed from their high estate” but J’s has an “air of wealth and comfort” and is the only one not fractioned into separate chambers. “Morning, black as it was” 19th C. Victorian society J has to adhere to a standard because of his class. Creates Hyde to escape oppression Hyde created early morning, in the dark-sense of evilness/wickedness. The back of J’s house is distinct from it surrounds as it’s “sinister” and has the “marks of prolonged and sordid negligence” London was fashionable for novels at the time although until J+H Gothic horrors were always set in Eastern Europe e.g. Frankenstein Hyde lives in an area of “muddy ways” “slatternly passengers” and “some district in a nightmare” No respectable person would be seen there Setting in London brings the action closer to the reader. Setting Hyde’s door is “blistered and disdained” and has no bell or knocker. Only Hyde has the key However, his rooms are “furnished with luxury and good taste” Fog covers up the mystery and is also an important genre marker. Moonlight when Carew dies show duality as it can show romantic and horrific atmospheres. H’s rooms in Soho have “been recently and horribly ransacked” Hyde appears to occupy the night until J starts to lose control, he then appears in “twilight.” Victorian society was obsessed with the idea of “degeneration” London was a city of high unemployment, prostitution, poverty and the upper classes were afraid of being brought down to this level. There is a fore ground (murder) and background (romantic moonlight) aspect to the chapter where Carew dies.

6. Hyde represents evil demonstrated by him killing Sir Danvers Carew. Good is represented by Jekyll, shown in quotes such as ‘Well liked gentleman.’ ‘Respectable Dr. Jekyll’ Jekyll’s home represent duality. The lab represents evil as it is small, dark and dingy but the main rooms represent the good side. They are furnished with luxury and good taste. Stevenson uses fog to hide the evil side of man. Victorian time Setting Set in London although Stevenson came from Edinburgh. “Although a fog rolled over the city in the small hours. The early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.” Poverty and crime Repression Hyde represents evil demonstrated by him killing Sir Danvers Carew. Good is represented by Jekyll, shown in quotes such as ‘Well liked gentleman.’ ‘Respectable Dr. Jekyll’ Hyde represents evil demonstrated by him killing Sir Danvers Carew. Good is represented by Jekyll, shown in quotes such as ‘Well liked gentleman.’ ‘Respectable Dr. Jekyll’ Jekyll’s home represent duality. The lab represents evil as it is small, dark and dingy but the main rooms represent the good side. They are furnished with luxury and good taste. Jekyll’s home represent duality. The lab represents evil as it is small, dark and dingy but the main rooms represent the good side. They are furnished with luxury and good taste. Stevenson uses fog to hide the evil side of man. Stevenson uses fog to hide the evil side of man. Victorian time Victorian time Setting Setting Set in London although Stevenson came from Edinburgh. “Although a fog rolled over the city in the small hours. The early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.” Set in London although Stevenson came from Edinburgh. “Although a fog rolled over the city in the small hours. The early part of the night was cloudless, and the lane, which the maid’s window overlooked, was brilliantly lit by the full moon.” Poverty and crime Poverty and crime Repression Repression

7. Jekyll feels no responsibility for the actions and cruel aspects which is carried out as Hyde. Wants to protect status and respectability. Jekyll can still be regarded as a respectable gentlemen. Henry Jekyll, M.D, D.C.L, LL.D, F.R.S and C. This indicates Jekyll’s intelligent. Also that he’s respected and high in society. Jekyll Creates Hyde to act without responsibility with no consequences. He uses Hyde to cover and take the blame for what his “concealed pleasures” require “it was Hyde…and Hyde alone that was guilty” “ I had gone to bed Hyde and awakened Edward Hyde. This shows that Jekyll is unable to control Hyde.

8. “The moment I choose, I can be rid of Mr Hyde”. This is important because we find out this is not true as Jekyll becomes addicted to Hyde. Jekyll accepting a small piece of responsibility.” “an honest man”. This is ironic because even though Hyde committed the crimes Jekyll made Hyde. This means that Jekyll is not all honest Born “to a large fortune”. This means he was part of the upper class from when he was born. Jekyll “Man is not truly one but truly two” This represents the duality of man He believes man has two sides. He is addicted to Hyde which is His bad side “a large, well-made smooth-faced man of fifty, with something of a slyish cast”. This contradicts with Hyde who is small. His pleasures were repressed when he Was younger and are still repressed In Victorian London. This is why he creates Hyde Hyde is under-evolved which shows the duality of man because he is not properly formed.

9. After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” Written at a time that psychology was in its infancy. Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde The Last Night: tea tray, signs of society, respectability and restraint Jekyll proves that “man is not truly one but truly two” Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. J + H Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? J a man with “every mark of capacity and kindness” but also has a “slyish cast” Lanyon believes J is too unscientific. Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” In turmoil “chief of sinners, chief of sufferers” After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility Written at a time that psychology was in its infancy. J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility Written at a time that psychology was in its infancy. J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility Written at a time that psychology was in its infancy. J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility Written at a time that psychology was in its infancy. J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde After murder of Carew J says “ I have learned a terrible lesson” but does not accept responsibility Written at a time that psychology was in its infancy. The Last Night: tea tray, signs of society, respectability and restraint J views H differently from others as he recognises part o himself. Others see only pure evil. He sees H as separate though “He I say, I cannot say I” Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde Jekyll proves that “man is not truly one but truly two” Written at a time that psychology was in its infancy. The Last Night: tea tray, signs of society, respectability and restraint Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde Jekyll proves that “man is not truly one but truly two” The Last Night: tea tray, signs of society, respectability and restraint Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting Not seen until the third chapter—it’s as if Jekyll is the hidden character, not Hyde Jekyll proves that “man is not truly one but truly two” The Last Night: tea tray, signs of society, respectability and restraint Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting Jekyll proves that “man is not truly one but truly two” The Last Night: tea tray, signs of society, respectability and restraint Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. Jekyll proves that “man is not truly one but truly two” The Last Night: tea tray, signs of society, respectability and restraint Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. Jekyll proves that “man is not truly one but truly two” J + H Introduced as “MD, DCL, LLD, FRS & C” Doctor and lawyer. Shows importance of position in Victorian setting Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. J + H Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. J + H Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis J + H Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. There are parts of Jekyll in Hyde civility of manner, rooms in Soho: carpets, décor, paintings Aware of parts of Jekyll in Hyde’s actions = burning cheques and other documents. Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis J + H Suggestion of homosexuality “unspeakable vice” and U thinks that J is being blackmailed at first. Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis J + H Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” Novel was written one year after homosexuality was banned in UK As H’s actions become more severe, so does U’s hypothesis When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J a man with “every mark of capacity and kindness” but also has a “slyish cast” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? Hyde: brutal “Ape-like fury” “hatred” aggressive short, ugly “vile” “dwarfish” “animalistic” “like a monkey” “hissing” ”snarled” “gave an impression of deformity without any nameable malformation” “mixture of timidity and boldness” “Satan's signature on (his) face” “damned juggernaut” Lanyon believes J is too unscientific. When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J a man with “every mark of capacity and kindness” but also has a “slyish cast” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? Lanyon believes J is too unscientific. When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J a man with “every mark of capacity and kindness” but also has a “slyish cast” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? Lanyon believes J is too unscientific. Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J a man with “every mark of capacity and kindness” but also has a “slyish cast” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? Lanyon believes J is too unscientific. Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” When J was young he was “wild and disgraceful” and had a “certain gaiety of disposition” but resolves to wear a “grave countenance before the public” J a man with “every mark of capacity and kindness” but also has a “slyish cast” J is a liar and a hypocrite. Creates Hyde so as not to have any responsibility for actions. Can’t break addiction-weak? Lanyon believes J is too unscientific. Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” In turmoil “chief of sinners, chief of sufferers” J a man with “every mark of capacity and kindness” but also has a “slyish cast” Lanyon believes J is too unscientific. Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” In turmoil “chief of sinners, chief of sufferers” Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” In turmoil “chief of sinners, chief of sufferers” Hyde is not described physically other than being small-only part of Jekyll. Jekyll is described as “large” In turmoil “chief of sinners, chief of sufferers” In turmoil “chief of sinners, chief of sufferers” In turmoil “chief of sinners, chief of sufferers”

10. Jekyll hypocritical about drug addiction characterisation “The moment I choose I can be rid of Mr Hyde” Jekyll believes this but it’s not true characterisation His addiction eventually kills him – never in control J never really gives up being Hyde after the murder of Carew Addiction References to “the drug” Language word choice Doesn’t give up the house in Soho Setting White powder. Symbolic Colour change in the drug shows the physical and mental changes in Jekyll symbolism “Jekyll and Hyde syndrome used to describe violent drunks = modern use of the name Drug changes his personality, just like alcohol characterisation

11. 1 side can dominate: evil Shows everyone has two sides Enfield: vivacious and “man about town” Utterson: Quiet and solitary “man is not truly one but truly two” Two sides of Jekyll: respectable/ flamboyant Utterson/ Enfield Lanyon referred to Jekyll’s work as “unscientific balderdash” Jekyll ispredominantly good/Hyde is predominantly evil Duality Jekyll/Lanyon Jekyll/ Hyde “The street shone out in contrast to its dingy neighbourhood” Jekyll “dismal quarter of Soho” Soho: place of wickedness and loose morals Physics vs metaphysics Lanyon changes when he witnesses the transformation “furnished with luxury and good taste…recently and hurriedly ransacked” Upper class Hyde Lower class

12. Shows Jekyll is losing control Main turning point: Jekyll spontaneously turns into Hyde. Shows good and evil coming together. Light Evil is becoming dominant. When we see Hyde Duality When Utterson meets Hyde When we see Jekyll Dark “I must flee before daylight.” Hyde Mysterious atmosphere Main events happen at night eg. Carew murder sinister