1 / 64

Shakespeare

Shakespeare. International man of mystery. William Shakespeare. April 23, 1564-1616 Greatest writer of English? Bard of Avon Stratford-upon-Avon 37 or 38 plays 154 sonnets, plus. Shakespeare in love?. Married Anne Hathaway. Early life. He was 18, she was 26

essien
Download Presentation

Shakespeare

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Shakespeare International man of mystery

  2. William Shakespeare • April 23, 1564-1616 • Greatest writer of English? • Bard of Avon • Stratford-upon-Avon • 37 or 38 plays • 154 sonnets, plus

  3. Shakespeare in love? • Married Anne Hathaway

  4. Early life • He was 18, she was 26 • Six months later first child born • Three children, two of which were twins • Lived with his father, successful glove maker • Next eight years “lost years” • ????????

  5. Making plays in London • Early 1590’s writing plays in London • Successful as playwright, actor, and shareholder of acting company • Lord Chamberlain’s Men • The King’s Men • The Globe Theatre

  6. Blackfriar’s Theater

  7. Elizabethan Age • Favorite of Queen Elizabeth I • Shakespeare has strong heroines, perhaps inspired by Elizabeth • First feminist? Portrayed the virtues of strong women who achieve their goals

  8. Jacobean Age • King James I cultivated and strong patron of the arts • Elevated Shakespeare’s company even higher, making the participants gentlemen

  9. Success • Most popular acting company in London • Spent much of time in London away from family • Later bought second most expensive house in Stratford

  10. Shakespeare’s house

  11. Statue to Shakespeare

  12. Monument to playwrights

  13. I’m not dead yet. • Died age 52 of fever? Typhus? • "Shakespeare, Drayton, and Ben Jonson had a merry meeting and it seems drank too hard, for Shakespeare died of a fever there contracted." ~ Vicar of Holy Trinity Church

  14. Oh, maybe I am. • Buried in Holy Trinity Church

  15. Will’s last will • Left his wife his “second-best bed” • Hmm… • Gave daughters, friends and relatives everything else, which wasn’t all that much • If he was so successful and famous, where did all his money go? • Did not arrange to have his plays printed or mention them in his will

  16. Signatures • WillmShakp • William Shaksper • WmShakspe • William Shakspere • WillmShakspere • By me William Shakspeare

  17. Jonson’s praise • This figure that thou here seest put,It was for gentle Shakespeare cut,Wherein the graver had a strifeWith Nature, to outdo the life:Oh, could he but have drawn his witAs well in brass, as he has hitHis face, the print would then surpassAll that was ever writ in brass;But since he cannot, reader, lookNot on his picture, but his book. • Ben Jonson, Lines on a Picture of Shakespeare.

  18. Humanism • Morality plays religious themes • Shakespeare explores human, not divine dilemmas • Shakespeare’s religious tolerance: “wonderful philosophical impartiality” ~Coleridge • Humanism: human experience as a way of knowing self, nature, or God • Value to each individual human life • Villains have sympathy

  19. Humanism • No simplistic moral or theological narratives • Explores emotions and moral choices faced by secular men in extreme circumstances • Renaissance: arts, sciences, Greek and Roman culture • Rapidly expanding knowledge and extraordinary artistic production • Artistic and moral movement

  20. Shakespeare’s Plays Comedies • All's Well That Ends Well, As You Like It, Cymbeline, The Comedy of Errors, Love's Labour's Lost, Measure for Measure, The Merchant of Venice, The Merry Wives of Windsor, A Midsummer Night's Dream, Much Ado About Nothing, Pericles, The Taming of the Shrew, The Tempest, Troilus and Cressida, The Two Gentlemen of Verona, Twelfth Night, The Winter's Tale Tragedies • Antony and Cleopatra, Coriolanus, Hamlet, Julius Caesar, King Lear, Macbeth, Othello, Romeo and Juliet, Timon of Athens, Titus Andronicus Histories • 1,2, and 3 Henry VI, 1 and 2 Henry IV, King John, Henry V, Henry VIII, Richard II, Richard III

  21. Theatre in London • London 200,000 people 1590’s: high mortality, crime, unsanitary conditions, crowding • Young men from countryside, like Shakespeare • Pickpockets, prostitutes, commoners, gentlemen, foreign fashions, theater red-light district • Most important cultural form English Renaissance • Sophisticated audience, novelty, variety, complexity

  22. Theatres • Playwrights in demand • Birth of modern theater • Daytime performances: open-air, rain or shine, rowdy • Social classes mix freely • Poor: yard front of stage, penny • Richer: seats, higher up cost more • 1609 indoor, winter, intimate, more expensive

  23. Theatres • Theater more respectable • Plague decimates 1/3 to 2/3 of city’s population • Playhouses breeding grounds, often closed • Afraid of political unrest, so licensed • Companies 15 plays/month • Several thousand during Shakespeare’s time • Bare stage; new play every day, so big sets expensive, impractical

  24. Theatre • Costumes main expense, language and imagination • Cannon burned down Globe in 1613, no one killed but one man’s breeches caught fire, bottle of ale doused • Trapdoors, deus ex machina, sword fights, jigs and dances • Men and boys played all roles; women forbidden because “immoral”

  25. Language • Shared culture: Bible and mythology • Flexible language, no rules or standards • Shakespeare 25,000 different words • Average adult 7,000-10,000 words, 800 then • Shakespeare invented maybe 1,700 words

  26. Language • Social class, personality, mood and situation • Prose or verse class or situation • Heightened emotional state or formal poetic, otherwise prose • Romeo and Juliet meet and exchange a perfect sonnet • Figurative language: metaphor, simile, personification, puns, rhythm, meter, symbolism, layers of meaning • Syntax: emphasis on which part of speech to accentuate, whatever comes last

  27. Poetry • Shakespeare wrote poetry from 1592-94 when plague shut down theatres in London • Wanted to make name for himself • Poetry considered more sophisticated and gentlemanly than theatre • Narrative poetry and sonnets

  28. Sonnets • Sonetto, little song • Italian, Dante, Petrarch • Earl of Surrey adapted rhyme scheme to English, known as Shakespearean sonnet • Time, Beauty, and Verse • Very popular 1590’s • Collection known as a sequence or cycle

  29. Sonnets • Sonnets 1-126 to a young man • 127-152 to a dark lady • 153-154 to Cupid • About procreation and immortality in verse • Beauty also immortalized, preserved in poetry • “Beauty is truth, truth beauty”~Keats • “A thing of beauty is a joy forever”~Keats

  30. Unrequited love • Lancelot and Guinevere, Tristan and Isolde, and the idea of courtly love • Evolution of feeling and thought toward the beloved: enchanted, worshipful, confounded, disenchanted, and combative • Dark lady: eyes and hair of black • Adulterous affair ending in frustration and deception

  31. Sonnets • “For I have sworn thee fair, and thought thee bright/Who are as black as hell, as dark as night” • Young man having and affair with dark lady? • Love triangle, and then competition, rival poet • Sonnet’s formal structure challenged to create within constraints • Sound, meaning, and image combine

  32. Sonnets • Fourteen lines=three quatrains+one couplet • Quatrain=four lines • Couplet=two lines • Iambic pentameter=five feet • Turn=change of direction

  33. How to read a sonnet: follow the train of thought, look for shifts of tone or direction • Thought, followed by example, then comparison • Layers of meaning, metaphor, words connected to each other • Couplet reveals even deeper meaning

  34. Origins and Sources • Did not create stories, aside from Love’s Labor’s Lost and The Tempest • Holinshed: Chronicles of England Scotland and Ireland, 1587: plot elements, character names, and descriptions, but reshaped to suit dramatic purposes • Edward Hall: The Union of the Two Noble and Illustre Families of Lancaster and York, 1548

  35. Origins and Sources • Boccaccio: Decameron, 1353; people fleeing plague in Florence, bawdy and full of innuendo • Romances (long narrative in poetry or prose) • Seneca: tragedies of deception and revenge • Plutarch: Lives of the Noble Grecians and Romans

  36. Origins and Sources • Ovid: Metamorphoses, poetry, mythological • Plautus: comedic drama from Greek plays; low-class characters that outwit upper-class

  37. Impact of Shakespeare’s Plays • Emotional impact • Use of language to reveal or convey character • Extremes of human experience • Complexity of character, motivation, real and three dimensional • Dialogue reveals a character through his or her words, directly and indirectly • Much dialogue poetry; no people did not speak this way

  38. Impact • Racy stories appealing to common person as well as educated; evolving London, cultures and classes mixing • Ben Jonson: “not of an age, but for all time” • Coat of arms “Not without merit” • Didn’t protect his plays for posterity • Half of plays printed by time of his death, rest by friends: First Folio

  39. Was Shakespeare really Shakespeare? • Authorship controversy • Documents show he lived and wrote the plays • Playbills named him • Plays published after performance with his name • Shareholder in company who performed them • Other famous people wrote about him

  40. Conspiracy • Occam’s razor: the simplest explanation is often the correct one • Commoner, country boy, son of illiterate tradesman and mother, never went to university; must have been aristocrat • But English Renaissance and others of that time had similar backgrounds: Marlowe, Jonson, Donne, Spenser

  41. Bacon • Sir Francis Bacon: Renaissance man, royal court, prolific writer, philosophy, politics, scientific method • How would he have had time? • Twain a proponent

  42. de Vere • Edward de Vere, Earl of Oxford: education, courtly knowledge of Elizabeth I, writer, poet, comedy, military, life parallels many plots of plays; died 1604, and Shakespeare did plays in 1609 and 1613 • Freud a proponent

  43. Marlowe • Christopher Marlowe: anti-Stratfordians, literary professional, son of tradesman, university degree, born same year as Shakespeare, but already famous when S. came to London in 1590’s

  44. Marlowe • 1593 charged with heresy as atheist and “murdered” by men in British intelligence and took up Shakespeare’s name as a cover • Marlowe was a spy, so it’s suspicious • Marlovians’ literary analysis say “fingerprint” the same • But stark differences in style and content, though Shakespeare certainly influenced by him

  45. Yet more conspiracy • Sir WalterRaleigh: explorer, poet, philosopher, statesman, courtier lived until 1618, so chronology fits, never wrote a play, but did poetry • Queen Elizabeth I herself?

  46. Separated at birth?You be the judge.

  47. Who was Shakespeare? • So, was Shakespeare really Shakespeare? • Does it matter? • Shakespeare in a minute • http://www.youtube.com/watch?v=BMkuUADWW2A • Original pronunciation • http://www.youtube.com/watch?v=gPlpphT7n9s

  48. Catholic? • Queen Elizabeth outlawed: fined, tortured and killed if conspiring • Parents Catholic, may have been hired as a tutor in a Catholic household • Hoghton’s will: instruments and costumes, mentions a William Shakeshafte • Catholics treated respectfully in his plays • No solid evidence

  49. Gay? • Historians: no such concept at that time • May not have spent much time with Anne, but did have three children • Theatre traditional venue for gays • Shakespeare wrote love poetry to men • But also to women • Inconclusive

  50. English Renaissance • 1485-1625 • Rebirth of civilization • Started earlier in Italy (1350-1550) • Rejected “dark ages” of Medieval Europe • Revived learning of ancient Greece and Rome • Age of Exploration • Religious and political turmoil

More Related