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HARD WORK GIVES PITS A BRIGHT FUTURE 20,000 fewer miners are digging MORE coal

HARD WORK GIVES PITS A BRIGHT FUTURE 20,000 fewer miners are digging MORE coal

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HARD WORK GIVES PITS A BRIGHT FUTURE 20,000 fewer miners are digging MORE coal

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  1. HARD WORK GIVES PITS A BRIGHT FUTURE 20,000 fewer miners are digging MORE coal A miracle has taken place in Britain’s coal industry. Miners are producing more coal with fewer men and are earning bigger bonuses…the men have come to realize that the harder they work the more money they can earn. And that meant a better Christmas and a chance to pay off debts left after the strike… John Northard, NCB operations director, said of the three tonnes a man record: ‘This is a real breakthrough which is convincing proof of the new spirit in the industry and the new sense of realism among miners about the future. Management are in no doubt that our business is to produce coal at costs that costumers are prepared to pay. There is now a determination throughout the industry to succeed’.

  2. L’informazione mainstream (stampa ‘seria’, TV generalista) • Obiettività: far parlare i fatti • Idea della verità accessibile grazie all’accesso alle fonti ufficiali • Accuratezza e trasparenza • Consenso sui valori e le opzioni di fondo • Stile decoroso • Linguaggio specialistico/ufficiale • Moduli narrativi da hard news: struttura a piramide rovesciata, focalizzazione esterna • Pubblico di classe medio-alta istruita • Collocazione politica moderata o conservatrice

  3. L’informazione alternativa (stampa radicale, radio comunitarie, no TV) • Selezione di fatti più esplicitamente politici • Dissenso su alcuni valori di fondo • Comunicazione situata (soggetti collocati socialmente e/o politicamente vs. pubblico indifferenziato) • Focalizzazione parzialmente interna • Informazioni da attivisti oltre che da fonti ufficiali • Stile più informale ma ‘serio’ • Pubblico:sottogruppo minoritario della classe medio-alta istruita

  4. L’informazione popolare (tabloid, trasmissioni trash) • Fatti che stanno tra il pubblico e il privato • Ibridazione tra finzione e documentazione, tra intrattenimento e informazione • Stile sensazionale • Linguaggio popolare (racconto, stile, lessico) • Tono scettico, spesso moralistico • Politicamente spesso populista reazionaria • Predilige i temi che consentono categorie morali semplici (scandalo, crimine): mega normalità trasgressiva • Largo pubblico di classe e istruzione medio-bassa

  5. HIPPIES – DRUGS – THE SORDID TRUTH! Drug taking, couples making love while others look on, a heavy mob armed with iron bars, filth and stench, foul language, that is the scene inside the hippies’ fortress in London’s Piccadilly. These are not rumours but facts, sordid facts which will shock ordinary decent living people. Drug taking and squalor, sex – and they’ll get no state aid…

  6. http://www.corriere.it/index.shtml?refresh_ce • http://www.repubblica.it/ • http://www.lastampa.it/redazione/default.asp

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